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A toothpick holderPortuguese silver, 19th centuryFountain with pine cone finial resting on architectural composition with sphere and 3 dolphins on pierced triangular plinth on a salver with three feetOporto unidentified assay-mark (L-41) for 1822-1843 and unidentified maker's mark 1855-1861Literature:F. Moitinho de Almeida/Rita Carlos"Inventário de Marcas de Prata Portuguesas e Brasileiras"séc. XV a 1887p. 111Alt.: 18,5 cm229 g
A toothpick holderPortuguese silver, 19th centuryFountain with swan finial resting on architectural composition with sphere and 3 dolphins on pierced triangular plinth on a salver with three feetOporto assay-mark (P-37) 1855-1861 and maker's mark (P-584) José Félix Faria VilaçaLiterature:F. Moitinho de Almeida/Rita Carlos"Inventário de Marcas de Prata Portuguesas e Brasileiras"séc. XV a 1887pp. 225, 331Alt.: 18,5 cm285 g
A toothpick holderPortuguese silver, 19th centurySwan resting on a plinth and square standOporto assay-mark (P-32) and maker's mark (P-454.0) Luís António Rodrigues de Araújo (1843-1853)Literature:F. Moitinho de Almeida/Rita Carlos"Inventário de Marcas de Prata Portuguesas e Brasileiras"séc. XV a 1887pp. 223, 307Alt.: 11 cm116 g
A toothpick holderPortuguese silver, 19th centurySheep resting on pierced plinth and rectangular stand of foliage feetLisbon assay-mark (L-44) and unreadable maker's mark, later remarked Elder´s HeadLiterature:F. Moitinho de Almeida/Rita Carlos"Inventário de Marcas de Prata Portuguesas e Brasileiras"séc. XV a 1887p. 112Alt.: 13 cm175 g
A parian figure of a naked maiden leaning on a pillar, standing on a plinth, 33cm high CONDITION REPORT: The chain is present but in pieces, there is a hairline crack running the circumference of her neck, a firing crack where her leg touches the supporting upright, there is a firing crack at the base of the draped support
A 19th century English porcelain cabinet plate with a heavily gilt border, painted to the centre with a bottle vase of garden flowers on a plinth and three vignettes including a garden scene, fruit and garden flowers, bears initials dared 1840, 22.5cm diameter CONDITION REPORT: Some surface scratches, does ring when tapped, some gilding rubbing, no obvious cracks or restoration
A Regency mahogany and brass inlaid mantel clock, early 19th century, within an octagonal case with twin swing handles to sides and handle to top, the radiating veneers brass inlaid with foliage, raised on a rectangular plinth base inlaid with Poseidon, Amphitrite and sea horses, with single drawer to side of base, on paw feet, the later white enamel dial with Arabic numerals, with later brass movement with lever escapement, 53cm high, 39cm wide Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
A rosewood and brass inlaid mantel clock, early 19th century, the architectural rosewood case with brass inlaid decoration, having twin cornucopia and ring handles, having glazed door to reverse, on plinth base with brass inlaid decoration on ball feet, the painted convex dial with Roman numerals and blued steel hands, single fusee movement, the backplate signed J. Hall, London, with pendulum and door key, 28.8cm high, 18.5cm wide, 12cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
A French amboyna and ormolu mounted mantel clock, by Baullier et Fils, Paris, mid 19th century, the amboyna veneered case with domed top and acanthus ormolu mounts, with reverse painted glass panel to front achieving a trompe-l'oeuil effect, with shell and scrolling foliate decoration, on plinth base with engine turned bun feet, the ormolu dial with Roman numerals and engine turned dial centre, the dial signed BAULLIER ET FILS A PARIS, the twin train brass drum movement striking on a bell on the hour and half hour, 44cm high, 24cm wide, 16cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Please refer to department for condition report
A mahogany mantel timepiece, by V.A.P. Brevete, late 19th century and later, in a mahogany case with moulded cornice and plinth base, the interior of the door bearing label for John Carter Time Piece Maker to the Royal Navy 61 Cornhill London numbered in pen 13692 to label, the later silvered dial with Roman numerals and outer minute track, within a scrolling foliate engraved gilt surround, the backplate lock mechanism marked V.A.P. BREVETE S.G.D.G., with pendulum, winder and door key, 17cm high, 12.5cm wide, 8.5cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
A mahogany mantel timepiece, late 19th/early 20th century, the case with arched moulded cornice, above ebony line inlaid front, on plinth base and bracket feet, the interior of door bearing paper label for Thwaites & Reed Ltd, dated in pen 28.8.56, the silvered dial with Roman numerals and outer minute track, dial signed Jump, LONDON, single chain fusee movement, with pendulum, approx. 27cm high, 16cm wide, 12cm wide Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Please refer to department for condition report
A Regency bronze figural pocket watch stand, early 19th century, modelled as a kneeling child holding a floral wreath aloft, on a circular plinth and square base, 19.5cm high, 7.5cm square at base; together with a Regency rosewood pocket watch stand, early 19th century, the arched frame on baluster supports, 15cm high (2) Please refer to department for condition report
An English amboyna and walnut eight day longcase clock, by Richard Haughtin, Fetter Lane, early 18th century, the burr walnut case with moulded cornice above pierced fretwork frieze over four pilasters, the trunk with arched moulded door with boxwood stringing, on plinth base, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, matted dial centre with subsidiary seconds dial and date aperture, with elaborate gilt brass scrolling spandrels, blued steel hands, signed R Haughtin Fetter Lane to silvered plaque to arch, the eight day twin train movement striking on a gong, with pendulum and winder, 219.5cm high Note: Richard Haughtin is recorded as working in London from 1683, he became free of the Clockmakers’ Company in 1691 and was active until 1714. Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Please refer to department for condition report
A chinoiserie eight day longcase clock, by George Tyler, Pope's Head Alley, London, first quarter 18th century, the black lacquered case all over decorated with flowers and foliage, having broken arch pediment with giltwood pineapple finials above four floral painted pilasters, the trunk with moulded door and lenticle, decorated with figures in a courtyard scene and a figure on a horse, on plinth base decorated with flowers and a figure riding a mythical beast, the square brass dial with silvered chapter ring having Roman and Arabic numerals, subsidiary seconds dial at twelve, date aperture at six, engraved signature to chapter ring, matted gilt dial centre, elaborate brass spandrels, and blued steel hands, the twin train movement striking on a bell on the hour, with pendulum and two weights, 233cm high Note: George Tyler had premises in Pope's Head Alley, Lombard Street, London until around 1720. He was apprenticed in 1692 through the Clockmaker's Company to Robert Dingley and was a member of the Company 1699-1723.Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Edward VII silver two handled sporting presentation trophy cup and cover, 'Merthyr Tydfil and District Inter Factory Sports Cup' presented by Lines Bros (South Wales ltd) 1949, the handles in the form of semi nude winged angels standing on a wooden base, By George Fox, London, 1904. 107 troy ozs approx. (B.P. 21% + VAT) Tarnished overall, inner cover lip is bent in places, minor nicks and dinks to edges. Lyre strings missing to both handles. Hall marks are slightly rubbed. 40cms high (with plinth 47cm high) approx.
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173444 item(s)/page