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Lot 20
A late 19th century French repeating carriage clock, with a 6cm white enamel dial signed G P Wehlen and Co, with a platform lever escapement, with repeat striking on a coil gong, within a architectural case with Greek key handle raised upon a plinth base, 18½cm, with an accompanying letter from a previous owner dated July 25th 02, with a red Morocco leather travelling case with overhead handle number 3680 (illustrated)
Lot 35
A Victorian oak and plate mounted three bottle tantalus with a mirror back enclosing three mallet shape decanters and stoppers, each engraved with ovals enclosing stylised flowers, with a hinged compartment enclosing five divisions, plate mounted angles, raised on a plinth base with white metal carrying handles, 33cm x 35cm x 26cm
Lot 29
A sterling silver and gold mask statue by George Weil, London 1970, the mask 280 x 124mm with a relief silver mask with applied gold curly hair, composed of raised flat wire curls to a textured wriggle ground, mounted to a marble plinth, signed G Weil, no. 47, 1971, 18ct, sponsor mark WJ Ltd. London 1970 George Breuer-Weil was born in Vienna in 1938, but moved to England with his family the following year. He studied at the Central School of Art and Craft and St. Martin's School of Art in London. In 1956, he set up his own jewellery design school and workshop, later gaining an important commission for the John Player British Grand Prix trophy and exhibiting a collection at the Jean Renet Gallery. CONDITION REPORT: Height: 28.5cm. Height without the marble base: 19cm
Lot 236
Ferdinand Preiss (German 1882-1943), 'Fishing Boy', no.1105, ivory on an onyx plinth, signed F Preiss, on an onyx plinth, lacking rod, damaged, 15cm A similar figure is illustrated in Albert Shayo, 'Ferdinand Preiss Art Deco Sculptor', Antique Collectors Club 2005 p.125. CONDITION REPORT: Lacking rod. The ivory figure has been detached and glued to the base in the area of the feet. Height: 15.5cm
Lot 254
*Sir Jacob Epstein (1880-1959), 'Bust of Nan (Condron)', 1909 bronze, green patination, on shaped wood base, inscribed in pencil 'A6751 Epstein', 39cm wide 38cm high Exhibited: The Tate and Leicester Galleries, 1922. Literature: Evelyn Silber,'The Sculpture of Epstein', cat. no. 17, p.125. *Artist's Resale Right may apply to this lot. CONDITION REPORT: Provenance a local Hertfordshire family. Documentation not forthcoming. Family are unsure of the date of purchase. Vendor's uncle was the buyer (lived in Chigwell) No confirmation that this cast was exhibited. The sculpture is in good overall condition. The plinth base is worn to the edges.
Lot 279
Barbara Hepworth DBE (1903-1975), 'Figure in a Landscape (Zennor)', 1966, BH426, bronze marked 'B.H. 7/7 MS', on wood plinth: 29cm wide bronze: 24cm long 10cm deep 13cm high overall: 19.1cm deep 17cm high Provenance: Bought directly from Barbara Hepworth in 1966. This bronze is a cast of an earlier work conceived in alabaster BH179 in 1952.
Lot 578
An Art Deco nest of three bird's-eye maple tables, of simple 'U' form with Macassar wood plinth details, 50.5cm wide 30cm deep 35.5cm high (3) CONDITION REPORT: Table heights are: 35.5cm, 33.5cm and 31cm high. Largest table has discolouration to the top and split to the centre. Other smaller tables have some scratches.
Lot 900
A Danish oak wall cabinet, with a pair of two-tier modular bookshelves over four drawers with rectangular recessed handles on a plinth base, manufactured by Søborg Møbelfabrik, designed by Borge Morgensen, 100cm wide 46cm deep 182cm high CONDITION REPORT: Minor scuffing to bottom shelf. Cut hole to the bottom modular bookcase for wiring.
Lot 859
A SUITE OF PAINTED ASH BEDROOM FURNITURE, c.1870, comprising: a wardrobe with moulded cornice above double doors enclosing slides and hanging rail over two deep drawers, on a plinth base, stamped T. Dyer; a dressing table with shaped backboard over a rectangular top above two frieze drawers raised on turned tapering legs moving on castors, stamped C.Rose; and an oval toilet mirror, the plate swivelling between turned uprights with urn finials, on a trestle base, each piece painted with panels and linear decoration (3) The wardrobe 2.10m by 1.35m by 0.58m
Lot 890
AN EDWARDIAN INLAID MAHOGANY BOOKCASE CABINET, the upper section with moulded cornice above a plain frieze over a pair of astragal glazed doors, the base with two frieze drawers over a pair of panelled cupboard doors each decorated with an oval patera, raised on a plinth base. 1.92m by 0.92m by 0.48m
Lot 698
A Georgian and later mahogany longcase clock, the brass arch dial with a silvered chapter ring inscribed Roberts, Otley 1771, rococo spandrels, eight day striking movement enclosed by a reeded pillared hood, over a long inlaid and chequer strung trunk door, flanked by reeded pilasters on canted bracket plinth base, later alterations and repairs, height 213cm.
Lot 1169
An early 19th century oak and mahogany crossbanded eight day longcase clock by Charles Vessey, Ramsey, the domed face painted white with Arabic numerals, floral corner spandrels and a further floral spray with perched bird the dome, subsidiary seconds and date roller, the hood with broken swan neck pediment with applied rosettes and flanking Ionic columns with cast brass capitols, the case with canted and reeded front edges, shell cartouche to the shaped door, raised on a plinth base, with pendulum and weights, 45 by 25 by 206cm high.
Lot 96
A PAIR OF BRONZE AND GILT METAL FIGURAL CANDELABRA OF EMPIRE STYLE, each having six lights issuing from a reeded torchere with leafy capital, held aloft by a classical female and male figure raised on a reeded pedestal with floral swag border and palmette calyx on three monopodiae and stepped tripartite plinth, 20th century, 70cm high. See illustration
Lot 101
Alfred Drury RA, (British, 1856-1944), "The Age of Innocence", a late 19th Century patinated bronze shoulder length Bust of a young girl, her hair tied up high and with hair band, her face with a calm expression, the reverse signed A Drury and mounted upon a square green variegated marble socle with plinth base, approx 39cm overall height. Note: The Age of Innocence is probably the best of Drury's many fine studies of children, such as Griselda and Saint Agnes. The marble version was exhibited at the Royal Academy in 1897, and according to M. H. Spielmann, author of British Sculpture and Sculptors of Today (Studio Special Number 1901) 'still further heightened the public appreciation of Mr. Drury's talent. So widely was it appreciated that when the bust was "published" in a small size a very considerable number were bought up at once.'
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