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A GROUP OF COUNTRY ARTIST BIRDS, ANIMALS AND REFERENCE BOOKS, to include limited edition 'Woodland Visitors' (cert) G800, No1688/5000, 'Howling Wolf Large' CA642, 'A Moment in Time' CA951 (Deer Family) (loose on plinth), 'Kingfisher in Bulrushes' CA533, 'Fountain of Peace', 'Vantage Point' 00801, 'Goldfinch with Garden Rose', 'Woodpecker-Great Spotted' CA768, 'Woodstock Chaffinch' CA767 (slight damage to one or two) etc
Late 18th century mahogany single pad top bracket clock, William Reed - Chelmsford, the arched case with single pad top and cast brass carry handle to a full hinged front door with fluted corners and set with silk backed fishscale false panels and further side sound frets to a plinth base and raised on cast and applied splayed bracket feet to a concave bezel enclosing a 20cms (8ins) painted Roman dial with outside minute track and pierced steel hands to a twin fusee movement with plates united by four knopped pillars and with anchor escapement and strike on a bell and with pull repeat, height 43cms
Mid-19th century mahogany and cross-banded 8-day longcase clock, David Hill - Kippen, the hood with swan neck pediment and inlaid boxwood rosettes over carved foliate frieze over free-standing and brass capped Corinthian columns to an arched trunk and concave throat to a shaped long trunk door flanked with inlaid shell detail and flanked by quarter fluted columns to a panelled plinth base, also with inlaid shell detail, to a 33cms (13ins) arched brass dial with signed cartouche among scrolling foliate detail and enclosing a Roman and Arabic chapter ring with subsidiaries for seconds and date with pierced black finished hands to a movement with plates united by four knopped pillars and an anchor escapement and strike on a bell, height 218cms
Mid-19th century oak and mahogany cross-banded 8-day longcase clock, Thos Haynes - Stanford, the hood with swan neck pediment, the brass capped and reeded free-standing columns to a moulded throat and long arched trunk door with reeded and canted corners on a plinth base with later raised plinth section to a 30cms (12 ins) second period painted dial with gilt spandrels and floral detail to the arch over a Roman chapter ring with Arabic quarters, outside minute track and subsidiary seconds with pierced and stamped brass hands, to a signed false plate and movement with plates united by four plain pillars and with anchor escapement and strike on a bell, height 210cms
First half of 19th century mahogany cased 8-day longcase clock, signed John Simpson, Plea(f)eants - Edinburgh, the hood with swan neck pediment and central globe and eagle finial with dentil work detail and pierced frieze over free-standing fluted and brass capped columns to a concave throat and shaped long trunk door on a plinth base to a 30cms (12ins) dial with signed boss and engraved foliate and bird detail enclosing a Roman and Arabic chapter ring with outside minute track, further engraved centre with subsidiary seconds and date aperture with blued steel pierced hands to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell (associated), height 213cms
Mid-19th century oak mahogany and boxwood cross banded 8-day longcase clock, Adams - Middlewich, the hood with swan neck pediment to a plain frieze over free standing columns to a moulded throat and further frieze panel over fluted quarter columns and shaped long trunk door on a plinth base with bracket feet to a 34cms (13 1/2 ins) third period painted dial with floral basket spandrels enclosing a Roman chapter ring with outside minute track and enclosing subsidiary seconds and date and with black finished pierced hands, to a signed false plate and movement with plates united by four knopped pillars with anchor escapement, strike on a bell, height 216cms
Mid-19th century walnut and ebonised stencilled mantel clock, the arched case with overhanging cornice surmounted by pineapple finials and waisted and scrolling body with moulded border on a plinth base and set with a composite panel depicting a profile portrait of "Conte Camillo Beuso di Cavour" (Italian statesman, 1810-1861), beneath a stepped brass bezel with beaded border enclosing a 10cms (4ins) gilt printed Roman dial with outside minute track and blued steel moon hands to a circular brass movement with back mounted count wheel and anchor escapement strike on a bell and with silk suspension, height 45 1/2cms
Mid-19th century mahogany cased bracket clock, Connell late Ganthony - 83 Cheapside, London, 486, the drum topped case with side scrolls with ogee moulding to a plinth base and raised on bun feet to a re-veneered front panel with glazed aperture beneath a cast bezel with bevelled glass enclosing a signed and silvered 19cms dial with strike/silent lever at 12 and with blued steel trefoil hands to a plain brass movement with plates united by five plain pillars and with anchor escapement and strike on a bell, height 51 1/2cms
