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Lot 247
Beaverman: Colin Almack (1930-1996) (Sutton-under-Whitestonecliffe): An Oak Panelled Wardrobe, doors with wrought iron handles and latch, hanging rail, on a plinth base, with carved beaver trademark,122cm wide, 61cm deep, 185cm highIn good order. Some very minor water/spash marks expected with fumed oak.
Lot 49
Charles Vyse (1882-1971): "The Cinneraria Boy" A Chelsea Pottery Figure, introduced in 1923, modelled as a boy wearing herringbone trousers and check jacket and holding a wrapped bunch of cineraria, raised on a plinth, incised C.VYSE CHELSEA,29.5cm high on an ebonised baseCrazed. Damage to the flowers. See extra images.
Lot 250
Beaverman: Colin Almack (1930-1996) (Sutton-under-Whitestonecliffe): An Oak Dressing Mirror, penny moulded top, with a rectangular mirror, pivoting on a central axis between a pair of vertical posts raising up from the frame, above a drawer, on a plinth base, with carved beaver trademark,52cm wide, 41cm deep, 145cm highWater marks and splashes. Dry.
Lot 249
Beaverman: Colin Almack (1930-1996) (Sutton-under-Whitestonecliffe): An Oak Chest of Drawers, flat top, above four graduating drawers with wrought iron handles, on a plinth base, with carved beaver trademark,101.5cm wide, 46cm deep, 99.5cm highIn good order with some water/splash marks down the front and back. The drawers are snug. Mark on the plinth base bottom (right hand side) Marks in the bottom drawer (right hand side)
Lot 158
Robert Mouseman Thompson (1876-1955): An English Oak Panelled Partners' Desk, circa 1932, dowelled two plank top with carved mouse tails to each corner, plinth base, above two sets of three graduating drawers with tooled knob handles and two cupboards each with an adjustable shelf, butterfly hinges and straight head screws, with recessed carved mouse trademark, 152cm wide (5ft) 84cm deep, 72.5cm high The desk and chair were gifted by the American Paul Herrick Kelly (7th June 1881-19th December 1964) to his eldest son Captain Philip Paul Kelly (9th April 1906-18th March 1943) on the occasion of his marriage to Mary Haselwood Porter (18th June 1908-2001) on the 9th April 1932, Edmonton.They had one son together, Michael P Kelly (2nd June 1934-2008).In the 1939 register they are living at 50 Park View Road, Ealing.Captain Philip Paul Kelly attended Ampleforth college 1919-1923.He was mentioned in despatches, he was in the 2nd Bn Durham Light Infantry (50242) and died in Myanmar, buried at Tankkyan War cemetery, Myanmar. The top has ring/water/splash marks, surface wear, natural grain split and gap in the two planks. Missing one shelf clip in cupboard. Missing some fixing blocks under the top centre section. There is later ply behind the drawers, probably to stop them going to far in. Bottom right drawer has teeth marks! probably a dog. Wear consistant with age and being used.
Lot 50
Charles Vyse (1882-1971): "Market-day Boulogne - Vegetables" A Chelsea Pottery Figure, introduced in 1930, modelled as a seated female, wearing an orange and white headscarf, pattern dress and white apron, holding a cauliflower, with two baskets of vegetables, raised on a plinth, incised C.VYSE CHELSEA, labelled F.A.S (Fine Art Society) Boulogne Market, Vegetables C.Vyse 8, 24cm high on an ebonised baseCrazed. Tiny nicks to the vegetables. Dirty and dusty.
Lot 75
An Art Deco Katzhutte Pottery Figure, modelled as a female dancer holding a fan, wearing a blue and yellow dress, raised on an oval plinth, printed mark,51cm high (restored)Crazed on base. Restored edge on base. Restoration to the fan, which the top 3/4 has been off. Glaze nick on dress. Scratch just above knee. See extra images.
Lot 248
Beaverman: Colin Almack (1930-1996) (Sutton-under-Whitestonecliffe): An Oak Panelled Wardrobe, doors with wrought iron handles and latch, hanging rail, on a plinth base, with carved beaver trademark,122cm wide, 61cm deep, 185cm highLeft hand front/side has water/splash marks. Some light surface scratches on the left hand side. Otherwise in good order.
