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Lot 1

A mahogany crossbanded oak thirty hour longcase clock early 19th century the 11.5in white painted Arabic numeral dial with subsidiary seconds dial arched calendar aperture and signed ‘W. Preddy Langport’ to centre with polychrome and conch shell painted spandrels and landscape with cottage to arch the swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and plinth base 203cm high. William Preddy is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working from Langport 1822-39.

Lot 1

A George III figured mahogany eight day longcase clock late 18th century the four pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and formerly signed ‘Thos. Bullock Bath’ to centre with polychrome and gilt floral painted spandrels and strike/silent dial to arch the case with break-arch blind fret fronted pediment and reeded Corinthian pilasters to hood above shaped top trunk door flanked by reeded canted angles on raised panel fronted plinth base 219cm high excluding finial. Thomas Bullock is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working in Bath 1764-73.

Lot 1

A oak eight day longcase clock late 18th century with four-pillar rack and bell striking movement and 12in brass break-arch dial with calendar aperture and subsidiary seconds dial to the coastal scene engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and signed ‘Thomas Field Bath’ to lower edge with foliate scroll cast spandrel applied angles and ‘Tempus Fugit’ engraved silvered boss between dolphin cast mounts to arch in a flat-top case with moulded cornice blind fret infill and integral columns to hood over shaped-top trunk door and plain plinth base 216cm high.. Thomas Field is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working 1766-1812.

Lot 1

A South Wales inlaid figured mahogany eight day longcase clock circa 1820 the four pillar rack and bell striking movement with white painted 13in Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and signed ‘W. G. Golding’ to centre the spandrels polychrome painted with dead game beneath retriever with pheasant in mouth to arch the Bristol type case with shaped top arch pediment twist pilasters and wavy edge door to hood above short door flanked by quarter columns to trunk on chevron banded plinth base 202cm high.

Lot 1

A George II red lacquer eight day longcase clock mid 18th century the four pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial calendar aperture and arched nameplate inscribed ‘Jn’o. Thomas Crewkerne’ to the matted centre within a Roman numeral silvered chapter ring with fleur de lys half hour markers and Arabic five minutes the angles with bird and urn pattern spandrels beneath pheonix engraved silvered boss between dolphin mounts to arch the break-arch pedimented chinoiserie decorated case with integral pilasters to hood above trunk door gilt painted with oriental figures within stylised pagodas beneath a willow tree on plinth base with conforming decoration 212cm high. John Thomas is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working in Crewkerne circa 1690-1760.

Lot 1

A George II mahogany eight day longcase clock circa 1740 the four finned pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with calendar aperture subsidiary seconds dial and ringed winding holes to the matted centre within a Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘W. Townly Bourton’ to lower edge the angles with bird and urn pattern cast spandrels beneath sunburst engraved boss flanked by dolphin mounts to arch the case with stepped pediment and dentil cornice above twist turned pilasters to hood with rectangular trunk door and on panelled plinth base with ogee bracket feet case distressed 209cm high excluding finials. William Townley is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working in Flax Bourton 1729-51.

Lot 1

A George III mahogany eight day longcase clock with ‘High Water at Bristol Key’ circa 1775 The four pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and arched calendar aperture within an applied Roman numeral chapter ring with Arabic five minutes and signed ‘Jos. Wood Bristol’ to lower edge with scroll cast spandrel applied angles and rolling moon calibrated for ‘High Water at Bristol Key’ to arch the case with swan neck pediment and break-arch dentil cornice above fluted corinthian pilasters to hood and shaped top door flanked by fluted canted angles to trunk on conforming plinth base with shaped raised panel to front 234cm high. Joseph Wood is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working from St. Augustines back in 1775 then from St. Stephens Parish in 1784 he died on April 2nd 1791.

Lot 1

A French brass carriage clock in one-piece case mid 19th century the eight day two train bell striking movement with push button repeat and platform lever escapement the rectangular white enamel Roman numeral dial inscribed ‘Dent Paris’ at six o’clock in one-piece caddy moulded case with hinged carrying handle and on plinth base 12cm high with handle folded down.

