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Lot 3237
A Chinese blue and white lamp vase, of shouldered circular form, profusely decorated with exotic bird and flowers on a wooden plinth base with lamp fitting, 59cm H and two others lamps to include a celadon type and another decorated with flowers. (3) Upon initial inspection noted loss to the handle around the neck, but other wise there is no apparent damage or restoration.
Lot 309
An early 20th century North European carved alabaster bust of a Flemish girl wearing a lace bonnet, unsigned, on grey marble plinth, height 32cm Condition: Rather dirty and dusty but otherwise in good condition, a few minute bruises and tiny chips to the raised upper edges of some of the costume, plinth in matching condition.
Lot 319
G. Pineschi (Italian c.1900). A carved alabaster and rose quartz bust of an Italian woman, signed, with variegated alabaster plinth, height 59cmCondition: Overall dirty and discoloured, particularly to the white of the alabaster but much of this is in the actual colour of the stone, such as the veining running through her face. The pink quartz area shows one or two shallow bruises, notably one near the top of her right shoulder and possibly one to the front of her left upper arm. Otherwise minor chipping around the plinth and a small chip to the rose quartz at the back with further fritting to one side. Signed on the back, a little light surface scratching to the back of her headscarf. Overall fair to good condition.
Lot 358
A late 19th century Black Forest carved gilt and stained pine bust of Sibilla Delphica, height 62cm width 70cm Condition: An old split to the back of her hat which is not visible from the front, probably slight fading to the paint work, minor scratching to her neck, splits running through the gilt robe down from both shoulders towards the front, and some smaller scuffed and chipped losses to the edges of the cape, one or two small worm holes showing in the hands and the plinth, old splits showing around the edges of the plinth and rubbing across the base.
Lot 366
A pair of Staffordshire porcelain models of recumbent setters, c.1830-50, both with typical minor firing cracks and glaze imperfections, the dog looking right has good quality restoration to its snout and face and front right paw and a crack across the plinth base, L. 11.5cmProvenance - The Dennis G. Rice collection of English porcelain animals of the 19th centurycf. Dennis G. Rice, Dogs In English Porcelain of the 19th century, colour plate 180.
Lot 769
A LATE 19TH CENTURY OAK THREE-TRAIN LONGCASE CLOCK, LAWLEY, BIRMINGHAM, the arched hood with Corinthian columns and fretwork sides, the 9 3/4-inch break-arch brass dial with silvered chapter, subsidiary seconds, silent/chime switch, engraved in the arch with a titled vignette of Anne Hathaway's Cottage, with five tubular chimes, the case with glazed door between reeded quarter columns, the base with scroll carving and plinth base. 203.5cmWith pendulum, three weights, door key and winder.
Lot 965
A VICTORIAN ORMOLU-MOUNTED EBONISED OPEN BOOKCASE, the top with gilt-highlighted moulded edge above a plain frieze with applied gilt-brass ropework beading, over two adjustable shelves, flanked by pilasters with applied foliate cast mounts, raised on a plinth base. 106.5cm high, 152cm wide, 35.5cm deep
Lot 772
A WALNUT EIGHT-DAY LONGCASE CLOCK, the hood with fretwork and spiral columns, the 10 1/8-inch square brass dial, signed Henry Jones in y Temple, with date aperture and subsidiary seconds, the trunk door with lenticle, raised on a plinth base (reduced). 193.5cm highWith two weights and pendulum.
Lot 101
PETIT LIBELLULEA LALIQUE CAR MASCOT IN A SILVER COLLAR, hallmarked William Neale & Sons Ltd, Birmingham 1927, modelled as a dragonfly, frosted and clear glass, design introduced 1928, moulded LALIQUE signature to the ring, the base moulded FRANCE, on an ebonised plinth. Length 16.3cmIn generally very good condition.
Lot 196
A COLLECTION OF CHINESE BLUE AND WHITE PLATES, 18TH AND 19TH CENTURIES, comprising a set of three, painted with flowering trees and veranda, 28cm; and a set of four flute plates, each painted to the centre with an exotic bird standing on a plinth, each bears leaf mark, 21cm. (7)Three plates: One with hairline crack and associated rim chip. The same plate with a further small rim chip. The other two plates in good condition.Four plates: Each with an element of damage.
