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Lot 2557
A late Victorian Mahogany triple Wardrobe, having moulded cornice, central full length mirrored door, flanked by two doors with two panels each, the top ones being quarter veneered, the right door revealing three press slides over three Satinwood lined drawers. The other doors revealing full length hanging space, standing on shaped plinth base. 74 1/2'' x 79'' high x 22'' deep.
Lot 2559
An early 19th c. Mahogany Linen Press, having moulded cornice, cross-banded single panel doors with Brass strip revealing hanging space and one slide below, over two short and two long graduated drawers with Pine linings, cock beading and turned wooden knobs, standing on a plinth base. 49'' wide x 76'' high x 21 3/4'' deep.
Lot 2572
A good 19th c. Mahogany Cope Chest by Edwards & Roberts having a slender gallery back, plain top, a single frieze drawer made to resemble a pair of short drawers and having wooden knobs, below two single panelled doors reveal a full width drawer over two linen slides and a lower compartment. Nicely figured with good patina and very well made having Oak linings throughout and standing on a plinth base. 54'' wide x 49¾'' high x 21 3/4'' deep.
Lot 2584
A 19th c. stained Pine floor standing floor standing four door Corner Cupboard having a moulded cornice over a pair of four-pane glazed doors revealing four shelves, the lower having three drawers with Brass ring handles, the lower pair of doors being single panel and standing on a shaped plinth. 45'' w x 24 1/2'' h. Some damage.
Lot 498
Mahogany longcased clock, Watkin Owen Llanrwst , break arch brass face with painted rolling moon, roman chapter ring, subsidiary seconds and date aperture, 8-day movement, in a break arch hood with dentil cornice, blind fret frieze and fluted columns on a quarter column trunk and set out plinth with ogee bracket feet, height 237cm overall (two weights, pendulum). *See clocks and watches proviso .
Lot 499
Mahogany long case clock , Brown, Liverpool , break arch brass face signed on a silvered dome in the arch, silvered chapter ring, subsidiary seconds, date aperture, ringed winding holes, 8-day movement, in a break arch hood with glass frieze and fluted columns on cavetto shoulders, quarter column trunk, canted corner plinth and ogee bracket feet, height 244cm. *See clocks and watches proviso .
Lot 500
Mahogany longcased clock , Winstanley, Ormskirk , painted square roman face with subsidiary seconds and date dials, 8-day striking movement on a Walker false plate, in a swan neck hood with pen work leaf frieze, plain column, on a reeded corner trunk and cut corner plinth and ogee bracket feet, height 225cm. *See clocks and watches proviso .
Lot 501
Oak longcased clock, Stn. Butterly, Dartford , square brass roman dial, the field engraved with birds, 30hour movement, in a flat topped hood with plain three-quarter columns, on cavetto shoulders, plain trunk and set out plinth, height 198cm (pendulum, weight and winding key). *See clocks and watches proviso .
Lot 502
Oak and mahogany longcased clock, Jno. Hughes, Carnarvon, painted square rman dial decorated with ships, subsidiary seconds, date aperture, 8-day stiking movement on a false plate, in a flat topped hood with fluted columns on a quarter column trunk and set out plinth, height 195cm (two weights, pendulum). *See clocks and watches proviso .