Chinese twin fusee verge table clock on stand, signed H Jung & Co - Shanghai, the rectangular case with lift up glazed front panel and solid lift up back panel with carved sound frets over glazed panels, the whole mounted on a plinth base with shallow relief carved side panels and pierced and carved front panel on scrolling feet to a chased and engraved brass mask with keyed border and foliate field detailed with flying bats to an 18cms (7ins) signed Roman enamel dial with Arabic quarters, outside minute track and pierced steel hands and with sweep centre seconds to a twin chain fusee movement with plates united by four knopped pillars and with verge escapement, short bob pendulum and strike on a bell and signed to the engraved back plate in Chinese characters over a further signed cartouche (repairs throughout), overall height 49cms
Mid-19th century mahogany cased Irish 8-day longcase clock, F Martin - Dublin, the arched hood to a round dial and moulded throat with long and panelled trunk door on a plain base and with later added plinth to a 32cms third period painted Roman dial with outside minute track, blued steel spade hands and subsidiary seconds, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell
Late 18th century oak cased 8-day longcase clock, George Payne - Ludlow, the later oak case with overhanging cornice and shaped pediment with free-standing columns and concave throat to a long trunk door on a plinth base to a 30cms (12ins) square brass dial with cast and applied urn and bird spandrels enclosing a Roman and Arabic chapter ring with outside minute and inside quarters tracks to a matted centre with subsidiary seconds and date aperture with pierced steel hands to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell (associated), height 206cms
Early 20th century German walnut and inlaid triple spring barrel mantel clock, Junghans, the arched case with side stepped pediment over pierced sound frets on a plinth base with compressed bun feet to a glazed door enclosing a 15cms (5 3/4 ins) arched brass dial with subsidiaries for chime/silent regulation over an Arabic chapter ring with outside minute track to a matted centre with blued steel hands to a triple spring driven movement with anchor escapement and strike on a coiled gong and four rods, height 44 1/2cms
Composite walnut cased mantel timepiece with overhanging cornice and bell shaped pediment with cast brass carry handle to a hinged door with applied cast panels with further carry handles and sound frets and with glazed back door (hinges defective) to a moulded plinth base on compressed bun feet to a 23cms (9 ins) square brass dial with cherub and crown spandrels to a Roman and Arabic chapter ring with pierced steel hands to a single fusee movement with shaped and shouldered plates united by four plain pillars to an adapted false plate and with anchor escapement, height 49cms
Mid-19th century mahogany cased domestic type regulator, E Kirby - Lynn, the case with an architectural pediment to an overhanging cornice and plain frieze to a long glazed trunk door to a panelled plinth base with canted corners to a 29cms (11 1/2 ins) silvered Roman and Arabic dial with outside minute track and subsidiary seconds with blued steel spade hands and winding square at 9 to a single weight driven movement with deadbeat type escapement and a mahogany shafted pendulum with large brass faced weighted bob and single cylindrical brass cased weight, height 208cms
Early 20th century patinated and lacquered brass monocular microscope, R & J Beck - London, 18548, "Star", the triangular plinth base to a shaped support to a pivoting fixed stage fitted with a condenser and universal mirror with screw adjusting tube, height 25cms in a fitted mahogany case with spare eye piece and single lens, fitted carry handle
Mid-19th century oak and mahogany cross-banded 8-day longcase clock, Tho Poundall - Hedon, the hood with swan neck pediment over brass capped and fluted free-standing columns to a moulded throat and shaped trunk door with reeded columns on a broad and cross-banded plinth base to a 32cms (12 1/2 ins) arched third period painted dial, decorated with a shepherd's scene over shell and floral spandrels enclosing a Roman chapter ring with outside minute track, subsidiary seconds and date sector and with pierced and stamped brass hands to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 227cms
Late 19th/early 20th century oak cased triple spring barrel bracket clock, retailed by Thos Armstrong & Bro - Manchester, the architectural case with overhanging cornice surmounted by a cast brass pineapple finial and further ring turned pillars to fruit and floral mount over free-standing Corinthian columns and with hinged pierced and gilt side doors and pull repeat cord over a stepped plinth base with further mask and floral detail and raised on lacquered brass compressed bun feet to 16cms arched brass dial with subsidiaries for regulation and chime/silent over a signed and silvered Roman and Arabic chapter ring with outside minute track and half-hour fleur de lys markers to a matted centre and with blued steel hands to a triple spring driven movement with rectangular plates united by screwed pillars and with anchor escapement striking the quarters and hour on five blued steel coiled gongs, height 59cms
