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Lot 209
An Art Deco Jaeger-LeCoultre desk clock, the glass sleeve face enclosing Arabic numerals, raised in a chrome mount, on an amber glass platform and chrome plinth, 25.5cm wide17cm highJaeger-LeCoultre rubbed to the face. Some tarnishing to the edge of the mounting. Winds and runs. With a small chip to the amber step of the mount. General scuffing along the edges.
Lot 339
An HK Furniture 'Ambassador' rosewood coffee table, § 1970s, designed by Howard Keith, of square form with a bevelled edge, with a single drawer to the side, raised on a square plinth, 95cm square38cm highWith some scuffs along the edges. Scratches and marks all commensurate with edge and use. CITES A10 No. 615615/02
Lot 420
*Michael Grevatte (b.1943),female head, carved limestone, initialled 'MG', on a square wooden base, 28cm wide44cm deep59cm high*Artist's Resale Right may apply to this lot.Chips to the base of the neck.One area with chip that has been reset.Some pink staining to the hair. Some stains down the right side of the face.The plinth has some staining and knocks.Further photos added to the website.
Lot 459
*Robert Rigot (French, b.1929), 'Oiseau - Bird in Flight', a lead sculpture, mounted on a plinth, with a plaque 'Oiseau Bird in Flight Lead Sculpture by Robert Rigot Presented to the LDA by the Broken Hill Associated Smelters Pty Ltd in 1974', 240cm high approximately*Artist's Resale Right may apply to this lot.The sculpture comes apart.There are chips to the base edges and corners - photos added of all these edges and sides. There is scuffing to the hole where the sculpture sits. It does not sit straight in this.Plinth 86.5cm sculpture Approx 163cm high Overall 247cm approxweight - approx sculpture one man liftplinth - very heavy and solid - would need sack barrow to move and two/three persons to move.
Lot 577
A coffee table,in the manner of Willy Rizzo, of circular form with two tiers, with an aluminium side on a plinth base, 102cm diameter31.5cm and 21.5cm highA few knocks to the chrome mounting. One has pushed the edge out slightlyOne edge of the glass top appears chipped.some surface scratches to the top.One spot on the glass.
Lot 90
Stanley Thorogood (1873-1953),'Elizabeth I on horseback', an earthenware figure, an early prototype for Royal Doulton, modelled seated on horseback, with polychrome decoration, incised signature on both sides, 30cm wide30.5cm high, on an ebonised wood plinthStanley Thorogood (1873-1953) was Superintendent of Art Instruction, Stoke-on-Trent, 1913-19. From 1920, he was Director of Camberwell Art School in London. Born in 1873, Stanley Thorogood trained at Brighton School of Art and won a Gold Medal Travelling Scholarship to Italy. He was particularly inspired by imagery, mostly 19th century romantic depictions, of medieval knights. Commonly known for his three-dimensional sculptures - including a knight on horseback, c.1915, at Brighton Art Gallery - he pursued an interest in medieval equestrian subjects. Size off plinth, Horses ear missing - crazing overall. Possible restoration to the lace fringing.
Lot 115
Marcel Bouraine (French, 1886-1948),an Art Deco figure 'The Disc Dancer', modelled as a nude female holding two plastic discs, in patinated green Le Verrier art metal, signed 'Derenne', on a tapering marble plinth,49cm high With some wear to patina. Toes, leg and above the buttocks. The base is chipped in places.Discs probably not original.
Lot 163
A French Art Deco brass and mahogany uplighter, mounted with a dish shade on three scrolled arms, on a tapering column, and raised on a twelve-sided plinth, 184cm highWorking. Glass disc to the shade, appears to be cracked. Disc on te top of the column is loose (fixed with tape)Various marks to the column and the base with knocks and slightly tarnished.
Lot 167
An Art Deco walnut desk, with a tooled leather writing surface, over three drawers, raised on a 'U' shaped stand, on a plinth base with block feet,119.5cm wide 53cm deep79cm highSome filling to the left corner of the table. Leather top good. Veneer loss to the back corner of the desk. Some knocks and cracks to the veneer. Ebonised handles rubbed.
Lot 168
Maurice Guiraud-Rivière (French, 1881-1947),an Art Deco glazed terracotta figure, 'Thoughts', modelled seated on a plinth, with grey glazed hair and plinth, signed and with further stamped marks and 'Etling, France', 41.5cm wide19cm deep34.5cm high Small chip to one corner and one painted over flake on the glaze.
