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A French Art Deco slate, marble and spelter timepiece garniture, the clock with a 10cm silvered square dial applied with Arabic numerals and enclosing the single train Marti movement, flanked by a spelter figure of a seated dog and a patinated figure of young woman with ivorine face and hands, 69cm wide, along with a pair of tole ware garniture urns, each of inverted bell form upon a conforming marble plinth, 20cm high (with key) (3)
A French giltwood standard lamp, early to mid 20th century, the acanthus moulded and fluted column extending to the lobed circular plinth base, 141cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A painted composite figural standard lamp, early 20th century, modelled as a blackamoor wearing a red robe and britches, holding a gilt coloured torchere, upon a cubic plinth base, 175cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A French gilt metal and slate figural mantel clock, mid to late 19th century, the drum type clock surmounted with a figure of cupid, enclosing the 9cm white enamelled dial applied with Roman numerals, the two train Japy Freres movement striking on a saucer bell, all upon an integral slate and rouge marble plinth base, with key and pendulum, 21cm highCondition reportLower part of cupids bow is detached, minor repair to the quiver and torch crest, light scratches and marks to drum case.3cm chip to slate plinth along with further minor chips.Multiple light scratches to the dial glass with some staining around the wind apertures.Both barrels wind although the RH wind appears to be tight, clock doesn't appear to run and is likely to require some attention.
A modern carved wooden Buddha of large proportions, modelled seated cross-legged on an ornate plinth, gilt robe and headdress with simulated jewel embellishment, 77cm high CONDITION REPORT:The piece shows wear to the gilt finish throughout, and wear and losses to the simulated jewel embellishment. The joint at the top of the right arm is open, but shows no movement. The torso shows a natural crack to the timber of the right side. The left hand is holding some coins which appear to be glued in place.
A Victorian black lacquer papier mache pedestal occasional table, the circular top inlaid with mother of pearl detail, upon a turned baluster pedestal, triform plinth base and compressed bun feet, 67cm H x 51cm D, along with a matched pair of side chairs, the shaped splats applied with gilt detail and mother of pearl inlay depicting pagoda landscapes, 83cm high (worn, at fault) (3)
A brass column table lamp, late 20th century, the Corinthian capital raised on a reeded column set to a stepped square plinth, 77cm high including shade Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Victorian golden oak Scottish chest of drawers, formed with a full width frieze drawer over an arrangement of two short and three graduated long blue paper lined drawers, flanked by projected ring turned half pillars, 114cm H x 134cm W x 56cm D (at fault)Condition reportRear board to the chest top is loose, joint splits to both sides, please see additional images.Some minor losses to the drawer beading, top long drawer feels tight, possibly due to damp but no noticeable odour.Lacking moulding to the top LHS and also around the base, lacking feet and plinth base.No visible signs of woodworm
A George III honey oak housekeepers cupboard, the moulded cornice over an arrangement of four panelled cupboard doors, enclosing three compartments each with two shaped shelves, upon the base formed with seven drawers and a pair of central cupboard doors, all upon a plinth base with integral bracket feet, 203cm H x 199cm W x 49cm DCondition reportFibre board to the rear of the base with later boards to the top of the base, please see additional images.Missing locks to the cupboard door, later replaced with catches, no keys, drawer handles and liners also later.Overall the cupboard has undergone sympathetic restoration, all drawers run smoothly, structurally sound.General light fading and light wear with some minor splits to the door panels commensurate with age and use.Cupboard is constructed from two sections, cornice and plinth is fixed.Total height 203cm, base 79cm, cupboards 124cmWidth with cornice 199cm, without cornice 194cm
An Art Deco mahogany column table lamp, early to mid 20th century, the tapering square section column upon an integral stepped plinth base and bracket feet, 60cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportJoint split to the lower plinth with later repairs to the underside, please see additional image. Although structurally sound with no play in the joints. Further light wear scuffs and marks commensurate to age and use.
A pair of Oka 'Gela' wooden table lamps, of vase form, painted in ivory shades with brown detail, upon integral plinth bases, each 45cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
An Edwardian mahogany three piece bedroom suite, comprising a compactum wardrobe with a moulded and simulated dentil frieze over a pair of central cupboard doors opening to shelves, above four drawers, all flanked by two full length mirrored doors, upon a plinth base with integral bracket feet, 210cm H x 195cm W x 60cm D, along with a conforming four drawer chest, 97cm H x 98cm W x 53cm D, a dressing table with a triple mirrors and a bedstead (4)
A French Art Deco style figure by L & V Ceram, 20th century, modelled as a seated female nude with knees raised and draped robe, set to an integral rectangular plinth, printed mark to base, 47cm long; with a further smaller example by the same maker in a similar pose, printed mark to base, 19.5cm long (2) CONDITION REPORT:Both pieces show extensive fine surface crazing throughout and the odd small firing pit and frit. The larger figure shows a small blue stain to the left shoulder blade, and small firing cracks to the draped robe.