Lot 51
Charles Vyse (1882-1971): "Chrysanthemums" A Chelsea Pottery Figure, introduced in 1926, modelled as a standing female, holding a bunch of chrysanthemums in her right hand and a basket on her left arm, wearing a purple coat and white apron, raised on a plinth, incised C.VYSE CHELSEA,29cm high on an ebonised baseDamage to right hand glued. Crazed. Re-painted white apron. Tiny nicks to the flowers. See extra images.
Lot 557
George Pickard (1929-1993) Broken Bowl Metal on a wooden base, 60cm high (including base) Metal with general wear and surface scratches. The worst are scratches to the reverse and a contact wear patch to the underside. Minor rim dents, possibly by design?There is a loose weight housed, this does shift when the sculpture is moved affecting where the sculpture balances.Surface pitting and patina, most likely by design.The plinth is reclaimed timber. Has filled joints, natural splits and minor chips, knocks and losses.
Lot 5254
French - Belgium slate 8-day mantle clock c1900, break-front architectural style case with a gable pediment and twin recessed pilasters on a rectangular plinth, two part dial with an ivorine chapter and gilt centre, with Arabic numerals and steel fleur di Lis hands, Parisian movement striking the hours and half hours on a coiled gong. With pendulum. Dimensions: Height: 28cm Length/Width: 30cm Depth/Diameter: 14cm
Lot 1
A Victorian twin handled silver trophy, with hound surmount presentation inscription: ‘The Haigh Challenge Cup Presented to the Chatteris Annual Ploughing Matches By G.H. Haigh, Esq. 1955’ with profuse foliate and scroll repousse decoration, Robert Harper, London 1867, 56.7toz overall in silver, with circular wooden plinth. 44.5cm high overall.
Lot 338
A GILT HARDWOOD MANUSCRIPT COVER, TIBET, 14TH CENTURY 西藏十四世紀鎏金木雕經書封面Please note this Lot is to be sold at No Reserve. 本拍品不設底價Finely carved in relief with a central Buddha seated in dhyanasana with his right hand lowered in bhumisparsha mudra, within a prabhamandala topped by Garuda and further with two snakes, two makaras, two rams, and two elephants, atop a stepped base with two snow lions.Buddha is flanked by Manjushri to his right, with lotus blossoms at the shoulders supporting the sword and book, and the four-armed Shadakshari Avalokiteshvara to his left, each within a similar ornate niche topped by a kirtimukha atop a stepped plinth. All surrounded by thick swirling clouds and framed by a beaded band and petal border.Provenance: From a notable German private collection, assembled in the 1970s and 80s and partly acquired from Schoettle Ostasiatika. Condition: Good condition with old wear, expected age cracks, small nicks, light scratches, small losses, remnants of pigment on the back, extensive wear to gilt. The wood is with a rich, naturally grown patina.Weight: 664.1 g Dimensions: Size 38 cm x 15.2 cm Literature comparison:Compare a closely related manuscript cover with three Buddhist figures, 71.4 x 26.7 cm, dated to the 14th century, in the Los Angeles County Museum of Art, accession number M.86.345.12.Auction result comparison: Type: Related Auction: Christie’s New York, 25 March 2004, lot 72 Price: USD 22,705 or approx. EUR 34,500 converted and adjusted for inflation at the time of writing Description: A carved wood manuscript cover, Tibet, 15th century Expert remark: Compare the closely related form and manner of carving, with similar triad, niches, and beaded band. Note the miniature figures carved between the niches and the larger size (73 x 23.4 cm). Auction result comparison: Type: Related Auction: Christie’s New York, 19 March 2013, lot 358 Price: USD 27,500 or approx. EUR 33,500 converted and adjusted for inflation at the time of writing Description: A painted wood book cover with the Five Tathagatas, Tibet, 12th/13th century Expert remark: Compare the closely related form and manner of carving, with similar clouds, niches, beaded band, and petal border. Note that the cover is carved with five figures and the larger size (71.1 cm). 