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BONE CHINA COFFEE CAN & SAUCER BY STEFAN NOWACKI, painted still life of flowers on a marble plinth, reserved on yellow ground with raised gilt acanthus scrolls, artist's SDN monogram (2)Dimensions: saucer 13.6cms diam., can 6cms hProvenance:private collection Powys, consigned via our Cardiff officeCondition Report:excellent
LARGE BRONZE GARDEN STATUE OF MERCURY, after Giambologna (Italian, 1529-1608), modelled riding the wind issuing from the mouth of Zephyr, on plinth baseDimensions: 210cms highProvenance:private collection Cardiff, consigned via our Cardiff officeCondition Report:plinth detached, ankle wind slightly loose, caduceus slightly bent, overall verdigris
RARE SWANSEA PORCELAIN TWIN-HANDLED VASE circa 1815-1817, in the French-Empire style, of slender ovoid form with round pedestal base to a square plinth, complex moulded handles having fan terminals and floral medallions, London painted with an extensive Continental scene of three standing figures conversing in moonlight upon headland above a fortified port, the reverse with large butterfly and three smaller insects, pink roses painted to neck and foot, fine gilding to all sections including foliate band below neck and above stemDimensions: 28cms highProvenance:consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his labelCondition Report:a very fine example, firing crack across base, decoration remains vibrant, an important vase with sumptuous decoration that has retained all of its appeal
An early 19th century mahogany side cabinet; two half-width drawers retaining original locks and handles over two vertical panelled doors, the left-hand door opening to reveal shelves, the right-hand door opening to reveal a single deep lower drawer (as three), raised on plinth base (94cm wide x 50cm deep x 93cm high)
A large and unusual early 19th century Dutch oak and inlaid chest: the heavy lid on iron strap hinges and opening to reveal a right-hand side candle box and 'secret' compartment, large iron lock with shaped escutcheon to the front having fielded panels inlaid with star and square shapes, panelled ends with two blacksmith-made iron carrying handles and raised on recessed, shaped plinth style base with bracket feet to the ends, the date '1816' carved into the right-hand front foot (146cm wide x 61.4cm deep x 76.5cm high)
A large and impressive 19th century brass-mounted copper samovar; the circular lid lifting to reveal original interior with heater, scrolling brass handle supports with turned bone handles, original brass tap and raised on square stepped plinth-style base with squat bun-style feet (37cm wide x 39 .5cm high)
A walnut and marquetry 8-day Longcase Clock, by John Drew, London, early 18th century, the 11-inch brass dial signed John Drew Londini fecit and with Roman and Arabic chapter, seconds dial, calendar aperture, and cherub head scroll spandrels, the brass five-pillar movement striking on a bell, the case with plain pilasters flanking the dial, the long door with glazed lenticle and inlaid with scrolling foliage, the plinth similarly decorated, 220cm high, with key, weights and pendulum.
A walnut and feather-banded Longcase Clock, by Thomas Elliott, Greenwich, early 18th century and later, the 11-inch brass dial signed Tho Elliott Greenwich and with Roman and Arabic chapter, seconds dial, calendar aperture, and cherub and maces spandrels, the brass five-pillar movement striking on a bell, the reproduction antique-style walnut case stamped "G. C. Crane 20 G. R. Crane", with a long door and glazed lenticle, on plinth base, 207cm high, with key, brass-bound weights and pendulum.
A walnut and marquetry 8-day Longcase Clock, by Thomas Pare, London, early 18th century, the 11-inch brass dial signed Thomas Pare Londini fecit and with Roman and Arabic chapter, seconds dial, calendar aperture, winding hole covers, and cherub head scroll spandrels, the brass six-pillar movement striking on a bell, the case with a long door and glazed lenticle, inlaid with scrolling flora and birds, the plinth similarly decorated, on bun feet, 206cm high, with key, brass-bound weights and pendulum.
A George II Oak and Mahogany Crossbanded Free-Standing Corner Cupboard, 2nd quarter 18th century, of broad proportions, the moulded cornice above four bowfront cupboard doors enclosing a green-painted interior, on a plinth base107cm by 72cm by 202cmVariations in colour. Water and other marks throughout (which could be improved). Small repairs around the hinges and the interior, the interior seems original and is green painted. The right cupboard door is slightly misshapen (see photographs). Sections of moulding replaced around the top. Small sections of crossbanding are missing or have been patch repaired.
A William IV Mahogany Four-Door Straight-Front Wardrobe, 2nd quarter 19th century, the moulded top above central cupboard doors enclosing three sliding pine-lined trays and three deep drawers below, flanked by wings enclosing hanging space, on a moulded plinth base223cm by 60cm by 197cmMoulding to the two middle doors is detached, with also a section missing. Some scuffs to the top section and sides - some deep (see images). More scuffs around the moulded base. Interior depth is 48.5cm. Please see images for verso. The locks are present and with key with the exception of one of the cupboard doors (see image).
