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AN ITALIAN WALNUT SIDE CABINET, 17TH CENTURY rectangular, with a single frieze drawer above a panelled door flanked by reeded styles, raised on a plinth base with lions paw feet, 64 x 91.5 x 33cm Provenance: de-accessioned from the collections of the National Gallery of Victoria; acquired at Sotheby& Melbourne, the collection of the National Gallery of Victoria, October 30th 2007, lot 15, illustrated catalogue page 12.
A CHINESE TERRACOTTA HEAD OF A BODHISATTVA, MING DYNASTY (1368-1644) OR LATER the serene face with downcast gaze, and high chignon with a floriate headdress with the figure of the Amitabha Buddha, polychrome application, resting on a plinth, 37cm high, 45cm high (with base) Provenance: Purchased in Hong Kong, May 2006;Ex Private Collection Hong Kong, prior to May 2006
A CHINESE PAINTED POTTERY FIGURE OF A PRANCING HORSE, TANG DYNASTY (618-906) the bridled figure, with mane swept to one side, leaning back on three legs, with the front right foreleg raised, the decorated saddle covered with a cloth, (traces of red and black pigment), 50cm length, with fitted wooden plinth Provenance: Ex John Anderson Brown Collection, Melbourne Reference: For another pottery figure of a prancing horse, please see Christies New York 18 September 2014, Lot 719
A CHINESE BRONZE PAIR OF GUARDIAN LIONS, QING DYNASTY (1644-1911) the female lion depicted in the traditional manner with a cub tucked under her paw, as a symbol of nurture, the male with an embroidered ball, indicating power and supremacy, each with a fierce expression, raised on a rectangular plinth, applied with polychrome and gilt decoration throughout, 86 x 128 x 58cm
A FINE PAIR OF 19TH CENTURY ENGLISH GLAZED TERRACOTTA LIONS manufacturer's stamp for Speirs, Gibb & Co., Caledonia works, Paisely, in seated positions, some remnant glaze, each with a factory stamp to the front of the plinth base, supported on green straight sided iron pedestals, 119 x 77 x 41cm each
An Empire Ormolu Striking Mantel Clock, signed Bergmiller a Paris, surmounted with a figure reclining on a bed with an infant, green rectangular marble plinth, 3-1/2-inch enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, silk suspension, 36cm high 24.11.14, Ormolu surfaces are faded, one finial missing to the top, marble base with small chips, dial with hairline cracks and small scratches, winding hole with minor chips, hand collet and pin missing, movement is dirty and needs cleaning, bell nut is missing, countwheel with signs of solder and a old repair, pendulum missing.
An Unusual Large Size Drop Dial Wall Timepiece, R Rolfe, Clerkenwell, architectural pediment, recessed rectangular trunk door flanked with carved scroll leaf mouldings, recessed waisted plinth with carved border, 24-inch painted dial with Roman numerals, single weight driven four pillar movement with deadbeat escapement, maintaining power, movement front plate stamped RR and numbered 2028, 231cm high Rolfe is recorded working in London 1832-1881. By repute, this timepiece was removed from an East Anglian railway station circa 1940. In 1969 it was used in a Suffolk sawmill acquired by the vendor's family and kept there until 1987 when it was placed in storage whilst a new building was erected. 29.01.15, Case has been restored, polished surfaces, some later mouldings, hood with later door latch, front of the case with small dents, dial has been totally re-painted to a high standard, movement looks complete, with weight and pendulum.
An Oak Thirty Hour Longcase Clock, signed John Lupton, circa 1750, caddied hood, glazed side panels, 9-inch square brass dial with Roman numeral chapter ring, single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, 222cm high 23.01.15, Hood with later caddy, wooden dial surround with slight damage and with a securing block to the reverse, later finials, trunk door edges with some splits, some replaced crossbanding, some cracks to plinth, skirting is later, top and bottom of the backboard are later, dial is slightly dirty, movement looks complete, later bell, together with weight and pendulum.
A Walnut Chiming Eight Day Longcase Clock, signed Tho Cartwright, Watchmaker to ye Prince, London, circa 1730, caddied hood with brass flame finials, glass side panels, trunk door with bevelled glass panel, stepped moulded plinth, 12-inch arched brass dial with silvered Arabic and Roman chapter ring, matted dial centre with date aperture and seconds dial, arch with lunar aperture, tidal dial and signed, triple weight driven five pillar movement with anchor escapement, quarter chiming with eight hammers striking a nest of eight bells and a further hammer striking a bell for the hours, later case, 270cm high 23.01.15, Case surfaces are polished, pierced front fret with some chips, later finials, some chips and cracks to the mouldings, left hand column of the hood with damage, case with replaced veneers in parts, wooden dial surround with chips and has been replaced, later trunk door and bevelled glass, later door hinges, plinth is re-built, bottom of the backboard is later, dial is clean, hand collet and the pin is missing, strike and chime mechanism needs re-setting, movement looks clean, later seatboard, two wooden blocks are beneath the seatboard on top of the case side cheeks, together with three later weights and a pendulum, dial and movement are circa 1730, the case is later.
A Musical Walnut Eight Day Longcase Clock, signed Tho Cartwright, Principi Horologious, Londini, Fecit, circa 1720, the Dutch style case with a caddied hood and three gilded finials, pierced side frets, arched trunk door with inlaid stringing and central glazed lenticle, bombe plinth with claw and ball feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre with date aperture, seconds dial and signed, arch with a two tune selection dial for The Fryar & ye nun/The happy clown, triple weight driven six pillar movement with anchor escapement, half hour and hour striking and playing the musical tune on the hour with sixteen hammers striking a nest of eight bells, 296cm high 23.01.15, Caddied portion of the hood has been re-built, case with some replaced veneers, slight fading to the trunk door, trunk door mouldings are lifting and with some cracks, bottom of the backboard is loose, case sides are faded, part of the plinth has been re-built and the bombay front appears to have been later added, silvered chapter ring is slightly faded, hour and half hour striking is not working correctly, musical tunes are working on the hour, strike needs re-setting, movement in going order, with three weights and a pendulum.
