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Click here to subscribeA 19th century Victorian burr walnut mantel clock by Kleyser and Co. The clock having white painted face with Roman numerals to the chapter ring with 8 day brass movement set in burr walnut case with dome top, visiting doors to each side, door to the back raised on a scalloped plinth base with turned feet. Measures 28 cm high x 23 cm wide x 15 cm wide.
A contemporary Woodford oak cased mantel clock having a brass handle with a pediment top, a silvered and brass clockface having a spandrels to the corner and Roman numerals to the chapter ring raised on a plinth base. Clock contains a Franz Hermle movement. Comes with key. Measures 26 cm high x 20 cm wide x 13 cm deep.
A group of vintage retro mid 20th century Nathan furniture. The collection comprising of a teak wood TV unit, low cupboard with twin doors raised on a plinth base and a pedestal teak wood cabinet with opened bookcase to the top above a single door cupboard raised on a plinth base. Measures 102cm h x 51cm w x 44cm d
A vintage retro mid 20th century Howard Miller clock / mantel clock. The clock having a silver dial with Roman numerals to the chapter ring, brass 8 day movement set in a wooden case with brass handle to the pediment top, glazed door to glazed front raised on a plinth base. Complete with key. Measures 37 cm high x 24 cm wide x 15 cm deep.
A late 19th century Fry's chocolate shop display cabinet. Of mahogany construction, the cabinet of upright form with inset mirror back and glass shelves. Detailed front Fry's chocolate - By Special Royal Appointment - Choice Chocolate. The cabinet with oval inset glass window pediment, set to a later plinth base. Measures: 120cm x 51cm x 15cm.
A vintage style country pine chest of drawers and dresser cabinet / bookcase. The pedestal chest of drawers having five drawers with turned pull handles raised on a plinth base together with a pine upright dresser cabinet / bookcase having glazed door atop above a panel door cupboard with shelves raised on a plinth base.
A Minton majolica figure of a merboy raised on an oval plinth, impressed marks, together with a Karl Ens porcelain sculpture, Europa and the Bull (2)Condition report: Merboy is 17.5cm long, the woman on the bull is 24.5cm high, she has a chipped foot and mild paint scratches. Merboy has a couple of paint scratches, otherwise good.
DIEU DIONYSOS TRAPÉZOPHOROS, MARBRE, ART ROMAIN, CIRCA IER-IIE S. AP. J.-C. A ROMAN MARBLE DIONYSUS TRAPEZOPHOROS, CIRCA 1ST-2ND CENTURY A.D, with the head of Dionysus, wearing a berried ivy wreath in his wavy luxuriant hair, tendrils falling onto his shoulders, set against a tall rectangular dorsal pillar, with stepped upper section, on a modern marble plinth, 43.5cm high, 14.5cm wide, 14cm deepFootnotes:Provenance:Acquired from La Reine Margot, Paris.For further information on this lot please visit Bonhams.com
A BESWICK CONNOISSEUR MODEL 'ARKLE WITH PAT TAAFE UP' in matt finish on oval wooden plinth base, 33cm high overall; together with a Beswick figure of Red Rum (2) Condition Report : Red Rum has become detached from the base, otherwise both in good condition, no issues Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Cast brass tabletop inkwell, modelled in the form of a Fox, mask with glass eyes and mouth gripping pen holder, the hinged lid to the top of the head for ink reservoir.height 10cm (4")Condition report: Reservoir missing originally sitting on some form of the plinth which is now missing (see photographs).
A FINE LATE GEORGE III MAHOGANY LONGCASE CLOCK Recordon, late Emery's, London, the arched hood over canted front angles and a flame-figures, door with elaborate moulded edge to a panelled base with applied moulding and double stepped plinth, the 12 inch one-piece silvered dial with strike/silent subsidiary over Roman and Arabic chapters with running seconds dial below XII, the five-pillar movement striking on a bell, 238cm highProvenance: The Estate of the late Rufus Eyre
A MARBLE HEAD OF A MONK probably Roman Republic, 1st century, later carved in the medieval period, turned slightly to sinister, with bald head, deep-set eyes and heavy brows, lacking nose, the tonsure carved later, perhaps 6th-10th century); on a later copper shaft set into a square marble plinth, 27cm highProvenance: John (Jack) H.A. Quitter (b.1941) and by descent. Private collection, Gloucestershire.This exceptionally rare depiction of an early medieval monk appears to have been carved using a Roman marble head, most likely dating from the early part of the 1st century. It may be compared to a Roman marble head of a German, his hair tied in a Suebian knot, from Somzée, Belgium, datable to 1st/2nd century in the Royal Museum of Fine Arts of Belgium, Brussels.John Quitter was a speech writer for Henry Kissinger with a life-long interest in the arts, he served on the Council of the Royal Society of Sculpture.
A LOUIS XVI GILT-BRONZE-MOUNTED BLEU NOUVEAU PORCELAIN VASE A MONTER attributed to the Sevres manufactory, late 18th century, of circular form with open central aperture with gadrooned collar and brass liner, the shallow bowl resting on a spreading socle, on a square plinth with foliate inset panels and ropetwist lower edge, on a bleu turquin marble foot, lacking cover, 26cm high x 25.5cm diameterA vase ovale uni of similar arrangement (in the Royal Collection), retaining its cover and fitted with finely chased gilt bronze mounts, some of which were added in the early 19th century, was bought by Francois Benois from the widow of Quentin Crauford in Paris in May 1820 (RCIN 10889 https://www.rct.uk/collection/search#/1/collection/10889/vase-ovale-uni)
A FINE GOTHIC POLYCHROMED WALNUT FIGURE OF THE PRAYING VIRGIN Upper Rhine/Burgundy, circa 1480-1500, with serene expression, the face and drapery retaining much of the original polychrome and gilt, the finely carved hair cascading down the shoulders, 89cm high excluding the later octagonal plinth base, 95cm high overallProvenance: Paul Cassirer Gallery, Berlin, 1918-1920Private collection, Munich, Germany, 1920-1975The collection of Dr. Kreuzer, Munich 1975-2001Bought from Huntington Antiques Ltd, 10th November 2001.A Deceased Estate, Yorkshire.For a comparable figure see: Theodor Muller, “Sculpture in the Netherlands/Gerrmany/France/Spain: 1400-1500”, published 1966, pg. 189, fig. B, which depicts a Burgundian version in the Bayerisches Nationalmuseum.
