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Lot 502
ROB SOLLIS (born 1966); 'Urn Form', a large vessel with textured surface covered in layered slip fortified with porcelain and manganese paired with an oak plinth, impressed marks, vessel height 47cm, 69.5cm with plinth.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 2022
A 19TH CENTURY FRENCH EBONISED DISPLAY CABINET with moulded cornice with Sevres style plaques over pair of glazed doors flanked by floral decorated ceramic columns on plinth further inset with ceramic plaques on turned ebonised supports, 177cm high x 106cm wide x 54cm deep Condition Report:Cabinet is in good general condition relative to age and use with high points of wear to cornice and under door, plaques and pillars appear intact and without notable cracks
Lot 2227
A BURMANTOFTS STYLE JARDINIERE AND STAND the base modelled as a Griffin seated on a plinth, the bowl with laurel wreath base and baluster ribbed body, all with turquoise glaze, 122cm high Purportedly bought from Amisfield House, Haddington from Lord Wemyss, circa 1922 before the house was demolished Condition Report:There are a few areas with chips, mainly to the stand. There is a large chip to the top of the pedestal. See image with white paper. All over crazing to the glaze
Lot 2627
TWO EDUCATIONAL ANATOMICAL MODELS OF THE HUMAN TORSO, ONE BY ADAM ROUILLY, LONDON With removable organs, the Rouilly torso set upon a plinth base and measuring approx. 89cm in overall height, the other approx. 87cm (2) Sold on Behalf of St. Andrews First Aid, Glasgow. Condition Report:Available upon request
Lot 2029
A JOHN SMORTHWAIT IN COLCHESTER LONGCASE CLOCK with brass arched face, around a silvered dial Arabic and Roman numerals and subsidiary seconds dial bearing Arabic numerals, the walnut case with moulded arched cornice over glazed door flanked by brass capped columns over pendulum door on plinth base, 228cm high x 51cm wide x 26cm deep Condition Report:"clock case is in a fair condition relative to age and use with splitting to veneers on hood and baseClock movement appears complete and intact, Great Western Auctions cannot guarantee any item electrical or mechanical"
Lot 2049
A VICTORIAN ROSEWOOD AND SATINWOOD VENEERED COMPACTUM WARDROBE with moulded inverted breakfront cornice over central pair of inset cabinet doors over open mirrored compartment over two short over three drawers flanked by pair of mirrored wardrobe doors all with brass fittings and lock marked Molineaux & Son on plinth base, 212cm high x 226cm wide x 58cm deep Condition Report:"Wardrobe is in a good overall condition relative to age and use with surface wear to cornice, front facings and sides, there appears to be no signs of worm current or historic.Wardrobe separates for transport down to two central sections and pair of side doored sections with the pivot doors removing with base and cornice"
Lot 2610
A LARGE WOODEN-HULLED POND YACHT Named "Avenger", extensively rigged and measuring approx. 152cm from tip of bowsprit to stern, upon a wooden plinth base Condition Report:"The yacht is well worn, with general fading/losses to paintwork. Some deterioration to the construction of the stern. Splits at base of keel. Metal bar at stern for securing rigging is loose. One securing loop is a later replacement. Wooden stand is split and roughly repaired at keel support. Sails are discoloured/stained. Bowsprit is split, with losses.Please study additional images."
