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Lot 245
A William IV mahogany table clock, the white painted roman dial inscribed Webb, London, the twin fusee chain movement with shouldered plates, signed backplate, bell strike, pull repeat and pendulum holdfast, the gadroon moulded pad top centred by a pineapple finial over conforming upper door quadrants, lion mask, ring side handles over glass panels, plinth base and brass ball feet, 54cm high
Lot 654
Commemorative programme On The Occasion Of The Unveiling Of The Statue Of Air Chief Marshal Sir Keith Park Defender Of London 1940 On The 4th plinth, Trafalgar Square 4th Nov 2009. Also includes A Christmas Card And Flown And Signed First Day Cover 30th Anniversary Of The Battle Of Britain. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £7.99, Rest of World from £9.99
Lot 12
the inverted breakfront top over a leaf tip carved frieze, above a pair of carved fluted panel doors centred by lions masks and flanked by large elliptical flower motifs, opening to a shelved interior, the side panels similarly carved, on a conforming plinth base with further carved leaf tip moulding180cm wide, 96cm high, 67cm deepProvenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L.Footnote: Note: The present cabinet, with its robustly carved panels with deep undulating fluting bears some similarites to a set of twelve gilt and painted stools made by John Linnell for Kedleston Hall for the 1st Lord Scarsdale. Other pieces by Linnell with the same deep fluting but to designs by Robert Adam, can be found on a pair of dining room urns and pedestals at Osterley Park, made for Robert Child in 1767.
Lot 121
the serpentine and lobed oval top with a brown leather liner and moulded edge above crossbanded short drawers to the frieze, above a kneehole with slide, raised on pedestals with crossbanded and moulded panel doors marked at the corners with carved fans, on a conforming plinth base with brass corner brackets, all outlined with crossbanding168cm wide, 83cm high, 105cm deepProvenance: Property of a Scottish family
Lot 162
the swan neck pediment above and arched brass dial with signed boss, the silvered chapter with Roman numerals, subsidiary seconds dial, date aperture, and twin winding holes, above an arched crossbanded trunk door above a banded plinth on bracket feet; the eight day movement striking a bell53cm wide, 230cm high, 27cm deep
Lot 172
the moulded cornice above a pair of astragal glazed doors flanked by further doors, all enclosing adjustable shelves; on a base with four moulded panel doors, the centre doors enclosing sliding trays, the outer doors enclosing drawers to one side and shelves to the other, on a plinth base282cm wide, 220cm high, 53cm deepProvenance: Property from a Scottish Country House
Lot 383
the superstructure with a fixed shelf and grass gallery; the lower part of bowfront outline with glazed doors flanked by bobbin and foliate carved mouldings, enclosing adjustable shelves, on a plinth base107cm wide, 147cm high, 40cm deepProvenance: The Peter Rose and Albert Gallichan Collection
Lot 392
the black veined marble top above a dentil moulded frieze and glazed door enclosing shelves and flanked by lotus capped pilasters, on a plinth base69cm wide, 93cm high, 30.5cm deepProvenance: The Peter Rose and Albert Gallichan CollectionFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 434
IMPORTANT GEORGIAN DOLL'S HOUSE, 'THE EVANS BABY HOUSE' 18TH CENTURY, WITH LATER ADAPTATIONS AND CONTENTSmodelled as a three-storeyed Georgian town house, of ochre and red painted pine and other timber, the hinged façade with a three window frontage and cornice embellished by composition mouldings; the basement floor with three nine-pane windows and lathe coursing, the principle floor with treillage moulding and a central recessed portico with fan light and columns flanked by twelve-pane windows; the top floor with three nine-pane windows, the centre window with an arch, flanked and divided by bead moulded roundels; opening to three single-room floors with painted walls and corner fireplaces with faux marble surrounds, with hand-tinted prints to the walls, one to the top floor and six to the main floor; the top floor with an ivory plaque inscribed “Miss Hancock has sent Anne a large old-fashioned baby house which was made for her great grand mother. It possesses little furniture but has given great delight.” From Mrs Evans at Britwell Court, Burnham Beeches, to her sister Mrs Phelps in Madeira, May 6 1825.; the basement floor fitted with original Georgian dressers; with 19th century and later contents including furniture, pictures, photographs, ceramics, copper and brass wares, and various dolls; all raised on a plinth base fitted with a single drawer; with various letters, papers, and other correspondence detailing the house and historyProvenance: The Estate of the Late Mary Elizabeth Stuart Harley (1925-2019), ex. Ulladale, Strathpeffer, Ross-shire. Owned by Anne Evans (1820-1870) and her sister Emma Hubbard (née Evans) (1828-1905), Britwell Court, Buckinghamshire, during the 19th century and then by descent.Literature: Vivien Greene, 'The Evans Baby House', in English Dolls' Houses of the Eighteenth and Nineteenth Centuries (London & Wisbech, 1979), pp. 157-160.
