A number of collectables to include A white bust of a girl with flowers in her hair on plinth, 22cm High, with wear, a tobacco jar with bird lid , a pair of Gallipoli candle holders, and old rusty bell, a pair of candlesticks in the form of owls, a glass-rod container as a planter and a glass container with chrome handle and a lion figurine; a table clock with brass bound dial and black numerals, stamped Chuler. PLEASE NOTE THERE ARE NO OPERA GLASSES IN THIS LOT
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A Regency mahogany gentleman's press cupboard attributed to GillowsThe ogee moulded cornice above a pair of a panelled doors and a single door the right, the lower part with a similar arrangement, on a plinth base, converted to hanging rails and shelves, with impressed inventory mark to the reverse EC below a crown, 214cm wide, 54cm deep, 211cm high.Provenance:Sotheby's London, Fine English Furniture, 17 November 1995, lot 868.
A George III mahogany 'croft' or gentleman's travelling writing cabinet The hinged folding rectangular top above a frieze drawer and a slide, above a further drawer and a slide and a pair of cupboard doors, enclosing a divided interior and shelf, on a plinth base, with recessed castors and swing brass carrying handles the side, 51cm wide, 41cm deep, 79cm high.
Bernard Winskill for Royal Worcester porcelain limited edition "Simon Bolivar" figure, equestrian figure from 'The Famous Military Commanders on Horseback' series, limited edition 116/250, printed mark, raised on rectangular inset wooden plinth with brass plaque, 16 ½in. (42cm.) long, 18 ¾in. (47.7cm.) high, complete with framed certificate of Authenticity. * Appears in very good condition, no chips, cracks or hairlines found, good colour.
Bernard Winskill for Royal Worcester porcelain limited edition "Marlborough" figure, equestrian figure from 'The Famous Military Commanders on Horseback' series, limited edition 140/350, printed mark, raised on rectangular inset wooden plinth with brass plaque, 18 ½in. (47cm.) long, 18 ¾in. (47.7cm.) high, complete with framed certificate of Authenticity and large original cardboard shipping box. * Appears in very good condition with no chips, cracks or hairlines found, good colour.
A large Meissen white-glazed porcelain figure of a Lioness, 20th century, modelled by August Gaul, standing on a low stepped rectangular plinth, head slightly turned, impressed double crossed sword mark above "Weifs" and numbered to underside, blue underglaze crossed sword mark to plinth, 18 ½in. (47cm.) long, 12 ½in. (31.6cm.) high. * Appears in very good condition, no chips, cracks or hairlines found.
A 16th / 17th century and later Anglo-German Nonesuch style chest, the later oak top on iron strap hinges, over an architectural front with marquetry and parquetry decoration depicting palaces and towers, the sides with parquetry panels and iron carrying handles, on a later moulded plinth, 46 ¼ x 21 ¾in. (117.5 x 55.25cm.), 23 ½in. (59.5cm.) high, alterations.
A Chinese black lacquered and painted drinks cabinet, third quarter 20th century, painted to the front, top and sides with exotic birds amidst blossoming branches of prunus and peony, the front panel swivelling to reveal a fitted demi-lune drinks cabinet behind, both sides hinges and opening to reveal shelves and glass slots, on a plinth base with short bracket feet, 47½ x 18in. (121 x 45.5cm.) 42in. (106.5cm.) high.
A creamware pottery two handled urn by Peter Weldon, 1990s, purchased from the General Trading Company, Sloane Square, the campana urn with foliate, floral swagged and shell decoration, on a square plinth with clipped corners, signed ‘P. Weldon’ to underside, 11½in. (29.25cm.) high. * Good condition. The only fault is two small dark glaze flaw spots to the edge of the socle.
A 19th century painted and gilded terracotta figure of St Michael the Archangel slaying the Dragon, the polychrome painted figure standing upon a faux-marble octagonal plinth, 17in. (43.2cm.) high, restorations and losses. * * Both arms have been restored and one has recently been off and has a glued repair. Head and top of both wings have been off and have old restoration with repainting. Four feather’s detached from helmet. Chip to tip of dragon’s tail, two chips to one of dragon’s wings and one of dragon’s ears missing. Some paint wear and flaking throughout.
A French gilt metal and porcelain mantel clock, emblematic of Innocence, late 19th / early 20th century, with bell strike movement marked 'R&C Paris & London' (probably Richard & Co.), no.5751, fronted by a pink porcelain dial with Roman numerals and floral garland, a similar plaque to the base with a musical trophy, the gilt metal case with a maiden standing beside a plinth, a pair of doves at her feet, on a shaped base with fluted and toupie feet, stamped 'P.H. Mourey' to reverse, 15 ¾in. (40cm.) high, with original giltwood and velet stand. (2) * Lacks pendulum. Minute hand bent. Porcelain dial and panel in good condition. Some wear to gilt, mainly to figure's robe. Base has some gilt wear.
