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Lot 172
A Burmese 'shan' style gilt bronze figure of standing, crowned and jeweled Buddha, 18th/19th century The figure dressed in uttarasanga with hands cast in Abhaya Mudra (symbolising peaceful intentions and peace-making), raised upon a stepped plinth, the face traditionally carved in the Burmese manner, with arched eyebrows, narrowed eyes and elongated ears, the head surmounted by large Ushnisha, The (shan) migrated from the Yunnan area in China, and their population has now spread across Vietnam, Burma and Thailand. The earliest shan depiction of Buddha dates back to the 16th/17th century and early examples are similarly modelled on raised lotus plinth bases, such as this example. H51cm.
Lot 736
Charles X ormolu mantel clock, bronzed dial, drum movement signed J Charles, a Paris, No.6066, striking on a bell, pendulum with silk suspension, case designed with cavalier and swooning lady, plinth section with a mask head, eagle head scrolls, coiled serpent, birds, cornucopias, and scrolling foliage, 48cm.
Lot 740
A French ormolu and grey marble mantel clock; the dial with Roman numerals, cylinder movement by Hy. Marc, Paris, No.47478, striking on a bell, plinth casing of circular section, with buttress scrolls, festoons, ribbon ties, and cameo pendants, surmounted by a figure emblematic of music, and three cherubs, 82cm, set on a velvet covered plinth with lion paw feet and with a gilt scrolled metal wall bracket.Footnote: Provenance: By repute Baron Brassey, Apethorpe Palace, sale by auction 1946.
Lot 742
A late Victorian inlaid mahogany longcase clock, square silvered dial with subsidiary second dial, two-chain eight-day movement striking on a gong, the case with a pagoda hood, a door surrounded by marquetry festooning with ribbon ties and pendant pieces, plinth base with cavetto plinth, height 197cm.
Lot 743
Thomas Jarvis, London George III mahogany longcase clock, arched brass dial, silvered chapter ring with subsidiary seconds dial and date aperture, cast spandrels, eight-day two-chain movement striking on a bell, case with broken triangular pediment, arched long door flanked by fluted and filled quarter column quadrants, plinth base, 221cm.
Lot 832
A Continental walnut and gilt metal mounted floor-standing psyche glass, French or German, circa.1900, scroll pediment with vernis martin cartouche panel, and a cherub with a swag, shaped bevelled plate in a moulded surround, ogee plinth painted with roses, lacking pediment top, width 106cm, height 218cm.
Lot 870
A George III strung and crossbanded mahogany secretaire bookcase, the top section with a shaped and moulded cornice over two astragal glazed doors, the base with a fitted drawer over three long drawers and a plinth base, 109cm wide 51cm deep 240cm highProvenance: The property of the late Mr & Mrs Brian Lister, The Old Rectory, Widdington.
Lot 940
A pair of cast iron urns, 19th century, possibly The Handyside Foundry, of campana form, each with a band of moulded decoration and dolphin handles on composition square plinths, urns 77cm high plinth 69cm high (2)Provenance: The property of the late Mr & Mrs Brian Lister, The Old Rectory, Widdington.
Lot 107
Pair Victorian amethyst glass cornucopia vases, each mounted in ormolu ram’s mask and on variegated black marble plinth base, 22cm high (2) Condition Reportboth with nibbles to the marble bases. Both appear to have had some sort of putty to attach the glass bowl to the rams head mount. One more than the other. THe bowls although very similar to each other; are not quite the same. - see images. small chip to one glass.
Lot 19
Black basalt osier-weave pattern bowl, 18cm diameter and a 19th century Wedgwood two-handled terracotta vase of krater-form having black band of fruiting vine relief to the rim and the square plinth base with black flowerhead and stiff-leaves embossed, impressed mark to base, 25cm diameter over the handles (2)Condition Reportimages
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