A Victorian Mahogany Library Bookcase, 3rd quarter 19th century, the upper section as a three-tier waterfall bookcase with three-quarter gallery, the base of breakfront form with open niche and adjustable shelves flanked by arched moulded cupboard doors, turned column supports, on a plinth base248cm by 47cm by 190cmVarious scuffs and faults consistent with age, mainly around the upper shelves. The top section has some veneer losses around the corner, there are also some losses to the plinth base (see images). Cupboard doors are fitted with locks, these doors are open but with no key. There are some small faults around the arched cupboard doors. The bookcase splits in two, ie the upper section shelves are one piece and the base another. The depth of the top shelves (please note this is a waterfall bookcase, so graduated): Top shelf 19.5cm deep, middle shelf 20cm deep, 3rd shelf 24cm deep. The depth of internal cupboard doors is 32cm. There are latches/locks on the cupboard doors which are open (but no key).
A Victorian Burr and Figured Walnut Three Piece Bedroom Suite, comprising triple door bowfront wardrobe with moulded cornice and central mirror door, enclosing three pine-lined sliding trays with four drawers below, flanked by moulded doors enclosing a brass rail and a single drawer to the base, 208cm by 75cm by 208cm, a breakfront double pedestal dressing table with moulded frame and plain mirror plate flanked by scrolled supports above a centre-sunk frieze drawer and flanked by eight graduated drawers, 154cm by 51cm by 185cm, and a washstand with grey and white Carrara marble top above an inverted breakfront frieze drawer flanked by eight graduated drawers, on a plinth base with castors, 136cm by 58cm by 81cmWardrobe - latches on doors are complete and working but there is no key - the doors are open. Overall in good condition, the mirror plate is slightly tarnished. Some general scuffs and minor faults consistent with age. Small shrinkage splits mainly around the moulded section of the doors (see image). Washstand - later upstand added to the marble, the marble is rather yellowed (see images). There are some small faults around the plinth base and drawers. Dressing table - the drawers run freely and are open - no key. Mirror plate with some tarnishing. Moulded frame with some minor natural? shrinkage splits and a small repair to the decorative plume.
A Reproduction Carved Mahogany Desk, after the original in 10 Downing Street, made by John L Corlyon (Furniture) Ltd, Burstwick, Hull, numbered 12/50, commissioned by Dr J F Lilburn Watson, Physician and Surgeon, the breakfront top with gilt-tooled leather inset writing surface above three drawers (one with maker's stamp) over three real drawers and a cupboard door disguised as three drawers enclosing six stationery drawers, all around a recessed cupboard door, on plinth base with stiff-leaf carved border107cm by 61cm by 79cm
A Dutch Walnut Eight Day Striking Longcase Clock, signed Pieter Gib, Rotterdam, 18th century, caddied pediment, pierced fret panels, arch trunk door with glass lenticle, scroll plinth with bracket feet, 12-1/4-inch arch brass dial with silvered chapter ring signed, dial centre with seconds dial and date aperture, arch with moonphase disc, five pillar movement with an anchor escapement, striking on the half hour and striking a larger bell for the hours, 241cm highHood with damages and losses to the pierced frets, case with later inlay, trunk door with veneer lifting and veneer missing to the inlaid stag image positioned just above the glass lenticle, case with some moulding missing and some mouldings are loose, trunk door with some outer moulding missing to the edges, dial is discoloured, seconds hand is missing, movement is dirty and needs cleaning. Pendulum suspension spring is broken, with pendulum and two weights.
After the Antique: A Bronze Model of the Crouching Venus, on a rectangular plinth and rosso antico base57cm high overallProvenance: Collection of Sir Arthur Pilkington, sold at the Dispersal of the Contents of Chevet Hall, near Wakefield, in 1947The bronze in good condition with general surface wear, marble base with damage to the lower plinth, consisting 50% replaced, approximately 1 sq'' section loss, one long strip broken in two
A Gilt Metal Mounted Breche Violette Marble Lamp Base, in Louis XVI style, of baluster form with cast stiff-leaf borders on square plinth52cm high including fittingsThe underside of the top rim of marble with two sections or repair, the smallest square section of the base, with an area of restoration near one corner and with other corner and edge chips and two internal floor cracks worked to the surface, the lower square plinth with numerous corner and edge chips, another small section of repair, wiring not tested
After Jean Baptiste Clesinger (French, 1814-1883): A Bronze Figure Group of Ariadne and the Panther, on a rectangular plinth and Sienna marble base, signed J CLESINGER and founder's mark for MARNYHAC, 1 RUE DE LA PAIX17cm longSome typical minor surface wear and scratching. Some tiny flakes to marble base.
A good Continental (German or Austrian) automaton musical box depicting a sailing ship with Spanish flag and a soldier in a tower. The ship and soldier move as the tunes are played. It is on a wooden plinth under a glass dome with background scene painted on half of dome. Tunes play on a pull mechanism.Condition report: Will need restoration, slight damage to ship's masts. It plays but will need servicing.
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172950 item(s)/page