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Geo. mah. 8 day longcase clock with bell striking movement, brass break arch dial & calendar aperture and name plate marked J. Hopkins Foley Street Southwark on matted centre within applied silvered Roman numeral chapter ring in a pagoda top case with fret cut decoration. The case with brass stop-fluted columns flanking door to hood and trunk on plinth base ht approx. 252cm
A lead statue by the Bromsgrove Guild - Dryad and Boar, the sculpture depicting a hunter attacking a wild boar, the figure clad in a lion cloth wearing a belt and hunting horn, his left leg forward and his left hand holding the ear of the boar while his right arm is raised gripping an iron tipped spear formed from a branch, on square plinth base, stamped to the reverse `Bromsgrove Guild Worcestershire`, 144cm high. ILLUSTRATED The Bromsgrove Guild (1898-1966) was founded by Walter Gilbert based on the principles of the Arts and Crafts movement. The Guild worked in a variety of mediums, bronze, lead, glass, wood and textiles employing highly skilled craftsmen and made famous for making the main gates at Buckingham Palace. The original Dryad and Boar was made in bronze by Swiss sculptor Louis Weingartner of the Guild and a further example was cast in lead possibly for Nettlebed Park in Oxfordshire at a cost of £150 Subject of Medieval myth, the boar is the emblem of Bromsgrove , when once the town stood in a forest!
A 19th French Boudoir ormolu gilt mantle clock, the dial surmounted with a bust of Marie Antoinette being adorned with garlands of flowers by two cherubs over a deep scroll base and swags of husks to a stepped plinth base, the movement stamped Barrard and Vignon Paris, 505, 49cm high. ILLUSTRATED
A 19th Century bronze mantle clock in the form of a Black Forest hunting scene by Jean Francois Theodore Gechter (1796-1844), depicting a huntsman blowing a horn with three dogs attacking a wild boar, his companion laying at the horses feet with a halberd, signed T Gechter, supported on an oval black plinth, embossed with side panels of classical figures, eight day movement striking on a bell signed Charpentier Ft De Bronzes 424 A Paris, 72cm high
A 19th Century part ebonised red tortoiseshell and brass boulle work floorstanding bookcase, enclosed by a pair glazed doors below an arch pediment, centred with a gilt cupid playing a mandolin above projecting corner pilasters, over a cupboard enclosed by a pair of brass cut oval doors, plinth base, 250cm high. ILLUSTRATED
A 19th Century mahogany longcase clock, the silvered dial with moon phase inscribed R Roberts Bromsgrove, eight day movement striking on a bell, subsidiary date and seconds dial enclosed by a broken swan neck pillared hood, over a lancet rosewood cross banded door, flanked by fluted gilt brass Corinthian column capitals, over a panelled plinth base and splayed feet. ILLUSTRATED
A George III mahogany longcase clock with an eight-day movement, the brass arched dial inscribed `Tempus Fugit`, with a silvered chapter ring, subsidiary seconds dial and pierced corner and dolphin spandrels, enclosed by a domed pillared hood, over a long trunk door, flanked by reeded corners, on canted plinth base, 202cm high. ILLUSTRATED
AN EBONISED AND GILT METAL LYRE Mantel CLOCK IN THE EMPIRE TASTE, the pendulum and white enamel dial surmounted by a mask and scroll cresting, supported by out-turned uprights mounted with a gilt metal mask and foliage, the dial with Roman numerals and a gilt metal surround, raised on a plinth and terminating in paw feet. Height 61cm
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