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2005 MG ZT Estate Transmission: manualMileage:63444In 2001, three years after the launch of the Rover 75, and less than a year after the demerger of MG Rover from BMW, the MG ZT and MG ZT-T were launched. During the cars' development, the models were codenamed X10 and X11, for the saloon and estate versions, respectively. The basic shape and styling of the MG ZT remained the same as for the Rover 75 but with changes to the front bumper, now with an integrated grille, and detail alterations including colour coding of the chromed waistline, a new boot lid plinth, and different alloy wheels and tyres sizes. During the first few months of 2004, MG Rover facelifted the design of the ZT and ZT-T to a less retro look, at the same time as the Rover 75 received a facelift. This didn't feature much in the way of mechanical differences to the ZT, most changes were merely aesthetic. The main changes to the car included the replacement of the twin headlamps, with a new, clear single headlamp unit. Between 2003 and 2006 the top of the ZT range, and the rarest, was rear wheel drive and powered by the Ford 4601cc V8 engine giving 300bhp, 0-60mph in 6.3 seconds and a top speed of 155mph.This rare MG ZT is best described as a 'wolf in sheep's clothing'. A relatively unassuming vehicle from the outside, with the only visible feature being the large bore exhausts. However, start the engine and suddenly you become aware of the Ford Mustang 4.6 litre V8 under the bonnet. This is mated to a five-speed manual gearbox making this a true drivers car and one to really enjoy on the open road. Performance is put at 260bhp and 407NM of torque. The interior is trimmed in black leatherette and cloth seats with electric windows, electric mirrors and digital climate control with air conditioning. Showing just 63,444 miles on the odometer, the previous owner fitted a bespoke (and very expensive) stainless steel exhaust system with sports cats and central silencer box, coupled to an OE back-box, helping unleash a little more sound of the American dream. Supplied with a V5C registration document and a current MoT test certificate valid until October 2023, together with the original book pack and a collection of invoices. This stylish MG estate is both a capable load carrier and a truly exciting car to drive. These were built in relatively small numbers, it is thought less than 200 were manufactured, thus this could well prove to be a fine investment.Guide £8,000- £11,000
SCHWARZBURGER WERKSTÄTTEN 'Liegender Bauer', vor 1937 Entwurf von Ernst Barlach um 1908, glasiertes Weißporzellan, auf der flachen Plinthe ist das gepresste Künstlersigné 'E.Barlach' im Quadrat nicht mehr leserlich, nur noch das Quadrat ist erkennbar, die Unterseite hat die Pressmarke 'Schwarzburger Werkstätten für Porzellankunst' mit dem schnürenden Fuchs sowie die Modell-nr. 'U 63' und zwei Klebeetiketten mit den Daten des Künstlers und der Werkstatt, L 31 cm. Inspiriert wurde Barlachs Kunst durch eine Reise nach Russland im Jahre 1906 und den Begegnungen mit Menschen aus entlegenen Gebieten.| SCHWARZBURGER WORKSHOPS 'Reclining Farmer', before 1937, design by Ernst Barlach around 1908, glazed white porcelain, the pressed artist signé 'E.Barlach' in the square is no longer legible on the flat plinth, only the square is recognizable, the underside has the pressed mark 'Schwarzburger Werkstätten für Porzellankunst' with the lacing fox and the model no. 'U 63' and two adhesive labels with the artist's and workshop's data, L 31 cm.Barlach's art was inspired by a trip to Russia in 1906 and encounters with people from remote areas.
ROSENTHAL Fischgruppe "Skalare", 1949 Entwurf von Fritz Heidenreich im Jahr 1937, Ausführung 1949, zwei Skalare zwischen Wasserpflanzen, polychrom staffiert, Künstlersigné auf der flachen Plinthe "F. Heidenreich", grüne Firmenmarke, 1 Flossenspitze besch., H 38, 5 cm.| ROSENTHAL group of fish "Scalars", 1949, design by Fritz Heidenreich in 1937, executed in 1949, two angelfish between water plants, polychrome painted, artist's signé on the flat plinth "F. Heidenreich", 1 fin tip damaged, H 38.5 cm.
ROSENTHAL 2-tlg Konvolut Tierfiguren "Skalare", Ende 20. Jh. Entwurf von Fritz Heidenreich im Jahr 1937, Fischgruppe "Skalare" und ein einzelner Skalar zwischen Wasserpflanzen, polychrom staffiert, Künstlersigné auf der flachen Plinthe der großen Fischgruppe "F. Heidenreich", grüne Firmenmarken, 1 Vertikalband an der großen Figur besch., H 38, 5 cm und H 22 cm.| ROSENTHAL 2-piece mixed lot of animal figures "Scalare", late 20th century. Design by Fritz Heidenreich in 1937, fish group "Skalare" and a single scalar between water plants, polychrome decorated, artist's signé on the flat plinth of the large fish group "F. Heidenreich", green company marks, 1 vertical band on the large figure damaged, H 38 , 5 cm and H 22 cm.