A late 19th century French Sienna marble and ormolu mounted mantel clock, the drum case surmounted by an eagle with outstretched wings, on a scrolled plinth with ormolu foliate swags, urn appliqué and outset ormolu feet, the Roman white enamel and gilt sunburst dial fronting a twin train movement with outside countwheel striking the hours and half hours on a bell, 'O. Carry' of Paris mark and 'Samuel Marti' medal mark, no. 5718 7.2, 16 ½in. (42cm.) high. * Winds and runs. Strikes correctly. Some wear to gilding. A few tiny nibbles to edges of marble case. Dial good, with one semi-circular line of wear to gilt. * Winds and runs. Strikes correctly. Some wear to gilding. A few tiny nibbles to edges of marble case. Dial good, with one semi-circular line of wear to gilt.
A late 19th century mahogany and brass mantle clock signed Barraud & Lunds,, 41 Cornhill, London, the 8in. (20.3cm.) dial with painted Roman numerals, a brass, 8 day, twin fusee movement striking on a gong and numbered 3229, the domed mahogany case with brass edging, escutcheon and pierced spandrels over a plinth base, raised on brass feet, 14 ¾in. (37.4cm.) high.
A gilt and black-lacquered figure of Buddha Shakyamuni, Thailand, cast metal Buddha, standing in samabhanga with both hands raised in abhayamudra, his face displaying a serene expression with downcast eyes below arched eyebrows, elongated earlobes, usual curled hair, raised on polished bronze circular plinth, 20in. (50.8cm.) high. * Age unknown, green patina to back.
after Irene Rochard (French, 1906-1984), an Art Deco bronzed spelter group of two goats sparring, on an onyx veneered plinth, signed to onyx, 11¾in. (29.8cm.) high. * Small frits and tiny chips to edge of plinth, one small chip to lower corner. Some pale oxidised spots to patination and two larger patches of lighter colour and a little wear to the patination to the tallest goat’s belly.
A painted terracotta figure of a recumbent Alsatian dog, mid-century, signed ‘J. E. Masson’, on a (worn) ebonised wooden plinth, 13½in. (34.25cm.) high overall. * Chip and old repair to the fur at back corner of the front left leg. Wear to painted finish throughout. Small paint flake just above tail. Ebonising to plinth heavily worn.
After Frederic Remington (American, 1861-1909), bronze "The Broncho Buster", modelled as a cowboy on rearing horse, dark brown patina, above hind leg stamped with triangle within circle, the naturalistic base inscribed 'Frederic Remington', raised on rectangular grey marble plinth, 10 x 17in. (25.5 x 43.2cm.), 20 ½in. (52.1cm.) high. * The whip detached, otherwise appears good.
After Frederic Remington (American, 1861-1909), bronze "Trooper of the Plains", modelled as a trooper riding his horse with gun in hand and sword by his side, dark brown patina, the naturalistic base inscribed 'Copyright by Frederic Remington', raised on grey oval marble plinth with brass plaque 'Trooper of the Plains by Frederic Remington', 6 ½ x 23in. (16.5 x 58.5cm.), 27in. (68.6cm.) high. * Good condition, nice patina, nothing to note.
A Michael Sutty limited edition porcelain battle group, 'The Latham Centrepiece, Lt. Matthew Latham and Ensign Charles Walsh defending The King's Colour, Albuhera, 16th May 1811', no. 9/75, 14in. (35.6cm.) long, 10in. (25.4cm.) high, on mahogany plinth with brass title plaque, faults, restored. * As found, the wagon wheel, flag, swords either detached with damage or restored and re-attached, no paperwork.
A teak display cabinet and two corner cabinets, circa 1970s, probably Nathan. With central glazed double doors enclosing four adjustable glass shelves, above four short drawers and two panelled cupboard doors, the two glazed D-shaped corner units with two short drawers above two panelled doors, electrified, on plinth base, L204cm x D50cm x H193.5cm Condition Report: Overall condition appears to be good, with surface marks, scratches and wear in places commensurate with age and previous use, No obvious signs of major damage or repair.
A contemporary wooden partners desk. The top inset with three teal leatherette panels, above a single frieze drawer flanked either side by pedestals containing four drawers, raised on plinth base, identical design to the opposite side, L160cm x D78cm x H75cm Condition Report: Overall in good condition. Drawers move freely. Leather to the top has some small scuffs but is not torn. Would benefit from a clean. Some small knocks and signs of wear, small water mark to the top, one handle loose. No apparent damp or restoration.
French ormolu mantel clock, the case designed with Apollo crowned, on a classical plinth, anthemion legs, circular dial signed Louis P.Yeury(?) a Paris, cylinder movement, striking on a bell, 51cm.Condition report:The case is in good condition, no damage or losses, right floral mount a little loose, the dial has one large scratch at 6 and some small scratches and chips wround the winding holes, front door opens, rear door opens, replaced screws mounting the movement in the dcase, has a pendulum but no keys.
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