西藏十四世紀鎏金木雕經書封面西藏。矩形浮雕，中央佛祖釋迦牟尼坐蓮，右手結觸地印，後有光背，頂部有金翅鳥迦樓羅，還有兩條蛇、兩隻摩迦儸、兩隻公羊和兩隻大象，階梯底座上有兩隻雪獅。佛陀的右側是文殊菩薩，肩膀上有蓮花托著著寶劍和書籍，左側是四臂觀世音菩薩，每個佛龕內都有一個類似的華麗壁龕，頂部有一個階梯式底座。裝飾雲紋、串珠紋和花瓣邊框包圍。 來源：德國知名私人收藏，於二十世紀七十年代和 八十年代建立，部分購自 Schoettle Ostasiatika藝廊。 品相：狀況良好，有磨損、年代裂紋，小刻痕，輕微劃痕，背面有顏料殘留，鎏金嚴重磨損。木料具有細膩的包漿。 重量：664.1 克 尺寸：38 厘米 x 15.2 厘米 文獻比較： 比較一件非常相近的十四世紀鎏金木雕經書封面，71.4 x 26.7 厘米，收藏於洛杉磯郡藝術博物館，館藏編號M.86.345.12。 拍賣結果比較：形制：相近 拍賣：紐約佳士得，2004年3月25日，lot 72 價格：USD 22,705（相當於今日EUR 34,500） 描述：十五世紀西藏木雕經書封面 專家評論：比較非常相近的外形、雕刻風格，相似的壁龕和串珠帶。請注意壁龕中間有許多小像，以及尺寸較大 (73 x 23.4 厘米)。 拍賣結果比較：形制：相近 拍賣：紐約佳士得，2013年3月19日，lot 358 價格：USD 27,500（相當於今日EUR 33,500） 描述：十二至十三世紀西藏彩繪木雕五如來經書封面 專家評論：比較非常相近的外形、雕刻風格，相似的雲紋、壁龕和串珠帶。請注意此封面中間刻有五尊如來和尺寸較大 (71.1 厘米)。
Lot 222
A VERY LARGE ‘ROBIN’S EGG’ ENAMELED AND GILT PORCELAIN FIGURE OF AMITAYUS, QIANLONG TO JIAQING PERIOD 乾隆至嘉慶時期爐鈞釉描金無量壽佛坐蓮像Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1736-1820. Heavily potted, seated in dhyanasana on a cloth draped over a rectangular plinth with a shaped recessed gilt panel above a dragon emerging from crashing waves. His hands are lowered in dhyana mudra and holding an alms bowl. He is wearing long flowing robes opening at the chest adorned with a beaded jeweled necklace. His serene face with heavy-lidded eyes, gently arched brows, a circular urna, and bow-shaped lips. His hair elegantly falling in tresses over the shoulders and piled up into a topknot surmounted by a jewel behind the foliate tiara. The cloth, base, robe, hair, and jewels enameled in robin’s egg with details picked out in turquoise and blue. The face, torso, hands, feet, tiara, and dragon gilt. Provenance: From an old German private collection, acquired in the 1970s and 80s. Thence by descent. Condition: As expected, the tips of the tiara, topknot, fingers, earrings and dragon’s horns are restored to perfection. Further with glaze recesses, flaking and abrasions. Microscopic remnants of pigment which indicate that the figure was painted at some stage. Gilt porcelain figures of such a large size are usually restored to a much wider extent, due to their fragility, and it is therefore exceedingly rare to find one in such a well-preserved state overall.Weight: 5,156 g Dimensions: Height 43.5 cmExpert’s note: Gilt porcelain figures of bodhisattva were produced from the Qianlong period onwards. The inspiration for such figures may have come from Ming dynasty bronze prototypes, such as the Xuande period gilt-bronze figure currently in the Berti Aschmann Foundation, Museum Rietberg, illustrated in On the Path to Enlightenment, Zurich, 1995, no. 72. An unmarked example, dated to the Xuande period, is in the V&A collection, no. 275&A-1898.Literature comparison: For a related example from the Malcolm MacDonald collection, no. DUROM.1969.358, and now in the Oriental Museum, University of Durham, United Kingdom, see Ireneus Legeza, A Descriptive and Illustrated Catalogue of the Malcolm MacDonald Collection of Chinese Ceramics, London, 1972, p. 122, no. 72. Another enameled porcelain figure of a bodhisattva is illustrated by Lou Pin-heng, Precious Treasures of My Humble House, Taipei, 1988, pg. 54, no. 12Auction result comparison: Type: Related