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Lot 163
VICTORIAN GLAZED TOP CWPWRDD GWYDIR in oak and mahogany, having a stepped cornice over two arched top glazed doors and matching central glazed panel, with interior shelving over a base arrangement of three frieze drawers and two cupboard doors with central panel, all with applied shaped top panels, on a plinth base, the whole having glass knobs and carved applied corbels, 222cms H, 156cms W, 50cms D
Lot 237
A Louis XVI revival large ormolu gilded table clock under glass dome, depicting two young ladies holding hands casting and gilding, 4 3/4 dial with enamel painted numerals Two train French movement striking on a bell, mounted on a cushion top gilded plinth, engraved to the back with "5 PH Mourey 78". 66cm H (74cm H with glass dome) 46cm W (57cm W on plinth)
Lot 245
A 19th Century Fruitwood and gilt quarter chime bracket clock by Tiffany & Co model 393, mounted with pointed floral in classical urn finials to each corner, flanked with side handles above pierced grills, with arched glazed panel door enclosing a silver chapter and gilt metal 8.5inch dial engraved with Arabic numerals, twin wind-up movement holes, flanked by fluted outset columns on plinth base, arch glazed rear door enclosing one gong and four chime with pendulum and key. 48cm H x 31cm W x 21cm D
Lot 253
A George III revival brass mounted ebonised quarter chiming bracket clock, unsigned, chiming graduated nest of bells and an hour gong, brass urn finials and brass foliage mounts on a moulded top, above an (18cm H x 12cm W) arched brass dial with matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, foliate scroll cast gilt spandrels beneath arch incorporating subsidiary chimes or silent and chime on eight bells/Cambridge chimes, flanked by pierced handles, above foliate sound frets, winged by brass female cherubs on foliate decoration to the angle, on a plinth apron raised on scrolling feet. 41cm H x 21cm W x 16cm D
Lot 254
A George III oak, satinwood and olivewood crossbanded 8-day longcase clock by D Hastings, Alnwick, circa 1770, scrolling swan neck pediment inlaid with foliage brass decoration, centred with a brass eagle on globe finial, over arch glazed hood enclosing with a 12 and a quarter inch brass dial, mounted foliage spandrels and silver chapter, engraved with makers name, Roman numerals and Arabic minute numerals, subsidiary dial, twin 8-day keyholes, flanked by brass top fluted columns, above a moulded panel door with shell decorated satinwood strung throughout, enclosing a pendulum and two weights with keys, flanked by quarter fluted columns, moulded plinth apron, raised on ogee feet. 237cm H x 47cm W x 23cm D
Lot 257
A Regency mahogany and brass inlaid 8-day bracket clock by James Bidlake, London, striking to a bell, circa 1790, brass handle top mounted on a moulded top, flanked by brass finials on a moulded edge, above a glazed door flanked by brass foliate decoration, enclosing an arch dial (24cm H x 16.5cm W), strike/silent dial above Roman hourly numerals with Arabic outer minutes, engraved with "James Bidlake, London", over a date aperture flanked by twin 8-day movement keyholes, pierced brass sound panels, raised on a moulded plinth on ogee brass feet. 48cm H x 29cm W x 21cm D
Lot 515
AN EBANO SCULPTURE a limited edition reproduction bronzed sculpture of a D Jose Luis de Casasola original, depicting an embracing couple under a heart, on geometric plinth, no 139/3000, with international certificate, height 44cm (Condition report: good overall condition, some light scratches to plinth, tape residue, rust to supports, dusty) (1 + CERTIFICATE)
Lot 517
A 19TH CENTURY STONEWARE FIGURE OF A RECUMBANT LION, moulded on a rectangular plinth with rope twist edge, height 14cm x length 19cm (Condition Report: there is a large arch shaped chip to the rear of the right hand side, a small underglaze shallow chip to the bottom front edge and another similar chip into the glaze along the base of the left hand side, fine crack to the underside of the base at the rear) (1)
Lot 734
TWO BOXED BESWICK WARE BEATRIX POTTER TABLEAUX, comprising Tableau of the year 1999 Mittens, Tom Kitten and Moppet BP-8, signed to base, with wooden plinth, and limited edition Peter and Benjamin Picking Up Onions no 0735/3000, with wooden plinth (2) (Condition report: both have no obvious chips or restorations but very dusty)
