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Ayutthaya style bronze head of Buddha Shakyamuni Thai, 17th/early 18th Century the head cast with a serene expression and heavily lidded eyes below thin eyebrows, with a long nose and subtly smiling mouth, all below a head dress topped with tall stupa form crown, on fixed wooden base plinth, 12cm high (18cm with base)
A pair of 19th century three-divisional gilt metal and white marble candelabra, each in the form of a winged cherub holding aloft three candle sconces with scrolling acanthus mounts and bowls bordered with fruit, above a fluted marble column raised on a plinth base, with further cast metal garland and beaded borders, 48cm high.
A Victorian mahogany pot cupboard, the single door enclosing a single shelf on a plinth base, together with a painted two door cupboard and painted slim bookcase with cupboard below, a modern gilt framed print and a grey fabric covered day bed on squat square tapered beech supports, 195 cm wide x 74 cm deep x 47 cm high
Gilbert William Bayes (1872-1953), a painted plaster group 'The Sea Urchins' Signed in the plaster GILBERT BAYES 1932 Depicting a naked woman kneeling on a rock with a young Mer-boy caught in her net, black painted wood plinth 141 cm high Literature: L. Irvine & P. Atterbury, Gilbert Bayes: Sculptor 1872-1953, London, 1998, p.161 (figure illustrated as central element of a fountain with two smaller figures at either end) Provenance The collection of the artist; Gilbert Bayes Trust; Sotheby's London, 2 June 2010, lot 120; private collection, United KingdomCondition report: There are some fine hairline cracks around the base to the plaster and on the figure, and some small losses where it sits on the wood base. To the surface colour there are some areas of a stronger green which contrast to the softer, faded and variegated colour and it is possible there has been some re-colouring to the surfaces in places at some point in its history. There are some brown patches on the woman’s torso. There is a chip to the end of the mer-boys fin and this has been re-touched with colour; also a small loss to his elbow. There is a stuttered scrape to the woman’s arm and various small, random scuffs, scrapes and scratches dotted around the sculpture that show white. An occasional indentation. The plaster appears cast in sections and there are some faint joins. There is overall general wear and rubbing to the surface consistent with age and handling and there is dust on the surface and in crevices.
Dominique Alonzo (act. 1910-30), a carved ivory figure c.1920, signed on the ivory foot and engraved on the marble D. Alonzo Carved as a young woman wearing a stylised bikini and headdress, with her hands behind her head, on square marble plinth 15.6 cm highThere are some hairlines on the circular ivory foot. Figure in good condition. Chips to edges and base of the marble plinth.Please note that this lot contains ivory. Ivory is an endangered material with very strict rules about export/import. If you plan to take this lot out of the UK please check with your shipper if you can before bidding. Some countries do not allow the importation or exportation of ivory. Ivory rules are under review in the UK.
Alexandre Auguste Caron (1857-1932), a carved ivory figure 'Jeune fille se coiffant' c.1910, signed on the ivory base A Caron Carved as a classical maiden, her dress exposing one breast, she stands holding her hands to adjust her hair, on octagonal rosewood plinth with ivory foot 16.3 cm highOverall good condition. Some light wear to the underside of the foot.Please note that this lot contains ivory. Ivory is an endangered material with very strict rules about export/import. If you plan to take this lot out of the UK please check with your shipper if you can before bidding. Some countries do not allow the importation or exportation of ivory. Ivory rules are under review in the UK.
Ferdinand Preiss (1882-1943) a cold-painted bronze and ivory figure ‘Pierrette’ c.1925, signed on bronze hexagonal base F Preiss Modelled, cast and carved as a young woman wearing a red conical hat and a pleated dress, on an hexagonal bronze base mounted on an octagonal marble plinth 18 cm high Literature: Bryan Catley, 'Art Deco and other Figures', Antique Collectors Club, Suffolk, 1978, p268 (similar figure illustrated)Ivory: small chip to the edge of the brim of the hat to the side/back. Some colour touch-up in places to the hat, including the chip, with some flaking to the original colour as well. There is a possible tiny loss to top of one finger? but it could be just how it is carved - not seen with naked eye.Bronze: a tiny indentation to top edge of one fold on the front of the skirt. Overall the cold-painted colour is in good condition, with some rubbing to high points. Marble: some tiny chips and nicks to the bottom edge of the plinth, with light natural wear to the underside.Please note that this lot contains ivory. Ivory is an endangered material with very strict rules about export/import. If you plan to take this lot out of the UK please check with your shipper if you can before bidding. Some countries do not allow the importation or exportation of ivory. Ivory rules are under review in the UK.