Lot 570
the rouge marble top above a frieze drawer and a fall front enclosing an interior fitted for writing, above a further drawer and pair of cupboard doors, all with floral marquetry, on a plinth base72cm wide, 125cm high, 38cm deepFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 66
the caddy top hood with carved giltwood flaming urn finials and repoussé brass fret above a twelve inch silvered dial with Roman numerals, subsidiary seconds dial, date aperture, and twin ringed winding holes, signed on the chapter flanking the VI 'Andrew Broun/ Edinburgh', with crown and cherub spandrels, above a geometric line inlaid and crossbanded trunk door with an oval brass bound lenticle, on a similarly decorated plinth base with bun feet; the month going movement with five wheel trains and turned pillars, anchor escapement, and hourly strike on a bell via a counterwheel46cm wide, 247cm high, 25cm deepFootnote: Note: Edinburgh made clocks that predate 1700 are exceedingly rare. Andrew Broun [or Brown] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus "The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker." Ten years later he officially ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen's Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen's Incorporation in 1689.In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen's Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father's death.John Smith, author of Old Scottish Clockmakers from 1453 to1850, states "In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow". A marquetry longcase clock by Broun dating to the late 17th century sold in these rooms, 1 September, 2021, lot 18, and another 17 November, 2021, lot 18.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 94
the broken arch pediment above a dentil moulded frieze, over glazed doors enclosing adjustable shelves, on a conforming base with moulded doors centred by moulded fan medallions and marked at the corners with further fan motifs, shelves to the interiors, on a plinth base212cm wide, 231cm high, 43cm deep
Lot 367
Russell's 'Railway Keyless Watch' nickel cased lever pocket watch, the movement signed 'Russell's Railway Keyless Watch' with balance cock inscribed 'Patented' with Longines winged hour glass and compensated balance, the dial signed Russell's with Roman numerals and minute track, blued steel hands, 58mm-**hinged display case, inscribed 'Henry. W. Bedford, 57 Regent Street, London, Late Russells' Patent, Recd 30 May 1881, upon a wooden plinth, with key -Movement - currently functioning.Dial - light surface marks.Glass - light surface marks.Hands - light surface marks and some surface corrosion.Case - light surface marks.Crown - adjusting corrctly.Display case - surface marks, some blemishes and scratches, some light indentations, glass with surface scratches.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 588
CHARLES CUMBERWORTH (1811-1852); A GILT-BRONZE PERSONIFICATION OF INNOCENCECast by the C.H. LeBlanc, Late 19th CenturyThe female nude cast with a serpent held to the chest and holding flowers, the base inscribed and stamped to the underside ‘INNOCENCE’ and ‘CH LEBLANC’, 29cm highCondition report: Some rubbing and light tarnishing. Relatively fine casting and finishing to the detail. Lacking plinth base. The Foundry of LeBlanc was the heir to the famous Barbedienne Factory, France. Barbedienne died in 1891, after which Gustave LeBlanc, then M. LeBlanc took over the factory and ceased operation in 1952. LeBlanc is known for its production of small-scale sculptural decorations and objets d'art during the Beaux Art period of the late 19th and early 20th Century.
Lot 807
WNAI - A JACOBEAN STYLE CARVED OAK IONIC COLUMN TABLE LAMPEarly 20th Century, with imbricated column on plinth carved with mask ornament on stepped base, with conical shade, 92cm high (excluding fitment) and 111.5cm high overallCondition report: Missing a bun foot and another with partial loss. Some shrinkage between joins, chips, splits and dents commensurate with use and age, including a small split to the section at the base of the column and two losses to the ring turned socle of the column.Chips to the details of scroll of the column’s capital. Loss of definition to the column capital at the back. Dirt and dust. Will need rewiring for electrical use.