Lot 92
A 19TH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK, the circular dial with Roman numerals and subsidiary seconds dial, signed James Howden, Edinburgh, of eight day movement striking on a bell, the circular cushion moulded door with a gilt bezel, the trunk with canted corners, flanking a shallow arch door, on a deep plinth with bracket feet, 203cm high
Lot 424
A 19TH CENTURY FIGURED WALNUT SIDE CABINET, with a short raised back, the serpentine top above a pair of doors, each with gilt metal foliate pierced oval panels, flanked by two side doors each with inset panel and divided by scroll and pendant front capitols to half round pilasters and on plinth base, 173cm wide x 53cm deep x 102cm high. See illustration
Lot 429
A 19TH CENTURY FIGURED WALNUT MUSIC CABINET, with a pierced gilt brass gallery and side handles, the eared top inlaid in satinwood with foliate sprays linked by stringing, the single glazed door flanked by turned pilasters with tulip calyx, the interior fitted with two shelves and sheet music divisions, on a plinth base with ceramic castors, 66cm wide x 39cm deep x 99cm high
Lot 361
Pair of silver candlesticks, baluster columns with engraved pattern, domed foot on plinth bases with scalloped edges, approx. 10.5” tall, weighted bases, some wear & small dints, two very small pin prick holes on one candlestick, makers mark indistinguishable, h/m London 1930 (gross 44.36oz)
Lot 409
Antique Brass Carriage Clock, engraved dedication to front of plinth dated 1878, approx. 7” tall inc. handle, white enamel dial with Roman numerals, manufacturers details worn away but you can make out `LONDON`, movement has makers mark `RC`, does not appear to be working, average condition with some wear
Lot 415
Two ornate ormolu mantle clocks, with figures of huntsmen, one on wooden plinth, both approx. 12.5” tall, & a large French style gilt metal mantle clock with top acorn finial, lions head handles, enamelled chapter ring, approx. 18” tall, don`t appear to be working, reproductions, in poor condition, some damage (3) Care! High International Shipping Charges
Lot 120
A French brass novelty ‘mortar cannon’ timepiece. Unsigned, late 19th century. The circular eight-day movement with replaced platform lever escapement and punch numbered 1326 to backplate, the circular white enamel Roman numeral dial with Arabic five minutes to outer track and blued steel spade hands, the case cast as a mortar cannon with bevel glazed bezel to muzzle, lifting handle to reinforce and button shaped cascabel to rear cover, pivoted via trunnions on shaped outline cheeks united by cast cross members and attached via decorative lugs to a rectangular veined red marble square slab plinth with brass fillet to base, 12.5cm (5ins) high.
Lot 131
A fine French Napoleon III Louis XVI revival patinated and gilt bronze figural mantel clock. The dial bearing signature for Ferdinand Berthoud, the case by Eugene Bazart, Paris circa 1860. The rectangular eight-day bell striking movement with stamped trademark of a square-rigged ship with initials JLF/EMS to shrouds and numbered 16306 to backplate, the white enamel Roman numeral convex dial bearing signature in red script Ferdinand Berthoud, A PARIS to centre, with fine foliate pierced and chased gilt hands and Arabic five minutes to outer track within fine guilloche chased gilt bezel, the case with patinated figure of a winged cherub wearing a sword standing beside the dial with floral trail surmount and resting on billowing clouds beside martial trophy, the bowfronted base with repeating triform motif inset panel terminating with leafy rosettes to angles, on conforming shaped white marble plinth with generous gilt disc feet, The rear with cast signature Eug. Bazart, Paris, 47cm (18.5ins) high. Eugene Bazart was a maker of fine decorative objects who worked in Paris circa 1850-75. The current clock is a faithful replica of a Louis XVI model which even bears the signature of an eminent Louis XVI horologist in order to make it appear as authentic as possible. The quality of the chiselling and gilding to the castings of the current lot equals that of the original, and reflects the standards set out by the leading ebenistes of the period such as Befort Jeune and Henri Dasson.
Lot 132
A fine French Napoleon III ormolu mantel clock. C.H. Boye, Paris, circa 1870. The eight-day two train bell striking movement stamped with oval trademark C.H. BOYE, BREVETE S.G.D.G and numbered 1496 to backplate, the convex white enamel Roman numeral dial with Arabic five minutes and fine pierced and chased gilt hands within milled glazed bezel, the case in the Louis XVI taste with oak-leaf festoon draped twin handled urn surmount with fruiting foliate knop above acanthus moulded collar and shaped side sections capping elaborate large foliate side scrolls flanking dial, with ribbon crest above bezel set into a vertical fluted drum raised on a waisted pedestal upright, the shaped plinth base with conforming acanthus mouldings over Vitruvian scroll and rosette inset panels, on waisted fluted feet with leafy collars, 51cm (20ins) high.
Lot 134
A French Louis XVI style ormolu mounted marble mantel clock. Unsigned, Paris, 19th century. The eight-day outside countwheel bell striking movement with circular white enamel convex Arabic numeral dial inscribed a Paris to centre and with pierced and engraved gilt brass hands within an engine turned glazed bezel, the case with chased gilt surmount modelled as a cherub with a flaming torch supported on a billowing cloud above moulded white marble cornice and side scrolls flanking a black marble rectangular central section applied with cast stylised foliate scroll mounts around dial, on black marble banded plinth base applied with conforming foliate mounts to lower edge and on engine turned gilt feet, 34cm (13.5ins) high.
