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Lot 406
An Edwardian ebonised longcase clock, arched brass dial with a silver chapter ring, subsidiary date dial, Chime Silent dial to the lunette, cast spandrels with mask heads and scrolls, three chain movement striking on five gongs, the case with swan neck pediment, oval glazed aperture to the door, five moulded scrolls to the plinth, 230cm.
Lot 1076
Early 19th century eight day longcase clock by William Potts Pudsey, Leeds, with painted arched dial depicting figures, landscapes and subsidiary seconds, in mahogany case with swan-neck pediment, turned columns, spiral reeded pilasters and panelled door, flame mahogany veneers and crossbanding (two weights, key and pendulum present), 232cm high CONDITION REPORT General overall condition good, movement is dirty but appears to run. Painted dial is dirty and crazed and has some minor damage where paint has come off. The dial also has what appears to be a blankingplate fitted below the winding holes above VI, but nothing corresponding on the front plate of the movement. Case is in quite good condition although veneer is cracked and lifting in places. Plinth is cracked through the central panel. Hood surface is worn in places, seatboard mounts are uneven.
Lot 1079
George III thirty hour longcase clock by Clare of Bedford, with twelve inch square dial painted with swan on a lake and musical instruments to the spandrels, with subsidiary date aperture, on oak case with turned columns, shaped arched door, on plinth base, 185cm high (weight and pendulum present)
Lot 1083
Late 19th century mantel clock with French eight day timepiece movement, white enamel dial with Roman numerals in a gilt metal case with rococo scroll and floral decoration, oak leaf and grapevine supports, surmounted by the model of a young female with a basket of flowers, with separate giltwood plinth and glass dome, 45cm overall height (key and pendulum present)
Lot 1087
19th century mantel clock garniture with French eight day movement, outside countwheel striking on a bell, white enamel dial with floral swag decoration, Arabic numerals and pierced gilt metal hands in a Portico-style case with white marble columns and gilt metal swag and floral decoration, surmounted with a flame, quiver and garland finial on a black plinth, together with a pair of matching marble and gilt metal three-light candelabra, 40cm overall height (key and pendulum present)
Lot 1088
Good quality late 18th century Swiss wall clock with quarter striking and repeating verge movement striking on a bell, ten inch convex enamel dial with Roman numerals, signed - A Huguenin A Berne, pierced gilt metal hands, in a Louis XIV-style case of waisted form, with painted floral decoration and glass door with applied gilt metal panel and gilt metal borders, on four stylised hoof feet, separate pediment and wall mounted bracket, 87cm overall height (pendulum and key present) CONDITION REPORT General overall condition good. Movement is clean and believed to be in full working order. Labels indicate movement has been serviced and repaired in fairly recent past. Dial is good with some minor damage around winding holes. Case is fair, painted surfaces cracked in places and some areas of wear. Gilt metal mount on case to right of dial has been broken and part is missing. Lower door glass below dial may have been replaced. Pediment is fair, paint surface is cracked and metal mount to right hand edge is damaged and piece missing. Plinth is similar. Metal mounts are dirty, damaged at lower edge
Lot 1156
Fine Regency mahogany double-sided architects' desk by Gillows, the moulded rounded rectangular double ratcheted top, adjusting on easel supports, with secretaire drawer with fall front and Bramah patent lock enclosing leather lined easel writing slope with well below flanked by two banks of boxes, each with hinged lid inlaid with ebony and sycamore alphabeticised oval plaques, with six short drawers below, the reverse with faux drawer front raised on plinth bases, the secretaire drawer stamped 'GILLOWS', 130cm wide x 98cm high x 73cm deep CONDITION REPORT Top has a few blemishes, miner scratches, one easel support is slightly misshapen but functions fine. Horizontal splits to four of the rear dummy drawers. Lower left drawer lacks lock, otherwise minor splits, slight loses / repairs and wear commensurate with age
Lot 1194
19th century Continental walnut crossbanded wardrobe, the stepped cornice with gilt metal cresting, with pair of bevelled mirrored doors enclosing hanging space and pair of internal drawers below between rounded angles with gilt metal mounts, on plinth base and bun feet - the wardrobe is collapsible, 144cm wide x 209cm high x 50cm deep CONDITION REPORT Some veneer losses at the angles, particularly to upper frieze, overall some fading and wood appears dry, veneers warping in one or two places. One escutcheon plate sperate, but present, generally a little wear commensurate with age and deterioration
Lot 602
Pair of 19th century Continental bronze figures of a musician and dancer, each raised on square plinth base, the male on wooden plinth, the female on marble plinth, 22cm high, together with a 19th century bronze of a French military figure holding an eagle staff and a modern bronze of a winged goddess (4)
Lot 417
A Third Pattern Fairbairn-Sykes Fighting Knife, 15.5cm flattened diamond section blade etched THE F-S FIGHTING KNIFE and WILKINSON SWORD CO. LTD LONDON on the ricasso, regulation ribbed hilt stamped 2 and engraved T. B. THURBER beneath the pommel, straight cross-guard, mounted on an oak plinth with various cap badges.
Lot 1154
Marcel Bouraine (French, b.1886-d.1948) An Art Nouveau bronze figure of a naked young female acrobat, standing on the ball of one foot, one leg and both arms outstretched, balancing an ivory ball on the back of each hand, dark patina, raised on gree n veined marble plinth, signed "M.Bouraine", overall 50cm high illustrated
Lot 16
"The Ascot Cup" An impressive Garrards silver trophy, designed by Harrison Weir for Robert Garrard, London 1864, naturalistically modelled as Joan of Arc in armour mounted on horseback, holding aloft a banner on removable pole, engraved 'Iesus Maria' surrounded by fleur-de-lys motifs, the horse modelled in rearing pose, raised on oval textured terrain with grass tufts, upon ebonised plinth, base stamped ‘R & S Garrard Panton Street London’, 94cm high, 72cm wide Note: This trophy was mentioned in ‘The Illustrated London News Supplement June 24, 1864’; ‘The Ascot Gold Cup, value £300, given from the Ascot Race fund, in addition to a subscription of £20 each, was won on the Thursday by Mr W. S. Cartwright’s four-year-old horse Ely, whose ped igree and exploits we have recorded in another page. This piece of plate though styled as a cup, is neither more nor less than an equestrian statuette of Joan of Arc, designed by Mr Harrison Weir, modelled by Mr W. F. Spencer and manufactured by Mess rs R and S Garrard, goldsmiths of the Haymarket. The truth, grace and spirit of its design and the beauty of its workmanship are apparent at a glance.’ illustrated
Lot 30
A French silver racing trophy, after Raoul Verlet ‘La douleur d’Orphee’, inscribed ‘F. Barbedienne Fondeur’, presented for 'Courses de Maisons Laffitte Prix Lagrange 1897', naturalistically modelled as Orpheus, standing on textured terrain effect bas e with three headed beast and lyre instrument, all placed on marble canted plinth with silver plaque engraved ‘Courses de Maisons Laffitte Prix Lagrange 1897’, 107cm high Note: The plaster model of La douleur d’Orphee was first exhibited at the Sal on of 1887 illustrated
Lot 356
WILLIAM ROBB, MONTROSE A mid 19th century mahogany 8-day longcase clock, the 12" arch painted dial signed Wm Robb, Montrose, with centred subsidiary seconds dial and date aperture within a ring of Arabic numerals, and roses painted to the arch, the hood with swan-neck pediment and turned front corner hood pilasters over an ogee arch trunk door on a box base with cut out skirting plinth, 206cm high illustrated
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