We found 173444 price guide item(s) matching your search
There are 173444 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
173444 item(s)/page
A late 19th century cast bronze table lamp base fashioned as a Neo Classical twin handled vase on a stepped circular marble plinth, together with the central section of a twin bladed propeller stamped Gipsy Major and numbered January 33 and an early 20th century Japanese bronze pot, having bands of geometric decoration on cast lions mask feet.
A carved giltwood and satinwood serpentine console table, 19th century and later elements, the satinwood top with kingwood and tulipwood marquetry banding, gadrooned and acanthus decorated frieze centred by a shell, scrolling legs surmounted by female term figures in neoclassical dress, acanthus and C scroll decorated stretchers centred by an oval shaped plinth, 93cm high, 195cm wide, 63cm deep
A French Belge noir marble mantel clock, late 19th century, the eight-day bell striking movement with visible Brocot escapement to the centre of the two-piece white enamel Roman numeral dial, the drumhead case with moulded red marble lined drum supported via carved side scolls on a plinth base with red marble mouldings and shaped apron, 32cm high
A French Charles X bronze mounted Siena marble mantel clock, early 19th century, the eight-day bell striking movement with silk suspension and stamped P.D. 4021 to backplate, the engine turned gilt Roman numeral dial with indestinct signature and entwined snake bezel, the plinth form case with a patinated bronze bust surmount inscribed HYPOCRATE above a mount in the form of a tazza beneath dial, on moulded skirt base with engine turned feet, 41cm high
A French ormolu mounted white marble mantel clock, Heny Marc, Paris, late 19th century, the eight-day bell striking movement with gilt applied Roman numeral marble dial signed HRY MARC, the case with gilt lovebird and floral festoon cast surmount to drum supported via shaped side scrolls on a moulded plinth base with festoon mount to apron and on cast squab feet, 35cm high
A French ormolu Gothic revival figural mantel clock, mid 19th century, the eight-day bell striking movement with white enamel Roman numeral dial in a case cast with Joan of Arc in full armour resting within a naturalistic setting, the the elaborate shaped plinth base with quatrefoil panels flanking dial above tracery frieze and martial tropy to apron beneath dial, on cast feet, 47cm high
A George II walnut eight-day longcase clock, Samuel Berry, London, circa 1735, the five pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes, the angles with cast female mask and foliate scroll spandrels beneath arch with silvered boss signed Samuel Berry, LONDON between dolphin cast mounts, the case with domed caddy and plain frieze to upstand above moulded cornice and three-quarter columns to hood, the trunk with convex throat moulding and break-arch door, on crossbanded plinth base with moulded skirt, 245cm high. Samuel Berry is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as being admiited as an apprentice in 1698, gaining his Freedom of the Clockmakers’ Company in 1705 and working until 1743.
An inlaid oak eight-day longcase clock, late 18th century and later, the four finned pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes, the angles with mask and scroll cast spandrels beneath silvered sunburst engraved circular boss flanked by dolphin mounts to arch, now in a case with dentil carved cornice and foliate pierced frets above turned pilasters to hood, shaped-top crossbanded and chevron line bordered stylised Gothic arch decorated door flanked by quarter columns to trunk, on plinth base with moulded skirt, 194cm high. . Provenance: Hardy family of Chilham Castle, Kent and thence by descent.
An ebonised eight-day longcase clock, W. Troutbeck, Leeds, early 18th century and later, the four finned pillar inside countwheel bell striking movement with 11 inch square brass dial with ringed winding holes, subsidiary seconds dial and foliate engraved calendar aperture to the Ho-ho bird decorated matted centre within an applied Roman numeral chapter ring with fleur-de-lys half hour markers Arabic five minutes and signed W: Troutbeck, Leeds to lower edge, the angles with applied female mask and scroll spandrels beneath added cast arch panel decorated with cherubs within pierced foliate scrolls, now in an ebonised case with break-arch cavetto cornice and turned three-quarter columns to hood above rectangular trunk door and plain plinth base with bracket feet, 231cm high
A mahogany and marquetry quarter chiming eight-day longcase clock, retailed by Edwards & Roberts, late 19th century incorporating earlier elements, the four pillar three train movement chiming a choice of two tunes on eight bells and striking the hour on a gong, the 12 inch brass break-arch dial with subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrels to angles, the arch with subsidiary CHIME/SILENT and CHIME ON EIGHT BELLS/WESTMINSTER CHIMES dials within conforming cast infill, in a late 18th century case with shaped crest to the break-arch pediment and brass stop-fluted pilasters to hood above trunk now with foliate inlaid break-arch door flanked by quarter columns, on raised panel fronted plinth base with conforming later foliate marquetry decoration and on double skirt base, 232cm high
-
173444 item(s)/page