A George III Mahogany Kneehole Desk or Dressing Table, late 18th century, the moulded top above a long frieze drawer with compartmented interior, arched sliding drawer below and cupboard door flanked by six small drawers, raised on a plinth base, 106cm by 67cm by 82cm Top with some discolouration and deep scratches. Split along the back edge, and this section of timber replaced. Verso with recent boards. Platform with later timber? Original brasses. Oak lined drawers. Divided interior to top drawer in need of some work. Faults to cockbeading with small sections replaced. Later handle added to central drawer. Bottom left hand handle incomplete. 060215
A Regency Rosewood and Brass Mounted Bookcase, 2nd quarter 19th century, the brass grille doors enclosing a painted interior, pilaster supports, two cupboard doors below with egg and dart decorated moulded base, 127cm by 35cm by 168cm Timber rather dry. Brass mounts starting to lift on cupboard doors. Small losses/scuffs to the carved decoration, particularly the corners and plinth base. Small repairs. With key and working locks to top and bottom section. 230115
A French Louis XVI/Transitional Style Gilt Metal Mounted Cylinder Desk, 3rd quarter 19th century, veneered in bois de citron with two long drawers above a cylinder front and sliding interior with drawers and open niches, above an arrangement of six drawers, raised on a plinth base, 110cm by 75cm by 118cm
A Jain Carved Teak Shrine Façade, probably Gujarat, 17th/18th century, with figure carved crestings over a pair of foliate doors flanked by figure and geometric carved pilasters on a conforming plinth, with traces of original pigment, 116cm wide, 133cm high For a similar example in the Victoria & Albert Museum see The Peaceful Liberators, Jain Art in India, Los Angeles County Museum of Art Exhibition catalogue item 5 Some typical wear, splitting, surface deterioration and losses throughout. 120315
A Flight, Barr & Barr Worcester Porcelain Urn Shaped Vase, circa 1815, with twin serpent handles, painted with ''The Shepherd's Lyre, The Virgin's Lay, Thomson's Hymn'' on a gilt seaweed ground within beaded borders, on a circular socle and square plinth, script title and marks and impressed mark, 20cm high The scene is taken from the line ''The Shepherd's Flute, The Virgin's Lay'' from the poem The Seasons by James Thomson, published in four parts from 1726-1730. One handle cracked. Repair to socle through base of vase and foot. 060215
A Flight, Barr & Barr Worcester Porcelain Vase, circa 1820, of drum shape with flared rim and beaded borders, painted with Buckleigh (sic) Wales, on tripodium supports and tricorn plinth, script marks, 9.5cm high; and Another Vase, painted with Rhayader Bridge, Radnorshire, on a cream ground, 10cm high (2) Vase 1 - with restored rim chip and associated hairline crack. Both with typical minor wear to gilding on extremities. 260115
A Flight, Barr & Barr Worcester Porcelain Vase and Matched Cover, circa 1820, of hemispherical form, painted with Wolsingham, Norfolk, on a gilt seaweed ground below a beaded border, supported on three dolphins and trefoil plinth, script mark, 15cm high; and An English Porcelain Pot Pourri Vase and Pierced Cover, painted with a continuous landscape within beaded borders and gilt rims, 14cm high (4) Some typical minor wear to gilding on extremities. 260115
A Pair of Bloor Derby Porcelain Figures of Turks, circa 1830, each figure sitting cross-legged in traditional costume, a hookah at their side, on a cushion base and square plinth with mask corners, script Bloor Derby marks in red and puce, 14.5cm high Both missing hookah pipe. One with some minor restoration to extremities. Both with minor wear to gilding. 260115
A longcase clock, the 25 cm square brass dial signed J N O Ettry, Horton, with Roman numerals and subsidiary calendar aperture, fitted a 30 hour movement, in an oak case, 214 cm high See illustration Condition report Report by RB The movement has steel pillars, I cannot see anything that turns the calendar, seat board probably later, and rechocked where it sits on the case, the case has been cleaned and restored, many years ago, and is quite light in colour, with the right hand side having a large split which has been filled and is now slightly warped, the trunk door has had a handle removed and is now plugged, the base has a later plinth base with pendulum, key and weight
A VICTORIAN MAHOGANY BREAKFRONT BOOKCASE, with Ogee cornice above four arch glazed panel doors enclosing shelves divided by acanthus scroll pilasters, the lower section with four panelled doors enclosing shelves on a plinth base, 250cm wide, 46cm deep, 255cm high Condition:upper section, small chips to bottom of two doors, centre shelf fringes have been removed, lower section, typical door-wear to top, silver of veneer lacking top edge, lose beading on right side, small loss opposite side, frieze cut diagonally on right side near centre section, typical small dints to beading and cornices and general but minor signs of age and use
A LATE VICTORIAN WALNUT WELLINGTON CHEST, Bulstrode of Cambridge, the cornice top above seven graduated drawers between plain pilasters above a plinth base, 59cm wide, 46cm deep, 121cm high Condition: Three losses to veneer front of plinth along bottom edge. Loss to beading on cornice at right side near back. Sides of plinth showing wear. Small vaneer repair to back of top. Fine split to right side panel top approximately 20cm. Second drawer has small veneer loss to corner. Fourth shelf front has small veneer loss. Bottom drawer has slight veneer compression to one side.
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173487 item(s)/page