Lot 1

A Victorian brass skeleton clock the eight pillar twin fusee rack-and-bell striking movement with half-deadbeat escapement between pagoda shaped pierced plates applied with a Roman numeral silvered chapter ring on integral scroll feet 29cm high on rosewood plinth under glass dome 36cm high overall.

Lot 1

A Black Forest eight day automaton mantel clock late 19th century the two train gong striking movement with circular wood dial applied with bone Roman numerals the gabled case with pierced scroll angled side brackets and door to front from which a soldier appears every half hour to a two-note fanfare on plinth base incorporating bracket feet slight damage to case 47cm high.

Lot 1

An early Victorian figured mahogany eight day drumhead mantel timepiece circa 1840 the four pillar circular movement with anchor escapement and signed ‘Barraud & Lund Cornhill London 2085’ to backplate the 5in circular gilt Roman numeral dial similarily signed and with foliate engraved centre within an engine turned bezel the case with drum above side scrolls and recessed panel fronted rectangular plinth on moulded skirt base pendulum lacking 40cm high. Barraud and Lund are recorded in Britten F. J. ‘Old Clocks and Watches & Their Makers’ as working from 41 Cornhill 1838-42.

Lot 1

An inlaid mahogany quarter chiming eight day mantel clock early 20th century the German made three train movement chiming the quarters on four gongs and the hours on a further gong with silvered arch dial applied with a Roman numeral chapter ring beneath subsidery fast/slow and chime/silent dials the lancet top case with fan inlay above dial and line borders on moulded plinth base 41cm high.

Lot 1

A Jaeger-Le-Coultre ‘Atmos’ mantel timepiece ‘Marina’ model 20th century the cream dial with applied gilt baton and Arabic numerals in rectangular perspex panel case intaglio cut and gilt decorated with chinioserie designs on plinth base incorporating bracket feet 23cm high.

Lot 1

A French ormolu and white marble eight day mantel timepiece late 19th century the movement with platform cylinder escapement contained within a deep blue japanned sphere applied with gilt Roman numerals with gilt seated cherub surmount and supported on cast billowing clouds with two further cherubs on an oval marble plinth base with foliate mounted frieze and toupe feet minute hand lacking 25cm high.

Lot 1

A French ormolu and belge noir marble figural mantel clock circa 1880 the eight day bell striking movement with foliate cast gilt blue on white enamel Roman numeral cartouche dial the case with Crusader in full armour on horseback fending off a Moor above foliate mount applied canted angles and plinth base on scroll pierced gilt feet with conforming apron between 63cm high.

Lot 1

A French gilt metal mounted faux tortoishell eight day drum head mantel clock mid 19th century the outside countwheel bell stiking movement with white enamel Roman numeral dial signed ‘H’ry Marc A Paris’ the faux red shell fronted case with drum mounted on gilt scroll angles above glazed rectangular pendulum aperture flanked by cast gilt metal corbel applied uprights on inverted breakfronted plinth base incorporating bracket feet some damage to faux shell veneers 44cm high.

Lot 1

A French brass four-glass eight day mantel clock late 19th century the bell striking movement with mercury compensated pendulum and stamped ‘John Bennett London 64 & 65 Cheapside’ to backplate the two-piece white Roman numeral enamel dial with visible brocot escapement to centre the case with cavetto cornice over caddy moulded angles and bevelled glasses on plinth base incorporating bracket feet 27.5cm high.

Lot 1

A French lacquered brass mantel timepiece late 19th century the eight day movement with platform cylinder escapement and white Roman numeral dial inscribed ‘H’y Marc A Paris’ the rectangular case with cast peacock surmount and vase shaped finials above turned corner pilasters on plinth base 30cm high.

Lot 1

A French patinated spelter and gilt metal mounted red marble sculptural mantel clock late 19th century the eight day bell striking movement with polychrome floral garland painted white enamel Roman numeral dial set into veined red marble plinth form case with figural surmount cast after a model by E J Ferrand with cupid embraceing a young girl within billowing love bird inhabited clouds entitled ‘L’ Triomphe de L’ Amour’ on foliate cast gilt bracket feet 59cm high.