Lot 126
AFTER PIERE-JULES MENE bronze sculpture - entitled 'L'Accolade No.2' (The Embrace No.2), bears signature to base, 'P.J.Mene', on black marble plinth base, 64cms long x 28cms wide x 48cms high ~Auctioneer's Note: L'Accolade is one of Mene's most famous works, first exhibited at the Paris Salon in 1852 with the title 'Tachiani and Nedjebe' , depicting a courting Arab mare and stallion. Mene won a medal for the work in 1855 at the Exposition Universelle in 1855. This is the largest of the three sizes that L'Accolade was cast Condition Report: good overall condition.Lots marked with ~ can be collected by couriers by appointment
Lot 127
AFTER HOWARD WHITTAKER bronze sculpture - 'Seabiscuit', the famous American race horse with Johnny 'Red' Pollard Up, base bears signature and copyright date 2001, on black marble plinth base, 59cms long x 24cms wide x 55cms high ~Auctioneer's Note: This bronze represents Red Pollard on Seabiscuit on the occasion of the famous head to head race against War Admiral at the Pimlico racecourse in Baltimore on the 1st November 1938, the race was promoted by the media as a David and Goliath / West Coast v East Coast battle. Seabiscuit, the underdog, was of small stature but despite this disadvantage, overcame War Admiral by four lengths to the applause of 40,000 race go-ers and 40 Million radio listeners including Franklin D Roosevelt, it was perceived as a symbol of hope during the great depression. Condition Report: riding crop slightly bent, otherwise good overall condition.Lots marked with ~ can be collected by couriers by appointment
Lot 348
George III Oak Breakfront Bookcase, 278cm wide x 65cm deep x 232cm high (a.f.), removed from a local Country Estate Office Note - this bookcase is in an original and essentially sound condition, but does have some condition issues as follows:Loss to dentil moulding to cornice, one glass pane cracked, horizontal crack along part of top of the base section, vertical shrinkage splits to two of the base doors, later handles, later locks, loss to plinth on each side We have a similar period similar sized mahogany example from the same source (housed in the same estate office facing opposite this example) for sale in our May 15th auction.
Lot 483
George III mahogany chest of drawers, with original handles on bracket feet The dimensions are 109cm wide x 54cm deep x 85cm high. Condition – two small shrinkage splits to lower sides above plinth, some moulding loss around drawers, slight scratching to top and some moulding damage to one side
Lot 53
§ DAVID SHRIGLEY O.B.E. (BRITISH B.1968) LIGHT SHOWER - 2017Linocut, 5/100, signed with initials, dated and numbered in pencil, unframed (Dimensions: 75.5cm x 55.5cm (29.75in x 22in), full sheet)Biography: David Shrigley attended Glasgow School of Art from 1988-91 where he studied environmental art. He works in many disciplines including drawing, photography, painting, sculpture, animation and music. The variety of projects he is involved with are multi faceted ranging from the video for Blur’s ‘Good Song’ to ‘Kingsley’ Shigley’s mascot for the Scottish football team Partick Thistle to ‘Really Good’ a sculpture of a bronze fist with upraised, out of proportion thumb which he created for the Fourth plinth in Trafalgar Square. Shrigley was created an O.B.E. in 2020 for services to the visual arts. Recent notable exhibitions include those in Glasgow, Germany and Sweden and he was nominated for the Turner Prize in 2013. His work is held in a number of important public collections including National Galleries of Scotland and Tate.
Lot 70
§ DAVID SHRIGLEY O.B.E. (BRITISH B.1968) LANGUAGE - 2014Linocut, 87/100, signed with initials, numbered and dated in pencil verso, unframed (Dimensions: 45cm x 34.5cm (17.75in x 13.5in))Biography: David Shrigley attended Glasgow School of Art from 1988-91 where he studied environmental art. He works in many disciplines including drawing, photography, painting, sculpture, animation and music. The variety of projects he is involved with are multi faceted ranging from the video for Blur’s ‘Good Song’ to ‘Kingsley’ Shigley’s mascot for the Scottish football team Partick Thistle to ‘Really Good’ a sculpture of a bronze fist with upraised, out of proportion thumb which he created for the Fourth plinth in Trafalgar Square. Shrigley was created an O.B.E. in 2020 for services to the visual arts. Recent notable exhibitions include those in Glasgow, Germany and Sweden and he was nominated for the Turner Prize in 2013. His work is held in a number of important public collections including National Galleries of Scotland and Tate.
![*PAIR OF VICTORIAN GOTHIC STANDS. 1220MM ( 48" ) HIGH. PLINTH 230MM ( 9" ) WIDE X BASE 360MM ( 14" ) WIDE [0]](https://cdn.globalauctionplatform.com/c24bc8d1-0504-4bf2-b009-ab7300c8ff7c/2a738a6a-7cca-4f9e-b7b9-ab9101662838/468x382.jpg)
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173444 item(s)/page