Auction: Sotheby’s New York, 17 September 2013, lot 52 Price: USD 68,750 or approx. EUR 80,000 converted and adjusted for inflation at the time of writing Description: An unusual enameled and gilt-decorated figure of a bodhisattva, Qing dynasty, 18th / 19th centuryExpert remark: Compare the closely related robin’s egg enamels, gilt decoration, and face. Note the related size (40 cm). Note the different pose and base. Auction result comparison: Type: Related Auction: Bonhams Hong Kong, 29 May 2008, lot 578 Price: HKD 960,000 or approx. EUR 169,000 converted and adjusted for inflation at the time of writing Description: A rare enameled figure of a kneeling bodhisattva, QianlongExpert remark: Compare the closely related robin’s egg enamels, gilt decoration, and face. Note the much smaller size (29 cm) as well as the different pose and base.
Lot 258
A RARE AND MASSIVE TURQUOISE-GLAZED FIGURE OF A BUDDHIST LION, QING DYNASTY 清代綠松石色釉坐獅Please note this Lot is to be sold at No Reserve. 本拍品不設底價Expert’s note: This turquoise Buddhist lion belongs to a specially commissioned statuary group that served as guardians and was most likely made for an important temple. Few related sculptures of such massive proportions have survived, making the present lot exceedingly rare.China, c. 17th-18th century. Superbly modeled in two separate parts, figure and base. The beast propping its front legs up on a brocade ball, looking straight ahead with alert expression, dark pupils, the mouth agape revealing teeth and sharp fangs, its face further detailed with neatly incised whiskers and spiked hairs around the mouth and brows, below three spiral horns to the forehead flanked by floppy ears. The finely incised mane and the front legs with similarly modeled spikes and neatly stippled, its long bushy tail sinuously curling upward. The lion wears a collar with floral medallions suspending bells and tassels. (2)Provenance: French trade. Acquired from an estate in Lyon. Condition: Expected ancient wear and manufacturing irregularities, such as glaze recesses, glaze flaking, and firing cracks. Shallow surface scratches, small losses, and minor old repairs. Overall displaying exceptionally well.Weight: 36.6 kg Dimensions: Height 105.3 cm The imposing male lion seated on its haunches atop the separately modeled rectangular waisted plinth decorated with foliate lappets and supported on a shaped apron. Covered overall in a rich lustrous turquoise glaze.As in the West, the lion in China was regarded as the king of the beasts, and was a symbol of protection, harmony, blessings and high rank. In their capacity as defenders of the Buddhist law and protector of sacred buildings, lion figures were placed at the entrance to temples, shrines, and sometimes private residences. They were usually placed in pairs with the male (holding a brocade ball) on the left and the female (with a cub) on the right.Auction result comparison: Type: Related Auction: Christie’s New York, 5 June 2004, lot 201 Price: USD 83,650 or approx. EUR 127,000 converted and adjusted for inflation at the time of writing Description: A pair of massive Chinese turquoise, aubergine, and ochre-glazed tileworks figures of Buddhistic lions on stands, Ming dynasty Expert remark: Compare the related subject and modeling. Note the size (134.6 cm), additional aubergine and ochre glazes, and that the lot comprises a pair. Also note that this example dates from an earlier period than the present lot. 清代綠松石色釉坐獅中國，約十七至十八世紀。太獅坐姿端正，直視前方，神情警惕，昂首張嘴，似乎正發出兇猛的吼聲，露出舌頭和獠牙，雙眼圓睜，鬃毛捲曲，尾巴上捲，胸前戴著項圈。通體覆蓋著鮮艷的綠松石色釉。(2) 來源：法國古玩交易，據説來自里昂舊藏。 品相：磨損和製造不規則，例如釉面凹陷、釉面剝落和燒製裂紋。表面淺劃痕、小缺損和輕微舊修。 重量：36.6 公斤 尺寸：高 105.3 厘米 拍賣結果比較: 形制：相近 拍賣：紐約佳士得，2004年6月5日，lot 201 價格：USD 83,650（相當於今日EUR 127,000） 描繪：一對明代綠松石和茄子色和赭色釉坐獅 專家評論：比較相近的主題和模型。請注意尺寸(134.6 厘米)，但有茄子色和赭色釉，以及此為一對。請注意年代較早。