A POLYCHROME-DECORATED CARVED LIMEWOOD FIGURE OF A POPE Probably late 16th century, With crimson cope and dark green and gilt-trimmed cassock, wearing a crimson and gilt papal tiara, holding the Bible in his left hand, his right hand previously grasping a papal ferula, on a hexagonal moulded plinth; redecorated with several layers of earlier decoration, 75cm highProvenance: Bought from Keith Hockin Antiques, The Square, Stow on the Wold, Gloucestershire on 3rd November 2000.A Deceased Estate, Yorkshire.
A COMPOSITION BUST OF ASCLEPIUS THE GOD OF HEALING from the Roman copy after the Greek original of c.420 BC, mounted on a square plinth base bearing plaque 'STAATL ANTIKENSAMMLUNGEN UND GLYPTOTK MYUNCHEN COPYRIGHT S BERTOLIN', 43cm high overall Condition Report : good condition Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
VICTORIAN MAHOGANY LINEN PRESS the moulded cornice above an upper cupboard section, with the twin doors opening to reveal four sliding drawers above a chest of two short over two long drawers and raised on a plinth base, H 210cm x W 120cm x D 65cm Condition Report : Some signs of wear conducive to use. Some damage to the moulding approximately 13cm to the front top of the left hand door,but moulding present and could be easily re-glued. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A Fulda figure of a gardener c.1770-75, wearing a flowered coat and holding a large flowerpot beside a further pot resting on a waisted plinth, raised on a rocky base, blue cross mark, some chipping and losses, 18.8cm. Cf. The Metropolitan Museum, New York, Accession No. 40.169.6 for a similar example.
Two Delft tobacco jars 18th century, one painted in blue with a native American sitting on a plinth beside a jar inscribed 'Pompadoer', the other with figures beside barrels and with a ship's mast beyond, inscribed 'St Domingo', each marked beneath for the Three Bells (Drie Klokken) factory, with brass covers, 31.3cm overall. (4)
A Pratt ware pocket watch stand c.1800, the watch support surmounted on the tails of two dolphins above a plinth moulded with Ceres or Plenty, flanked by two figures, one a Classical maiden with a dolphin, perhaps Venus, the other of a stonemason holding a chisel and with one hand raised, with a Pratt model of a longcase clock, small damages and restorations, 22.5cm. (2)
A 19th century Victorian miniature three drawers oak chest of drawers of a rectangular form having hand carved front with Art Nouveau motifs, turned pull handles raised on bun feet together with a miniature Orkney chair having waved backrest and wooden frame along with a miniature advertising tradesman shepherd crooks set on a plinth base. Measures 15 cm x 19 cm x 11 cm.
A group of nine German ceramic porcelain figurines. The collection is comprising of some 19th century and 20th century examples of classical / neoclassical characters. All the ceramic figurines being raised on a plinth base and decorated with a multicolour colour scheme. Makers blue marks to the underside. Measures 26 cm tall.
18th century Amsterdam longcase watch (ca. 1790) Signed by Johannes S. van Geffen, Amsteldam. Oak cabinet, veneered with burr walnut. Foot and torso with chamfered edges, foot double bent. Both with carving and marquetry. Plinth on claw feet. Profiled door with carving. Ornament for the garland window flower basket. Double arched hood with carving and sawing. Next to the dial pilasters and capitals. Arched dial with plated chapter ring in the bar. Edges and center part gilded. Below XII, second hand with date display. Above XII, lunar disk with indication of the quarters and synodic monthly calendar. Above the VI, day indication. In the lower part of the dial is a triptych with painted images. This part of the mechanism is driven by the work going on. Eight-day movement with anchor escapement and seconds pendulum. Dutch half-hourly strike on two bells with saw. With alarm clock function, whose rope is missed. Dimensions: H 266 cm. In good condition.
Signed by Jan Chris Sauer Amsterdam. Circa 1780. Oak case, burr walnut veneer. Torso and foot with chamfered edges, foot double bent. Both with carving and marquetry. Plinth on claw feet. Profiled door with carving. Ornament for the garland window flower basket. Double arched hood with carving and sawing. Next to the dial pilasters with gilded bases and capitals. Arched dial with plated chapter ring in the bar. Center part gilded. Below XII second hand. Above VI lunar disc with indication of the quarters, synodic monthly calendar and time of high water in Amsterdam. A romantic landscape is painted in the lower part of the dial, depicting a distinguished couple with a girl in the garden of a waterfront estate. In the foreground on the left an angler in a boat, in the background a mill. The angler always picks up a fish and lowers it again, girl waves her arm. This part of the mechanism is driven by the work going on. When the clock strikes, the mill will turn. Eight-day movement with anchor escapement and seconds pendulum. Dutch quarter strike on two bells with saw. Alarm clock. Dimensions: H 266 cm. In good condition.
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