Lot 1

A Victorian mahogany collector’s cabinet late 19th century the two panelled doors enclosing thirty short drawers with glazed tops and turned handles on a plinth base 99cm high 96cm wide 50cm deep enclosing an extensive collection of moths and butterflies of the British Isles including Swallowtails Fritilleries and Blues Provenance: The collection of the vendor’s great uncle the naturalist and lepidopterist D G Williams of the 4/7th Dragoon Guards and Wiltshire Yeomanry (who died aged 99 in 1992) and his father A DEFRA Wildlife and Countryside Act 1981 license for the sale etc. of Schedule 5 species or parts and derivatives is granted under Section 16(4)(b) and 16(5) of the Wildlife and Countryside Act 1981 by the Secretary of State for Environment Food and Rural Affairs after consultation with English Nature authorises Dreweatt Neate to sell or expose for sale in England schedule 5 species in this cabinet The license can be viewed on request An Article 10 License is not required

Lot 1

After Giambologna a pair of French bronze figures of Mercury and Fortuna late 19th/early 20th century Mercury with winged helmet and ankles supported on a head emblematic of the North Wind Fortuna balancing on a wheel with left arm upheld each raised on a circular marble plinth with a bronze relief of putti Mercury 84.5cm high (lacking caduceus)

Lot 1

An oak and mahogany 30-hour longcase clock circa 1820 the outside countwheel bell striking movement with 12-inch white painted Arabic numeral break arch dial with polychrome painted ho-ho bird and inscribed W. Green Grantham to centre and shell decorated spandrels beneath rosette flanked by floral sprays to arch the swan neck pedimented case with fluted pilasters to hood and shaped top door flanked by canted angles to trunk on plinth base 210cm high

Lot 1

A pair of pine open bookcases 20th century each with three shelves on a plinth base 93cm high 94.5cm wide 24cm deep

Lot 1

A rosewood side cabinet with a marble top within an edge moulding above two doors with pleated fabric flanking a recess with a shelf on a plinth base 93cm high 153cm wide 41cm deep

Lot 1

A rosewood chiffonier in Regency style with leaf carved raised back two shaped frieze drawers above fret carved and lined doors below on plinth base 105cm high 122cm wide 48cm deep

Lot 1

A Victorian mahogany buffet second quarter of 19th century the raised back above a shelf with two frieze drawers on column supports carved with stiff leaves the base with two panelled doors on a plinth base with castors 132cm high 163cm wide 50cm deep

Lot 1

A Victorian mahogany side cupboard mid 19th century with two ogee frieze drawers two panelled doors flanked by carved brackets and a plinth base 92cm high 108.5cm wide 48cm deep

Lot 1

A 19th century mahogany sideboard with two raised shelves central shelves and side cupboards on a plinth base 164cm high 181cm wide 47cm deep

Lot 1

A mahogany chest of drawers third quarter 19th century with two short and three long drawers with a plinth base on bun feet 110.5cm high 97cm wide 47cm deep

Lot 1

A Victorian walnut chest of drawers last quarter 19th century the two short and three long drawers with moulded fronts on a plinth base 107.5cm high 107cm wide 51cm deep

Lot 1

An oak bookcase with a glazed door enclosing shelves on a plinth base 100cm high 87cm wide 27.5cm deep

Lot 1

A partners’ walnut desk first half 20th century the crossbanded top with a leather inset with nine drawers to one side opposing two doors on a plinth base and castors 80cm high 152cm wide 110.5cm deep

Lot 1

A George III oak eight day longcase clock circa 1780 the five pillar rack and bell striking movement with 12in square brass dial with subsidiary seconds dial calendar aperture and signed ‘Moore Ipswich’ to centre within a Roman numeral chapter ring with Arabic five minutes and finely cast scroll spandrels the case with pagoda pediment and integral reeded hood pilasters above rectangular trunk door on plinth base 223cm high. Thomas Moore is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working in Ipswich 1720-89 see previous lot

Lot 1

An oak thirty-hour longcase clock circa 1780 the four-pillar outside countwheel bell-striking movement with 12in square brass dial with calendar aperture to the matted centre within applied Roman numeral chapter ring with Arabic five minutes and signed ‘Presbury Coventry’ to lower edge with string of pearl pattern spandrel applied angles the case with reduced swan neck pediment above turned pilasters to hood and shaped top trunk door and plinth base 211cm high.. A Presbury of Coventry is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working circa 1795.

