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A MID 18TH CENTURY FIGURED WALNUT LONGCASE CLOCK, with three train, hour striking and rod chiming movement, the brass dial with painted mechanical moon phases within the arch with mask and foliate scroll spandrels, the chapter ring with roman hour and arabic minute numerals, the matt centre having a second dial with calendar aperture on aperture and inscribed "Thomas Bristol", the domed rectangular hood with open fret work and fret angle pillars, the sides with open fret panels, the trunk with long arched cross banded door, the base similarly banded, on a moulded plinth, the pine sides simulating walnut. Dial Width 12". Width 13.5". Height 96". Alterations and additions.
A 19TH CENTURY MAHOGANY LONG CASE CLOCK, with two train movement, the circular silvered dial with roman numerals and second dial, inscribed "H H Curtis Neath", the hood with arched pediment and canted angles, the glass circular, the trunk with long rectangular glazed door flanked by canted angles, the plain base on a shaped plinth. Dial Diameter 13". Width 14.75". Height 82".
A MID 20TH CENTURY OAK LONG CASE CLOCK, the weight driven three train German movement quarter chiming, the square brass dial with silvered chapter ring and roman numerals, the square hood with spirally turned angle pillars, the trunk with bevel glazed rectangular door, the panelled base on a projecting plinth on round feet. Dial Width 10.5". Width 12.5". Height 72".
AN OVERALL CARVED OAK LONG CASE CLOCK, with thirty hour movement, the square brass dial with roman numerals, the square hood with turned angle pillars, the trunk having a long ogee arched door, carved with floral lunettes and guilloche, the base with inset panel relief carved with a winged figure, on a shaped plinth. Dial Width 10.5". Width 13". Height 79".
A GREEN & GOLD LACQUER LONG CASE CLOCK, with thirty hour movement, the circular painted dial with copper and iron studs forming the chapter with colour transfer painted strips between, the centre copper studded with star and flower head motifs and colour transfer printed nasturtium flowers, the George III case having a square hood with swan neck pediment and circular glass, the trunk having a shaped door with Japanese figures, birds, butterflies etc., the angles with fluted quadrant pillars, the base with projecting panel with similar motifs to door, on a shaped plinth. Dial Diameter 16". Width 17". Height 98".
A late 18th Century mahogany longcase clock by John Lacy of Portsmouth, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in case with deep moulded and arched cornice, plain turned pillars to hood, shaped trunk door and double plinth base, 85ins high (in need of restoration - hood in pieces and plinth base water damaged)
A mahogany domestic regulator by William Hutton & Sons, London, the 12ins silvered dial with shaped top plates engraved with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement with dead beat escapement striking on a bell, wooden pendulum with heavy brass bob and brass cased weights, contained in later mahogany case with moulded cornice and cant corners to hood, shaped and figured veneered door with moulded edge and conforming panel to plinth, and double moulded plinth, 81ins high.
A Victorian figured walnut Davenport, the upper part fitted pigeon holes and two small drawers enclosed by a pair of arched mirror panelled doors, the piano front enclosing leather-lined pull-out writing surface, fitted two small drawers, on bold cabriole front legs with cupboards to sides, one fitted four interior drawers, both enclosed by arched panelled doors, on plinth base with turned bun feet with recessed castors, 31ins wide x 54ins high
Mahogany longcased clock, circa 1830, eight day striking movement on a broken arch painted face with rolling moon, subsidiary seconds and date aperture, named "J.Lovatt, Tunstall", in a swan neck hood on broad trunk with plain side columns and set out canted plinth. Height 230cm (winder, door key, 2 weights, pendulum).
Whithurst, Congleton oak longcased clock, circa 1790, eight day movement on brass broken arch face with silvered chapter ring, moon dial, subsidiary seconds and date aperture, inscribed J Whithurst, Congleton, in swan neck hood with door reeded pilaster and columns, on reeded corner trunk and canted corner set out plinth; the door, sides and plinth panel carved at a later date. (2 weights)
A George III mahogany longcase clock, circa 1800, the square hood with concave cornice, enclosing a 12 1/2 inch enamelled dial, Roman numerals, moonphase and subsidiary seconds aperture, fruit painted spandrels, fanciful birds, inscribed Latham, Macclesfield, eight day movement, the trunk with arched door, on a plinth base, height 201cm, 79 inches.
A Victorian walnut and gilt brass mounted marquetry inlaid side cabinet, circa 1870, the rectangular top and inlaid frieze flanking gilt monopodia mounts, centering an ebonised oval plaque inlaid with a floral spray, on a stepped plinth base, height 110cm x width 84cm x depth 40cm, 43 inches x 33 inches x 15 1/2 inches.
An Early Victorian Rosewood and Parquetry Inlaid Box, rectangular, with bombe sides, the flat lid with a rectangular panel of repeat lozenge motifs in bird's eye maple, mahogany and rosewood, bone inlaid lozenge key escutcheon, internally with lift-out rack for flatware, and two divisions below, upon a moulded integral plinth, circa 1840, {38cm wide}.
A French Kingwood, Rosewood Marquetry Inlaid and Ormolu Mounted Table Jardiniere, in Louis XVI style, of slightly canted rectangular shape with rounded angles, brass liner and pierced full gallery, each side with inlaid "netted" panel further enriched with inlaid florets, with acanthus bosses and scroll side handles, upon a separate plinth base with knurled feet, {33.5cm wide, 18cm high}.
An Interchangeable Cylinder Musical Box, with "drum and castanets in sight", Swiss, circa 1880, the 16 inch cylinder playing eight airs accompanied by bells, drum and castanets, No.52767, contained in an amboyna veneered case with bird's eye maple crossbanding and ebonised moulded rim and basal plinth, {90.1cm wide} .
Frederick Preiss: A Carved Ivory Figure "Girl with Fly", standing naked and looking with concentrated expression at a fly (with painted detail) on her left arm which she is attempting to swat, upon an integral circular tablet plinth signed "F Preiss", circa 1930, {12. 6cm high}, upon an octagonal panelled green alabaster socle, {17.2cm high} (slight chipping to edges of socle); and A Carved Ivory Figure "Fisher Boy", standing naked while removing a hook from a fish's mouth, with painted detail, upon an integral rock effect plinth (hairline crack), pierced with a hole for fishing rod and line (both now lacking), signed on the reverse "F Preiss", circa 1930, {13cm high}, upon an octagonal green veined alabaster socle, {17.5cm high overall}
The Property of a Gentleman Rafael Monti: A Carved White Marble Figure of a Young Woman in Mourning, veiled, wearing a garland of flowers on her head, her arms enwrapped around a cross which issues from rockwork, a veil catching the wind, {57cm high}, upon a brown veined marble oval plinth, {61.5cm high overall}.
A Victorian Cast Iron Stick Stand, in Gothic-Byzantine style, the arched panel back pierced with a border of repeat foliate motifs and centred by conforming panel, angular rail on a knopped column upright with foliate spandrels, double compartmented lift out tray, chevron cast moulded plinth, {94cm high} (painted white, peeling badly and rusted, requiring total restoration).
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173487 item(s)/page