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Click here to subscribeDOUG HYDE (BRITISH 1972) 'WATCHING THE WORLD GO BY' a limited edition bronze sculpture of a boy with dog on a bridge, impressed signature and edition number 186/250 with certificate and box, approximate height 19cm x width 25cm including plinth (Condition:- small spots of patination fault to boys left foot) (ARR)
A LIMITED EDITION BORDER FINE ARTS SCULPTURE, 'Highland Challenge' (pair of Stags fighting) L127, modelled by Mairi Laing Hunt, No 221/500, with certificate Condition Report:- Including the plinth the length is 47cm and height 13cm. Condition looks good overall with a tiny nibble to the top of a piece of wood at the rear of one deer, the chip is nearest the front edge of the plinth. No other damage is obvious)
A GROUP OF LABRADOR/HUNTING SCENE SCULPTURES, to include Border Fine Arts Labrador, black MT02B, modelled by Margaret Turner, total height 24.5cm and Labrador and Gun, black No 052A, by Anne Wall, Sherratt & Simpson 'The Laird' figure group (gun loose) on wooden plinth, and a dog head bust of black Labrador, height 23.5cm, Heredities 'Gamekeeper' RC5, with a plinth and 'Out With A Gun' TM58, with a plinth, Country Artists 'Fruitful Day' CA 377, various collectors plates, a mug, etc
HEREDITIES SCULPTURES comprising 'Huntsman and Hounds' PDG27, height approximate 21cm x width 35cm excluding wooden plinth, Shepherd with Lamb and Collie, height approximate 19cm, together with a Sherratt and Simpson 'Fox with Waterfall' 57339 and Country Companions 'Foxhound' and 'Labrador' designed by Robert Harrop (5)
ASSORTED SCULPTURES, ETC, to include a ceramic Moorish figure, approximately 64cm (damaged) Spelter figures of fisherman and woman standing at the bow of a boat, losses and damage, cherub figure, ceramic fish - unmarked, kingfisher sculptures and unmarked cheese dome (Condition Report:- The ceramic fish and two Kingfishers are in good condition. The third Kingfisher has a chip to the top of the beak. The cheese dome is in good condition but the base has seceral chips to the top and bottom. The cast metal cherub is heavily pitted, missing a finger, it retains tracing of gilding. The plaster Moorish figure has a large chunk out of the foremost shoe, several chips around the base, especially the corners. There is also part of the sword and hilt missing from under his arm, small chips to the head dress, other smaller chips to sleeves, base, etc. The two spelter figures - she has one arm missing with extensive damage to her sleeve and a split at the back of her waist, extensive pitting and large splits to the wooden plinth. He is klacking the wooden plinth, has extensive pitting throughout and missing something from his hands.)
TWO BOXED GENUINE LAND ROVER FORMAL TIES, part no. RTC 6893, in original boxes, with a branded wallet containing a Range Rover Owners Handbook (LRL 0598ENG - 2nd edition 2002), Audio TV and Navigation Handbook (LRL 0457ENG - 2nd edition 2002) and Service Portfolio (LRL 0513ENG - 2nd edition 2001, with some entries), Marque Models Classic Car Collection silver plated pewter model of a Land Rover Discovery mounted on a wooden plinth, in good condition but some wear to box and a boxed VHS video and booklet introducing the new Land Rover Discovery (5)
A William IV rosewood marble topped side cabinet, width 184cm, depth 45cm, height 129cmCONDITION: The marble top is marked and bruised and there is a loose piece of moulding from the left side which is present. The right hand central door is slightly discoloured, the plinth foot is scuffed with some losses to the left side
A GROUP OF TWO OLD WORLD ITALIAN STYLE PATIO SCULPTURES, MODERN, cast composite, a copy after the ancient standing figure of Hebe in classical robes, a goddess of water, she is partially nude and holds her attributes, a cup and ewer, height: 31 1/2", diameter: 9"; together with an Italian Baroque grotto style pedestal with circular top over Corinthian style capitals above a barley twist support wound with flower garland, over three enfants upholding a trumpet with volutes, they stand in contrapposto upon a circular plinth on a circular dished daisy petal base, height: 36 1/2", diameter: 9". Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Some minor surface wear, a mild yellow tone, occasional stains to the top of pedestal but overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A NAPOLEON III BRONZE LACQUERED METAL SCULPTURE OF CERES, 1850-1875, nicely cast and wearing a diadem of wheat stalks above a billowing cloak, over a corseted torso and apron strung dress suspending a scythe while holding aloft a sheave of wheat, striding on a circular stylized groundwork base and raised on a conforming scalloped plinth, centering clusters of wheat stalks alternating oak leaf and acorn pendants over a waved apron on scrolling feet. Height: 30" Width: 10 1/2" Depth: 10 1/2" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good restored condition with a few small spots of lacquer flaking, expected light surface buildup in crevices and lacking half her right hand thumb. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