Lot 136
A French Empire ormolu figural mantel clock Choiselat-Gallien, Paris, early 19th century. The outside countwheel striking movement with silk suspension and circular white enamel Roman numeral dial signed CHOISELAT-GALLIEN, Fab’t de Bronzes du Garde-Meuble, LESIEUR Hs, A PARIS to centre within gilt lotus leaf cast bezel and set into a rectangular plinth with scroll cast decoration above and below and surmounted with an oil lamp and two books applied beside classical male scholar seated on an X-frame stool onto a rectangular base applied with central urn and wreath flanked by flaming torches to front and on engine turned bun feet (lacking pendulum, bell and minute hand), 38cm (15ins) high.
Lot 164
A Victorian carved walnut Gothic Revival quarter chiming bracket clock. J.W. Benson, London, late 19th century. The substantial four pillar triple chain fusee movement with anchor escapement and Brocot type pendulum regulation, chiming the quarters on four graduated gongs and sounding the hour on a further larger gong, the 8 inch single sheet silvered brass shaped-top Roman numeral dial signed J.W. BENSON, LUDGATE HILL, LONDON to centre, with regulation square at 12 o’clock and subsidiary STRIKE/SILENT selection dial within foliate scroll engraved infill to arch, the gabled case with leaf-capped pyramid spire finials and stepped crenulations to ridge, the front with central hanging arch above the foliate carved shaped-top glazed front door inset with a shaped silvered brass fillet, flanked by projecting crenulated cluster columns capped with conforming hanging arches, the sides with pointed arch tracery frets, on repeating arch panel plinth base with moulded skirt and block feet, 75cm (29.5ins) high; complete with original wall bracket with conforming moulded platform above pierced and carved shaped side supports fronting shaped back panel, 34.5cm (13.5ins) high, the clock and wall bracket 110cm (43ins) high overall.
Lot 166
A Victorian carved oak quarter chiming bracket clock. Unsigned, late 19th century. The substantial four pillar triple chain fusee movement with anchor escapement and chiming a choice of two melodies on a nest of eight graduated bells every quarter and striking the hour on a gong, the 10.5 x 8 inch single sheet silvered brass Roman numeral dial with foliate scroll engraved infill to spandrels and upper margin with canted upper angles and incorporating subsidiary WHITTINGTON CHIMES/CAMBRIDGE CHIMES and CHIME/SILENT section dials, the case with scroll carved crest flanked by ball finials capping carved corbels with moulded cornice and panel frieze between, the front with brass fillet inset glazed door decorated with floral panel infill to upper quadrants and flanked by Corinthian pilasters, the sides with rectangular scroll pierced sound frets, the plinth base inset with carved panel flanked by rosettes beneath dial, on moulded skirt with disc feet, 65cm (25.5ins) high.
Lot 168
A French malachite inset Belge noir marble perpetual calendar mantel clock with moonphase. Henry Marc, Paris, Late 19th century. The eight-day bell striking movement stamped with oval trademark H’Y MARC, PARIS and numbered 50133 to backplate, the two piece white enamel Roman numeral dial with visible Brocot escapement to the recessed centre, regulation square at twelve o’clock and blued steel Breguet style moon hands within a bevel glazed cast brass bezel, set above a conforming two-piece calendar dial with day of the week and date of the month subsidiary dials flanking cloud painted moonphase aperture to the recessed centre, the outer ring annotated with the months and the equation of time to inner edge within conforming glazed bezel, the case with moulded shallow arch pediment and scroll shaped ears fronted with gilt incised stylised foliate decoration and moulded borders above break-arch waisted front with conforming gilt line infill around the malachite inset panels between the two dials and with sides terminating with scrolls at the base, on cavetto moulded shallow plinth with decorative shaped apron further inset with malachite panels and incorporating bracket feet, 46cm (18ins) high.
Lot 170
A French gilt brass mantel clock in the Greek Revival taste. The movement by Samuel Marti et Cie, Paris, late 19th century. The eight-day two train bell striking movement with S. Marti et Cie, MEDAILLE DE BRONZE roundel and stamped 5277 to backplate, the dial cast as a shield with concentric geometric and laurel band convex centre within chapter ring applied with raised black Roman numerals, the case with seated cherub surmount to the elaborate double scroll surmount above lotus leaf moulded break-arch cornice and female terms flanking dial, the sides applied with stylised seated winged griffin supports, the break-fronted wide plinth base with geometric mouldings and inset with relief cast figural frieze panels and with stalks to the front angles, on block feet with central cartouche between and flanked by scroll pierced side supports, 41cm (16ins) high.