BOLOGNA, Giovanni da NACH (1529-1608), 'Sieg der Tugend über das Laster', Bronze, braun patiniert, vollplastische Darstellung von Mann und Frau im Kampf, mit Plinthe aus einem Guss, auf Steinsockel montiert, HxB: gesamt ca. 33x15 cm. Alters- und Beriebspuren.| BOLOGNA, Giovanni da AFTER (1529-1608), 'Victory of virtue over vice', bronze, brown patina, three-dimensional depiction of a man and woman fighting, with a plinth made of one piece, mounted on a stone base, hxw: total approx. 33x15 cm. Signs of age and rubbing.
SEIFERT, VICTOR HEINRICH (1870-1953), "Trinkende", Bronze, poliert und part. brüniert, vollplastischer weiblicher Akt mit Trinkschale, auf runder Plinthe stehend, auf der Plinthe im Guss signiert 'Prof. V. Seifert', auf schwarzem, marmorisiertem Steinsockel montiert, HxBxT: Figur ca. 36,5x10,5x15 cm, gesamt ca. 46x10,5x15,5 cm. Altersspuren, Patina leicht fleckig, Riss an ihrem rechten Armansatz. | SEIFERT, VICTOR HEINRICH (1870-1953), "Drinking", bronze, polished and part. browned, fully plastic female nude with drinking bowl, standing on a round plinth, signed in the cast 'Prof. V. Seifert', mounted on a black, marbleized stone base, HxWxD: figure approx. 36.5x10.5x15 cm, total approx. 46x10.5x15.5 cm. Signs of age, slightly stained patina, crack at the base of her right arm.
GIAMBOLOGNA, NACH (G.: um 1529-1608), "Merkur", Bronze, dunkel patiniert, vollplastische Kopie der Merkursäule, auf runder Plinthe, auf rundem Steinsockel montiert, H: Figur ca. 24,5 cm, gesamt 32,5 cm. Altersspuren. Unterseitig Etikett mit Bezeichnung und Verweis auf die Merkursäule auf der Alten Kanzlei in Stuttgart. | GIAMBOLOGNA, AFTER (G.: around 1529-1608), "Mercury", bronze, dark patina, fully plastic copy of the Mercury column, on a round plinth, mounted on a round stone base, H: figure approx. 24.5 cm, total 32.5 cm. Signs of age. Label on the underside with the name and reference to the Mercury Column on the Old Chancellery in Stuttgart.
BILDSCHNITZER des 19./20. Jh., "Madonna Immaculata", Holz, farbig gefasst und vergoldet, vollplastisch, im Barockstil geschnitzte Figur der Maria, auf von Engelsköpfen umrahmten Wolke stehend, auf oktogonaler Plinthe, auf dem Kopf Metallmontur wohl für Nimbus oder Krone, HxBxT: ca. 59x35x28 cm. Alters- und Trocknungsspuren, Fassung und Kanten der Plinthe part. beschädigt.| PICTURE CARVERS of the 19th/20th Century, "Madonna Immaculata", wood, painted and gilded, three-dimensional, carved in the Baroque style figure of Mary, standing on a cloud framed by angels' heads, on an octagonal plinth, on the head metal gear probably for a nimbus or crown, HxWxD: approx. 59x35x28 cm. Signs of age and drying, paintwork and edges of the plinth part. damaged.
A 19th century French Ormolu mantle clock in the form of a vase on a plinth having painted porcelain face and roundels with bell strike. Standing 35 cm high excluding plinth Condition report - Fractures to metal cover, some fractures to metal case. Porcelain panels good – some gilt loss particularly on raised areas – wear to gilt of wood base, fabric top distressed. Has pendulum , key missing as is back clock movement cover
Coca-Cola - A limited edition lead crystal replica Coca-Cola bottle, specially commissioned for the millennium, limited to 6000 pieces and originally only available to Coca-Cola & Schweppes employees, bottle is numbered 2593 and comes with a display plinth and certificate, contained in original presentation box with outer card sleeve, bottle 19 cm (h).
A cold-cast bronze buffalo statue by Robert Glen. The 'Charge on the Serengeti' statue is presented on a plinth. Statue is 15 cm (h) x 31 1/2 cm (l) x 12 cm (w). Statue is presneted in an inner polystyrene box which is inside of a postage box. Statue appears in excellent condition. (This does not constitute a guarantee)
A French Empire mid-19th century marble and gilt brass mounted clock garniture having an eight-day duration movement striking the hours and half-hours on a bell, the cream enamel dial with Arabic numerals with engraved & pierced gilt-brass hands, the case of architectural pagoda form, surmounted by a floral spray and applied frieze decoration, within four marble columns and square plinth base, all standing on gilt-brass feet, together with a pair of matching vases with gilt metal floral spray decoration, standing on square bases. H40, W19, D11cm. (3) With pendulum and key.
