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Click here to subscribeA painted softwood bookcase, Victorian and later, in cream with red detailing, the crenulated cornice over a pair of four pane doors enclosing shelves, a pair of drawers and a panelled cupboard below, on a plain plinth, 168.5cm wide 32cm deep 256cm high CONDITION REPORT: Well painted; cornice and central shelf ends are tacked on and loose.
*Nicholas Dimbleby (b.1946), a mixed metal sculpture depicting a mother and three children around a column, raised on a tapering plinth, 60cm high 50cm square This lot is a maquette for a proposal that won a competition for a sculpture to be erected in a Chapman Taylor architects office development project in Salisbury. The main criterion of the competition was to produce a sculpture that could be viewed from all angles due to its position in the centre of a courtyard. Bobby Chapman and Elisabeth Frink, as the judges, considered this to best suit the location. Lot 694 is a maquette for a proposal submitted by David Backhouse for the same competition. *Artist's Resale Right may apply to this lot.
*Andre Wallace (b.1947), 'STREET LIGHT' a mixed metal sculpture of an embracing couple beside a lamp post, their dog standing to one side of the paved octagonal base, mounted on a wooden plinth, 54cm high 59cm diameter With copies of correspondence between Mr Chapman and Andre Wallace. Born in Taunton, Wallace studied at the Somerset College of Art from 1965-67. He continued his studies by attending the Royal College of Art from 1971-3 when he was awarded the Sainsbury Prize for Sculpture. In the following years he has been commissioned to create sculptures for public spaces in the UK and has held solo exhibitions. *Artist's Resale Right may apply to this lot. CONDITION REPORT: Lampshade missing. Figures 'pitted'. Requires cleaning.
Ernesto Cali (Italian 19th century), a marble bust of Diana, signed 'Ernesto Cali, Napoli -1869', 58cm high, on a later tapering three-piece plinth, 95.5cm (2) CONDITION REPORT: Plinth: Chips to corners and top edges. Stand is reconstituted stone. Bust: Hair area chipped, nose is slightly flattened, eyelid with chip, face small chip to area above lips. The back of the base is chipped. Please view additional images.
Edwardian compactum, with plain and cavetto cornice, inlaid frieze, central hat cupboard enclosed by framed and quartered veneered panel door, three long drawers below with brass reeded drop handles flanked by pair mirrored panel doors enclosing hanging space, all with chequered line inlay, on plinth base, 188cm approx.
A collection of five Border Fine Arts "Brambly Hedge" tableaux, each raised on wooden plinth base (boxed), together with a Royal Doulton "The Snowman" mobile CONDITION REPORTS Overall with some general wear and scuffs. Boxes with some battering and tears. Figures with some chips and losses to extremities but overall condition appears reasonable.
A 19th century Portuguese silver toothpick holder "Deer Scalloped square base raised on four floral feet, pieced plinth above the chiselled figure of a deer. Lisboa assay mark (1870-1879) and JR maker`s mark (1810-1881) Paliteiro “Veado” Em prata portuguesa do séc. XIX. Base rectangular com base recortada, friso floral assente sobre 4 pés florais, plinto vazado com decoração floral, encimado por figura de veado em vulto perfeito. Marca de ensaiador do Lisboa (1870-1879) (L-43) e de ourives JR (1810-1881) (L-377). Alt.: 14,5 cm 194,6 g
λ `Autumn Dancer, a cold painted bronze and ivory figure, cast and carved from a model by Ferdinand Preiss, on square onyx base with black marble panels and octagonal plinth cast foundry mark, 37cm. high Provenance Private Collection, Norfolk. This actual figure was used on the title sequence of Craven`s Collectables Literature Alberto Shayo Ferdinand Preiss, Art Deco Sculptor, The Fire and the Flame, ACC publishing page 173 for a comparable figure 20th Century Design Christie`s King Street, 30th April 2008 lot 55 for a comparable figure
A Victorian silver teapot and matched sugar bowl, by West & Son London 1896 & Thomas Haynes, Birmingham 1896, respectively, of rounded oblong form, with gadroon rims and half lobed bodies, and on a plinth foot, the teapot with ebonised finial and handle, 29oz gross, each engraved with Masonic emblems.
A Tibetan bronze stupa, possibly 17th/18th Century, of bell shaped form, the circle and crescent motif finial above a ridged spire, the body with arched aperture enclosing a seated Buddha on a double lotus moulded base, the square plinth cast with Buddhistic beasts, emblems and foliate scrolls, traces of gilt, height approx 37cm.
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