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Lot 426
Jean Jules Salmson (1823-1902), a gilt bronze figure of an Athenan lady, seated on a chair, wearing a headdress and robes, signed 'Salmson', 28cm high on an octagonal marble plinthCondition report: There are some very light surface scratches. One of the chair legs has had a soldered repair and the back of the chair is a little loose.
Lot 650
A William IV adjustable rosewood pole screen, the glazed panel frame with fleur-de-lis carved corners, glazed a Chinese silk embroidered panel with cloud scrolls, the pole with baluster base, on concave tripartite plinth and compressed bun feet, together with a floral needlework fire screen (2)
Lot 125
A large Minton pâte-sur-pâte vase by Henry Hollins, dated 1881Of cylindrical form with a slightly spreading base, decorated with a classical lady standing beside a slender vase resting on a plinth, Cupid in flight at her side, signed HH, the deep blue oval panel reserved on a peacock-blue ground within a moulded border picked out in gold, surrounded by formal classical decoration also gilded, the reverse with a small deep blue panel within a floral garland, gilded borders around the rim and foot, 42.5cm high, impressed MINTONS and date code, gilded globe markThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 1901
Oskar Höfinger* o.T., 1991 blauer Marmor , H. 120 cm Signiert auf der Plinthe: O. Höfinger 91 Privatbesitz, Steiermark 3 kleine Absplitterungen, teilweise gekittet. Oskar Höfinger* Untitled, 1991 blue marble , h. 120 cmsigned on the plinth: O. Höfinger 91 private property, Styria Three minor damages, partly restored.
Lot 1399
Fritz Wotruba* Kopf, 1962 Bronze, H. 30 cm, B. 14 cm, T. 21 cm Signiert und nummeriert unten: Wotruba 3/7 Das Gussbuch verzeichnet 7 arabisch nummerierte Abgüsse; Variante mit verkürzter Plinthe Privatbesitz, Steiermark Jürg Janett (Hg.)/Otto Breicha, Fritz Wotruba. Werkverzeichnis Skulpturen, Reliefs, Bühnen- und Architekturmodelle, St. Gallen 2002, WV-Nr. 248 Wir danken Frau Mag. Stöger-Spevak von der Fritz Wotruba Privatstiftung für die Unterstützung. Fritz Wotruba* Head, 1962 bronze, h. 30 cm, w. 14 cm, d. 21 cmsigned and numbered at the bottom: Wotruba 3/7 The cast book lists 7 casts with Arabic numerals. version with shortened plinth private property, Styria Jürg Janett (ed.)/Otto Breicha, Fritz Wotruba. Werkverzeichnis Skulpturen, Reliefs, Bühnen- und Architekturmodelle, St. Gallen 2002, cat.-no. 248 We are grateful to Mag. Stöger-Spevak, Fritz Wotruba Privatstiftung, for her kind assistance.