Lot 2396
Oak and mahogany long case clock, late 18th/early 19th Century, the hood with swan neck cresting, above brass Corinthian column capitals with fluted columns, flanking an arched glazed door, the trunk with door with inlaid shell motif, on plinth base, the painted dial with Arabic numeral chapter ring, with seconds and date aperture, the arch with Sun/Moon phase, with two weights and a pendulum, 227cm high
Lot 2395
An oak and mahogany longcase clock by Kington, Arundel, the brass dial with roman numeral chapter ring, with subsidiary dials for seconds and date, with a month dial to the arched top, flacked by cherubs riding birds, together with two weights, a pendulum and a winder Condition Report: Natural splits to the back and to the front of the plinth base.Some lifting inlay to the frontareas of worm holes on the door frame. Not may. Perhaps 10-15 estimate.Minor old losses to veneers on left sidedial in need of clean, pendulum crutch bent
Lot 2410
Mahogany clock by J R Arnold Charles Frodsham, 19th Century, with a plain domed case, on plinth base, with a brass and glass circular door, the white painted dial with Roman numeral chapter ring, the brass movement with twin fusee train and bell strike, signed J.R. Arnold Chas. Frodsham, 84 Strand 606, with a pendulum, 38cm high
Lot 2415
A Late 19th century mahogany and line inlaid mantel clock of balloon shape. The white enamelled dial detailed LINKINSON DONCASTER, enclosing a brass two train movement with hammer chiming on a single bell. Raised on a plinth base and four shaped brass feet. Height 45cm (winding key and pendulum)
Lot 2416
A Late 19th century mahogany cased bracket clock. The white enamelled dial detailed ROBERT BRYSON EDINBURGH, enclosing a two train movement with hammer striking a single bell. The case flanked by twin ring handles over a plinth base and four spherical brass feet. Height 47cm. (winding key and pendulum)Condition Report: The door to the clock is locked, no keys are apparent, so it is not possible to confirm the quality of the spring/movement
Lot 2419
An early 19th mahogany longcase clock by JONATHAN STORE YORK. The archtop case enclosing a two train movement with hammer striking a bell. The dial with strike/silent over a subsidiary seconds dial and date aperture. The waisted case over a plinth base. Height 226cm (winding key, pendulum, two cast iron weights) Condition Report: Height to top of backboard is 208cm. Crack through glazed door near hinge and general overall wear. Not sure if in working order so would suggest that it may need professional attention.
Lot 2395A
A Victorian mahogany longcase clock by Jason Rankin, Kilmarnock, the hood with pierced foliate cresting above arched door, with circular sound lenticule's above long door with pierced mounts, on plinth base, with turned feet, the painted dial with roman numeral chapter ring, and two subsidiary dials, the corner spandrels painted with figures representing the four home countries, with a scene titled Mary's escape to the arch, with two weights, winder and pendulum, the clock approx. 225cm high
Lot 1231A
Four boxed 1/18 scale GWILO diecast models to include 22 carat gold plated Jaguar XJ220 on wooden display plinth, Ferrari F50 on wooden display plinth, Lamborghini Diablo SE on wooden display plinth and Volkswagen Beetle 1951 Special Edition, all diecast ex, boxes vg overall with some light signs of storage and edge wear
Lot 1117
Collection of five boxed 1/18 scale diecast models to include UT Models Porsche 911 GT1, Burago 1995 Ferrari F50, Burago 1996 Dodge Viper GTS Coupe, Maisto Special Edition Mclaren F1 and Minichamps Paul's Model Art World Champion 1996 Damon Hill's Rothmans Williams Renault FW18 together with a limited edition plinth, all diecast ex, boxes vg overall
Lot 308
Three military presentation items, all presented to M.C. Owen Royal Army Ordnance Corps, including a silver cirgarette box on his wedding, a silver plated owl on stand from RAOC, and a concrete fragment with spray paint from the Berlin wall and mounted on wooden plinth with worn brass plaque, together with two napkin rings, a plated box and a silver and glass salt (3)
Lot 21
TWO AFRICAN TEAK TABLES, MID 20TH CENTURY each modelled in the form of an elephant, with rectangular tops, bone tusks and eyes and on plinth supports46cm and 39cm longQty: 2the table in the first image does have some scratches throughout the woodwork, Split to the base and missing a tusk. Second table in similar condition with scratches throughout the woodwork and a split base, chips also present to the corners
Lot 273
An ancient Egyptian, New Kingdom era (c.1550BC - 1069BC) granite head of a man, possibly a local official. Believed to have been excavated at the necropolis at Thebes in Egypt. Provenance: presented to Lieutenant, later Captain Rosslyn Bower (1920-1991), who was stationed in Egypt as part of the Royal Indian Army Service Corps in 1943. And thus by descent through the family. An original card tag attached to the piece reads: ‘Cairo, Egypt 1943. Farewell gift to Ross from the curator of the Cairo museum. Tutankhamen head. Believed to have come from the excavations in the necropolis at Thebes’. Included is a recessed wooden block mount, with copper strap, that allows the head to sit upright. Captain Bower’s service record confirms him being stationed in Cairo at the time of the presentation of the head. The Theban necropolis sits upon the West Bank of the Nile, in the area of what is now Luxor, and was used extensively for ritual burials. The head was formerly assessed in 1999 by Sotheby’s, with a view to selling the piece. Approximately 18cm high on the wooden plinth, 12.5cm height without the plinth. Condition: generally good. A can been observed in the images, the left shoulder area of the bust is absent, hence the requirement fro the strap to hold it level. Some loss to the top right hand side of the headdress area. Normal striations are present in the granite, plus some age related surface fractures. The wooden plinth shows some wear and surface scratching from contact with the bust, but is nevertheless solid.
