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An Edwardian rosewood bracket clock with eight day twin fusee movement chiming on eight bells and striking on four gongs, the brass break arch dial with subsidiary `chime/silent`, `slow/fast` and `chime on eight bells/Westminster` indicators above a silvered chapter ring with Roman numerals framing a matt centre, cornered with pierced gilt spandrels, the arched case with brass pineapple finials above inlaid urns and scrolling foliage, flanked by a pair of pierced fret panels, on a plinth base and brass winged paw feet, the back door applied with paper label inscribed `E. Anderson, James St., Harrogate, Goldsmith & Jeweller`, height approx 47cm, together with pendulum.
A mid-18th Century ebonized bracket clock with eight day movement striking on a bell, the brass break arch dial with matt centre, mock pendulum and date aperture, within a silvered chapter ring, beneath a strike/silent indicator and silvered arch inscribed `William Scafe, London` cornered with cast and pierced floral and scroll spandrels, the backplate engraved with scrolling foliage and signed `Wm Scafe, London`, the case with caddy top and brass carry handle above glazed doors and pierced fret panels, on a plinth base and bracket feet, height approx 49cm, together with pendulum, winder and key (faults and alterations).
A George V oak diminutive longcase clock with eight day movement chiming and striking on gongs, the break arch dial with silvered boss inscribed `Tempus Fugit` above a silvered chapter ring, the arched hood with glazed door above a trunk with floral moulded panel, on a plain base and plinth, height approx 167cm.
A late 19th Century brass skeleton clock with single fusee movement striking on a bell with an axe shaped hammer, the white painted chapter ring with Roman numerals, the triple gothic arched scroll frame on four turned feet, within a later ebonized break arch case with brass eagle and ball finials, on a rectangular plinth base, height approx 51cm, with a pendulum and key.
A 19th Century figured mahogany mantel timepiece, the enamel dial with Roman numerals, the octagonal case with turned acorn finial surmount and inlaid with brass decoration, on a similarly inlaid rectangular base, flanked with opposing drawers, above plinth and bun feet, height approx 49cm.
A late 19th Century slate cased triple dial mantel clock with eight day movement striking on a bell, the two section white enamel dial with Roman numerals and brocot escapement, the drum case above scroll supports housing subsidiary dials, on a rectangular plinth base, height approx 26cm, together with pendulum.
A late 19th Century gilt metal mounted white marble portico clock garniture, the clock with eight day movement striking on a bell, the painted enamel dial with Arabic numerals united by flower festoons, the drum case with flower basket surmount above a pair of turned columns flanking a starburst pendulum, on a plinth base, together with a pair of matching urn ornaments, height of clock approx 37cm.
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with subsidiary seconds and date arch, inscribed `Josiah Bartholomew, Sherborne`, within a chapter ring with Roman numerals, cornered with pierced floral and scroll spandrels, the hood with caddy top, the trunk with rectangular door on a plain base and plinth, height approx 195cm (faults, alterations and lacking weights and pendulum).
An early 20th Century mahogany cased mantel clock with eight day movement striking on a gong, the enamel dial with Arabic numerals and inscribed `S. Smith & Sons, 9 Strand, London`, the arched cased with brass inlaid corners and recessed panels, on a moulded plinth base and bracket feet, height approx 31.5cm, together with a pendulum.
An Edwardian mahogany bookcase cabinet with crossbanded, bellflower and line inlaid decoration, the moulded and carved foliate pediment with urn mounts above a pair of astragal glazed doors, the base fitted with two short drawers above a double cupboard, raised on a plinth base, width approx 126cm.
A Victorian brass skeleton timepiece. Unsigned, mid 19th century. The single fusee movement with six-spoke wheel crossings, anchor escapement and waisted scroll-pierced plates united by six baluster turned pillars, the dial with skeletonised silvered Roman numeral chapter ring and steel hands, the clock 24cm (9.5ins) high, on rectangular rosewood plinth with canted angles and canted apron and with glass dome cover, 38cm (15ins) high overall.
A lacquered brass and printed paper novelty `Chronosphere` timepiece. Richard et Cie, London and Paris, early 20th century. The 6 inch sphere applied with twelve hand coloured gores annotated with countries, principal cities, major topographic features and steamer routes etc, the North Pacific with oval cartouche PATENT 19460, RICHARDS CHRONOSPHERE, supported via a clockwork driven rotating polar shaft on a tapered fluted upright fitted with support for the canted Roman hour scale annotated Meridian ring and arm for a brass lunar sphere, the top finial with curved hour pointer, on drum shaped plinth base containing French made eight-day movement and stamped MADE IN FRANCE, ?328 to baseplate, 30cm high.