Lot 1191
Ferdinand Preiss Bub mit Trompete, Berlin, um 1930 Elfenbein, geschnitzt; Onyxsockel; auf der Rückseite der Elfenbeinplinthe signiert: "F. Preiss", H. 15,5 cm (inkl. Sockel) Ferdinand Preiss Boy with trumpet, Berlin, c. 1930 ivory; onyx base; signed on the back of the ivory plinth: "F. Preiss", h. 15.5 cm (incl. base)
Lot 1189
Demetre H. Chiparus "Les Amis De Toujours" (Freunde für immer), Paris, ca. 1928 Elfenbein, geschnitzt; Bronze, gegossen, kaltbemalt, z. T. vergoldet; Onyx; seitlich auf dem Sockel signiert: "Chiparus", rückseitig am Kleidsaum gemarkt "10", H. 63 cm; B. 65 cm (inkl. Plinthe) Victor Arwas, Art Deco Sculpure. London 1992, S. 66; Bryan Catley, Art Deco and other Figures. 2. Auflage, Woodbridge 2003, S. 58; Alberto Shayo, Chiparus: Master of Art Deco, New York 1993, S. 81; S. 262 (Hier abgebildetes zeitgenössisches Foto aus dem Verkaufskatalog von L. N. J. L., Paris) Das gleiche Modell haben wir in der 96. Auktion um 125.000€ verkauft. Demetre H. Chiparus "Les Amis De Toujours", Paris, c. 1928 ivory, carved; bronze, cast, cold-painted, partly gilded; onyx; signed: "Chiparus", marked on the reverse "10", h. 63 cm; w. 65 cm (incl. plinth)Victor Arwas, Art Deco Sculpure. London 1992, p. 66; Bryan Catley, Art Deco and other Figures. 2. edition, Woodbridge 2003, p. 58; Alberto Shayo, Chiparus: Master of Art Deco, New York 1993, p. 81; p. 262 (contemporary picture from the sales catalogue von l. N. J. l., Paris)
Lot 1179
Franz Barwig der Ältere Steinbock, Entwurf: um 1911 Bronze, gegossen, braun patiniert; auf der Plinthe monogrammiert: "FB", H. 53,5 cm vgl. Steinbock in der Österreichischen Galerie Belvedere Wien, Inv.-Nr. 1993; Die Kunst für alle, Nr. 28, 1912/13, Abb. S. 287; Agnes Husslein-Arco/Markus Fellinger (Hg.), Franz Barwig der Ältere, Ausstellungskatalog, Österreichische Galerie Belvedere Wien, Wien 2014, Abb. S. 35 und 141 Franz Barwig der Ältere Capricorn, design: c. 1911 bronze, patinated brown; monogrammed on the plinth: "FB", h. 53.5 cmcf. Steinbock in der Österreichischen Galerie Belvedere Wien, Inv.-no. 1993; Die Kunst für alle, no. 28, 1912/13, ill. p. 287; Agnes Husslein-Arco/Markus Fellinger (ed.), Franz Barwig der Ältere, exhibition catalogue, Österreichische Galerie Belvedere Wien, Vienna 2014, ill. p. 35 and 141
Lot 1190
Ferdinand Preiss Bub mit Vogel, Berlin, um 1930 Elfenbein, geschnitzt; Onyxsockel; auf der Rückseite der Elfenbeinplinthe signiert: "F. Preiss", H. 15,5 cm (inkl. Sockel) Ferdinand Preiss Boy with bird, Berlin, c. 1930 ivory; onyx base; signed on the back of the ivory plinth: "F. Preiss", h. 15.5 cm (incl. base)
Lot 1185
George Minne Der Kniende am Brunnen, Entwurf: 1898, von den Erben des Künstlers autorisierte Ausführung n. 1945 Marmor; seitlich auf der Plinthe monogrammiert: "GM", H. 80,5 cm Privatbesitz, Belgien; Privatbesitz, Österreich vgl. Inga Rossi-Schrimpf, George Minne. Das Frühwerk und seine Rezeption in Deutschland und Österreich bis zum Ersten Weltkrieg, Weimar 2012, S. 378, Abb. P21 George Minne Kneeling youth at the fountain, execution authorized by the artist's heirs after 1945 marble; monogrammed on the side of the plinth: "GM", h. 80.5 cmprivate property, Belgium; private property, Austria cf. Inga Rossi-Schrimpf, George Minne. Das Frühwerk und seine Rezeption in Deutschland und Österreich zum Ersten Weltkrieg, Weimar 2012, p. 378, ill. P21
Lot 1206