R. M. Schneckenburger, an imposing 19th century mahogany ormolu-mounted chiming and striking bracket clock with bracket, the arched face with silvered chapter ring, fast/slow and chime/silent dials and applied cast pierced scroll and trelliswork spandrels, the case flanked by pair caryatid mounts to canted corners, on stepped plinth base, pierced ormolu scroll and paw feet, flame finials, the signed movement striking a gong and chiming on four graduated gongs, pull cord repeater, pendulum, 74cm raised on a matching bracket, 29.5 x 49cm
A Victorian late 19th century black lacquered Papier-Mache jewellery & writing box. The jewellery cabinet having a shaped raised top over double front doors inlaid with abalone shells & gilt painted decorations. The doors opening to reveal a bank of five drawers each fully appointed for jewellery storage & sewing kits. The last drawer sliding out to reveal a travelling writing slope & inkwells sections with intricate floral decoration atop. Raised on plinth base. Measures approx. 30cm x 26cm x 19cm.
An 18th century George III mahogany toilet swing mirror in the manner of Thomas Hope. Maltese dolphin mirror supports with octagonal mirror over plinth base with drawers. This mirror and other furniture in the auction part of the Olive Knox Will Trust who was married to Alfred Dillwyn Knox, a historic figure in the history of codebreaking at Bletchley Park. Measures approx. 54 x 49 x 18cm.BIO: Alfred Dillwyn (Dilly) Knox (23 July 1884 - 27 February 1943) was a British classics scholar, papyrologist and codebreaker. During WWI he worked at the Navy's Room 40 codebreaking unit, where he helped decrypt the Zimmermann Telegram, which brought the US into World War I [1]. During World War II (WWII) he ran his own codebreaking operation — Intelligence Service Knox (ISK) — at Bletchley Park, where he was successful in breaking the Enigma cipher of the Abwehr. Also documented to have encouraged Alan Turing to develop the Bombe machine which was to become the main tool for breaking Enigma keys during WW2.
An early 20th century brass & bronze TOC H Christian movement 'Lamp of Maintenance'. The lamp having a Chi Rho symbol over a rem head handle chained to dove shaped lid. The lamp inscribed with 'My Soul Doth Magnify the Lord'. Raised on plinth wooden base. The lamp in original wooden case with leather latch. The lamp measuring approx. 22cm x 19cm x 10cm.
A 19th century West Country George III longcase clock by Henry Wilkes of Thornbury - Bristol / Gloucestershire. The clock with painted face having 8 day movement with secondary aperture. Set within a mahogany case with swan neck pediment hood over mahogany trunk and plinth. Lead weights and brass pendulum. Measures approx. 200 x 25 x 25cm.
A 19th century Victorian oak & leather arcade bookcase sideboard. Raised on plinth base with reeded Doric column uprights flanking central run of four cupboard doors housing shelves within. Above, an open window triple section bookcase having further Doric columns with shelves to centre. Oxblood tooled leather arcades to the front. Shaped pediment atop. Dismantles into 2 pieces for ease of movement. Measures approx. 167cm x 214cm x 50cm.
Otto Nebel (1892 - 1973) for Bildgiesserei Kraas foundry. A large early 20th century German bronze figurine depicting a Moose / Elk. Signed by artist and stamped with Bildgiesserei Kraas foundry mark. The beast modelled mid stride with head raised, detailed features and antlers to head. Raised on marble plinth. Measures approx. 40cm x 40cm x 12cm.
Jean Verschneider (1872-1943) - A figural bronze, alabaster and marble Art Nouveau table lamp light. Modelled as a young lady in draped cloth having an alabaster disc shade in the form of a halo. Raised on a green marble plinth base. Signed 'Jean Verschneider' to base of bronze. Measures approx. 70 x 26cm.
A Victorian 19th century flame mahogany glazed bookcase library cabinet. The cabinet having a rectangular, flared top over double glazed cabinet doors with astragal detailing and rounded edges. Flanked by top reeded scrolled corbels continuing to base. Raised on plinth base. Measures approx. 149cm x 111cm x 37cm.
A George III early 19th century Oriental mahogany chinoiserie bow front corner wall hanging cabinet decorated with oriental inspired stencil patterns and hand painted figures on an ebonised base. Double door opening to reveal a shelved interior. Raised on plinth banded base. Measuring approx. 91cm x 60cm x 42cm.
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173487 item(s)/page