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Barye (Antoine Louis, 1796-1875). Lion Assis, bronze sculpture, dark brown patina, modelled sitting, tail curled around haunches, head raised with curled flowing mane, late recasting, with previous catalogue label underneath, 20cm high including socle x 16cm long, together with an unrelated 20th century bronze of a Lion resting, modelled lying down, tail curled around his haunches, front paws stretched in front, head raised with curled flowing mane, mounted on marble plinth, 8cm high including plinth x 15.8cm longQty: (2)
Manner of Andrea del Verrocchio (1435-1488). The Infant Christ, mid-16th century, polychrome and gilt gesso carved wood, depicting a naked infant Christ holding an orb (probably the globus cruciger) in his left hand and offering benediction with his right hand, on integral plinth, some damage to fingers and general minor wear, overall height 58 cm (22.75 in)Qty: (1)Footnote: Provenance: Private Collection, Herefordshire, England.
A 1920s twin-handled trophy Ollivant & Botsford, London 1921, the hemi-spherical bowl with undulating rim, presentation engraving to body for 'BOWDON GOLF CLUB/ CAPTAIN'S PRIZE/ 1923...'. with leaf clasped handles, raised on a spreading stem to a circular foot, with plinth; together with a plated dinner plate, with gadrooned border and engraved armorials to rim(Height (excluding plinth): 18.5cm, weighable silver: 23.2oz)
A George III presentation salver William & Patrick Cunningham, Edinburgh 1815, of oval outline with a fluted border, raised on four ball feet, presented on a fitted wooden plinth with plaque 'Presented by the Chairman and Directors of the Royal Bank of Scotland, to the Chairman and Directors of the Scottish Investment Trust on the occasion of their centenary 1987'(Width: 31cm, weighable silver: 23.2oz)
Victorian mahogany bookcase by W. Priest 17 & 24 Water St Blackfriars, the swept pediment above two glazed doors opening to reveal four interior shelves, the base with two panelled cupboard doors with scroll carved decoration opening to reveal two interior shelves, on a plinth base, stamped to glazed cupboard frieze and right hand door top, sticker to interior of right hand cupboard door, 105cm wide
A good George III mahogany bell top bracket clock by Thomas Haley, LondonThe ogee moulded cornice with gilt brass swing handle above an arched door enclosing a 5 1/2 inch brass dial with strike/silent over a Roman & Arabic chapter ring with signature in shaped recessed panel, on a plinth base and gilt brass bracket feet, the twin but fusee movement with five knopped pillars, the verge escapement striking on a bell, signed again on the plain back plate, 25cm wide, 18cm wide, 42cm high.
A large pair of 19th century and later mahogany library bookcasesEach with inverted breakfront cornices above line and dot ebony inlaid friezes, above a pair of oval astragal glazed doors enclosing divided interiors each with five adjustable shelves to each side; flanked by corinthian column pilasters, above four short drawers on plinth bases, the sides stained pine, basically early 19th century and adapted, each 183cm wide, 43cm deep, 269cm high. (2)Provenance:Sotheby's, 26 September 2003, lot 283.
A mid 19th century Chinese hardword DavenportProfusely carved and pierced throughout, the three quarter gallery carved with scrolling leaves, fruits and figures above a sloping shaped fall inset with leather enclosing three short drawers; with stationery drawers and four short drawers to each side with pierced dragon supports on shaped plinth bases, 66cm wide, 62cm deep, 105cm high.
Jean-Baptiste Germain (1841-1910), ‘The Sower Went Forth to Sow’ (The Sower/ Le Semeur)A large brown patinated bronze figure of a young man, his right arm extended whilst clutching a bag of seeds, signed Germain JB on the base, on a turned plinth with title and lobed feet, 81cm high.Provenance: Arenski Ltd, London
An early 20th The 'Compactum' Tool Chest by Marples: with rising tool rack with enamel maker's label as per title over bench fitted Whitmore vice, single long frieze drawer, double panel doors, fitted three short drawers to one end and cupboard door to the other, raised on a plinth base 82 x 114 x 49cm.
An early 20th The 'Compactum' Tool Chest by Marples: with rising tool rack with enamel maker's label as per title over bench fitted black painted vice, single long frieze drawer, double panel doors, fitted three short drawers to one end and cupboard door to the other, raised on a plinth base 82 x 114 x 49cm.
A German bronze desk paperweight: in the form of an eagle over a swastika and an oak leaf wreath on a rectangular plinth base with SS emblem, 15 1/2cm high, together with a German aluminium flag pole finial on later wooden plinth, 23 1/2cm high.* Notes Militaria artefacts are reproduced in significant numbers, in particular those from the World War II period and some may use original parts. Intending buyers have ample opportunity for inspection of goods and, therefore must, accept responsibility for inspecting and investigating lots in which they may be interested. We ask that interested bidders closely study the images provided and request additional images and condition reports to satisfy themselves to the authenticity and period of any particular items in the auction. Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to Condition 16 (Terms and Conditions) concerning deliberate forgeries and applies save as provided for in paragraph 6 "information to buyers".
A group of various small model cannon: together with a piece of grape shot on a wooden plinth, a boxed Royal Armories model cannon, a Goss crested porcelain model of a cannonade and a Carltonware crested ware model of an artillery shell. * Notes Militaria artefacts are reproduced in significant numbers, in particular those from the World War II period and some may use original parts. Intending buyers have ample opportunity for inspection of goods and, therefore must, accept responsibility for inspecting and investigating lots in which they may be interested. We ask that interested bidders closely study the images provided and request additional images and condition reports to satisfy themselves to the authenticity and period of any particular items in the auction. Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to Condition 16 (Terms and Conditions) concerning deliberate forgeries and applies save as provided for in paragraph 6 "information to buyers".
The following 140 lots are from a single owner private collectionAn early 20th century mahogany shop display cabinet for 'Norris Planes & Tools Ltd, Purley Way, Croydon': the plain frieze with brass plaque inscribed as per title over double elongated glazed doors on a plinth base, 190 x 81 x 14.4cm.
PRUSSIA, Death of Frederick the Great, 1786, a silver medal by J.G. Holtzhey, uniformed bust left, rev. funerary urn on plinth, surrounded by symbols of arts and science, captured trophies and arms, 45mm, 26.05g (BDM II, 536). Cleaned at one time, fields lightly tooled, otherwise about extremely fine £80-£100
U.S.A., International Fine-Arts Council, Medal of Honor, a filled gold and bronze-gilt award medal by J. Kilenyi, two robed female figures on plinth, rev. naked male seated right on a hillock, at an easel, tree at left and arched building in distance, named (To Feliks Topolski for Graphic Arts, 1955), 51mm, edge stamped balfour 1/1010kgf [ten per cent 10ct gold by weight]. Some rubbing to high points of reverse, otherwise very fine, extremely rare £240-£300 --- Feliks Topolski (1907-89), b Warsaw, emigrated to England in 1935. During World War II he served as an official war artist and shortly before his death was elected a senior draughtsman at the Royal Academy. The late Prince Philip, Duke of Edinburgh, who counted Topolski among his ‘band of brothers’ at his stag party in 1947, was one of many who commissioned works of art from him in the 1950s and 1960s, his most prolific period. He is buried at Highgate Cemetery
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173444 item(s)/page