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A LATE 18TH/EARLY 19TH-CENTURY STAFFORDSHIRE PEARL-GLAZED EARTHENWARE FIGURE OF "AUTUM" (sic), modelled as a young Bacchus holding a goblet and a bunch of grapes, standing against a vine-strewn stump and with vine head-dress, on an entitled canted square plinth, the brown and green-lined square pedestal modelled in relief with fauns butchering a hare, 26cm, (10.2in) high (restoration)
A PAIR OF 19TH-CENTURY GREEN-PAINTED CAST IRON GARDEN URNS, each having an ovolu-cast rim on a reeded hemispherical body and fluted spreading foot with square base, 54cm diameter x 41cm high, (21.25in x 16in), on A PAIR OF 19TH-CENTURY PAINTED STONEWARE PEDESTALS of square form, each face decorated with husk swags, on plinth bases, orange paint, 44cm square x 69cm high, (17.3in x 27in) (4)
AN UNUSUAL PINE TWIN-PEDESTAL SIDEBOARD having a stipple-carved shaped superstructure with serpentine shelf, the rectangular top with moulded edge above three frieze drawers, the front decorated with printing blocks, the twin cupboards beneath similarly decorated and applied with twin arches and carved scroll pillars, flanking a central kneehole, on scroll-carved plinth bases, 168cm x 58cm x 118.5cm high, (66in x 22.8in x 46.6in)
A LATE VICTORIAN/EDWARDIAN MAHOGANY BOOKCASE-ON-CUPBOARD, the upper stage having a "broken arched" pediment above twin thirteen-pane astragal-glazed doors enclosing three adjustable shelves, the lower stage having a rectangular top above two drawers and twin cupboards enclosing a shelf, on a plinth base, 121cm x 48cm x 235cm high, (47.6in x 19in x 92.5in)
A MID-VICTORIAN BOXWOOD-STRUNG WALNUT DAVENPORT having a three-sided brass gallery framing a pen tray and lozenge-shaped inkwells, the gilt-tooled red morocco fall enclosing two drawers and four pigeonholes, the sides having four working and four "dummy" drawers respectively, all with twin wooden knob handles, the front having scroll-carved pilasters, on an inverted breakfront plinth and four bun feet with concealed ceramic castors, 53cm x 54cm x 80.5cm high, (21in x 21.3in x 31.7in)
A GOOD EARLY VICTORIAN MAHOGANY TRIPLE WARDROBE having a rectangular cornice above a central arch-moulded panel, the right-hand door, with shaped oblong moulding, enclosing double hanging space (behind central panel also), the left-hand door enclosing a shelf and four deep drawers, three with brass swan-neck bale handle, on a plinth base, the whole of good colour and figure, 208cm x 89cm x 208cm high, (82in x 32.3in x 82in)
A Marcolini Meissen figure of Minerva on a pedestal late 18th century, probably modelled by J.J. Kandler, wearing a plumed helmet, gilt scale-ground armour, a tunic with gilt florets and a puce robe with purple flowers, holding a spear in her left hand and her shield with Medusa mask in the right, an owl at her feet on the square base, all on a short plinth moulded with gilt-edged scrolls and musical trophies, crossed swords mark, asterisk and II in blue, impressed model number C53 to rear of base, 30cm., 11.75in. some restoration
A Meissen figure of Cupid carrying a shoe late 19th century, probably modelled by Professor Schwabe, the blue shoe with orange trim and lined in puce, Cupid wearing a quiver of arrows over his shoulder, the grassy base on a gilt-edged, circular marbled plinth, crossed swords in underglaze-blue, incised model number L.117, impressed 61, painter's numeral 19., 18.5cm., 6.5in.
A two handled presentation bowl, of poly-gonal form with shaped handles, engraved inscription, to Mrs. R. Garbutt by the Directors of the Blyth Ship Building and Dry Docks company on the occassion of the launch of the SS Veobniobe, 4th May 1920 on spreading base, 36.5oz. on ebonised plinth, 13 1/4in. (33.5cm).
A large Belgian oak sideboard, the ornate raised back surmounted by a carved pediment centred by a deer's head, flanked by a griffin and acanthus leaf scrolls, the gadrooned frieze above a central bevelled mirror panelled door flanked by a pair of carved panelled doors depicting tavern interior scenes with figures, the whole back section raised on carved musician supports, fitted three short drawers to the frieze with lion mask motifs, two pairs of carved panel doors below decorated with male figures with further musician figures, raised on pedestals, the whole raised on a breakfront plinth base, bearing the Van Kerckhoven trade label on the reverse, 72in. x 106in. high.
A late Victorian three-piece walnut bedroom suite comprising: a large three-door wardrobe with central bevelled full-length mirror panelled door, flanked by a pair of panelled doors decorated with carved acanthus leaf scrolling panels, opening to reveal hanging space, sliding shelves and drawers, raised on a plinth base, 81in. x 73in. wide; together with a dressing table, the raised swing mirror back above three short drawers, two short drawers to the frieze, the platform undertier raised on turned tapering legs and castors, 45in. x 72in. high; and a pedestal bedside cupboard enclosed by a panelled door, 16in. x 30in. high.
A French four-glass mantel clock, the classical style case decorated with corinthian pilasters in red marble, with white enamel dial with exposed anchor escapement, fitted heavy brass pendulum, the movement inscribed to the reverse 'W. Gibson', raised on a black marble plinth base with brass bracket feet, 12in. x 20in. high.
A late 18th Century pine longcase clock, the swan neck pediment above the glazed panelled door enclosing the 12in. brass dial, inscribed 'Thomas Morpeth, Hexham' and also 'Robert & Margaret Robinson, Hatton 1785', all within the roman numerals and outer minute scale, fitted 30 hour chain driven movement striking on a single bell, with arched panelled door to the trunk, raised on a plinth base, 18in. x 83in. high.
A late 19th Century carved oak coal purdonium, the raised super structure carved with a bear's mask and fitted a single drawer with carved bird handle, a crowned male bust to the recess and bracket supports, the hinged fall-flap below enclosing the detachable coal container with further carved decoration, raised on a cut-away plinth base, 22in. x 50in. high.
FINE FRENCH EMPIRE STYLE GILT-BRONZE MAHOGANY FOUR-GLASS MANTEL CLOCK, LATE 19th CENTURY, the bevelled glass front panel enclosing a white enamel dial painted with floral swags and Arabic numerals, signed "M.Schnerb", the movement signed "F.Marti", with mercury compensated pendulum within a mahogany case surmounted by a bronze model of an eagle signed "Rousseau",supported on four columns, issuing from a stepped onyx plinth. 51cm
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173444 item(s)/page