An Art Deco style animal group by John Skeaping for Wedgwood titled 'Escape', late 20th century, modelled as a tiger dragging its prey, printed mark to base, 33.5cm long; with a carved alabaster figural group, 20th century, naturalistically modelled as a young girl and a greyhound in an Erte style pose, set to a rouge marble plinth, 42cm high (2) CONDITION REPORT:Tiger - Shows no obvious chips, cracks, crazing or restoration, but would benefit from cleaning.Girl and greyhound - Shows the odd small chip to the group, and a 2cm wide chip to the back of the plinth. There are some areas of surface dirt, and some patches of ingrained dirt.
A painted metal figural table lamp by Jenny Worrall Designs, modelled as a seated oriental gentleman sat atop a faux red marble column set to a shaped marble plinth, 63.5cm high including shade, with a pair of Laura Ashley Home column table lamps, each 57cm high including shade, and a further pair of painted composite table lamps, each 54cm high including shade (5) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
1731 Henry IV bronze medal from Dassier's monarchs series, graded MS 64 BN by NGC (Eimer 526). Obverse: imagined portrait of King Henry IV wearing crown and facing left. 'HENRICUS · IV · D · G · ANG · FR · ET · HIB · REX ·'. Reverse: tomb with the skeletal figure of death on top and a frieze to the plinth. Below: 'NAT · 1366 · COR · 1399 · MORT · 1413 ·'. This medal is no. 15 in the popular series of 35, created by Jean Dassier. This example comes sealed in its NGC holder (#2903937-002). Diameter: 41mm.
1817 bronze death of Princess Charlotte 'Great Britain Mourns' memorial medal (BHM 937). Obverse: diademed head of Princess Charlotte Augusta, 'H.R.H. THE PRINCESS CHARLOTTE' with 'K&S' below. Reverse: urn on a plinth with weeping willow. 'GREAT BRITAIN MOURNS! HER PRINCES WEEP!' above with 'DIED NOV. 6. 1817 Æ T. 21.'. Weight: 25.80g. Diameter: 39mm.
1710 Queen Anne Capture of Bethune, St Tenant and Aire bronze medal by John Croker (Eimer 447). Obverse: left-facing draped laureate portrait of Anne, 'ANNA AVGVSTA' around. Reverse: captured French arms and armour on a plinth. 'BETHVNIA · FANO · STI · VENANTII · ET · ARIA · CAPTIS' around with 'INSPECTANT · GALL · CENT · MILL · MDCCX' below. Weight: 43g. Diameter: 48mm.
1817 bronze death of Princess Charlotte 'Great Memorial’ medal graded MS 61 BN by NGC (BHM 937). Obverse: diademed head of Princess Charlotte Augusta, 'H.R.H. THE PRINCESS CHARLOTTE' with 'K&S' below. Reverse: urn on a plinth with weeping willow. 'GREAT BRITAIN MOURNS! HER PRINCES WEEP!' above with 'DIED NOV. 6. 1817 Æ T. 21.'. Comes sealed in HGC holder (#2903936-014). Diameter: 39mm.
639-641 AD Byzantine Empire Heraclius, Heraclius Constantine and Heraclonas gold Solidus. Obverse: three standing figures: farther, Heraclius I in the centre with Heraclonas (Heraklonas) to the left and Heraclius Constantine (Constantine III) to the right, all holding orbs with no legend. Reverse: cross potent on three-step plinth with 'CONOB' for Constantinople below. Legend around: 'VICTORIA AVGU'. Comes with an old catalogue excerpt clipping. Weight: 4.36g. Diameter: 20mm.
610-641 AD Byzantine Empire gold Solidus of Heraclitus and Heraclius Constantine. Obverse: facing busts of Heraclius (bearded, larger) and Heraclius Constantine (Constantine III, smaller, no beard), both crowned, cross between and legend around. Reverse: cross potent on a three-step plinth. Legend around: 'VICTORIA AVGYE' with 'CONOB' below. Comes with an old Seaby envelope. Weight: 4.48g. Diameter: 21mm.