Lot 1

A George III inlaid mahogany eight day longcase clock with moonphase circa 1810 the four pillar rack and bell striking movement with 14in white painted Arabic numeral break-arch dial with subsidiary seconds and calendar dials and signed ‘Nicholas Birmingham’ to centre with four seasons figural painted spandrels and rolling moonphase to arch the swan neck pedimented case with reeded Corinthian columns to hood above parquetry throat and Gothic arch top trunk door flanked by substantial Corinthian columns to angles on panel inlaid plinth base with splayed bracket feet 245cm high. Two makers with the surname Nicholas are recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working from Birmingham at this time Caleb 1787-1808 and Joshua 1797-1801.

Lot 1

A Scottish inlaid mahogany eight day longcase clock circa 1815 the four pillar rack and bell striking movement with white painted 13in Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre and signed ‘W. Mason Dunse’ to lower edge of the chapter ring with polychrome floral painted spandrels and scene of shepherdess tending her flock to arch the swan neck pedimented case with fluted pilasters to hood above shaped trunk door centred with an oval cartouche decorated with a vase of flowers within line borders and flanked by fluted quarter columns on plinth base with central fan inlay and bracket feet 206cm high.

Lot 1

An oak thirty hour longcase clock with moonphase circa 1730 the four pillar outside countwheel bell striking movement with 12.25in square brass dial with moonphase and arched calendar aperture to the matted centre within an applied Roman numeral chapter ring with foliate half hour markers Arabic five minutes and signed ‘R. Midgley Halifax’ to the lower edge the angles with castle gateway pattern cast spandrels in a swan neck pedimented case with turned pilasters to hood above shaped top door flanked by quarter colums to trunk on plinth base with raised panel front and bracket feet movement and dial associated to the distressed case 212cm high. Richard Midgley is recorded in Baillie G H ‘Watchmakers and Clockmakers of the World’ as working in Halifax circa 1720-40.

Lot 1

A mahogany crossbanded oak eight day longcase clock the five pillar (centre latched) rack and bell striking movement with 12in square brass dial with calendar aperture subsidiary seconds dial and ringed winding holes to the matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘Josh Alsop London’ to lower edge the angles with Indian mask cast spandrels the later case with cavetto cornice and slender columns to hood above rectangular trunk door and conforming plinth base Movement and dial circa 1710 case late 18th century 197cm high. Joshua Alsop is recorded in Baillie G H ‘Watchmakers and Clockmakers of the World’ as working in London 1689 to circa 1710.

Lot 1

A Scottish George III mahogany eight day longcase clock late 18th century the five pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with subsidiary seconds dial calendar aperture and signed ‘Geo. Morison Aberdeen’ to the foliate scroll engraved centre within a Roman numeral silvered chapter ring with Arabic five minutes the angles with rococo scroll cast spandrels beneath strike/silent ring flanked by conforming mounts to arch the break-arch top case with broken pediment and integral hood pilasters above break-arch trunk door and crossbanded plinth base with bracket feet 206cm high.

Lot 1

A George III figured mahogany eight day longcase clock late 18th century the five pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and calendar aperture to the foliate scroll and winged hour-glass engraved centre within a silvered Roman numeral chapter ring with Arabic five minutes with foliate scroll cast spandrels beneath silvered boss signed ‘Rich: Howard Brentford’ between conforming mounts to arch the case with break-arch pediment above brass stop fluted pilasters to hood and break-arch trunk door flanked by conforming quarter colums on shaped panel fronted plinth base 206cm high. A Richard Howard of New Brentford is recorded in Britten F J ‘Old Clocks and Watches and their makers’ as being apprenticed to Daniel Delander in 1718.

Lot 1

A dark green lacquered eight day longcase clock with moonphase the four pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre within floral painted spandrels beneath rolling moon to arch in a pagoda pedimented case with integral pilasters to hood above break arch trunk door gilt decorated with figural chinoiseries on conforming plinth base the distressed case circa 1760 movement and dial early 19th century 228cm high.