AN EDWARDIAN STYLE MARQUETRY INLAID AND PAINTED SATINWOOD FOUR BOTTLE TANTALUS, 20TH CENTURY, the square form pagoda style hinged top with sides of boxwood inlaid scrolling and entwined foliate stems, opening to a deep blue moiré silk lined interior lid over a four compartment fitted interior within pairs of beveled glass panes, above a stepped molding base on a conforming plinth with white berried and green painted curling leafy stems, raised on spreading molded corner feet, height: 19 1/2", width: 13 3/4", depth: 13 3/4"; including four square form crystal decanters with diamond pattern cut sides and faceted sphere form stoppers, height: 10", width: 4", depth: 4". Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good condition with some expected small nicks scattered throughout, a few small pieces of inlay lacking, surface buildup, and normal light wear. The crystal decanters are in good shape with two stoppers having small chips on the stem while one decanter has a negligible tiny edge flea bite on the rim. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A PAIR OF VICTORIAN CAST IRON URN JARDINIÈRES AND STANDS, LATE 19TH/EARLY 20TH, each with a flaring ovule detailed rim above wasted sides centering a band of scrolling rinceaux in relief, flanked by reeded arch handles ending in classical bearded masks, over a tapering gadrooned cast base raised on a conforming fluted socle, height: 28 1/4", width: 24", depth: 21"; each on a neoclassical style rectangular pedestal stand with a leaf tip trimmed cornice and plinth centering square form column with berried laurel wreathes molded in relief, height: 26 1/8", width: 17 3/4", depth: 17 3/4". Condition: Each is good condition for cast iron jardinieres of this age use and materials including but not limited to expected rust and pitting throughout, remnants of old paint and surface marks. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
LUCIEN CHARLES EDOUARD ALLIOT (French 1877-1967) A BRONZE, "Art Nouveau Beauty with Lychee Fruit and Leaves," cold painted bronze on a verde antico marble plinth with nameplate, signed in bronze "L. Alliot," on base. Height: 22 1/2" Diameter: 10" Condition: Some expected dust, debris, minor surface wear, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A BURMESE FAUX JEWELED GILTWOOD FIGURE OF BUDDHA, LATE 20TH CENTURY, carved standing in samabhanga on a short stylized lotus base and wearing an ushnisha on a tightly curled hairstyle before a mica and faux jewel inset diadem, above a serene smiling expression with inlaid eyes and long pendulous ears, over long robes gathered in folds over the left shoulder and covering the arms ending above the waist, over a tapering skirt with a border of raised scrolling details enclosing matching faux jewels throughout, his outstretched hands holding a fruit on left and the other the robe's border, raised on a later square form stained wood plinth. Height: 48" Width: 22" Depth: 6" Condition: Good condition with bright parcel gilding, rubbed in areas revealing red gesso throughout, some minor faux jewel losses, and surface buildup in crevices. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A CHIPPENDALE MAHOGANY SLANT FRONT DESK, 18TH CENTURY, with a flat rectangular top above a slant front hinged door with a later brass bat wing escutcheon above a concave half shell carving, opening to a fitted interior centering an arched short drawer with shell detail and brass button pull flanked by open letter pockets with double arched valances and shaped dividers, over a larger central drawer within paired short drawers and each enclosing brass button pulls, above exterior side lopers with matching pulls and three graduated drawers mounted with identical brass escutcheons centered by brass bale handles on batwing backplates, raised on a molded plinth and shaped bracket feet. Height: 42" Width: 40" Depth: 20" Condition: Good condition for antique furniture of this age, use and materials including but not limited to normal age cracks, old repairs, restorations, expected marks, scratches, dings, chips, losses, small double ring marks on top, interior writing surface has old ink spill marks, old varnished underside, and back of case as well as interior/exterior of drawers. Brass hardware is of a later date but stylistically appropriate. Drawer runners could use some smoothing. Dovetail and pegging construction with hand wrought iron nails utilized in construction throughout. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A PAIR OF NEOCLASSICAL REVIVAL GILT BRASS ON MARBLE LAMPS, BY CHAPMAN, 1984, ball finials surmount a square cavetto molding upheld by Ionic style capitals on fluted columns with socle bases, raised on a square plinth on verde Antico marble bases on gilt brass bun feet. Height: 35 1/2" Width: 7 1/2" Condition: Some patina, cleaning residue, surface wear, but overall in good to very good condition, no shades, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A PAIR OF VENETIAN STYLE GILT AND PATINATED BRONZE BLACKAMOOR SEVEN-LIGHT CANDELABRAS, 20TH CENTURY, the figure with large hoop earrings turns his head, looking upward with a grimace expression holding aloft a seven light torchière, in contrapposto on a grassy rocaille base with folded drape and ribbon-tied tapered plinth on ball feet. Height: 70" Diameter: 20" Condition: Some minor wear, patina, scratches, dust, debris, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A CONTEMPORARY FIGURAL BRONZE AND GLASS CONSOLE TABLE, LATE 20TH CENTURY, the beveled rectangular glass top on a support cast as a nude man and woman standing with arched backs and holding their outstretched hands, on an oval stylized groundwork base raised on a conforming wood plinth with molded trim. Height: 33 1/2" Width: 54 7/8" Depth: 17 1/4" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good condition with normal surface buildup in crevices and unsigned, otherwise no discernible issues. