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Lot 166
Art Deco verdigris bronze table lamp modelled as opposing seated nude females with glass shade to the centre, raised on alabaster style plinth base.16cm high, 32cm wide.Condition report:Fitted for electricity, electrical rewiring required.Two large cracks to foot of glass globe. On figure is quite loose.
Lot 49
A 19th century French ormolu mounted Neoclassical porcelain table lamp of baluster form, decorated with Greek figures in gilt with black highlights, the handles of entwined acanthus emerging from bulrushes terminating in the bearded mask of a river god, on square fluted socle pedestal foot mounted on a giltwood plinth, height with fitting 38.5cm.Condition: The porcelain body was formerly a jug c.1830, lacking spout and handle. Drilled for electricity. The giltwood plinth is later. In good condition overall.
Lot 67
An Edwardian novelty rosewood and marquetry miniature longcase timepiece circular white enamel dial with black Roman numerals and blue steel hands, key wound sprung movement, the case with arched pediment inlaid with satinwood fan and spandrels the case, ebony strung trunk on a box base with an open satinwood fan and plinthheight 35.5cm.Condition: Key present. Winds tricks and runs however no guarantee can be offered as to the full working order. Finial to pediment has been knocked off and repaired
Lot 68
An early 19th century bronze mantel clockfreestanding, the 8 day fusee movement within a chariot, the spoked wheels forming clock faces to each side with Arabic numerals, one wheel removable, headed by the figure of Apollo controlling two rearing horses, the black marble plinth base with a pendulum aperture and with wreath, quiver and ribbon tied mounts, on paw feetheight 37cm, width 45cmCondition: With pendulum and key. The marble base has broken and has an old repair, see image of the iron insets.
Lot 81
Chinese carved granite sculpture in the form of a foo dog seated on a plinth.Height: 6 1/2 in x width: 3 in x depth: 5 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 114
A PARCEL-GILT BRONZE FIGURE OF AMOGHASIDDHI 18TH/19TH CENTURYSeated in dhyanasana on a double lotus plinth, his right hand raised in vitakra mudra, dressed in a voluminous sanghati, his face with a serene expression and downcast eyes, the base plate incised with a visasvajra, 1.7kg, 19.5cm. 十八/十九世紀 銅鎏金不空成就佛像
Lot 98
AN IMPORTANT GILDED COPPER GEM-INSET FIGURE OF MAHASRI TARAC.12TH CENTURY BIHAR, EASTERN INDIAThe finely cast and gilded-copper figure wears a diaphanous floral-patterned lower garment, sumptuous jewellery including a necklace, broad bangles, armbands, a belt clasp and anklets all inset with semiprecious stones, a jewelled diadem, a topknot and large hoop earrings. Her hair is worn in a large bun at the right shoulder, with her hands in the teaching gesture (dharmacakra-mudra), the left holding the end of a scarf draped over her forearm and falling to the lotus seat by her left knee. She has two gem-set lotus stems at her side and is seated in the posture of royal ease (rājalīlāsana) on a lotus emerging from scrolling vine and gem-set lotus buds, all supported on a tiered platform with large pearl border. The pedestal is held by serpent kings (nāgarāja) at either side, and an attendant cradling Tara’s pendent right foot with her outstretched hands, with an elephant, lion, and a human figure among scrolling vine at the rear, and a tenon projecting from her back to affix a backplate, (now lost), into two slots cast in the back of the pedestal. The statue is cast in five parts, the figure of Tara together with the upper tier of the lotus pedestal, the lower tier of the lotus pedestal together with the plinth, the attendant figure supporting Tara’s foot, and the two nāgarāja, 1.3kg, 16.5 cm.Provenance: from the collection of Norman Blount (1875-1930). Norman Blount was a jute broker, as well as the joint secretary (with the artist Abanindranath Tagore) of the Indian Society of Oriental Art, which was founded in 1907 in Calcutta, with Lord Kitchener the Society’s President.十二世紀 鎏金度母坐像來源：諾曼·布朗特（1875-1930）收藏。諾曼布朗特曾是一個黃麻經銷商，與藝術家泰戈爾一起擔任了印度東方藝術協會的聯合秘書（1907年於加爾各答成立），而霍雷肖•赫伯特•基奇納元帥(1850-1916)為協會主席。