Lot 1

An inlaid figured mahogany eight day longcase clock circa 1820 the four pillar rack and bell striking movement with white painted 13.5in Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre gilt conch shell cartouche decorated spandrels to angles and polychrome oval vignette entitled ‘Hope’ to arch the swan neck pedimented case with rectangular pilasters to to hood above panel inlaid door flanked by quarter columns over short panel to trunk on conforming inlaid plinth base with later bracket feet 222cm high.

Lot 1

A George III oak thirty hour longcase clock the four pillar countwheel bell striking movement with 9.75in square brass dial with arched calendar aperture to the matted centre within a Roman numeral chapter ring with arabic five minutes and bearing signature ‘Whitehurst Derby’ to lower edge the angles with foliate scroll cast spandrels the case with moulded cornice above integral hood pilasters and break-arch trunk door on plinth base with moulded skirt 185cm high.

Lot 1

An oak eight day longcase clock with penny moon the four pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with subsidiary seconds dial calendar aperture and applied ringed winding holes to the matted centre within an applied Roman numeral chapter ring with foliate half hour markers Arabic five minutes and bearing signature ‘Presbury Chester’ to the lower edge the angles with mask and scroll pattern spandrels with penny moon within ring calibrated for the lunar month flanked by dolphin cast mounts to arch in a swan neck pedimented case with blind fret infil and Corinthian pilasters to hood above break arch trunk door and plinth base composite 214cm high.

Lot 1

A marquetry eight day longcase clock the five pillar rack and bell striking movement with 12in square brass dial with subsidiary seconds dial and calendar aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and signed ‘Will’m Mayhew Wood-bridge’ to the lower edge with foliate scroll cast spandrels to angles the case with moulded cornice and blind fret frieze above integral pilasters to hood and rectangulr trunk door profusely inlaid with cherub inhabited foliate scrolls on a mahogany ground the plinth and sides with conforming decoration case movement and dial circa 1770 marquetry later 212cm high.

Lot 1

A George III inlaid mahogany eight day longcase clock circa 1775 the five pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with recessed subsidiary seconds dial calendar aperture and signed ‘John Turner London’ to an applied arched plate to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and foliate cast spandrels to angles the arch with strike/silent ring between conforming mounts the case with pagoda pediment and fretwork arched frieze above brass stop-fluted Corintian pilasters to hood with break-arch trunk door and fan inlaid upper angles betreen conforming quarter columns to trunk on shaped panel fronted plinth base with fan inlaid angles 235cm high overall. John Turner is recorded in Baillie G H ‘Watchmakers & Clockmakers of the world’ as working circa 1782.

Lot 1

A George III inlaid oak thirty hour longcase clock with moonphase late 18th century the countwheel bell striking movement with 12in brass break-arch dial with calendar aperture and signed ‘Blaylock Longtown’ to the ho-ho bird inhabited foliate scroll engraved centre within a silvered Roman numeral chapter ring with Arabic five minutes with foliate scroll cast spandrels to angles beneath rolling moonphase to arch in a swan neck pedimented case with slender pilasters to hood above parquetry star inlaid shaped top trunk door flanked by quarter columns to angles on plinth base 219cm high.. John Blaylock is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working in Longtown circa 1791.

Lot 1

A George III oak thirty hour longcase clock circa 1800 the countwheel bell striking movement with white painted 11in square Roman numeral dial polychrome decorated with a Jay perched within foliage and signed ‘Ollive and Reader Cranbrook’ to centre with floral painted spandrels in a flat top case with dentil cornice and blind fret frieze above integral hood pilasters and rectangular trunk door on plinth base 190cm high. Ollive and Reader are recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working from Cranbrook in the early 19th century.

Lot 1

A Queen Anne black lacquer month going longcase clock circa 1710 the five finned pillar outside countwheel bell striking movement with five-wheel trains and 12in square brass dial with subsidiary seconds dial engraved calendar aperture and ringed winding holes to the matted centre within an applied Roman numeral chapter ring with stylised sword hilt half hour markers Arabic five minutes and signed ‘Jona. Rant London’ to lower edge the case with moulded cornice and integral pilasters to hood above long trunk door gilt decorated with figural Chinoiseries around a glazed lenticle on plinth base 224cm high.. Jonathan Rant is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working 1687-1725.