Lot 176
A French brass inlaid ebonised portico mantel clock. Unsigned, mid 19th century. The eight-day striking movement with anchor escapement and numbered 13169 to backplate, with a gilt on black marble Roman numeral dial with mottled marble inset centre and decorative scroll-cast gilt brass bezel, the case with brass strung entablature incorporating gadrooned cornice moulding above four spiral twist columns with gilt engine-turned capitals and bases and with movement and dial set between, on conforming stepped skirt base with block feet (dial probably a replacement), 46cm (18ins) high; with a foliate inlaid ebonised plinth stand 7cm (2.75ins) high, the clock and stand 53cm (21ins) high overall.
Lot 177
A fine French Empire gilt and patinated bronze portico mantel clock. N. Jennart, Brussels, early 19th century. The two train outside countwheel bell striking movement with silk suspension for the female mask sunburst bob pendulum, the convex white enamel Roman numeral dial signed N. Jennart, a Bruxelles to centre, with fine gilt hands and milled bezel, the gabled case with ball finials above gadroon moulded cornice and applied opposing trumpeting Fortuna figural mounts flanked by standing putti to the angles of the pediment, the front pilaster uprights applied with stylised pedestals surmounted with griffins supporting a baton passing beneath the dial and draped with a lambrequin apron flanked by squirrels, each side with pierced infill to the top of the pointed arch aperture, on inverted Gothic arch tracery decorated plinth base with female mask rosette applied angles and skirt base with turned feet, 42.5cm (16.75ins) high.
Lot 181
A monumental oak eight-day quarter chiming longcase regulator with moonphase. Unsigned, circa 1900. The substantial four pillar triple train movement with Harrison’s maintaining power, deadbeat escapement and mercury jar compensated pendulum, chiming a choice of three melodies on either eight bells or four gongs and striking the hour on a further larger gong, the 14 inch silvered brass break-arch dial with subsidiary seconds dial within applied chapter ring with raised gilt Arabic numerals, the angles with cast brass bird and urn pattern spandrels incorporating subsidiary CHIME/SILENT and WHITTINGTON/CAMBRIDGE/ WESTMINSTER selection dials to the upper pair, the arch with rolling moonphase calibrated for the age of the moon to upper edge and with pair of globe lunettes beneath the upper border with scroll engraved infill, the Art Nouveau influence break-arch case with leafy scroll carved crest above moulded cornice and line-incised border to the glazed dial aperture flanked by foliate carved baluster pillars to hood, the trunk with inverted breakfront ogee moulded throat above rectangular glazed door flanked by triform half-pilasters with globular capitals and foliate bases, the plinth centred with an inverted break-arch panel flanked by swollen acanthus carved uprights to front and sides terminating with a shaped skirt, 259cm (99ins) high.
Lot 183
A Scottish Regency mahogany eight-day longcase clock. G. Lumsden, Edinburgh, circa 1825. The four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed G. LUMSDEN, EDINBURGH to centre, the drum-head case with giltwood canted fillet to the glazed hinged dial surround above waisted section and raised throat mouldings, the trunk with shallow-arch top caddy moulded door flanked by canted angles, on shaped panel outline fronted plinth base with moulded skirt, 201cm (79ins) high. A George Lumsden is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Pittenweem, 1818-49.
Lot 190
A rare George I oak eight-day musical longcase clock. Benjamin Rodgers, Chesterfield, circa 1730. The substantial five-pillar triple train inside countwheel bell striking movement playing a choice of two tunes via eight bells with fifteen hammers every four hours, with original anchor escapement and outside fly with adjustable vanes for the music train, the 12 inch square brass dial with subsidiary second dial and foliate engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with foliate half hour markers, Arabic five minutes to outer track and signed Benjamin Rodgers to lower edge, the angles with applied female mask and scroll spandrels, with tune selection lever at 9 o’clock and pierced steel hands, the case with elaborate stepped and moulded caddy surmount above ogee cornice, plain frieze and three quarter columns to the glazed hood door, the trunk with complex mouldings to throat above rectangular door with canted upper angles, decorative brass hinges and centred with a gilt lenticle, on plain plinth base with moulded skirt, 242cm (95.5ins) high. Benjamin Rodgers is recorded in Hughes, Roy G. and Craven, Maxwell Clockmakers & Watchmakers of DERBYSHIRE as working in Chesterfield circa 1729-40. The current lot formerly belonged to the collection of the late John Hooper and was purchased by the current owner in these rooms from the sale of the Library & Workshop of John Hooper 10th February 2009 lot 99 for £3,800 hammer.
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173444 item(s)/page