Werkstätten Hagenauer Kerzenleuchter "Pferd", Entwurf: 1930-50 Messing, gegossen; 4flammig; auf der Unterseite der Plinthe gemarkt: "WHW" im Kreis, "MADE IN/AUSTRIA"; kleine Restaurierung an den Ansätzen des Leuchters, H. 43,5 cm Hagenauer-Archiv: Archivfoto 621, Musterbuch I, Modellnr. 1858 Werkstätten Hagenauer Candleholder "Horse", design: 1930-50 brass; 4 flames; marked on the lower surface of the plinth; minor restorations at the base of the arms, h. 43.5 cmHagenauer-archive: conemporary photograph 621, sample book I, model no. 1858
Lot 1184
George Minne Der Kniende am Brunnen, Entwurf: 1898, von den Erben des Künstlers autorisierte Ausführung n. 1945 Bronze, gegossen, dunkel patiniert; auf der Rückseite der Plinthe signiert: "G. Minne", H. 78 cm Latems Museum voor Moderne Kunst in Sint-Martens-Latem; seither Privatbesitz, Niederlande vgl. Collection les contemporains. George Minne par Leo van Puyvelde, Bruxelles 1930, Katalognummer 26, S. 24; vgl. Inga Rossi-Schrimpf, George Minne. Das Frühwerk und seine Rezeption in Deutschland und Österreich bis zum Ersten Weltkrieg, Weimar 2012, Abb. P 21, S. 376 George Minne Kneeling youth at the fountain, execution authorized by the artist's heirs after 1945 bronze, black patina; signed on the reverse of the plinth: "G. Minne", h. 78 cmLatems Museum voor Moderne Kunst in Sint-Martens-Latem; since then private property, Netherlands cf. Collection les contemporains. George Minne par Leo van Puyvelde, Bruxelles 1930, catalogue number 26, p. 24; cf. Inga Rossi-Schrimpf, George Minne. Das Frühwerk und seine Rezeption in Deutschland und Österreich bis zum Ersten Weltkrieg, Weimar 2012, ill. P 21, p. 376
Lot 460
FOUR PIECES OF NINETEENTH CENTURY AND LATER ORIENTAL BLUE AND WHITE PORCELAIN, comprising: PAIR OF JAPANESE ?BLUE IMARI? SKITTLE SHAPED VASES with frilled rims, outlined and washed with birds and flowers, 12? (30.5cm) high, MINIATURE PANELLED DRUM SHAPED GARDEN SEAT with pierced top, decorated with panels containing flowers, 6? (15.1cm) high, and a PLATE WITH DISHED CENTRE, painted with animals in a mountainous river landscape, 9 ¾? (24.8cm) diameter, together with a MODEL OF A DOG OF FO, painted in colours and modelled seated on a rounded oblong plinth, 4 ½? (11.4cm) high, (5) C.R. PAIR OF VASE one with large V shaped rim chip, re-glued and stapled, 4? x 5? approx and both with chips to the frilled rims, GARDEN SEAT-good, PLATE-large re-glued rim chip, 4? x 1 ½? approx and four other rim chips, DOG OF FO-small glaze chip to tip of left ear otherwise good, all pieces with the usual minor rubbing and surface scratching
Lot 148
A rare Worcester pedestal or plinth, circa 1770Of square form, for a vase or figure, painted on each side with colourful flower sprays, with narrow gilt borders, 9cm highFootnotes:ProvenanceRous Lench Collection, Christie's sale, 30 May 1990, lot 536Zorensky Collection, Bonhams sale, 23 February 2005, lot 203Simon Spero Exhibition 2005, no. 22Ralph Kenber CollectionIllustrated by John Sandon, Dictionary of Worcester Porcelain (1993), p. 256. Severe firing problems may explain why this is the only recorded example of a Worcester pedestal.For further information on this lot please visit Bonhams.com
Lot 17
Victorian mahogany kneehole pedestal desk having shaped top with three frieze drawers, an arrangement of three graduated drawers to each pedestal, all with turned knob handles, on plinth base, 114cm wide Condition ReportOne of the drawers is stiff and handles loose but others are good. It is generally stable with some repairs and splits, one piece of moulding missing. See photos. The width at the base is 115 cm.
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