Lot 1

An oak eight day longcase clock with moonphase early 18th century the four finned pillar movement with internal countwheel strike and 12in brass herringbone border engraved break-arch dial with subsidiary seconds dial ringed winding holes and calendar aperture to the matted centre within an applied brass Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘Richard Parkinson Richmond’ to lower edge with Indian mask and foliate scroll cast spandrels beneath penny moon and arched sector calibrated for the lunar month flanked by dolphin mounts to arch in a break-arch top case with broken pediment and Corinthian pilasters to hood above shaped top trunk door and raised panel fronted plinth base 222cm high.

Lot 1

William Webster a fine figured mahogany eight day longcase clock with deadbeat escapement circa 1760 the five pillar rack and bell striking movement with deadbeat escapement and 12in brass break-arch dial with slender subsidiary seconds ring calendar aperture and signed ‘William Webster Exchange Alley London’ to the matted centre within silvered Roman numeral chapter ring with Arabic five minutes and unusual mask and scroll cast spandrels to angles the arch with silvered strike/silent ring flanked by dolphin cast mounts the case with pagoda pediment and brass flambeau finials above brass stop fluted pilasters to hood with solid flame figured break-arch door to trunk on raised panel fronted plinth base 243cm high.. William Webster senior was journeyman to Thomas Tompion who after his master’s death worked from Exchange Alley until he died in 1737 the business was continued by his son also called William until his death in 1776.

Lot 1

A Wilesco live steam plant the horizontal boiler with pressure gauge safety valve and whistle on simulated brick plinth with chimney and linked to horizontal single cylinder mill engine with spoked flywheel.

Lot 1

A model of a ‘Whiting’ cone crusher the working model is ‘sand cast’ in bronze with spring apron as used in the aggregate industry. These models are manufactured by ‘The Whiting Group Model Division’ America and are often presented to retiring members of staff or used for desk top display. The model is mounted on an American cherry wood plinth with brass ogee bracket feet. 31cm x 20cm x 21cm high.

Lot 1

A Meccano shop display model comprising an electrically operated 4-6-2 tender locomotive on an illuminated plinth base overall 91.5cm long (requires re-wiring).

Lot 1

A part built ME model live steam beam engine mounted on mahogany plinth 43cm x 21cm. Approximately 70% completed. Work remaining includes Watt’s parellel action and steam valve assembly.

Lot 1

A live steam plant comprising of horizontal open crank mill engine with spoked flywheel eccentric driven steam valve and water pump speed govenor linked to vertical boiler with sight glass pressure gauge and safety valve water tank and mounted on wooden plinth with painted tile work. An ideal restoration project. Base 51cm x 37cm. 56cm high to top of boiler.

Lot 1

A large model open crank live steam horizontal mill engine spoked flywheel 8in diameter cross-head guides with brass oiler cups wooden lagged single cylinder with brass banding and drain cocks cylinder oilers and steam supply valve on cast metal base with wooden plinth. Engine 55cm x 22cm x 22cm.

Lot 1

A vertical live steam boiler finished in polished brass and copper with detachable chimney a sight glass pressure gauge and safety valve standing on rectangular painted plinth 44cm high.

Lot 1

A late 19th Century black slate and variegated marble mounted Mantel Clock of plinth form, to a cast brass bezel enclosing a 4 ½” Roman chapter ring with outside minute track and blued steel hands, centred with a visible Brocot escapement, to a circular brass movement with anchor escapement and strike on a bell, height 10 ¾”

Lot 1

A late 19th Century carved walnut table top Cuckoo Clock, the architectural case with a carved and applied naturalistic detail, comprising: two tree trunks with interwoven branches and leaves over a pierced frieze and raised on a similarly decorated plinth base, to a 6” Roman chapter ring with applied composite Gothic Roman numerals and carved bone hands, to a wooden twin fusee movement with anchor escapement and strike on a coiled gong and bellows, height 22 ½”

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