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A George III stripped mahogany and inlaid longcase clock, the eight-day movement to white enamelled dial with roman numerals and rose painted spandrels beneath an exotic bird, contained within a glazed hood with swan neck pediment, flanked by reeded columns, over a long drawer to plinth base, later restored, 212cm high
An Art Deco silvered bronze figural lamp by Pierre Le Faguays, circa 1930, modelled as a women stepping down from a plinth flanked by two lamps onto a semi hexagonal mirrored base, on a mottled marble support, bronze signed 'Fayral', 44cm. high by 26cm. wide by 23cm. deep Le Faguays used the pseudonymes 'Fayral' and 'Guerbe', which were the maiden names of his mother and wife.
A pair of Art Deco bronze bird bookends by Georges Lavroff, circa 1930, each depicting a songbird with tail raised, on a portor marble plinth, signed 'Lavroff' and stamped 'Bronze, Marcel Guillemard', each 20.5cm. high overall (2) Another pair sold in these rooms, Decorative Arts & Design from 1870, 3rd June 2004, lot 260.
A gilt bronze and ivory figure of a dancer by Sander Jaray, 1st quarter 20th century, modelled standing and looking down her right side, a pair of castanets in her right hand, on a white onyx and gilt metal mounted plinth, bronze base signed 'S.Jaray. fec.' and with the foundry mark 'Akt-Ges-Gladenbeck-Berlin', 32cm.;
An Art Deco pewter figural group of a maiden with goat by Paul Silvestre, circa 1925, the maiden kneeling in front of the bucking young goat, on a mottled black marble base, the pewter plinth inscribed 'V Silvestre, Suisse Fres, Edtrs, Paris' and with two foundry seals, 17cm. high by 42cm. wide
An unusual C18th mahogany longcase clock, by Martin of Dover the plinth base with Flame Mahogany Panel with arched panelled trunk door, supported by Brass inlaid fluted columns with Brass capitals, the hood with a dentil frieze with 2 Brass inlaid columns with Corinthian capitals, the movement with Brass cased weights, Brass pendulum & Brass dial engraved with urns & flowers Signed Martin Dover with central sweep seconds hand, calendar dial to the top hour hand and minutes hand on secondary dials, the canopy with 2 spires, the central spire with Old Father Time bearing a scythe, lacking a bell
An Indian silver mounted rosewood presentation casket, retailed by 'V. Subramania Iver, Jeweller, Madras', circa 1929, of sarcophagus form, the rectangular stepped cover surmounted by an onion-domed finial, enclosing a printed silk presentation scroll, the sides mounted with fretwork panels and engraved to the front 'With best wishes for the future Lieut.-Colonel & Mrs Urquhart from friends and well wishers Novr. 1929', between fretted foliate brackets, on a plinth and four ball feet, 28cm wide
A George II walnut veneered longcase clock, the twin train movement with anchor escapement, striking on a bell, the twelve inch brass dial with matted centre and subsidiary seconds dial and date aperture, the silver chapter ring signed 'Thomas Jenkinson, Sandwich', within female mask shell and leaf scroll spandrels, the flat top hood with three quarter barley sugar twist turned columns, above a rectangular trunk door and a box base with reduced plinth, possibly associated, 204cm high
A George III mahogany longcase clock, the twin train movement with anchor escapement striking on a bell, the broken arch twelve inch painted dial signed 'Robbins Canterbury' with subsidiary seconds dial and date aperture, the hood with fretted crest above an arched glazed door and projecting columns, above a broken arch trunk door and a box base with plinth foot, 207cm high
A George III ebonised bracket clock, circa 1770, the rack and bell striking movement with verge escapement, pull repeat and foliate engraved backplate, the six inch brass break-arch dial with calendar aperture and silvered plaque signed' John Darks, Barnstaple' to the matted centre within Roman numeral chapter ring with Arabic minutes and foliate cast spandrel mounted corners, the arch with Strike/Silent dial flanked by conforming foliate mounts, the bell-top case with brass carrying handle over circular and concave topped rectangular glazed panel sides and a glazed front door, on a plinth base and moulded block feet, both the dial and backplate are numbered '385', 42cm high excluding handle
An Empire style green patinated bronze and ormolu mounted three-piece clock garniture, Belgian early 20th century, the portico clock housing a 19th century French brass twin train movement with anchor escapement and a circular enamel dial bearing arabic hour numerals, flanked by fluted clumns with Grecian capitals, on a stepped plinth and paw feet, 37cm high, together with a pair of en suite ovoid vases, each applied with a pair of leaf scrolled handles the clock, 37cm high (3)
A French gilt brass and champleve enamel three-piece clock garniture, circa 1900, the four glass clock housing a Marti et Cie twin-train movement with anchor escapement, gong strike and enamelled pendulum, the dome-top surmounted by an urn, above bevelled glass panels and Corinthian corner columns, on a stepped plinth and bracket feet, 35cm high, together with a pair of ensuite candlesticks, each with a knopped stem and a turned foot, 23.5cm high, clock and candlesticks complete with velvet topped giltwood plinths (3)
A French gilt brass and Sevres style porcelain mounted mantel clock, late 19th century, the twin train striking movement with anchor escapement, with a circular jewelled blue ground porcelain dial, surmounted by a ormolu-mounted urn above a plaque painted with a Watteauesque courting couple, on a stepped plinth and scrolled feet, together with a gilt wood stand and a later glass dome
A George III mahogany and line inlaid kneehole desk, the rounded rectangular top with inset for a leather, above two frieze drawers (one with twin dummy front) and a pair of pedestals each fitted with two drawers, opposing dummy drawers and cupboards with oval panels, on a plinth base, handles lacking and many losses to veneer
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173444 item(s)/page