Lot 738
TWO BOXED LIMITED EDITION JOHN BESWICK BEATRIX POTTER TABLEAUX, comprising My Dear Son Thomas BP-11b P4169 no 0821/3000 with certificate and Peter and Benjamin Picking Apples BP-11b P4160 no 1282/3000, Michael Doulton signature 20 Feb 2003 to base, with wooden plinth (2) (Condition report: no obvious damage or restoration, dusty)
Lot 690
* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),CHOCOLATE IS NOT THE PROBLEMlithograph on 150g silk paperimage size 77cm x 57.5cm, overall size 83cm x 63cm Framed and under glass.Note: Original exhibition print made on the occasion of David Shrigley’s solo exhibition DON’T TOUCH THE WORMS at Copenhagen contemporary. Note 2: David Shrigley attended Glasgow School of Art from 1988-91 where he studied environmental art. He works in many disciplines including drawing, photography, painting, sculpture, animation and music. The variety of projects he is involved with are multi-faceted ranging from the video for Blur’s ‘Good Song’ to ‘Kingsley’ Shrigley’s mascot for the Scottish football team Partick Thistle to ‘Really Good’ a sculpture of a bronze fist with upraised, out of proportion thumb which he created for the Fourth plinth in Trafalgar Square. Shrigley was created an O.B.E. in 2020 for services to the visual arts. Recent notable exhibitions include those in Glasgow, Germany and Sweden and he was nominated for the Turner Prize in 2013. His work is held in a number of important public collections including the National Galleries of Scotland and Tate.
Lot 707
AN EARLY 19TH CENTURY WORCESTER PORCELAIN VASEovoid, with a slender neck, with two handles terminating from heads of goats, the cover with an acanthus finial, centered a scene with the Greek God Aion surrounded by for attendants, body with gilt foliate and floral accents against a crisp white ground, atop a gilt rectangular plinthhand-written poem in red, with factory name and address along with impressed manufactory mark all underside; height including cover: 46 cm (18 1/8 in.) CONDITIONThe vase appears in very good condition. Two chips where the body meets the base. Very light surface wear to the gilt. Inspection under UV light shows no apparent sign of restoration.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 682
MEISSEN PORCELAIN ALLEGORICAL FIGURAL GROUPmodelled as an allegorical scene, a goddess stands the right of the plinth, dressed traditionally, a cupid stands to the left, a garland swag of rosettes drapes across the plinth, centered a flame, all atop an oval gilt detailed base,marked with factory mark in blue underglaze, model number H18 incised in paste, stamped with numeral 48 in paste under base; height: 36 cm (14 1/8 in.) CONDITIONThe figural group appears in good condition. Scattered chips and nicks to the garland swag of rosettes. Overall surface dust visible to the naked eye. Cracking visible to the oval base. Inspection under UV light shows retouching along the base as mentioned previously.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 704
PAIR OF OLD PARIS PORCELAIN AND GILT URNSovoid baluster shape, each with a pair of handles terminating from a mans head, the body of each featuring a garden bouquet of berries and flowers in a gilt rectangular frame, against a deep maroon with accents of gilt, atop a square plinth; height: 34 cm (13 3/8 in.) CONDITIONThe pair of vases appear in good condition. Rubbing visible to the handle, rim, foot rim and plinth. Inspection under UV light shows regilding to the rim and handles of each.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 46
A JAPANESE BRONZE ONI IN MIYAO EISUKE OF YOKOHAMA STYLE SCULPTURE, MEIJI PERIODthe Oni holding a flat rounded sculptural piece with motifs of dragons designed from different patina of bronze, the Oni figures dressed traditionally in robes adorned with jewels, atop a oblong rectangular plinth with animalistic feet, the rounded finial reveals a small interior compartment; height: 44.5 cm (17 1/2 in.)CONDITIONThe bronze appears in good condition. Overall surface dust and minor discoloration visible. Would benefit from a polish.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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173444 item(s)/page