Betty Joel (1894-1985), an Art Deco sycamore and ivory Dressing table and stool 1936, typed label to reverse "Token Hand-Made Furniture Designed by: Betty Joel (very faint), Manufactured by: A.W. Lawley and L.H. Pillinger at Token Works, Kingston Bypass, February 1936" The circular mirror flanked by graduated and triangular shelves and three side-hinged drawers with ivory shell pulls, on a curved plinth base; together with the original circular stool with low back, upholstered in blue velvet, on tapered sycamore supports 121 cm high; 175.2 cm wide; 49 cm deep (2)Please refer to department for condition report - only part report belowOne hinge is broken and a part missing.Please note that this lot contains ivory. Ivory is an endangered material with very strict rules about export/import. If you plan to take this lot out of the UK please check with your shipper if you can before bidding. Some countries do not allow the importation or exportation of ivory. Ivory rules are under review in the UK, but as this lot is pre-1947 and the ivory content is less than 10% of the whole, it will meet the suggested new proposals for the UK.
Enzo Plazzotta (1921-1981), a bronze figure of the Ballet Dancer Ivan Nagy ‘Vertical’, 1976, Plazzotta shield mark numbered 9/9, with foundry seal Modelled and cast as a male ballet dancer with up stretched arms, raised on a small black plinth 26.7 cm high Reference: C. Plazzotta & R O’Conor, 'Enzo Plazzotta Catalogue Raisonne', p135.Small chip to two corners of the base and a repair to another corner, plus a tiny nick along the edge.
Enzo Plazzotta (1921-1981), a patinated bronze figure ‘Kathi’ c.1969, Plazzotta shield mark numbered 2/9, foundry stamp “Fonderia Luigi Tommasi Pietrasanta’ Modelled and cast as a naked young woman sitting on a draped seat, on circular black plinth 59.5cm high Reference: C. Plazzotta & R O’Conor, 'Enzo Plazzotta Catalogue Raisonne', p57Small mark at the top of one thigh. A few fine scratches and tiny nicks to circular plinth.
Tjok Dessauvage (Belgian 1946-), ceramic sculpture 2003, signed and dated to each item Two ceramic forms on an ebonised sheet metal plinth, one glazed orange with a central well and geometric patterns to the top, the other form unglazed matt black clay 18cm high x 40cm long x 30cm wide (ARR)Provenance: Cultural Connections, Great Missenden, BucksPlease refer to department for condition report
John Home, a burr oak 'Ambassador' range desk and side table for HK Furniture c.1998The desk with rectangular top over two blind frieze drawers, on end supports, above two separate banks of drawers on casters, the side table with square top on conforming plinth base Desk - 73cm high, 190cm wide, 94cm deep Side table - 38cm high, 76cm square (2) Note : In 1998 the desk in this lot was awarded Guild Mark 86 for exacting standards of excellence in design by the Worshipful Company of Furniture Makers.Please refer to department for condition report
Victor Heinrich Seifert (1870-1953), a patinated bronze figure 'Wasserträgerin' c.1900, signed on bronze V. Seifert Modelled and cast as an Art Nouveau maiden carrying water, with one of her buckets dropped in the pool at her feet, on integral bronze base and marble plinth 16.7 cm highThere is a section of wire missing - that would have attached to the dropped bucket to her hand. Rubbing to surfaces and high points and a few tiny abrasions on one arm. A bit dusty.
Vintage and Modern Brass Lamps and Wall Sconces, various examples including two vintage cast brass column table lamps (the taller 40cm high), a modern brass column table lamp (49cm high) and smaller baluster example on wooden plinth, together with a desk lamp with green glass shade, standard lamp and a set of four twin branch wall sconces, F-G, (10)
A contemporary oak dresser base and top by Alan Solly of Marlborough Wilts, with fitted base, with three freeze drawers above three panel doors with arched mouldings, on a plinth base supporting a waterfall shaped plate rack, marked Allan Solly to inner door, 153 cm wide x 193 cm high x 45 cm depth some minor wear and signs of glue otherwise good
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173487 item(s)/page