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A George V Silver Model of a Racehorse with Jockey Up, Mappin & Webb, Sheffield 1921, with well-detailed coat, reins and colours, on a grass effect oval flat integral plinth affixed to ebonised wood plinth, the model 19cm high, 21cm long, 22cm high overall Reins on horse`s right side missing (brass wire now in place and incomplete?). Otherwise good. 050213
Hugh Oloff de Wet (1912-1975): ``Robert Graves`` A Bronze Bust, naturalistically modelled, signed in the cast H.O.d.Wet, 38cm, on a teak plinth base Hugh was a self-taught sculptor. Mostly working with writers and poets. He was also an author, writing The Valley of the Shadows, (Blackwood`s) Cardboard Crucifix, (Blackwood`s) and A visit to John Cowper Powys, and was featured on This Is Your life with Eamonn Andrews in 1956. The University of Texas commissioned a number of busts for its Ransom Centre Reading Room.
Hugh Oloff de Wet (1912-1975): ``Dylan Thomas`` A Patinated Plaster and Fibreglass Bust, naturalistically modelled, signed in the cast OLOFF DE WET, 68cm on a teak plinth base Hugh was a friend of Dylan Thomas, and sculpted him two years before his death. The bronze cast bust was on display at the Royal Festival Hall.
A Black Slate Striking Mantel Clock with Triple Calendar and Moonphase Displays, circa 1880, arched case with rectangular stepped plinth, 4-inch enamel dial with Roman numerals and recessed centre with visible Brocot escapement, another enamel dial with two subsidiary dials for day/date, outer month ring and moonphase aperture, twin barrel movement striking on a bell, 36cm high 30.01.13, Case with the surfaces faded in parts, some chips around the case edges, dial with a chip positioned at 5 and hairline cracks, calendar work stuck at present and not working, movement needs cleaning.
A Brass Skeleton York Minster Striking Mantel Clock, Saml Robinson, Hull, circa 1860, twin fusee movement with anchor escapement and rack striking the hours on a gong and half hour passing strike on a top mounted bell, movement plates depicting York Minster Cathedral, six spoke wheels, silvered shield inscribed, 7-1/2-inch pierced dial with Roman numerals, raised upon a white marble plinth, 61cm high (glass dome missing) 28.01.13, Movement plates are dirty and need cleaning, movement parts look complete, glass dome is missing, movement is in going order and striking at present.
A Mahogany Eight Day Longcase Clock, Jno Oakes, Oldham, circa 1810, swan neck pediment, arched trunk door, canted plinth raised upon bracket feet, 14-inch arched painted dial with Arabic and Roman chapter ring, seconds and date dials, arch with rolling moonphase, four pillar movement with attached falseplate stamped William Whitaker, anchor escapement and rack striking on a bell, 232cm high 25.01.13, Case has been restored at some time throughout but to a high standard, all finials are missing to the hood, some edges with small chips and dents in places, bracket feet look replaced, dial has been totally re-painted at some time to a high standard, movement looks all complete.
A Mahogany Eight Day Longcase Clock, signed R Northern, Hull, circa 1830, pagoda top pediment, Corinthian capped columns, unusual stepped trunk door, plinth with inlaid stringing and raised upon later feet, 13-inch painted arched dial with Roman numeral chapter, centre with seconds, date aperture, arch with painted seascape of ships and a rolling moonphase, four pillar movement with attached falseplate stamped S Wilke Birmingham, anchor escapement and rack striking on a bell, later seatboard, 236cm high 31.01.13, Hood has been restored and some new pieces of wood have been added, hood door is bowed, hood door glass is cracked, trunk door is bowed, feet are later added, some dents and chips in parts, dial with seconds hole worn, two dial pins are missing from movement, movement needs cleaning, later seatboard.