An early Victorian walnut drumhead bracket clock, Daniel Desbois, London, circa 1840. The five pillar twin fusee gong striking movement with anchor escapement and pendulum holdfast to the backplate signed Desbois, Grays Inn Passage, London to centre, the eight inch circular single sheet silvered brass Roman numeral dial signed DESBOIS, LONDON near the XII numeral and with blued steel hands within hinged brass glazed bezel, the case with drum section supported on foliate carved volutes with recessed rectangular panel fronted plinth base beneath, on skirt base with squab feet, 44cm (17.25ins) high. Daniel Desbois is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1800-40.
A Regency brass inlaid mahogany bracket clock, Unsigned, early 19th century. The five pillar twin fusee bell striking movement with anchor escapement and pendulum holdfast to the decorative border-engraved shouldered backplate, the 8 inch circular white painted Roman numeral convex dial with unusual scroll pierced blued steel spade hands and cast brass bezel, the triangular pedimented case with brass pineapple finial to the stepped plinth upstand above foliate scroll inlaid infill over dial and conforming shaped panel to apron, the sides with brass ring handles above brass Gothic tracery rectangular sound frets, on rosette decorated skirt base with brass ball feet, 44cm (17.5ins) high excluding finial.
A French Empire style ormolu figural mantel clock, Unsigned, mid 19th century. The eight-day countwheel bell striking movement with circular white enamel Roman numeral convex dial with blued steel Breguet hands and foliate milled bezel, set into an ogee-shouldered plinth with foliate spray applied lower quadrants and supporting a music stand for a cherub stood on a cushioned stool and leaning on a columnar pedestal whilst playing his woodwind instrument to the right of the movement, on rectangular plinth base applied with a relief panel cast with a musical trophy to apron and on engine turned bell-shaped feet, 27cm high.
A French Louis Philippe ormolu and patinated bronze figural mantel clock, Durand, Paris, circa 1840. The eight-day striking movement with silk suspension and signed Durand a Paris to backplate, the circular gilt Roman numeral dial with recessed centre, Breguet hands and foliate cast bezel set into cast bronze rocky outcrop flanked by a pair of cherubs making arrows for cupid, on rectangular plinth base applied with cast bow and quiver ribbon-tied mount to apron above leaf mounded skirt, (formerly with `waterfall` automaton, lacking bell), 29cm high.
A French gilt metal mounted verde antico marble mantel clock, Lefebvre and Fils, Paris, late 19th century. The eight-day bell striking movement stamped LEFEBVRE & FILS, PARIS to backplate and with marble dial applied with gilt Roman numerals within a glazed hinged bezel, the plinth-form case with moulded top above recessed patinated metal figural relief frieze panels cast with standing Classical robed figures continuing to the sides decorated with war chariots, on cavetto moulded base with gilt scroll cast splayed bracket feet, (designed to take a bronze sculptural surmount), 22.5cm high. Provenance: The Late Mr Michael Stoop.
A French Charles X ormolu figural mantel clock `the bubble blower`, Unsigned, early 19th century. The eight-day bell striking movement with silk suspension, the dial with small white enamel Roman numeral cartouche numerals set into a floral wreath issuing ribbons incorporating pivoted shutters for the winding holes and with blued steel Breguet hands, fronting a rectangular plinth with mounts cast as quiver of arrows applied to angles and Trajan script engraved passage beneath chapter ring beside standing figure of a naked putto leaning over to blow bubbles (pipe and glass bubbles lacking), on plinth base applied with tied floral festoon cradling a winged cherub holding a flaming torch and a butterfly to front, the skirt with repeating leaf cast top moulding and compressed bun feet, 45cm high.
A French Louis XVI style ormolu mantel clock, Raingo Freres, Paris, late 19th century. The eight-day countwheel bell striking movement with stamped RAINGO FRERES.. trademark to backplate and circular convex white enamel Roman numeral dial with gilt pierced hands and glazed bezel, the case with stylised urn surmount to the concave sided scroll mounted upstand and shaped panel with finely chased symmetrical foliate infill beneath dial flanked by free-standing balusters issuing fruiting foliage, the breakfronted base inset with female mask foliate scroll decorated panel flanked by further conforming panels, on disc turned feet, 41cm high, with original giltwood plinth, 46cm high overall.
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173444 item(s)/page