610-641 AD Byzantine Empire Heraclitus and Heraclius Constantine gold Solidus. Obverse: facing busts of Heraclius (bearded, larger) and Heraclius Constantine (Constantine III, smaller, no beard), both crowned, a cross between and legend (tough to read) around. Reverse: cross potent on a three-step plinth, 'CONOB' in exergue, 'VICTORIA AVGYE' around. Comes with an old Seaby envelope. Weight: 4.38g. Diameter: 20mm.
616-625 AD Byzantine Empire gold Solidus of Heraclius and Heraclius Constantine III. Obverse: facing busts of Heraclius (bearded, larger) and Heraclius Constantine (Constantine III, smaller, no beard), both crowned, cross between with legend around. Reverse: cross potent on a plinth with three steps, 'CONOB' below and 'VICTORIA AVGYE' around. Weight: 4.34g. Diameter: 20mm.
The apex roof with a four chimney stack above a red body with two windows to either side and four to the hinged front, together with a associated later contents, the house 80cm high, 46cm wide, 29cm deep. CR * A plinth appears to be missing to the base, one broken window, marks and knocks, beading missing to the front and sides.
a spelter depicting a soldier drawing his sword, with a stone tablet at his feet inscribed "PRO ARIS ET FOCIS", on a plinth base bearing the title and on a red veined marble base, 59cm high, 27.5cm wide, 18cm deep. CR * The helmet plume has been broken off and reattached, some surface scratches and marks.
A Mid 19th Century Mahogany 8 Day Longcase Clock with Moon Phases. Rich'd Burn, Manchester. The hood with swan neck pediment over a blind frieze and fitted columns to a gothic shaped trunk door flanked by cluster columns on a plinth base with bracket feet. The 14 inch painted 3rd period dial with lunar/maritime phases to a Roman and Arabic dial with subsidiary seconds and date sector to a signed false plate and 4 pillar movement with anchor escapement, strike on a bell. Height 254cm. CR * Case - Slight losses throughout, 2 old splits to arch door. Slight warp & lift to plinth. No trunk door key or lock. Dial - Refreshed at some point. Movement - appears complete. Pendulum suspension A/F. 2 weights & winder.
with scrolled upstand above a marquetry bordered top, concealed frieze drawer and four long blue baize lined drawers, all flanked by two barley-twist columns, on a plinth base and bun feet, 31cm wide, 35cm high, 22cm deep CITES ref. 2RJDHFEJ. CR * four of the drawer handles are missing, one has been replaced with a screw, losses to marquetry to the top, the first long drawer has previously had an interior tray which is now not present.
A Meissein porcelain figure and three other figuresfirst modelled as a dancing young girl in 18th century, underglaze blue cross swords mark, incised G 9 and impressed 23, together with a continental figure group of two putti, marked R1762 and a seated pair gallant with a flower basket and lady with a garland of flowers mounted on wooden plinth bases, (4) first height 10cm.Condition: Meissen dancer with loss to right left thumb
A late Victorian brass skeleton clockunder a glass dome, the silvered chapter ring with Roman numerals, the single fusee movement within a tapered brass frame, on a double white marble plinth and rotatable stepped ebonised base, with pendulum, no keychapter ring diam. 12cm, height of clock with marble base 28cm, Condition: We cannot guarantee the movement which has not been tested. No key.
A Victorian ebonised and satinwood banded credenzalate 19th centurywith gilt brass gadrooned mounts, the frieze with Sevres style porcelain ovals and the central door with an oval Sevres style plaque of an 18th century lady, flanked by fluted columns and bowed glazed doors, on a plinth base with turned bun feetheight 109cm, width 150cm, depth 43cmCondition: In used houseworn condition. The velvet insets to the shelves will need replacing. There are old marks and scratches to the top commensurate with age and use. No key.
An 18th century French carved giltwood and polychrome Virgin and Child veiled and draped, carrying the infant Christ in a lioncloth holding an orb, on moulded plinth base incised AMheight 34cm.,Condition: Chips and flakes to faces to face of virgi. Left hand absent. Shinkage to joints on plinth base, with losses to gesso detail and other areas on the plinth. Virgins head shaved down / flattened, probably lost gesso
Two 19th century Qing dynasty Chinese Asian bowl and lidded urn vase. The bowl having hand painted floral decoration throughout, with repeating pattern above plinth base. The vase having a lid with foo dog design to handle over a straight neck, decorated with hand painted scenes of warriors (chip to lid). Largest Measures approx. 27cm (height).
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173487 item(s)/page