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Lot 93
An African ivory carving of a female bust on a hardwood plinth. Weight approx. 1800g. The ivory H35cm. Early 20th century. This lot complies with the legislation in the jurisdiction in which it is offered. Bidders elsewhere may want to refer to their local jurisdiction’s regulations before deciding whether to bid.
Lot 548
Corgi Major Toys 1130 Chipperfield’s Circus Horse Transporter with Horses, Bedford TK cab, red/blue body, scarce cast wheel hubs, red horse decal to rear, 6 grey plastic horses, in near mint original condition, plinth/inner packing, complete with original outer card illustrated box which is very good.
Lot 2039
A German oak bracket clock, early 20th Century, with arched top and plinth base, the silvered 5.5" dial having black Roman numerals, the Junghans eight-day movement striking quarterly on coil gongs, 33cm high, together with a German oak bracket-type mantel timepiece, with simple rectangular case, the gilt brass dial with moulded putti spandrels, the chapter ring with black Roman numerals, the eight-day movement by Winterhalder & Hoffmeier, 15.5cm high.
Lot 2051
A French black and variegated marble mantel timepiece, circa 1890, of rectangular outline, the plinth case etched with stylised flower motifs and inset with green veined marble, the white enamel dial having black Roman numerals, the eight day movement unsigned, 23.5cm high x 19cm wide (lacking pendulum).
Lot 2183
An early Victorian rosewood bookcase base, of inverted breakfront form, altered and reduced in height probably during the early 20th Century, converted to form a single tier bookcase, fitted with a two lead glazed doors (later leading), enclosing two fitted shelves, two open shelves to centre, each section between square sectioned columns with scroll carved corbels, raised on a plinth base, measuring 92cm high, 202cm wide, 40cm deep
Lot 103
carved springstone, mounted to a marble plinth base, signed with initials to underside 74cm high Provenance: The Contemporary Fine Art Gallery, Eton, 2012Footnote: Tinei Mashaya is one of a number of contemporary Zimbabwean sculptors delivering the art of Shona Sculpture to the global stage. Deriving its name from Shona people, an ethnic group native to Southern Africa, the sculptural movement has been gaining international recognition since the mid-20 th century. Utilising stone derived from the Serpentine family, found in abundance in the Great Dyke Mountain Pass of Zimbabwe, Shona sculptors hold their medium in high esteem and have described the importance of allowing the material to reveal the beauty within. Popular subjects in Shona sculpture include totemic figures, local fauna and flora, and traditional Shona mythology. Mashaya demonstrated an early ability for drawing and, in 1992, dedicated his artistic efforts entirely to sculpture. His works have been exhibited throughout Europe, the UK, the US and South Africa.
Lot 581
An early 18th century longcase clock by John Smorthwaite of Colchester, brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, the case with moulded outswept cornice, Doric columns, plinth base, heightened in gilt with Chinoiserie scenes
Lot 582
A George III oak longcase clock by Thomas Read of Tarporley, the silvered dial 30.5cm diameter, with Roman hours and Arabic minutes, subsidiary seconds dial, with gilt spandrels, flanked by fluted columns, the slender trunk with a crossbanded door embraced by fluted columns raised upon a panelled plinth base and bracket feet, 196cm high
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173487 item(s)/page