A Mahogany Chiming Longcase Clock, signed Denton Northgraves, Hull, circa 1795, pagoda pediment, Corinthian capped inlaid pilasters, plinth inlaid with an urn, 13-inch arched painted dial, inner date ring with centre date hand, seconds, arch with painted seascape, triple weight driven movement with anchor escapement, eight hammers quarter chiming onto a nest of eight bells, a further hammer striking a larger bell for the hour, 260cm high 31.01.13, Case has been polished throughout to the surfaces, possibly later inlay throughout, case with cracking to veneers in places and small dents in parts, re-gilded mounts, hood restored, dial totally re-painted but to a high standard, movement looks complete.
A Mahogany Eight Day Domestic Regulator, signed John Dyson, Leeds, circa 1860, with drum head pediment and carved cresting, glazed front door, plinth and bun feet, 13-inch circular painted dial with Roman and numerals, subsidiary dials for seconds and date, four pillar movement with deadbeat escapement and rack striking on a gong, 213cm high 16.01.13, Case has faded due to sunlight damage, hood sides with some small pieces of veneer missing and crack marks in places, side of the trunk with a crack and chips to the top hinge, base with dents in places, dial with chips and re-touching to the surface, movement looks complete.
A Small Mahogany Longcase Clock, swan neck pediment, wavy shaped trunk door with side pilasters, plinth with raised quatre form panel, 6-inch square brass dial, centre later inscribed Johanes Walley de Bolton Fecit, weight driven four pillar movement with anchor escapement and striking on a bell, 146cm high 31.01.13, Case with signs of repair behind swan neck pediment, bottom side of the case has been damaged due to sunlight, back right hand side foot is missing, glass panel to the hood with small cracks, dial is later inscribed Johanes Walley de Bolton Fecit, movement frontplate with vacant holes, both weights and the pendulumv are missing.
A Mahogany Eight Day Longcase Clock, signed Samuel Collings, Downing, swan neck pediment, trunk door with inlaid stringing, plinth raised upon bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre engraved with figures leaning against a clock, date aperture and signed, centre seconds, arch with rolling moonphase and engraved above with High Watch At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1770, case later, 220cm high 01.02.13, Case is faded throughout to the surfaces, dial wooden surround is replaced, case sides with cracks, dial and movement look complete and clean, (dial and movement circa 1770, case of a later date).
A Late 17th Century Thirty Hour Longcase Clock Dial and Movement, signed Charles Tolly, Londini Fecit, circa 1690, with flat top pediment, barley twist columns, side viewing windows, moulded edged trunk door, crossbanded plinth and bun feet, 10-inch square brass dial with silvered Roman chapter ring, dial plate signed below 6, matted centre with date aperture, winged cherub spandrels, four pillar movement with anchor escapement and outside countwheel striking (bell missing), dial and movement circa 1690, modern case, 194cm high 16.01.13, Case is modern and has been made for the dial and movement to fit, case with veneers lifting in parts and lacking, dial needs cleaning and re-silvering, movement is dirty and needs cleaning, bell is missing, pendulum and weight missing.
An Oak and Mahogany Eight Day Longcase Clock, swan neck pediment, trunk with barber pole stringing and matching plinth, 12-inch brass dial, engraved centre with seconds and date aperture, arch with rolling moonphase and above on a silvered arched plaque inscribed Thomas Lister Luddenden Fecit, four pillar movement with anchor escapement and inside countwheel striking on a bell, case later, 228cm high 31.01.13, Case with cracks and chips in places, hood door is bowed, feet are later added, inside side cheeks have been later added to lift the dial and movement within the case, case is of a later date to the dial and movement.
An Oak Eight Day Longcase Clock, signed Jno Branson, Hull, circa 1790, swan neck pediment, arched moulded trunk door, plain rectangular plinth raised upon later bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, scroll engraved centre with date aperture, seconds and signed, arch with strike/silent selection, five pillar movement with anchor escapement and rack striking on a bell, 231cm high 30.01.13, Case has been restored, case surfaces have been polished throughout, swan neck pediment possibly replaced, trunk door hinges are later, some chips and dents to edges in parts, plinth with later added bracket feet, dial is clean, movement looks complete.