Mahāśrī TārāThe immensely popular goddess of compassion (karuṇā) and transcendental wisdom (prajñā), Tārā is known to intercede in the lives of her faithful and protect them from all manner of harm.Since her first appearance in India around the 7th century, she has assumed many iconographic forms. In this c.12th century sculpture from eastern India, she appears as the exalted (Mahāśrī) Tārā. Both teacher (her right hand assumes the teaching gesture, dharmacakra mudrā) and divine mother, she turns her compassionate gaze downwards to meet that of her devotees. She extends forward her gently cradled right foot, as if preparing to rise from her regal seat (rājalīlāsana) and enter the world. The goddess is closely aligned with nature. Her lotus seat, supported by two serpent kings (nāgarāja), arises within a natural setting. Two verdant lotuses enclose her, their flowers turning inward towards Tārā as if to acknowledge her luminosity. Indeed, the c. 7th century Sanskrit text Mañjuśrīmūlakalpa includes poetic tributes of her in just such terms, “trees, studded with flowers on every branch, abounding with open flowers…their bending boughs…turned towards the goddess Tārā.”Beneath the throne, tendrils arise from the stem of her lotus seat and fill the space with gem-encrusted foliate roundels, enclosing animals (lion and elephant), and human alike. Her seat rises above a stepped platform, finished by a row of large pearl beads. The sculpture was once completed by a (now missing) backplate, secured on a tenon at the back and further secured into two slots below it. Richly gilded and crowned and bejewelled, her lavish adornments include a substantial necklace, upper armlets, bracelets, belt, and anklets, all skilfully inset with multi-coluored gems. Large hoop earrings and a silk skirt with incised hem and floral ornaments also reflect her elevated status and enhance her beauty.This elegant sculpture is remarkable for its refinement, its balanced composition and Tārā’s beautiful countenance, which may be compared with that of the celebrated and contemporaneous Avalokiteśvara from Kurkihār. Gilded sculptures from eastern India are rare. Other outstanding examples include the c.12th century Avalokiteśvara from Kurkihār (25.5 cm.); a c.12th century Tārā in the collection of the Potala, Lhasa (41.5 cm.); and a c.9th century seated bodhisattva in a private collection (20 cm.). The circular tendrils enclosing figures along the base is a motif seen in other eastern Indian medieval sculptures including two 10th-11th century bronze sculptures from Faridpur, Gaya district. The large pearls along the base are also found in a copper alloy sculpture of a c.12th century seated Maitreya in the Ford Collection. Similar seated posture and inset gems can be found in a c.11th-12th century copper alloy sculpture of Padmapāṇi in the Bertie Aschmann Foundation of Tibetan Art at the Rietberg Museum. Tārā’s hair, drawn into a bun just behind her right shoulder, can be seen in other eastern Indian medieval sculptures, including a Tārā in the Potala Collection in Lhasa.The eastern Indian medieval school of art flourished between the eighth and the end of the twelfth centuries. A significant number of eastern Indian medieval sculptures bear inscriptions that include regnal dates of the local Pāla and Sena kings, making it possible to construct a fairly accurate chronology for this regional school. Encompassing the modern Indian states of Bihar, West Bengal and the country of Bangladesh, eastern India was the Buddhist homeland, the region where Śākyamuni Buddha (c.480 – c.400 BCE) became enlightened, expounded his spiritual teachings, and died. Countless devotees from within India and across Asia travelled here to seek authentic Buddhist teachings for over a millennium, until the final Muslim invasions of north India around the turn of the 13th century. Pilgrims studied at the great monastic universities (mahāvihāra) of Nālandā, Odantapurī, and Vikramaśīla, and offered homage at the region’s many temples and shrines. Indeed, works of art were a crucial element in the Buddhist pilgrim’s education in eastern India. A consecrated image was thought to embody the timeless presence of powerful gods. Particular statues were sometimes the destination of pilgrimage. Famous icons were said to speak, walk, give their jewellery to the poor, and above all, to answer the prayers of their devotees. Tibetan pilgrim Dharmasvamin described the main image in the Mahābodhi temple at Bodhgayā as insatiable to behold, such that when “even people with little faith [saw the image, they] felt it impossible not to shed tears.”Jane CaseyAugust 2023Dr Jane Casey is an art historian specializing in Himalayan art. She curated exhibitions at the Metropolitan Museum of Art in New York and at Casa Asia in Barcelona. Her publications include books and articles on Himalayan painting and sculpture. She is a Research Fellow in Tibetan Art at the Palace Museum, Beijing.
