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A 19th century mahogany longcase clock, arched dial painted with romantic scenes, black Roman numerals, subsidiary seconds and date dials, inscribed 'Blackburn ? Gateshead', curl veneer crossbanded arched door enclosed by turned columns, similar veneered plinth base, dial 51cm high, 229cm high overall, 8 day movement striking on a bell
Secessionist ebonised longcase clock, the pediment with carved abstract tree motif over wide stepped cornice above further carved details and a circular brass face with numerals in black over an open section displaying pendulum and weights on panelled base section on plinth base, 90in (228.6cm) high
A Japanese One Piece Carved Ivory Okimono, of a Fruit Seller, late Meiji, circa 1900, standing full length, holding a basket of aubergines on his shoulder some of which tumble out, on an oval plinth with incised red inlaid kakihan, 10.2cm high; and Another, of a priest bathing in a tub, aided by a squatting fellow priest wringing a flannel into a pail, signed, 5.2cm high (2)
A Japanese Carved Ivory Sectional Figure of a Boatman, late Meiji, circa 1910, in traditional peasant attire holding a large paddle in one handle, a massive ladle in the other, upon a shaped oval plinth, signed, 14.5cm high; Another, of Hotei and Two Boys, 10.5cm; A Netsuke of Tanaga, seated, 4.7cm; A Small Okimono, of a tradesman carrying a large food box on a tray, a lantern in his right hand, a boy at his feet, 5.7cm high; and An Okimono of a Fox, crouched over a bell, 4.6cm (5)
An Ormolu Striking Mantel Clock, signed Brunet a Meaus, circa 1830, the case surmounted by a figure of a lady beside a tree stump with flowers, the waisted plinth mounted with scroll decoration to the front, white enamel dial with Roman numerals, twin barrel movement with silk suspension and countwheel striking on a bell, 42cm
An Edwardian Mahogany Chiming Table Clock, the break arch case with stepped pediment, pierced wood sound frets to the sides, applied gilt metal mounts with fluted decoration to the plinth, 8-inch arched brass dial with silvered chapter ring, the arch with subsidiary dials for fast/slow, chime/silent and chime on eight bells/Westminster chime, the massive three train movement with anchor escapement, quarter chiming on eight bells and striking the hour on a further gong, backplate numbered "3402", 76cm high, together with associated wall bracket
A Small Mahogany Longcase Clock, circa 1890, the case with flat top and fluted columns, trunk door of good colour and flanked by inset fluted pilasters, plinth with raised panel upon bracket feet, 8-inch square brass dial with Roman chapter ring, dial centre with engraved floral decoration, four pillar movement with anchor escapement and rack striking on a bell, 171cm high
An Oak Eight Day Longcase Clock, signed Henry Harding, the highly carved case with flat top pediment, figural canted pilasters, plinth with central carved panel, brass claw ball feet, 14-inch arched brass dial with silvered chapter ring, dial centre engraved, seconds and date aperture, four pillar movement with anchor escapement and rack striking on bell, dial and movement circa 1770, case 19th century, 244cm high
An Oak Eight Day Longcase Clock, the case with flat top pediment, wavy shaped trunk door upon a plain rectangular plinth, 11-inch square brass dial with silver chapter ring signed "F Bayley Uttoxeter", matted dial centre with date aperture, four pillar movement with anchor escapement and rack striking on bell, dial and movement associated, 201cm high
A Mahogany Thirty Hour Longcase Clock, signed Stancliffe, Halifax, circa 1810, the inlaid case with swan neck pediment, wavy shaped trunk door, plain rectangular plinth upon moulded feet, 14-inch white painted arched dial, centre field signed "Stancliffe, Halifax", subsidiary dials for seconds and date, rolling moon in the arch with lunar scale, corners decorated with flowers, four pillar movement with anchor escapement and countwheel striking on a bell, 232cm high
An Oak and Mahogany Eight Day Longcase Clock, signed Rowntree, York, circa 1820, case with swan neck pediment, case with later inlay decorated with birds and flowers, wavy shaped trunk door flanked by fluted pilasters, rectangular inlaid plinth upon bracket feet, 13-inch arched painted dial signed "Rowntree, York", dial centre with subsidiary dials for seconds and date, four pillar movement with anchor escapement and rack striking on bell, 219cm high
An Oak and Mahogany Eight Day Longcase Clock, signed J Atkinson, Gateshead, circa 1810, the case with flat top, arched trunk door flanked by mahogany inlaid canted corners, plain rectangular plinth upon shaped feet, 13-inch painted arched dial, centre field with date and seconds, flower decoration to the corners and the arch with painted landscape scene, four pillar movement with false plate stamped "William Whitaker, Halifax", anchor escapement and rack striking on bell, 203cm high
An Edwardian Oak and Mahogany Chiming Longcase Clock, swan neck pediment with three brass finials, painted glass inserts, brass ended Corinthian capitals, the arched truck door with mahogany banding and flanked by mahogany inset pilasters, the plinth with raised quatre form panel, upon later feet, 14-inch arched brass dial with silvered chapter ring, subsidiary seconds, chime/silent in the arch, massive three train movement with anchor escapement, 230cm high
A Scottish Mahogany Eight Day Longcase Clock, signed James Cowan, Edinburgh, circa 1760, the case with flat top and fluted columns, trunk door and plinth with moulded quatreform frames, 12-inch brass arched dial with silvered chapter ring, matted centre field with seconds and date aperture, the arch with silvered plaque signed "James Cowan, Edinburgh", surrounded by foliate engraved decoration, strike/silent, later hands, four pillar movement with rack striking on a bell, 217cm high
An Oak and Mahogany Eight Day Longcase Clock, signed William Davies, Chester, circa 1770, the case with swan neck pediment, wavy shaped trunk door with mahogany crossbanding flanked by inset fluted pilasters, brickwork decoration upon a plinth with canted corners, 13-inch arched brass dial with silvered chapter ring with inner date ring with corresponding central date hand, dial centre with engraved floral decoration and signed "William Davies, Chester", subsidiary seconds, the arch with painted landscape scene and rolling moon disc, four pillar movement with anchor escapement and rack striking on bell, 235cm high
A Victorian Brown Oak Breakfront Bookcase, the coved cornice and burr-oak frieze over four key-arched clear-glazed doors, enclosing adjustable shelves, the base having a pair of moulded-panel doors enclosing drawers and trays, flanked by conforming canted cupboards, on a plinth, 249cm by 185cm by 57cm
A Royal Crown Derby Porcelain Imari Ewer, 1905, of neo-classical semi-ovoid pedestal shape, with S handle, with fluted gilt painted decoration upswept to a beaded swollen collar, the main body painted in typical colours with a foliate design, upon a conforming swept circular foot and integral square plinth, red printed crown, interlaced D mark and year mark, 27cm high
A Meissen Porcelain Figure Group as an Infant with a Dog, circa 1880, the bonneted and scantily clad infant lying on a gingham coverlet on a couch, startled by a dog who jumps up to acquire the child's teething biscuit, on a rustic octagonal plinth base applied with leaves, arcaded edge, decorated overall with in soft coloured enamels and enriched with gilt, crossed swords mark in underglaze blue, 18cm high
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173444 item(s)/page