An Oak Eight Day Longcase Clock, pagoda pediment, arched trunk door, mahogany crossbanded plinth raised upon bracket feet, 12-inch brass dial, engraved centre with seconds and date, painted rocking ship scene to the arch and above signed Thomas Husband Hull, four pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1780, case later, 233cm high 31.01.13, Case has been polished throughout, hood with a later added front fret, dial surround later added, dial and movement looks complete, dial and movement circa 1780 and the case is later circa 1820.
A Green Japanned Eight Day Longcase Clock, signed Joseph Green, Northshields, circa 1730, flat top pediment, side viewing windows, decorated throughout with Oriental scenes, trunk door with lenticle, 12-inch square brass dial with silvered Roman numeral chapter ring signed, matted and engraved centre with seconds, date aperture and ringed winding holes, five pillar movement with anchor escapement and inside countwheel striking on a bell, 197cm high 30.01.13, Case has been restored in the past to the painted oriental scenes, gilding has faded in places, chips and scratches around the case, plinth re-duced, originally the hood would have had a small caddy top which is missing, dial looks clean, movement needs cleaning.
A Mahogany Eight Day Longcase Clock, pagoda top with ball finials, arched trunk door, plinth on later bracket feet, silvered dial with Roman and Arabic numeral chapter ring, centre with seconds and later inscribed Agar Malton, four pillar movement with anchor escapement and rack striking on a bell, dial later, case also later, 239cm high 31.01.13, Case surfaces have been cleaned throughout, re-built pagoda, hood glass cracked, right hand side cheek is damaged and the seatboard is not sitting correctly, finials are later, trunk door, is bowed, dial is later inscribed, dial added later to the movement, case later, case has faded to the surfaces.
A Mahogany Regulator Longcase Clock, 19th century, pediment with carved gallery and flowerheads, bevelled glass trunk door, plinth with raised panel and upon bracket feet, 12-inch circular silvered dial with outer minute track and corresponding centre minute hand, two subsidiary dials for hours and seconds, large four pillar weight driven movement with deadbeat escapement and ``Harrisons`` maintaining power, mercury tubed pendulum, 205cm high 31.01.13, Case has been polished to the veneered surfaces, case with some small cracks, scratches and small dents in places, gilded surfaces have faded, silvering to the dial has discoloured slightly, movement looks complete, pendulum complete with mercury still present.
A Mulberry Eight Day Longcase Clock, unsigned, mulberry veneered case with flat top pediment, side viewing windows, moulded trunk door with tulipwood crossbanding and lenticle, 11-inch square brass dial with silvered chapter ring, centre with date aperture and seconds, ringed winding holes, five pillar movement with anchor escapement and inside countwheel striking on a bell, 205cm high 31.01.13, Case has been totally restored, mulberry veneers have been polished, all ebonised surfaces have been re-ebonised, hood door is later, mouldings missing in parts, top caddy missing and a later piece of wood has been added, hood glass, side viewing glass and lenticle are all replaced, later skirting and re-duced plinth, surfaces with scratches and dents in parts, dial looks clean, movement needs cleaning.