Lot 814
A BRONZE FIGURE OF NEPTUNEAfter Giambologna, possibly late 17th Century / 18th Century, mounted on a rouge griotte marble and Siena marble plinth base, 27cm highCondition report: Scuffs and small chips to the marble, notably to the edges and corners. Bronze patina rubbed. The figure is missing a baton held in the hand at the back, behind the dolphin.
Lot 834
A FRENCH BRONZE BUST OF THE GODDESS DIANA THE HUNTRESSAfter Charles Anfrie (1833-1905), circa 1870, signed to the side of the socle, on associated black slate plinth base, 35cm high; 45cm high with baseCondition report: Dirt and dust to the recesses. Some tarnishing to the gilted areas. Patination rubbed and in some areas slightly rough Base with chips to edges an corners, commensurate with use and age. Bust is not fixed to black slate plinth.
Lot 840
WNAI - A CARVED MARBLE BUST OF AN EMPEROR18th Century, head to dexter, modelled with bearded face and drapery, on later associated column, the bust - 76cm high Overall height: 204cm Height of plinth: 127cmCondition report: Overall weathered, with losses of detail overall. Including, chipped end to the nose and weathered. Weathered eyes, mouth, beard and nose. Some lichen and discolouration to the marble, especially towards the base and recesses of the drapery. Heavy dirt and marks overall. Some black paint marks. Various fissures.The reverse with roughly carved out back, the central area darkened and discoloured, with the surrounding areas with cleaner looking with a fresher chisel marks. See additional images. The column with various chip marks in places, edges and corners. Various very minor fissures. A more recent scratch down the one side.See additional images.
Lot 864
WNAI - MESSENGER: A VICTORIAN GILT AND PATINATED BRONZE TABLE LAMP; TOGETHER WITH ANOTHER (2)Late 19th Century, with global etched amethyst tinted glass shade and flue above the burner, marked ‘MESSENGERS PATENT DUPLEX No.2’, above a Corinthian column on plinth base mounted with Bacchic masks, 110.5cm high, the second, as featured in Withnail and I, mounted with gilt-metal sun masks, with conical shade, 66cm excluding fitmentCondition report: The base with tarnishing, dirt and dust. Some oxidisation to the gilding on the mask mounts in particular and recesses of the capital. Some small losses to the patination of the column in areas. Dirt and dust to glass. One loose sun mount on base of other.2 small chips to the top rim of the ball shade
Lot 877
WNAI - AN 18TH-CENTURY ITALIAN MOTHER-OF-PEARL AND PEWTER INLAID EBONISED COMMODEWith three long inverted breakfront drawers on carved bracket feet, 151cm wide; 99cm highCondition report: Shrinkage split running the width of the top. Many losses to the mother of pearl inlay, notably to the central motif of the top, with further leaves missing. Missing elements of inlay in other areas. Numerous pieces of pewter pinging up and missing, mostly to the sides. Worm damage quite extensive in areas, notably the back foot, bottom edge and worm tracks visible to the top. Later timbers used to support plinth and back legs, see images. Losses along the plinth edge and further wear, together with a missing block to the front left top corner of the projecting angle. Handles to the top drawer are later associated. Another below missing a loop pull. Wear , shrinkage and loses to the drawer linings which are lined and painted. Otherwise the general and inevitable scuffs, scrathes, dents, small chips and marks commensurate with wear, use and age. Dirt and dust. Please see additional images on www.bellmans.co.uk.
Lot 880
WNAI - A PAIR OF MID-19TH CENTURY NAPOLEON III ORMOLU MOUNTED EBONISED AND PIETRA DURA SIDE CABINETS (2)Each with a black slate top over a slate mounted door decorated with fruiting trees with birds, flanked by Bacchic herms, 116cm wide; 53cm deep; 131cm highCondition report: Numerous losses, breaks and damages. Notably, one with a cracked and broken slate top at the front right projecting corner and further cracks to the panelled door.The other cabinet with extensive crack through the slate mounted door. Both with numerous shrinkage splits visible from the inside and further veneer cracks to the side doors. Both with many loose elements of inlay, notably to the sides, see extra images and in other areas. Both with losses to the pietra dura decoration on the doors, one with a section of the tree trunk missing. Both with heavy tarnishing, oxidisation to mounts and dirt and dust. Other general signs of wear and tear, with the inevitable scuffs, scrathes, dents, small chips and marks commensurate with wear, use and age. Some fading.Some old worm holes in areas, notably to the plinth base and backs. Two keys, one slightly bent. Please see additional images on www.bellmans.co.uk
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