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Click here to subscribeWindhund, Nymphenburg, Anf. 20. Jh., Entwurf Pierre Julius MENE im Jahr 1912, im Sockel bez. P.J. Mene, auf rechteckigem Sockel, Modellnr. 128, naturalistsich staffiert in Grau, 11,5 x 15 x 5,5 cmGreyhound, Nymphenburg, early 20th century, designed by Pierre Julius MENE in 1912, inscribed P.J. Mene in the base, on rectangular plinth, model no. 128, naturalistically painted in gray, 11,5 x 15 x 5,5 cm
Paar figürliche Leuchter, w. England, 20. Jh., zwei Wasserträgerinnen in antikisierenden Gewändern, mit Weinlaubkränzen, polychrom bemalt, ziervergoldet, auf runde Sockel mit ornamentalen Reliefs, 1 Leuchter best. und gekelbt, H. 38 cmPair of figural candlesticks, w. England, 20th c., two water bearers in antique robes, with vine leaf wreaths, polychrome painted, ornamental gilding, on round plinth with ornamental reliefs, 1 candlestick bumped and crocked, h. 38 cm.
Spielkarten-Leuchter Kreuz, Meissen, Kanuffschwerter 1850-1924, 1. W., Entwurf Ernst August Leuteritz unter Verwendung alter Formen im Jahr 1876, Modellnr. K 104, Vierpassige, geschweifte Plinthe mit Goldrand. Trichterförmiger Sockelhals mit 4 Widderköpfen, Lorbeerkränzen und Rocaillen. Kleeblatt förmiger Korpus mit zwei geschweiften Maskaronenhenkeln. Türkisfarbener Fond mit Goldrand. Schauseiten bunt bemalt mit Spielkarten bzw. Kreuz in ovalen Medaillons, Henkel best. u. geklebt, H. 18 cm, Lit. Bergmann, Meissen Figuren, Ergänzungsband für I und II, S. 58Playing card chandelier cross, Meissen, Kanuff swords 1850-1924, 1st choice, design Ernst August Leuteritz using old forms in 1876, model no. K 104, four-piece curved plinth with gold rim. Funnel-shaped plinth neck with 4 rams' heads, laurel wreaths and rocailles. Cloverleaf shaped body with two curved mascaron handles. Turquoise background with gold rim. The sides are colorfully painted with playing cards and crosses in oval medallions, the handles are bumped and glued, h. 18 cm, Lit. Bergmann, Meissen Figuren, Ergänzungsband für I und II, p. 58
Spielkarten-Leuchter Herz, Meissen, Kanuffschwerter 1850-1924, 1. W., Entwurf Ernst August Leuteritz unter Verwendung alter Formen im Jahr 1876, Modellnr. K 104, Vierpassige, geschweifte Plinthe mit Goldrand. Trichterförmiger Sockelhals mit 4 Widderköpfen, Lorbeerkränzen und Rocaillen. Herz förmiger Korpus mit zwei geschweiften Maskaronenhenkeln. Türkisfarbener Fond mit Goldrand. Schauseiten bunt bemalt mit Spielkarten bzw. Herz in ovalen Medaillons, Postament best., H. 18 cm, Lit. Bergmann, Meissen Figuren, Ergänzungsband für I und II, S. 58Playing card chandelier heart, Meissen, Kanuff swords 1850-1924, 1st choice, design Ernst August Leuteritz using old forms in 1876, model no. K 104, four-piece curved plinth with gold rim. Funnel-shaped plinth neck with 4 rams' heads, laurel wreaths and rocailles. Heart-shaped body with two curved mascaron handles. Turquoise background with gold rim. Fronts colorfully painted with playing cards and heart in oval medallions respectively, pedestal bumped, h. 18 cm, Lit. Bergmann, Meissen Figuren, Ergänzungsband für I und II, p. 58.
Große Madonna, Rosenthal, Marke nach 1957, Entwurf Daniel Hauenstein (1894-1978) im Jahr 1956, in der Plinthe mon., Modellnr. 5044, Große Madonna mit dem Jesusknaben auf dem Arm nach unten schauend, groß gearbeitete Oberfläche, weiß, glasiert, H. 71 cmLarge Madonna, Rosenthal, mark after 1957, design Daniel Hauenstein (1894-1978) in 1956, in the plinth mon., model no. 5044, Large Madonna with the boy Jesus on the arm looking down, large worked surface, white, glazed, h. 71 cm
Konsole, Ende 19. Jh., Eichenholz. Geschwungene und leicht ornamentierte Wangen, durchbrochen gearbeitete Wandplinthe, leicht profilierte Deckplatte. Leicht ber., 21 x 39 x 19 cmConsole, end of the 19th century, oak wood. Curved and lightly ornamented cheeks, openwork wall plinth, lightly profiled top plate. Slightly rubbed, 21 x 39 x 19 cm.