A Regency Mahogany and Gilt Metal Mounted Side Cabinet, 2nd quarter 19th century, the pierced three-quarter gallery above Egyptian revival figural mounts, above two cupboard doors, raised on a plinth base, 90cm by 33cm by 100cm Top with various scratches, some deep. Timber with variations in colour and some fading. Colour loss, small veneer losses and scuffs around the platform base. One fixed shelf later and with section added. With key. 140113
A William IV Mahogany and Oak Serving Table, 19th century and later, the rectangular top above four cluster column supports with fabric box section below, with later cupboard doors to the reverse, raised on a plinth base, 153cm by 54cm by 89cm Cosmetically ok. Polished finish, but top with old bruises. Restorations throughout. New timber used throughout, particularly back section. Later cupboard doors, reverse with mouldings. Fabric of modern date. 190113
A Pair of Victorian Mahogany Straight Front Chests of Drawers, each with moulded top above four graduated drawers with knob handles, raised on plinth bases, 41cm by 39cm by 74cm (adapted) Chest 1 - good cosmetic condition. General bruising and scratches consistent with age. Small mark visible on top. Chest 2 - repair and section added to back edge. Panels with painted grain finish. Drawers open but no key. Drawer with split. 260113
A Late 19th Century Walnut Wooton Style Desk, of breakfront D shape form, the fall front inlaid with a marquetry panel of ribbons and garlands enclosing a writing surface and an arrangement of shaped pigeon holes flanked by hinged doors fitted for correspondence, ten graduated drawers below between fluted stiles, raised on a plinth base, 142cm by 67cm by 105cm Restored and polished and generally good. Modern leather top. General scratches and bruising, small scuffs and variations in colour consistent with age. Minor repairs throughout. 300113
A Late 19th Century Colonial Rosewood and Inlaid Specimen Chest, with an arrangement of twelve drawers richly inlaid with floral motifs, raised on a plinth base, 94cm by 37cm by 42cm With natural? splits consistent with age. The base later. Glue marks and fitted timber added to underside. Some movement in the top of the chest with gaps running along the top. Top very slightly misshapen. Fronts with different handles and small damages. 290013
An Aesthetic Figured Walnut and Marquetry Triple Door Wardrobe, late 19th century, the castellated cornice above a geometric decorated frieze, central arched mirror door enclosing sliding trays and two short over two long drawers flanked by cupboard doors, raised on a conforming plinth base, 187cm by 61cm by 213cm; A Matching Dressing Table, the superstructure with six drawers and two frieze drawers below, raised on ring turned legs with recessed castors, 138cm by 66cm by 150cm; and A Matching Pot Cupboard, 39cm by 39cm by 82cm (2) Wardrobe - good quality timber and veneers. Section with some colour loss, particularly around moulded base. Central mirror door arched section with split, just starting to lift, also top of right hand cupboard door. Side chest with variations in colour. Cupboard door faded. Water? marks around platform base. Dressing table with fading. Some old? worm holes to right of front drawer, around legs and base. Small veneer losses and bleaching to end section. 080313
A Gillows of Lancaster Mahogany Double Pedestal Drawers, 2nd quarter 19th century, the craftsman William Barrow, the rounded rectangular top above an arrangement of twelve graduated drawers between lockable stiles, the locks stamped BRAMAH with original key, raised on a plinth base, 126cm by 59cm by 92cm William Barrow Jnr listed as a cabinet maker. See Stuart (Susan) Gillows of Lancaster and London 1730-1840, vol II, pg.215 Uniform colour throughout. Bruising and deep scratches. Thumb nail size section of timber missing on back edge. Small veneer losses and minor bruising consistent with age. Handle has been split and repaired. 140113
A Royal Worcester Porcelain Vase and Cover, 20th century, of squat ovoid form with mask and leaf sheathed scroll handles, painted by John Freeman with a still life of fruit on a mossy bank within formal foliate moulded borders picked out in gilt, on a circular socle and square plinth, signed, printed mark in black, 27cm high Good condition with only very minor wear to gilt on extremities. 190213
A Japanese Bronze Figure of a Water Buffulo, late 19th/early 20th century, naturalistically modelled and standing four-square, stamped six character seal mark, 50cm long, wooden plinth Very minor surface scratching and wear to patination. Plinth with scratching and some surface water damage. 210213
A Gandhara Schist Figure of the Buddha, 2nd-4th century AD, standing on a pedestal, 28cm high, now on a plinth Provenance: Bought in the 1960`s by the present owner in the Taxila region while on a diplomatic mission. The 2nd -5th centuries AD saw artwork in the Buddhist kingdom of Gandhara at its pinnacle. The kingdom was situated in Eastern Afghanistan and North West Pakistan with the cities of Peshawar and Taxila being the focus points for Buddhist culture and worship. During this period Gandharan art particularly sculpture flourished in the distinctive Greco Buddhist style seen here. This is a fragment comprising torso, upper legs, head and upper parts of arms. Extensive chipping where removed from original position. Substantial losses to halo about head. Some surface chipping throughout. 110313
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173444 item(s)/page