Lot 298
A pair of Continental giltwood, polychrome and metal candle holder / stands in the Baroque manner, probably 17th Century, each carved a putto holding a foliage scrolls, on tapered plinth base, approx 26cm high (2) Further details: flaking to gilding on plinths, paint losses, wear commensurate with age and use
Lot 113
Grosse Bronzefigur des ApolloHöhe: 61 cm. Gesamthöhe inkl. Sockel: 69 cm.Frankreich, 18. Jahrhundert.Standfigur im Kontrapost, unbekleidet, entsprechend den antiken Vorbildern, neben einem Baumstumpf, daran angelegt die linke Hand, die den Bogen hält, der nur mit dem Mittelstück angedeutet ist. Die linke Hand über den Kopf gelegt, in der antik vorgegebenen Geste. Die Gesichtszüge den Vorbildern gemäß betont feminin. Die Gestaltung der Figur angelehnt an die griechischen und römischen Beispiele des „Kitharophoros“, hier jedoch mit dem Bogen des „Apollo als Bogenschütze ins Weite“.Ausführung in hoher bildhauerischer Qualität, feiner Guss, poliert und schwarz patiniert. Anstelle einer Plinthe auf einer Holzbasis montiert. A.R.Literatur:Alexander Rauch, Gestensprache in der Kunst. Von der Antike bis zur Neuzeit, Heidelberg 2022. (1391001) (1) (11)Large bronze figure of Apollo Height: 61 cm. Total height incl. base: 69 cm. France, 18th century.The execution is of high sculptural quality. Finely cast; polished and with black patina (lacquer patina). Mounted on a wooden base instead of a plinth.
Lot 104
Francesco Fanelli, 1577 Florenz – um 1657 Paris, zug.HERKULESKNABE ALS SCHLANGENBEZWINGERHöhe: 23 cm. Breite: 13 cm. Gesamthöhe inkl. Holzsockel: 31 cm.Auf runder Plinthe.Bronzeguss, schwarz patiniert. Bronzefigur, die das antike Thema aufgreift, wonach der Halbgott Herkules, Sohn des Zeus und der Alkmene, bereits als Kind zwei Schlangen erwürgte, die von der eifersüchtigen Gattin des Zeus in seine Kinderstube schaffen ließ. Das mythologische Thema ist seit der Antike in zahllosen Werken aufgegriffen worden. So auch von dem Florentiner Bildhauer Fanelli, der in Italien, vor allem Genua, dann aber auch in London gewirkt hat, hoch geschätzt vom Hof König Karls I. Als Sohn eines Bildhauers war er vor allem von Giambologna und dessen Schüler Pietro Francavilla und Pietro Tacca beeinflusst, sämtlich Vertreter des Manierismus. Giovanni Bandini bezeichnete Fanelli als seinen Assistenten bei der Schaffung einer Statue von Großherzog Ferdinand I 1599. Neben großen Aufträgen, wie etwa Brunnenfiguren im Hampton Court Palace, galt ein Großteil seines Wirkens den Sammlerbronzen. Zu der hier vorliegenden Bronze ist eine weitere, leicht abgewandelte Version bekannt, bei der Herkules direkt nach oben zum Kopf der Schlange blickt. Zweifellos hat bei der Gestaltung der Fund der antiken Marmorgruppe des Laokoon eine Rolle gespielt, der ebenfalls die Schlange hochhält. Die Zuweisung des Modells an Fanelli erfolgte zuerst in den 1980er-Jahren durch Charles Avery und Anthony Ratcliffe, nach dem Gussexemplar in der Sammlung Baron Hatvany. Dabei wurde ein Zusammenhang mit einer Zeichnung mit Darstellung eines Brunnens mit der Herkulesfigur gesehen, abgebildet in „Varie Architecture“ von 1661, in Bezug auf Königin Henrietta-Marias Palast in Wimbledon, begonnen 1639. Exemplare befinden sich im Kunsthistorischen