Paar große Girandolen des 19. Jh., 6-flg., Gelbguss, dreiseitiger Stand über Marmorplinthe, kannelierter Schaft mit fünf Leuchterarmen und mittiger Tülle, H. 63,5 cmPair of large 19th c. girandoles, 6-light, brass, three-sided stand over marble plinth, fluted shaft with five candelabrum arms and central spout, h. 63,5 cm
Wand-Zeitungshalter, 19./20. Jh., Eiche. Wandplinthe als Bogenarchitektur, am unteren Ende eine schräg gestellte Platte zum Einstellen von Zeitungen. 2 Ringhandhaben an Löwenmasken, Messing vergoldet. Leicht ber., 47 x 34 cmWall newspaper holder, 19th/20th century, oak. Wall plinth as arched architecture, at the bottom a slanted plate for placing newspapers. 2 ring handles on lion masks, brass gilded. Slightly rubbed, 47 x 34 cm
Widersprüchliches Konvolut: 2 Teile Hansa-Linie und SED Souvenier, 20. Jh., 2 Löwen (Hornschnitzerei) auf Holzplinthe mit Einlegearbeit ''Hansa-Linie''. 1 x Boettger Steinzeug Plakette (Ernst Thälmann) im Etui. Etuideckel innen beschriftet ''Überreicht vom Zentralkomitee (...) zur Partei der Arbeiterklasse. Maße Etui 17 x 15 cmContradictory assortment: 2 parts Hansa line and SED souvenir, 20th c., 2 lions (horn carving) on wooden plinth with inlay ''Hansa line''. 1 x Boettger stoneware plaque (Ernst Thälmann) in case. Case lid inside inscribed ''Presented by the Central Committee (...) to the Party of the Working Class. Dimensions case 17 x 15 cm
Paar Art déco Buchstützen um 1920, Hippolyte Moreau (1832-1927), französischer Bildhauer, Metallguss auf Marmorplinthe, stilisierte Vögel, leicht ber. & best., H. 15 cmPair of art deco bookends, c. 1920, Hippolyte Moreau (1832-1927), cast metal on marble plinth, stylized birds, slightly rubbed & bumped, h. 15 cm.
Censer/Vogelfigur/Falke, 19./20. Jh., Bronze mit Goldtauschierung. Federkleid als Deckel abnehmbar. Auf eine quadratische Marmorplinthe montiert. Leicht ber., minimal best., H. 19 cmCenser/bird figure/ falcon, 19th/20th c., bronze with gold inlay. Feather plumage removable as a cover. Mounted on a square marble plinth. Slightly rubbed, minimally bumped, h. 19 cm.
Tischdekoration, um 1900, Metall, versilbert. Runder Sockel auf 3 Füßen, darauf eine Terrainplinthe mit Vogel Strauß und 2 Palmen. Leicht ber. & best., H. 36 cmTable decoration, around 1900, metal, silver plated. Round base on 3 feet, on it a terrain plinth with bird ostrich and 2 palm trees. Slightly rubbed & bumped, h. 36 cm
Englische Anrichte. 17./18. Jh. Eiche und Mahagoni massiv, kastenförmiger Korpus mit drei Türen und drei übergeordneten Schubkästen, geometrischer Dekor aus rechteckigen Füllungen, vortretender Sockel auf Kugelfüßen, 115 x 188 x 60 cm.- Dieses Möbel kann nicht in unseren Berliner Räumen besichtigt werden. English sideboard. 17th/18th c. Solid oak and mahogany, box-shaped body with three doors and three drawers above, geometric decoration of rectangular panels, protruding plinth on ball feet, 115 x 188 x 60 cm.- This furniture can not be viewed in our Berlin rooms.
A William IV rosewood marble topped side cabinet, width 184cm, depth 45cm, height 129cmCONDITION: The marble top is marked and bruised and there is a loose piece of moulding from the left side which is present. The right hand central door is slightly discoloured, the plinth foot is scuffed with some losses to the left side
A reproduction George III style mahogany glazed display cabinet, of canted D-section, with geometric astragals enclosing two adjustable glass shelves, with integral lighting, below moulded plinth, carved with arches, the lower cupboard with carved dentil frieze with panelled door, on moulded plinth, with key, 112cm high x 126cm wide
A George V silver rose-bowl, by Walker and Hall, Sheffield, 1929, tapering and with fluted lower body and on spreading foot, engraved with an inscription, with silver plate grill and on ebonised plinth; together with: a set of six George III silver Old English pattern teaspoons, the rose-bowl 14.5cm diameter, 9oz 15dwt, 304gr (7)
A mid 19th century green painted house keepers cupboard (in two sections) 117cm by 50cm by 240cm . Structurally the cupboard is sound save for the plinth that needs some attention. The main doors are binding on the plinth and this would be resolved once the plinth had been repaired. Period decoration now has a very pleasing wear and patina. With original key but this is stuck in the top lock. Internal fittings including two drawers are intact. Expected wear and superficial marks throughout as expected.