Lot 177
Paire de vases de de style Louis XVI en granit rose et ornementation de bronze doré, XIXe siècleA pair of Louis XVI style ormolu-mounted pink granite vases, 19th centuryEach of baluster form with bacchic masks with fruited headdress, issuing musical trophies, with floral and foliate garlands, surmounted by domed lids with acanthus-wrapped berried cone finials, and on upswept acanthus base, the waisted socle and square shaped plinth with reeded foliate border, 21cm wide, 38cm high (8in wide, 14 1/2in high). This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU.TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 178
Grand vase à double anse en porcelaine de Paris à fond or, début du XIXe siècleA large Paris porcelain double-handled gold-ground vase, early 19th centuryReserved with an oval panel painted with a landscape scene of Eros and Psyche, the reverse with a river landscape, surrounded by tooled gilding, above a moulded border of acanthus, on a plinth base imitating hardstone, the handles in the shape of birds, 51cm highFor further information on this lot please visit Bonhams.com
Lot 27
Paire d'importants et grands candélabres de style Louis XVI d'époque Napoléon III en bronze ciselé et doré à dix lumières, milieu XIXe siècleA pair of monumental Napoleon III ormolu ten-light candelabra in the Louis XVI style, mid-19th centuryEach depicting draped dancing muses holding aloft the foliate and flowering branches terminating in rose and lily-shaped nozzles and drip-pans, on reeded columnar bases hung with berried swags, above beaded and foliate moulding, on a square plinth with canted angles, 45cm diam., 135cm high, (17 1/2in diam., 53in high)Footnotes:Provenance: Private Italian collectionThe model of these candelabra is based on two plaster casts by Etienne Maurice Falconet (1716-1791), known from a drawing by Gabriel de Saint-Aubin executed in the margin of a booklet of the Salon of 1761. Similarly, the draped nymphs or muses can be as well associated to a model by Louis Simon Boizot (1743-1809) who was director of sculpture at Sèvres in 1774 (E. Bourgeois and G. Lechevallier-Chevignard, Le Biscuit de Sèvres, Recueil des modèles de la Manufacture de Sèvres au XVIIIe Siècle, Vol.I, p.23, no.311), see F.J.B. Watson, Wallace Collection Catalogues, Furniture, London, 1956, p.89, F136-7.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 866
A 19th century ash triple wardrobe in the style of Lamb of Manchester with ebonised mouldings and individually carved upper panels, having moulded arched cornice, 2 side robes enclosed by panelled doors and central mirrored door enclosing a fitted section, on plinth, width 220cm, height 280cm
Lot 383
A heavy cast iron Vintage Dentist's Armchair, with adjustable seat and back, padded seat back and arm rests, adjustable head rest and foot rest, the arms with leaf cast terminals, on splayed legs with paw feet, covered in red fabric; together with a brass Dentist's Spittoon, with glass bowl, raised on a faux marble plinth on square base with paw feet, 79cms h (31"). (2)
Lot 414
An Irish late Georgian Provincial inlaid mahogany Longcase Clock, by John Martin, Kilkenny, with divided pediment above an arched brass dial, with two subsidiary dials for date and seconds, and 'Tempis Fugit' to the arch, Roman and Arabic numerals flanked with a fluted pilaster to either side, above a trunk door with shaped top on a moulded inlaid box base with plinth, 214cms x 52cms (7' x 20''). (1)
Lot 463
A heavy polished grey and black limestone Mantle Clock, France c. 1900, the movement by J. Marti #22479.2 with outside count wheel and striking on a steel bell, the circular enamel two stage white dial with visible escapement and Roman numerals above a glazed panel, showing a mercury type double chamber pendulum on a moulded black plinth with two grey marble bows, 36cms h x 38cms w (18'' x 15''). (1)
Lot 628
A fine quality Victorian walnut Collectors Cabinet, the top with pierced gallery over tambour roll door opening to reveal a series of drawers with mirror back and marble shelf, on a base with two drawers and panelled doors, terminating on plinth base, approx. 149cms high x 38cms deep (59" x 15"). (1)
