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Lot 4
A late Victorian mahogany framed shop display cabinet, the moulded cornice above glazed sides, mirrored back, two shelves and plinth base, inscribed "J.S.Fry & Sons Ltd", width 49cm, height 60.5cm. CONDITION REPORT: Fairly solid throughout. Old scuffs and dents to wood, bet generally sound. Would benefit from a good clean.
Lot 350
A GEORGE III OAK CASED LONGCASE CLOCK, the eight day movement striking on a bell, the dial with painted arch and spandrels, with Roman numerals and two subsidiary dials, signed Richmond, York, the hood with swan neck pediment and fluted brass mounted columns, the string inlaid panel door on a chamfered trunk, above a moulded plinth base, raised on bracket feet. 2.25m by 0.52m by 0.28m
Lot 352
A GEORGE III MAHOGANY LONGCASE CLOCK BY JOHN HOWELLS, St CATHERINES, LONDON, the eight day movement striking on a bell, the brass arched top dial with silvered chapter ring with Arabic and Roman numerals, centrally matted and with a subsidiary seconds dial with Arabic numerals, recessed calendar aperture and fan shaped maker's plate, with silvered strike/silent dial to the arch, further embellished with cast spandrels, the glazed hood flanked by fluted brass wire filled and capped pillars, the moulded arched cornice surmounted by a secondary moulded cornice with three ball and spike finials, the shaped figured trunk door with reeded border on a moulded plinth base decorated with raised geometric mouldings raised on bracket feet. 2.22m by 0.46m by 0.24m
Lot 353
A LATE 18th/ EARLY 19th CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK BY JOHN SMITH, PITTENWEEM (d.1814), the eight-day movement striking on a bell, the 13" brass dial with silver chapter ring, Roman numerals and scroll cast spandrels, signed in the arch, Smith, Pittenweem, the hood, with a moulded cornice over an arched glazed door flanked by turned baluster uprights, the trunk with a cupboard door flanked by quarter columns, on a plinth base raised on bracket feet. 2.14m by 0.51m by 0.24m
Lot 354
A 19th CENTURY FRENCH MARBLE AND SLATE CLOCK GARNITURE, with bronze putto surmount over an architectural form clock with a white enamel dial and Roman numerals, the eight day movement striking on a bell and signed Paris, flanked by two shallow urns raised on stepped plinth bases. Height of clock 40cm
Lot 355
A MID-19th CENTURY MAHOGANY LONGCASE CLOCK, the 10" arched brass dial with scroll cast spandrels, Roman numerals, subsidiary dial and date aperture, signed Harrocks, Lancaster, with an eight day movement striking on a bell, the satinwood inlaid hood with swan neck pediment and ball finials over an arched glazed door flanked by tapering fluted columns, the trunk with a shaped moulded cupboard door flanked by fluted quarter columns, above a moulded plinth base raised on bracket feet. 2.18m by 0.48m by 0.28m
Lot 356
A VICTORIAN CHEQUERED INLAID MAHOGANY LONGCASE CLOCK, the eight day movement striking on a bell, the elaborately painted face signed A. Molteni, Newcastle, with Roman numerals beneath a painted arch, the hood with a swan neck pediment over a glazed door flanked by boldly turned supports, the heavily inlaid trunk with a shaped door flanked by turned uprights, raised on a massive plinth base terminating in bracket feet. 2.29m by 0.62m by 0.24m
Lot 507
A LARGE EARLY 19th CENTURY SATINWOOD INLAID MAHOGANY PIER MIRROR, the moulded inverted breakfront cornice over a cross-banded and string inlaid frieze above a rectangular mirror plate within a conforming frame flanked by boldly carved spiral uprights raised on a plinth base. 1.07m by 0.61m by 0.09m
Lot 21
A CARLTON WARE CRESTED CHINA FIGURE OF NURSE EDITH CAVELL, modelled as her monument in London and inscribed EDITH CAVELL/BRUSSELS/DAWN/OCTOBER 12th/1915 on plinth with armorial below, 16cm Edith Cavell (1865-1915) was a WWI British Nurse celebrated for saving lives regardless of nationality and was renown for rescuing over 200 Allied soldiers out of Germany and into Holland. She was arrested and sent for trial and shot by a German firing squad in 1915
Lot 1277
Leon Bertaux After ( French, 1825-1909 ) '' Jeune Fille au bain- Sara la baigneuse '' Bronze Sculpture. c.1876. Signed '' Mme Leon Bertaux '' on the sculpture, near the feet. Fine, quality casting. Very good condition. The polished marble plinth In good condition with the expected wear and small losses to the edges. Literature / catalogue raisonne, Anne Pingeot - Antionette Le Normand-Romain - Laure de Margerie, Mus?e d'Orsay. Summary Illustrated catalogue of sculptures, Paris. 1986. Dimensions, Height 10.3/8 Inches, Width 11.1/8 Inches & Depth 7.1/4 Inches. Helene Bertaux, born Josephine Charlotte Helen Pilate ( better known as Madame Leon Bertaux, or simply Leon Bertaux ) was a sculpture and woman's rights activist in the second half of 19th Century. Married but separated from her first husband, she began to sign her works, In 1854, under the name '' Madame Leon Bertaux '' the name of her companion whom she married In 1866, after the death of her first husband In 1865. Later casting c. Early 1950's with Bronze Medal. To figures fright hand which reads Bronze Garranti Paris J.B. Deposee.
Lot 53
A GOOD QUALITY CHINESE LACQUERED & CARVED WOOD MODEL OF A PRIEST, possibly 18th/19th Century, standing with hands clasped on a lotus plinth, 8.5in high; together with a smaller carved and lacquered wood model of an emperor seated on a rockwork throne, also possibly 18th/19th Century, 5.3in high. (2)
Lot 55
A GOOD SMALL CHINESE BRONZE HEAD OF BUDDHA, possibly 16th Century, the whole with traces of gilding and red lacquer, supported on a wood plinth, 4.5in high overall, the head itself 2.5in high; together with a small Thai bronze head of Buddha, similarly with traces of gilding and red lacquer, also possibly 16th Century, supported on a Perspex plinth, 5in high overall, the head itself 3.3in high. (2)
Lot 78
ANOTHER GOOD SMALLER FRAMED 18TH/19TH CENTURY TIBETAN THANGKA OF AVALOKITESVARA, supported on a lotus plinth, his hands holding various attributes, above protective deities and surrounded by an array of lamas, mounted on patterned silk brocade, the frame 31.75in x 28in, the thangka itself 25in x 18.25in.
Lot 553
French School (early 19th Century) Portrait of an artist, possibly a self-portrait watercolour on ivory in a circular gold frame 8cm (3in) The young unidentified artist looks to be studying from the bust in front of her, which is in turn staring out at the viewer. The possibility of the bust being a faithfully depicted antique is diminished by the untypical locks of hair which fall over the shoulders. Instead this bust is perhaps a representation of a deceased family member or friend, the importance of whom to the artist is reflected in the way it is raised on a plinth. The underlying style of the work is wholly Neoclassical, a theme particularly favoured in the 18th/early 19th century in Europe, and echoed here in the colonnade architectural backdrop and the attire worn by the subject. Condition is fine.
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