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Lot 124
A pair of 18th century famille rose plates and a later figure, the former each painted with a brown bottle vase of flowers, 22.5cm (9 in) diameter, the sage standing on a green moulded plinth and wearing turquoise robes, 23cm (9 in) high (3) There is faint star cracking within one of the footrims of the plates and the sage has lost the top of his sceptre
Lot 218
A dressing table mirror, a panel and a red lacquer stand or stool, the first with a circular glass 24cm (9.5 in) diameter supported on a carved gilt wood panel and galleried plinth, 71.5cm (28 in.) high, the panel carved with figures, 42.5 x 15cm (16.75 x 6in), the stool top painted with pavilions on stilts by islands above the curved legs and stretchers, 46 x 35 x 35cm (18 x 13.75 x 13.75in) (3)
Lot 61
A pair of 19th century Chinese turquoise Buddhist lions and a famille rose plate, each lion seated on a ruyi pierced rectangular plinth with a fore paw raised, he with a brocade ball and she with a pup, 22cm (8.5 in) high, the plate painted with flowers and cranes, 23cm (9 in) diameter (3) (D) She has chips from one side of her mouth and her pup has lost an ear and tail rosette
Lot 1230
Leon Bertaux After ( French, 1825-1909 ) '' Jeune Fille au bain- Sara la baigneuse '' Bronze Sculpture. c.1876. Signed '' Mme Leon Bertaux '' on the sculpture, near the feet. Fine, quality casting. Very good condition. The polished marble plinth In good condition with the expected wear and small losses to the edges. Literature / catalogue raisonne, Anne Pingeot - Antionette Le Normand-Romain - Laure de Margerie, Mus?e d'Orsay. Summary Illustrated catalogue of sculptures, Paris. 1986. Dimensions, Height 10.3/8 Inches, Width 11.1/8 Inches & Depth 7.1/4 Inches. Helene Bertaux, born Josephine Charlotte Helen Pilate ( better known as Madame Leon Bertaux, or simply Leon Bertaux ) was a sculpture and woman's rights activist in the second half of 19th Century. Married but separated from her first husband, she began to sign her works, In 1854, under the name '' Madame Leon Bertaux '' the name of her companion whom she married In 1866, after the death of her first husband In 1865. Later casting c. Early 1950's with Bronze Medal. To figures fright hand which reads Bronze Garranti Paris J.B. Deposee.
Lot 163
Dutch School (19th Century) - A classical vase, shown with a swag of flowers Watercolour Indistinct signature on plinth Framed: 104 x 86 cm. (41 x 34 in) Provenance: Kevin Delahunty Antiques; from whom purchased by Mallett, 2002 Literature: Mallett, 19th Century Catalogue , 2003; Mallett, Rococo , 2004 This vase of flowers is derivative of an archetypal form seen in Dutch and Flemish paintings of the 17th century when flowers and insects had a didactic purpose: to remind us of the perishable and mortal state of man and the brevity and insignificance of our own indulgent pleasures. An antique vase reveals part of the name of the LYCIDAS, a name that is common in ancient Greek pastorals. The vase is adorned with a luxurious variety of spring and summer garden flowers that tumble predominantly to the left, the vase being visible on the right. This still-life as a whole is quite idealised and functions purely decoratively. However, during the 19th century a great interest in professional and amateur botany began, and the flowers drawn here are carefully and truthfully rendered, so that we can recognise clearly the unbelievably comprehensive bouquet of ivy, roses of various varieties, peonies, primroses, pinks, tulips, honeysuckle, daffodils, hyacinths, forget-me-knots, snowdrops, lilac, lobelia, anemones, longi lilies, amaranthus (love lies bleeding) gentians (blue bottom left), violas, violets, dianthus, willow, narcissus, berried ivy, pansies, eidelweis. Lot offered without reserve.
Lot 787
Interesting pair of late 19th/early 20th century Tibetan incense burners, with pierced and embossed copper lid decorated with panels of elephants and dragon and fitted with four jade discs, upon a decorative champleve base fitted with eight further jade discs and four turquoise stones, each on four feet cast as mythical beasts and wooden plinth bases, 28" high
Lot 1090A
COLLECTION OF WHISKY MEMORABILIA & EPHEMERA S.S. POLITICIAN BOXED DECANTER (EMPTY), 4 MACALLAN BOTTLE TOPS, 2 FAMOUS GROUSE KEY RINGS, 2 FAMOUS GROUSE WOODEN ORNAMENTS, 2 SMALL BOXED QUIACHS, 1 LARGE BOXED QUAICH (BOXED), LONG jOHN FRAMED ADVERTISING PICTURE, GLENLIVET SMALL DESK CLOCK (IN POUCH), ISLE OF JURA PLINTH, 3 SMALL SHOT GLASSES, 2 WILLIAM LAWSON BOTTLE TOP FILLERS & TWO WHISKY TUMBLERS. CONDITION REPORT: Very good.
Lot 14
* Two Porcelain Figurines of Children Gardeners POPOV MANUFACTORY, MOSCOW, 1830s Height of the girl 13 cm, of the boy 11.5 cm. with blue underglaze and impressed manufactory marks Hugely popular, from the second half of the 18th century, among the wares produced by European porcelain factories were the graceful statuettes of the “Children Gardeners” series. These figures were first made at the Meissen porcelain manufactory, however, it is not quite clear precisely which figures of this series were brought together into a unified group or when. Following the example of master craftsmen at the leading European factories, porcelain manufactories in Russia also began to develop this theme, particularly the Imperial Porcelain, Gardner and Popov manufactories. As a rule, private producers borrowed the figures that were in demand at the Imperial Porcelain Factory, and turned for the original models to Meissen sales catalogues, where the little figures might go together in elegant pairs, but also be sold individually. Various designs were used for colouring the brightly painted figurines. The proportions of the figure, the details of the costume (bodice with piping and bows at the shoulders, pinafore, long skirt, slippers with bows, and bonnets), and the ill-formed plinth with gilded rocaille patterns incline towards and are similar to German models, but at the same time preserve their special local colouring.
Lot 103
A pair of 19th century satinwood cutlery urns, each with a brass and turned vase finial and inlaid with chequer and feather stringing, the revolving pull-up top revealing a tulipwood veneered interior with forty apertures, above a square plinth base with tulipwood banding and green stained sycamore and boxwood stringing, on bracket feet, 67cm high, 26cm diameter. (2).
Lot 1326
A Victorian style mahogany dining table, the shaped rectangular with scroll carved corners, raised on pedastal plinth, tripod legs with foliate carving, on claw feet, 77cm high x 214cm wide x 140cm deep. CONDITION REPORT: leaves are different colour, vaneer loses, general ware and splits, base not original to top
Lot 1401
A Victorian mahogany pedestal desk, the top with leather inlay, above three short frieze drawers, on two pedestals with three graduated drawers, on plinth bases, one drawer bears stamp for Moore and Hunton London, 74cm high x 137cm wide x 76cm deep CONDITION REPORT: minor scuffs to top, chips to veneer on right hand side, double splits to back panel of pedestal, heavy ware to trims at base, general ware elsewhere noted
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