Mid-19th century French painted pine cased 8-day longcase clock, H David - a St Pierre - Eglise, the shaped hood with overhanging cornice to a moulded throat and long baluster trunk with hinged door on a plinth base and decorated throughout with gilt stringing and scroll work and further painted detail to a heavily embossed brass surround enclosing a 20cms (8ins) Roman enamel dial with outside minute track and pierced brass hands to a twin weight driven movement with anchor escapement and strike on a bell, height 231cms
Early 19th century mahogany and brass inlaid "Egyptian Revival" bracket clock, Webster - Cornhill, London, the case with ogee moulded and radiating fluted pediment with cast pineapple finial to a tapering and brass inlaid mask with horizontal and ebonised ribbed corners with ring handles over pierced brass sound frets to a plinth base and raised on ball brass feet to a cast bezel enclosing a 19 1/2cms (7 3/4 ins) signed and painted Roman dial with outside minute track and blued steel moon hands (case with losses and damage throughout) to a twin fusee movement with shouldered plates united by five knopped pillars and with anchor escapement and strike on a bell and with side mounted pull repeat, height 49cms
19th century mahogany twin pedestal desk, the cross-banded and strung and inlaid top over a central frieze drawer flanked on either side by four graduated drawers with moulded central arch and covered behind on a plinth base and applied on either side with heavy brass drop handles, 109 1/2cms wide
Unusual late 19th/early 20th century gilt, brass and enamelled aneroid barometer, the case of hinged folding form and constructed as a horseshoe with mid-blue enamel horseshoe nail heads to a 4.4cms silvered dial with scale of 28 to 31 and blued steel indicator hand, the whole mounted on a morocco covered square plinth fitted with a single drawer to contain the barometer for transit, and marked to the base Halstaff & Hannaford - 228 Regent St, W, overall height 11 1/2cms
Early 19th century French flame mahogany and gilt brass mounted portico clock, the plinth shaped case supported on four gilt metal capped columns to a plinth base to a cast foliate and beaded bezel enclosing a 10cms gilt and printed Roman dial with outside minute track, engine turned centre and blued steel moon hands to a large circular brass movement with back mounted count wheel and anchor escapement with strike on a bell and with brass and steel rodded pendulum with large embossed bob, height of case 44cms, the whole contained beneath a rectangular clear glass dome on black finished socle, overall height 57cms
Early 20th century oak cased triple barrel mantel clock, the arched case with overhanging cornice with lacquered brass fluted columns to a single arched and glazed door with bevelled glass on an ogee moulded and plinth base on compressed bun feet to a 16cms (6 1/4 ins) silvered dial with applied subsidiaries for regulation and chime/silent over a Roman and Arabic chapter ring with outside minute track and half hour markers fitted with blued steel spade hands to a triple spring driven movement with square brass plates united by four screwed pillars and with anchor escapement and strike on five blued steel coiled gongs, height 36cms
Early 18th century walnut marquetry inlaid 8-day longcase clock, Thomas Bridge - Londini Fecit, the pull off hood with overhanging cornice to a frieze panel and fixed glazed aperture to a cross-banded and convex moulded throat to a long trunk door with D moulded section and oval glazed lenticle with similar cross-banded and moulded section to a plinth base (reduced) and further base moulding, inlaid throughout to the frieze and mask with tulips, pinks and acanthus leaves, the door with three cartouches, each containing narcissi, pinks, tulips and birds from acanthus leaf mounted urns to a gilt gesso oval lenticle and to a further floral and foliate base decorated to the trunk sides with plain strung rectangular panels to a 28cms (11ins) square brass dial with floral engraved quarters to mask and foliate cast and applied spandrels to a Roman and Arabic chapter ring with outside minute track and inside quarters with half hour markers to a matted centre with subsidiary seconds and date sector, central engraved boss and ringed winding squares to carved and pierced steel hands to a twin weight driven movement with plates united by five knopped and finned pillars and with anchor escapement and strike on a bell, together with a pair of flat topped brass cased weights and further brass faced pendulum bob (losses to barley twists, hood, cross-banding and throat moulding), height 198cms, Note: Believed to be ex-Boynton Hall - Strickland family - dispersed circa 1950
A FINE GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 11¾-inch brass dial, signed Wm Gardener, London, with silvered chapter with Roman numerals and Arabic outer minutes, strike/silent in the arch, the pagoda hood with three sphere finials and brass-mounted stop-fluted columns, the well figured trunk with reeded canted corners and long break-arch trunk door, the base with fielded panel front and plinth. Approximately 250cm
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173444 item(s)/page