Lot 2550
Modern silver limited edition model of The Mary Rose, depicting the ship in full sail, with gilded details, hallmarked Ammonite Ltd, Birmingham 1982, model height 32cm, mounted upon rectangular wooden plinth with applied silver name plaque, no. 9/250, overall H36.5cmCondition Report:Some areas of damage and restoration, bowsprit to front and back reglued and now loose, some detatched silver ropes on sails and detached silver gilt flag to highest mast. Heavily tarnished, would benefit from a clean. Gilding to some areas possibly retouched.
Lot 211
Béton Brut (Attributed) Octagonal Gaming Table Modern manufacture, black laquered with inset green vinyl-type playing surface, the apron set with four true and four faux short drawers, on shaped column to octagonal plinth base.120cm diameter, 77.5cm highRequires cosmetic attention throughout; scuffs, nicks and marks to top; chips to drawer mouldings, one section detached but present; similar wear to base with some visible repairs.
Lot 87
Oak filing cabinet Early 20th century, four drawers with brass handles and label holders, panelled sides on a plinth base.38cm wide, 71cm deep, 136cm highDrawers internally 30.5cm wide, 58cm long, 25.5cm high.External scuffs, marks and some stains commensurate with age and use, three of the four drawers have splits running halfway along their left sides, still run true and functional, each drawer base consists of two planks with central gap, internal scratches to drawers externally and internally. Slightly loose but overall stable, would benefit from some sympathetic cosmetic attention but no major issues or faults to note.
Lot 289
AN AUTOMATON OF AN ELDERLY WOMAN KNITTING late 20th century, seated in rocking chair, bespectacled and holding knitting needles with a ball of wool, with plaque for 'J.H Animations' and serial number [10244] 550551, 86cm high (including plinth) x 40cm wide x 48cm deep (UNTESTED) Please note we cannot guarantee the working order of this automaton and we recommend the advice of a qualified electrician
Lot 296
A PAINTED WOODEN MODEL OF HOULDER LINE ORE CARRIER SHIP 'OREDIAN'constructed by Radio Officer D. Owen, the vessel in black, red and white livery, on double plinth, 28cm high x 160cm long x 30cm wide, bearing plaque worded 'Presented to the Port Talbot Sea Cadets Unit by Houlder Brothers and Company Ltd, 1969'Note: Built by Houlder Brothers in 1955, Oredian was sold to a Greek shipping line in 1971 and renamed Oredian Star.
Lot 150
A large and impressive 19th century satinwood-cased dome-top mantel clock, by A Ingram of Wood Green, brass-mounted case with Corinthian columns, silvered dial with Westminster/8 bells, brass 8-day movement striking on 8 bells and 5 gongs, overall height 66cm, pediment width 38cm1 side section of plinth is detached but still present, generally in good untouched condition, no missing parts, general age-related blemishes and veneer flaws, with key and pendulum but not seen running
Lot 5
A French 19th century gilt-metal and porcelain 3-piece clock garniture, the clock having a painted and gilded porcelain dial, 8-day movement striking on a bell, on wood plinth, overall height 44cm, together with pair of lidded porcelain and gilt-metal urns, height 38cmMetalware is slightly tarnished, no obvious damage or repairs, not seen running
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