Lot 175
*Pierre Le Faguays (French, 1892-1962),a silvered bronze figure, 'Spring Dance', modelled as a female dancer holding bunches of grapes, a further bunch in her hair, raised on a marble plinth, mounted with a silver bronze plaque to the front, signed 'P Laurel', 51cm high*Artist's Resale Right may apply to this lot.Some tarnishing to the figure. Signed to the top of the column. Nibbles to the corners of the plinth
Lot 982
Edwardian mahogany desk, with nine drawers about the kneehole on plinth bases, 120cm wide x 53cm deep x 77cm highThe desk is in one piece and doesn't break down for transport, Split to top and splits to sides, some patch repairs to top, otherwise just general wear, scratches and wear to pedestals etc. mostly ok
Lot 1017
George III inlaid mahogany longcase clock with swan-neck pediment, the painted arched dial decorated with cottage to the arch, tulips and auricular to the spandrels, having subsidiary seconds dial and calendar aperture inscribed ‘Crane & Sons, Bromsgrove’, having lozenge inlaid borders above the trunk door having central shell inlay flanked by pair inset quadrant reeded forepilasters, on plinth base, 212cm high approx. Condition ReportSurface scratches, scuffs and knocks to the wood. Areas of fading and discolouration. Areas of loss to the wood, veneer and stinging. Evidence of old worm in places. crazing and damage to the enamel face and wear to the painted decoration. General wear and tear. See photos.
Lot 1140
Late 19th/early 20th century walnut pedestal desk with tooled leather inset top above nine assorted drawers, on plinth base, 75cm x 121cm x 64.5cmCondition ReportSurface scratches, scuffs and knocks to the wood. Areas of fading and discolouration. Appears to be some repairs to some drawer dovetail using filler. General wear and tear.
Lot 1230
Late 19th/early 20th century oak desk, the leather top above two drawers and two cupboard doors, on plinth base, 75cm x 132cm x 57cmCondition ReportSurface scratches, scuffs and knocks to the wood. Areas of fading, discolouration and staining to the wood. Leather with scratches, scuffs and wear to the gilt. Areas of loss to the veneer on the bottom of both pedestals. General wear and tear.
Lot 1265
19th century cabinet with rectangular moulded top, rounded front corners, moulded edge above single glazed door enclosing shelves, raised on plinth, 91cm x 63cm x 37cmCondition ReportSurface scratches, scuffs and knocks to the wood. Areas of fading and discolouration. Some splits to the wood on both sides, old repair/filler around top hinge. Bothe shelves look original. General wear and tear.
Lot 1308
Pine coffee table with single drawer, 47cm x 107cm x 53cm, a pine chest of three drawers, on bracket feet, 60cm x 44cm x 37cm, a further chest of three drawers, on plinth base, 64cm x 39cm x 38cm, an oak low bedside single drawer chest, 50cm x 60cm x 60cm, a dressing table swing mirror with arched top, 60cm x 56cm and another oval mirror (6)
Lot 1369
Attributed to Jackson and Graham, Victorian satinwood and ivory inlaid coromandel breakfront credenza, the top with stringing, the frieze inlaid with stylised anthemion and foliate sprays, scrolls and flowerheads, having central mirrored door with moulded borders, flanked by pair ornate foliate and scroll inlaid panels and two pairs foliate topped faux-fluted columns, the cupboard flanked by bowfronted open shelves, all on plinth base, 203cm wide overall approx. For similar example please see metmuseum.org Condition ReportTop with light scratches and scuffs, some splits to the veneer, some losses to the back. Some moulding loss to the back at the right hand side. Some losses to back, moulding and veneer. Splits all over to the veneer. Some losses to the corners of the pillars. Losses and damage to the base all over. 204 (w) x 100 (h) x 57 (d) cm See images
Lot 227
A JAPANESE BRONZE MODEL OF A MALE NUDE SHOWA ERA, DATED 1958 Realistically modelled, the young man depicted sitting on a rectangular plinth, his left leg resting on the right one and his hands holding his knee, with a gentle smile on his face, inscribed 1958 and with a two-character signature, possibly for Yamato, 34.5cm. Provenance: an English private collection, Somerset, purchased in Japan.
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173444 item(s)/page