Lot 698
A 19th Century ebonised and brass mounted pietra dura Pier Cabinet, with white marble top above a tall brass mounted door crested with a quiver of arrows, a torch, ribbons and a wreath over a floral arrangement of carved semi-precious stones on a conforming plinth base, 116cms x 45cms (45 1/2" x 17 3/4"). (1)
Lot 938
A very fine Irish brass mounted Longcase Clock, the shaped cornice above a square brass dial, Signed Dan O'Neill, Dublin, the silverised chapter ring with Roman & Arabic numerals and a subsidiary dial for seconds, the arched and ebony strung trunk door with bead and urn pilasters, on a conforming moulded and ebony strung box base with plinth, 211cms x 47cms (83'' x 18 1/2''). (1)
Lot 957
17th Century Continental School Portrait of Philip II of Spain, wearing Armour O.O.C., 125cms x 100cms (49'' x 39''), in ornate gilt frame. Provenance: Kilcooley Abbey, purchased at Mealys 2008. Painted in oil on canvas, this portrait almost certainly depicts Philip II, who was King of Spain and the Spanish Empire from 1556 until his death in 1598. It is likely a seventeenth century version of a portrait painted in the 1540’s by a Netherlandish artist such as Antonis Mor, although the architectural setting is more typical of the seventeenth century. The present work compares closely with other portraits depicting Philip II, when still a prince. With his dark hair, beard and moustache, he is depicted as a handsome young man, eyes fixed on the viewer and lips pursed. He wears a full suit of armour, with lace ruff collar and holding a baton. His left hand is poised above the pommel of a sword. When compared with other portraits of Philip, this example is unusual in that the suit of armour is plain and functional: most other portraits depict him wearing armour that is heavily ornamented, gilded and engraved. The setting is severe and architectural, with the prince resting his right arm on the plinth of a large classical column. In the background, a siege is in progress, with the ramparts of a city visible amidst plumes of smoke and cannon fire. This may be the Siege of Perpignan, which took place in 1542, and at which the Prince was present, although not directly involved in the action. The siege saw the Spanish, led by the Duke of Alba, defeat the French forces under the Dauphin of France. A monarch remembered both for his command of a growing Spanish Empire, and for his fixed views on religious conformity, Philip II was born in Valladolid in 1527, the son of Charles V and Isabella of Portugal. After becoming King, he ruled over an empire that stretched from South America to the Philippines-the group of islands that was named after him. As a result of his marriage to Mary Tudor, he was also, briefly, King of England. Philip was committed to defending the Catholic faith, and waged war on both Protestants and the Ottoman empire. The Armada he sent to invade England in 1588 was largely destroyed by storms at sea. Dr. Peter Murray, 2023
Lot 110
AFTER THE ANTIQUE- AN ITALIAN BRONZE FIGURE OF ZEUS 19TH CENTURY Set on waisted moulded socle base 29cm high overall. Base 8cm diameter Condition Report: With characteristic rubbing to margins of anatomy, details, and plinth as per age, handling, dusting. Slight crack around joint to right arm, vacant hole to his left hand slightly crusty surface from age, surface dirt. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer
Lot 113
A REGENCY BROWN SCAGLIOLA PEDESTAL EARLY 19TH CENTURY 140cm high, top 30.5cm diameter, base 44cm square Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The estimate reflects condition with pronounced wear and losses to upper edge of pedestal and the plinth. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 117
AN ENGLISH DEEP RED SCAGLIOLA PEDESTAL EARLY 19TH CENTURY 116cm high, top 30.5 cm diameter, base approximately 40cm diameter Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The colour is slightly redder under indoor lights- top edge to stem with numerous areas of wear- chips, plinth with some wear, stem with scuffs Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 119