An early 19th century oak-cased and mahogany cross-banded eight-day longcase clock; the broken swan-neck pediment surmounted by an eagle and flanked by fluted Classical-style columns flanking a 12-inch gilt highlighted and painted broken-arch dial with Arabic numerals, subsidiary second hand, date aperture and signed 'Sleaford', shaped trunk door with marquetry conch shell, raised on plinth base (approx. 223cm high)
An early 20th century oak chest; moulded top above two half-width and two full-width drawers, raised on plinth base (108cm wide) (Can be combined with the following lot as illustrated)A little bit water-marked, some scratches etc. commensurate with age; no evidence of any woodworm (74cm high)
A 19th century Irish urnCondition Report: There is a small area of very minor rim fritting to the lip of the bowl. To the inside of the bowl there is a 2cm mouth-shaped piece which has been ground away - indicating previous damage. original air bubbles are visible in the lower urn-shaped section, the square-shaped plinth base has the pontil ground quite a way from the centre and exhibits scratches commensurate with age and in one corner has sustained a chip. One of the other corners also sustained a slight chip and has been ground away. The cover also slight rim fritting to the inside of the lip although appears to be in reasonably good condition otherwise. The faceted tip of the finial may have also sustained minor damage. The piece is not perfect
Bronze giltTibet or Nepal, 12th to 13th centuryDimensions: Height 14 cmWeight: 1793 gramsA solemn depiction of a Buddha in meditation, showing the gesture of calling the earth to witness, bhumipharsa mudra, also known as the subduing of demon Mara. Attached to a square plinth, the Buddha is sitting with his legs crossed in lotus position. He is dressed in a robe with beaded brim draped over his left shoulder and bottom fanning out underneath his ankles. The eyes are closed in deep meditation. A hairline separates the tiny curls from the forehead, and he is wearing a simple crown with a jewel in the center and over the ears.
Bronze gilt with silver inlaysTibet, 18th centuryDimensions: Height 18 cmWeight: 241 gramsUnusual shrine of a Bodhisattva on a rectangular plinth with decorative bands, open-work support with stone inlay at the center and a round reverse lotus base with beaded rim. The Bodhisattva is seated cross-legged with soles of feet showing, wearing flowy garments covering the legs. The shoulders are also dressed with decorative robes, the upper body seems to be dressed in aristocratic clothes with a chest-armour and puffy sleeves. The hands are raised in front of the chest, showing the dharmachakra mudra. The face looks juvenile with a light smile and downcast eyes, earlobes elongated. The Bodhisattva is wearing a pompous crown of stone inlay. He is surrounded by a big flaming aureole with additional stone inlay, his head also bears a halo in the same fashion with a lotus flower at the top center. The back of this outstanding bronze is relatively plain.
SilverTibet, 16th centuryDimensions: Height 9 cmWeight: 266 grams with baseIn Tibetan Buddhism this is a wrathful emanation of Bodhisattva Avalokiteshvara, here standing in wide stance on a plinth. Mahakala is dressed in a short dhoti, wearing a skull garland, anklets and with bare feet. His two hands are holding a skull cup or kapala and a crescent-shaped knife or chopper. His face is grim with a broad nose and bulging eyes and a third eye on the forehead. His crown of five skulls encloses a second head of a Mahakala with fierce face, skull crown and wild hair.
Bronze rest gilt, face lacqueredChina, 18th centuryDimensions: Height 25 cm by 15 cm Weight: 1895 gramsA very well preserved bronze Buddha from China with lacquer remains on the face. The Buddha is seated on a double lotus flower on an oval plinth with ornamental relief in the center front. The Buddha is gesturing the bhumispharsa mudra, calling the earth to witness. He is dressed in an elaborate robe with decorative brim over a long undergarment fastened at the waist with an ornamental band and bow. The face is round and fleshy with two necklines, the eyes are downcast, the lips and nose are small, the earlobes slightly elongated. The head and relatively small ushnisha are covered in tiny curls. The Buddha bronze is hollow.
BronzeChina, Xinjiang Region, Sixteens Kingdom period (303 - 439)Dimensions: Height 7 cm by 5,5 cmWeight: 119 gramsSeated Buddha on a lotus throne with three rims, his left leg pendent, the right leg drawn to his body. His left elbow is resting on the knee with hand palm facing the ground. The other hand is raised with thumb and index finger touching. His robe is flowy and exposing the torso. He is wearing a necklace, earrings and a high tiara. He is surrounded by a flaming aureole. The bronze is attached to a wooden plinth.
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