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Lot 1205
A Victorian mahogany chiffonier, with oval mirror to the shaped back, with applied foliate scrolling mouldings to the serpentine top and with pair of arched panelled cupboard doors beneath enclosing shelves flanked by scroll corbals, with plinth base and raised on turned feet. Width 48 ins.
Lot 1223
A good Victorian mahogany wardrobe, in three sections, with detachable moulded breakfront cornice, with crossbanded frieze above a central full length mirrored door with applied foliate mouldings opening to an interior fitted with a series of pullout trays and three graduated drawers with recessed brass drop handles and flanked on either side by a further full length panelled cupboard door with applied foliate scrolling mouldings and flanked to the left and right by a figural corbal and with plinth base below. Width 82 ins.
Lot 1251
A fine Victorian walnut cabinet, the inverted breakfront inlaid with bellflower and the top crossbanded and boxwood strung, with rear mirror and with pair of panelled cupboard doors to the centre, glazed and enclosing adjustable shelves, flanked on either side by further panelled cupboard door and Florentine marquetry and with corbals and flat pilasters between, with plinth base below. Width 75 ins.
Lot 520
Sydney Harpley, RA, 1927-1992, A bronze of a standing female, mounted on a marble plinth base, signed and numbered 6/6 51 x 11 x 14cm (19.89 x 4.29 x 5.46in); together with Two accompanying letters from the artist discussing the sculpture, sold following an exhibition at the Royal Academy for
Lot 919
An oak longcase clock circa 1800, the hood with swanneck pediment, the trunk with quarter reeded pilasters, raised on a plain plinth, the 14" (36cm) square painted dial signed `W Rowlands Pwffheli`, with seconds dial and calendar aperture, the spandrels painted with corn stooks, floral centre sprays, the 8 day movement with Walker & Hughes falseplate, case possibly associated, 225cm high
Lot 920
Walder, Arundell, a George III mahogany longcase clock, the break arch hood with stop-fluted brass columns, the trunk with break arch door and flanked by quarter reeded pilasters, upon a panelled plinth and moulded base, the one-piece silvered engraved 12" dial with strike/silent dial and regulation dial (not currently linked to the movement) to the arch, calendar and seconds dials below, 219cm high
Lot 935
Samuel Heywood, Northwich, a George III mahogany longcase clock, the hood with swanneck pediment and verre eglomise panels below, Corinthian capped columns, the trunk with shaped top door flanked by quarter reeded pilasters, upon a panelled plinth on bracket feet, the 13.5" (35cm) brass dial signed above the moonphase disc, the silvered chapter with both centre seconds and calendar, and gilt mask spandrels, 239cm high
Lot 936
A George III mahogany longcase clock, the hood with swanneck pediment, the trunk with shaped top door and flanked by reeded full length columns, raised on a panelled canted plinth with replacement skirting, the unusual oval dial (53cm high, 41cm wide) painted with a shooting scene and Kauffmanesque female statue above flanked by two portrait plaques, some flaking and retouching, the 8 day 4 pillar movement signed `H No.30` to the backplate, 262cm high
Lot 2013
A Regency rosewood secrétaire chiffonier with inlaid brass borders, the mirrored back with a pierced gilt metal gallery and three drawers, the frieze fitted with a secrétaire drawer enclosing two maple-fronted drawers and a leather writing surface above two panelled cupboard doors, raised on a plinth base, width approx 107cm.
Lot 304
A late 19th century French gilt spelter and porcelain mantle clock, having two 18th century style figures flanking the barrel movement on a shaped and scrolled plinth and the eight day striking movement having a gilt and floral decorated blue porcelain dial with Roman numerals in tablets, mounted under a glass dome (as viewed, damaged and part missing, dome approx 45 cms high).
Lot 355
A Continental porcelain figure of a scantily clad classical female wearing a polychrome floral dress and accompanied by a peacock (27cms) and another modelled as an 18th century gentleman in royal blue frock coat and yellow breeches and holding a tricorn hat on floral encrusted plinth base (24cms).
Lot 36
An Edwardian giltwood gothic shrine, made for the Colchester Pageant in 1909, by Ernest N Mason, father of Mrs Helena Kitton; the shrine is surmounted with a figure of a female saint with crown, cross and sceptre, on plinth base; accompanying the shrine is a 9ct gold and enamel miniature of Mrs Kitton and a period photograph of the shrine 48 x 33ins
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