AN ITALIAN CIPOLLINO AND WHITE MARBLE PEDESTAL 18TH/19TH CENTURY 123.5cm high, top 40cm square base 38.5cm square Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The top would benefit from a sympathetic clean- some corner chips and edge wear, stem with surface scratches- again may benefit from light clean and polish, bottom of stem with numerous nibbles above plinth- plinth edge with nibbles and small losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 127
AN ENGLISH VERDI ANTICO SCAGLIOLA PEDESTAL 19TH CENTURY 120cm high, top 29.8cm diameter Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The top would benefit from a sympathetic clean- has painted wood collar beneath and then scagliola stem, collar to base with some wear and again may benefit from a clean, wood plinth with rubbing and wear and small crack Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 13
AFTER GIAMBOLOGNA (1529-1608) AN ITALIAN BRONZE FIGURE OF FLYING MERCURY 19TH CENTURY Now set on green serpentine plinth figure 70.5cm high, 72.5cm high overall, plinth 15cm wide Condition Report: With characteristic rubbing to margins of anatomy notably to chin and neck, elbows, hands, as per age, handling, and dusting. Some surface dirt engrained to recesses. right arm and leg joints possible strengthened. Caduceus handle point with hand with remedial repair. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
Lot 139
A CLOSELY MATCHED PAIR OF STAFFORDSHIRE PEARLWARE MEDICI LIONS 19TH CENTURY Each in characteristic opposing form, naturalistic colour decoration, painted bases with stiff leaf banding , slight colourway variances bases 31.5cm wide, 16cm deep, 25.4cm high Condition Report: Both with scattered glaze loss- some of which has been retinted in. Left hand lion- old damage to tail, corner chips to base, one lower canine missing, hairline crack to underside Right hand lion- more obvious glaze loss- notably to bocage and base, edge/corner chips to plinth, underside with hairline crack Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
Lot 158
AN ITALIAN SMALL RED AND WHITE CARRARA MARBLE BENCH 19TH CENTURY Rectangular seat on twin scrolling leaf carved bases with paw feet, stepped plinth bases the seat 89cm wide, 21.5cm deep, 62cm high overall Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Small loss to natural veining of top, sits well but currently has wooden fillet under top to one end to ensure stability and level seat- will benefit from mortaring carefully prior to domestic use- currently in three separate sectionsBase with some rubbing to carved edges Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 166
JOSEPH GOTT (1785-1860) A WHITE MARBLE GROUP OF A WOMAN PLAYING WITH A CHILD ROME, FIRST HALF OF THE 19TH CENTURY Possibly Thetis with Achilles but it has been suggested that the correct title for the piece may be "Hope and Love", set on a variegated red/white marble plinth on a red marble base, signed 'J. GOTT. FT/ROMA' group 49.5cm high, 52.5cm high overall, base 35.5 by 21cm Condition Report: It has been suggested that the title of this piece should be "HOPE AND LOVE" Overall in good condition with minor surface dirt and wear consistent with age. Under strong light and UV- there are remedial repairs to well concealed joint to her right wrist, and another at the child's right ankle. There are old rubbing and minor loss to the child's toes on the proper left foot. There appears to be a small loss to the suspension loop of the anchor. There is minor natural veining to the marble and a few small natural inclusions. Small edge wear- some engrained surface dirt to recesses. Minor chips and abrasions to the red marble base. figure 50.5cm high Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer
Lot 194
FILIPPO TAGLIOLINI (1745-1809) A NEAR PAIR OF BISCUIT WARE FIGURES OF LUCIUS VERUS AND JUNO ITALIAN, 18TH CENTURY Each on plinth base inscribed LUCIO VERO and GUINONE respectively 27.5 and 29cm respectively Condition Report: Slight size variance- and glaze variance with her glaze slightly speckled. Under UV she shows slight rubbing or loss to ribbon to midriff, hairline crack to her stomach and restoration to her right hand and scroll. . He with restored base, and with all over glaze obscuring further restorations. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