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A FRENCH CAST IRON AND STEEL DUCK PRESS, 20TH CENTURY, nickel plated cast iron and stainless steel on a wood plinth. Height: 16 1/2" Diameter: 12 1/4" Provenance: Estate of Don Dean, Houston, Texas. Condition: Some patina and losses of nickel surface, now mounted to an old cutting board, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A SCOTTISH GEORGE III "MOON PHASES" CLOCK, BY J. CAMERON AND SONS, KILMARNOCK, EARLY 19TH CENTURY, IN LATER OAK LONGCASE, CIRCA 1870s, the bonnet composed of a classical broken pediment cornice centering a stylized fan detail and flanked by two acroteria, above a reeded frieze and flat architrave over a hinged door with glazed arch rectangular window, opening to a conforming Arabic numerals moon phases dial centering painted moon faces on a lapis blue sky filled with golden stars, above a silvered ring dial with black Roman hour chapters and Arabic five minute numerals, enclosing a minutes ring dial and days of the month ring dial with blued steel pointers, amidst engraved scrolling acanthus centering blued steel halberd and pike hands flanked by twin key escapements, engraved signature "J. Cameron & Sons Kilmarnock," above along hinged door with a molding framed twist pleated panel over a molded flat panel, opening to a long pendulum with brass disc bob and two cast iron weights, above exterior reeded trim on a molded box form paneled base raised on a molding detailed arched plinth ending as block form feet, includes one winding lever. Height: 7' 4 1/4" Width: 21" Depth: 15 3/4" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: Good condition with a few light marks and small scratches around base, dings, tiny edge nicks and surface buildup in crevices throughout. The clock dials have some expected tarnished spots and there is light dust in spandrel crevices. The mechanism was restored in 1975 and is clean. Simpson Galleries does not guarantee any timepiece or clock mechanism. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A LOUIS XVI STYLE GILT BRONZE CARTEL CLOCK, MODERN, with a circular hinged and convex glass bezel opening to a white enamel dial enclosing blue Roman hour chapters and Arabic five minute numerals, centering pierced gilt brass hands over twin key escapements, verso brass clockworks stamped with oval "VE," and a pastille "MÉDAILLE D'ARGENT / VINCENTI & CIE / 1855," numbered "2920 / 9 2," pendulum numbered "2920," set within a shaped rectangular case surmounted by a two handled and lidded urn with guilloché banding over a Vitruvian scroll frieze decorated plinth flanked by two greek key arms, above ram's head topped corner pilasters ending in pinecone pendants and draped within Nemean lion pelt swags joined by a lion mask, over a conforming pierced pendulum compartment ending on a band of guttae and a stylized acanthus detailed device, includes one winding key. Height: 18" Width: 14" Depth: 5" Provenance: Lifelong Collection of Clocks and Antiques, Navasota, Texas. Condition: Good restored condition and re-gilt. Simpson Galleries does not guarantee any clock or timepiece mechanism. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A ROYAL BONN GILT METAL MOUNTED HANDPAINTED POTTERY VASE, SIGNED, GERMAN, 19TH CENTURY, of compressed ovoid form and a gilt rim above beautifully painted sides, depicting a peasant maiden beauty leaning on a stone wall with flowers spilling from a basket at her feet, amidst tall forest trees and gazing wistfully towards the golden sunlight reflecting off waters from a shoreline inlet, reversing to a winding trail meandering through a rolling hillside landscape interspersed with clusters of trees, signed "Zoyd," over a flaring circular beaded base with egg-and-baton gilt banding on a light apple green ground, on a reticulated gilt metal plinth of marguerite blooms alternating applied floral bouquets and raised on elephant mask cast feet, verso brown stenciled maker's marks "Royal," over a crowned cartouche centering a "JM" monogram and "1735," above "Bonn / GERMANY," adjoining an overglaze purple ink inscribed "Original," impressed letters "QB / 2699," drilled for electricity. Height: 23 1/4" Width: 12 1/8" Depth: 9" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good condition for antique vases of this age, use, materials and origin including but not limited to light gilding wear, surface buildup, winding trail side has dark surface spots, metal plinth has some old repairs with a few oxidized spots, and vase has been drilled for electricity. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Sir William Reid Dick (British, 1878-1961): 'Slingboy' or 'The Catapult', a bronze figural sculpture, with brown/green patina, signed to base 'W. Reid Dick', on a green marble plinth, circa 1915, 35.5cm (14 inches) high.Provenance: Purchased by the vendor from Robert Bowman, London, in 1995 for £4400, previously from Mr & Mrs Belk, close friends of William Reid Dick, who acquired the bronze directly from the artist in the 1920s, see copy invoice. ***Subject to ARR***
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