Museum, Wien, im Louvre (Inv.Nr. 33540); ein ähnliches im Ashmolean Museum, Oxford. A.R. Literatur: Varie Architekture, Francesco Fanelli, florentinischer Bildhauer des Königs von Großbritannien, ca. 1620-1665, mit einundzwanzig Tafeln gestochen von William Faithorne, in Paris 1661.Franca Franchini Guelfi, Fanelli Francesco, in: Dizionario Biografico degli Italiani, Bd. 44, 1994. (1391432) (11)Francesco Fanelli,1577 Florence – ca. 1663 Paris, attributedTHE INFANT HERCULES STRANGLING SERPENTSHeight: 23 cm. Width: 13 cm. Total height incl. wooden base: 31 cm.On round plinth.Bronze casting with black patina. The discovery of the ancient marble group of Laocoon, which also holds up the serpent, undoubtedly inspired the present design. The model was first attributed to Fanelli by Charles Avery and Anthony Ratcliffe in the 1980s, based on the casting held at the Baron Hatvany collection. A connection was seen with a drawing depicting a fountain with the figure of Hercules, shown in Varie Architecture from 1661, in reference to Queen Henrietta-Maria´s palace in Wimbledon, commenced in 1639. Examples are held at the Kunsthistorisches Museum in Vienna, at the Louvre (inv. 33540) in Paris and a similar example at the Ashmolean Museum, Oxford.
Lot 105
Willem van den Broeck, zug.1530 – 1579/80ANATOMISCHE BRONZE-STANDFIGUR DES HERKULESHöhe: 45 cm. Gesamthöhe inkl. Holzsockel: 53 cm.Bronzeguss, dunkle Patina. Auf runder, mitgegossener Plinthe, mit angewinkeltem rechten Bein an einem Baumstumpf, über den das Fell des Nemeischen Löwen, den er besiegt hatte, mit Löwenhaupt gelegt ist. Ein Teil des Fells mit Pfote zieht am linken Bein zum Boden. Der Kopf gesenkt, der Körper zeigt die Muskulatur offen, ein manieristischer Effekt, der dem Interesse an medizinisch-biologischen Erkenntnissen des 15. und 16. Jahrhunderts entspricht, seit Künstler wie Michelangelo oder Leonardo sich heimlich in Leichenhäusern der Anatomie gewidmet hatten. Die Figur entspricht weiteren Ausführungen, so etwa in Terrakotta, wie ein Exemplar im Kunsthistorischen Museum, Wien zeigt. Der Bildhauer ist zudem bekannt u. a. für drei Statuen in der Liebfrauenkathedrale in Antwerpen, wo er 1557 bereits Freimeister der Lukasgilde wurde. Ein Alabaster-Relief, „Kalvarienberg“, befindet sich im Louvre, ein „Garten Eden“ in Brüssel.Literatur: Vgl. Broeck, Guillaume van den, in: Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker (AKL). Bd 14, München u. a. 1996. (1390213) (11)Willem van den Broeck, 1530 – 1579/80, attributedANATOMICAL STANDING BRONZE SCULPTURE OF HERCULESHeight: 45 cm. Total height incl. wooden base: 53 cm.Bronze casting with dark patina. On a round, cast-in plinth. Hercules´ right leg bent on a tree stump, over which the skin of the “Nemean lion”, which he had defeated, is laid with the lion´s head. The figure corresponds to other versions, for example in terracotta, as an example held at the Kunsthistorisches Museum in Vienna shows. Among other things, the sculptor is also known for three statues in the Cathedral of Our Lady in Antwerp, where he became a free master of the Guild of Saint Luke in 1557. An alabaster relief, Calvary, is held at the Louvre and a Garden of Eden in Brussels.
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