Lot 210
AN ITALIAN TERRACOTTA FIGURE OF AN ÉCORCHÉ HORSE 19TH CENTURY Set on a shaped base and further walnut veneered plinth 49.5cm high, base 42.5cm long Condition Report: Surface is dirty- base with original walnut veneered plinth surround/cradle. There are losses to veneers of base and old remedial repairs to all legs and tail- possibly around ears as wellWear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 213
A ROMAN BRONZE FIGURE OF HERCULES 1ST/2ND CENTURY A.D. On plinth base and now set on a polished black stone pedestal base figure 16.5cm high, 24cm high overall, base 8.5cm wide Condition Report: With surface dirt- some of which is engrained into recesses, with some indications of old soil/metal reaction. Probably restored at ankles and with possibly later plinth. Some edge/corner chips to base Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer
Lot 216
AFTER A MODEL BY GIAMBOLOGNA (1529-1608) A LARGE BRONZE GROUP OF NESSUS AND DEIANIRA ITALIAN 17TH CENTURY On stepped plinth base group 42cm high, 48cm high overall, base 36cm wide Condition Report: Has flaws to surface from casting with painted remedial work of the period. Lacks fingers to her upper hand, stress crack to his neck and other faults including repairs to both rear legs- Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 217
AFTER THE ANTIQUE, A PAIR OF REGENCY ORMOLU WARWICK VASES EARLY 19TH CENTURY each 24.5cm high, 35cm wide across the handles, bases 13cm square Condition Report: Both with some rubbing to gilt surface at edges and margins exposing bronze interior,- notably tops of rims, handles and to plinth bases. Interiors dirty- surface dirt engrained into recesses. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
Lot 235
AN ITALIAN BRONZE FIGURE OF THE DYING GAUL ROMAN, 19TH CENTURY 41cm wide, 19.5cm high Condition Report: Lacks right thumb, old plinth screw contact points to underside, two of these with some old minor damage around them- to the left foot and left buttock. With characteristic rubbing to margins of anatomy, details, and plinth as per age, handling, dusting. Green undercolour to surface, slightly crusty surface from age, some verdigris build up to recesses, surface dirt. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
Lot 240
SIR CHARLES BARRY (1795-1860) FOR HAREWOOD HOUSE, A GROUP OF SIX PAINTED & GILTWOOD CORBELS EARLY VICTORIAN, CIRCA 1845 Comprising: A set of four with leaf carved plinths tops above dual scrolling volute supports, tops 33cm wide, 35.5cm deep, 104.5cm high overall And a larger pair with bold scrolling plinth tops of dual scrolling volute supports, tops 33cm wide, 69cm deep, approximately 105cm high overall These brackets were supplied under the direction of the architect Sir Charles Barry for the Gallery at Harewood House circa 1845 Please note lot 327 in this sale - Drop swags or pendants were also supplied under the direction of the architect Sir Charles Barry for the Gallery at Harewood House circa 1845. There are photographs showing these swags in the Gallery when it was in use as a convalescent hospital in World War II. SALEROOM NOTICE:Please note updated description:SIR CHARLES BARRY (1795-1860) FOR HAREWOOD HOUSE, A GROUP OF SIX PAINTED & GILTWOOD CORBELS EARLY VICTORIAN, CIRCA 1845 Comprising: A set of four with leaf carved plinths tops above dual scrolling volute supports, tops 33cm wide, 35.5cm deep, 104.5cm high overall And a larger pair with bold scrolling plinth tops of dual scrolling volute supports, tops 33cm wide, 69cm deep, approximately 105cm high overall Condition Report: Paintwork looks to be mostly original- some carved elements lacking, some later screw mounting holes to frames. Surface dirt and wear from use. The architectural brackets with non-solid tops. Mild wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
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