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Lot 1014
ASSORTED MODEL KIT RACING CARS AND ENGINES by Tamiya, Airfix, Academy Model Co., Union Model Co., Revell Monogram, and others, including Lotus 49 Ford F-1, 1:12 scale; Yardley McLaren M23, 1:12 scale; Lotus Super 7 Series II, 1:24 scale; Morgan 4/4, 1:24 scale; Ligier JS-11, 1:25 scale; etc., boxes open, some assembled/part-built, some empty boxes; together with a further two assembled models on plinth bases mounted under perspex covers; etc. (Qty)
Lot 283
Ca. 200-300 AD.A schist figure of a standing Buddha, originally depicted in the abhaya mudra, conveys a gesture of fearlessness and protection. The flowing robe adorning the Buddha envelops his body, draping gracefully with an exquisite arrangement of cascading folds. The intricate attention to detail in the robe reflects the skill and artistry of the Gandharan sculptors, capturing the beauty of fabric and texture. Standing barefoot on a plinth, the Buddha is presented with elegance and poise. The plinth itself is adorned with a scene of two Buddha worshippers flanking a central altar with a flickering flame. Kneeling with hands folded in prayer-like gestures, the worshippers emanate a sense of devotion and reverence. The scene is framed by columns on both ends, enhancing its visual appeal and adding a touch of architectural sophistication. Buddha's head is rounded, with the hair pulled up and gathered into a topknot. A large halo serves as a backdrop to the head, further emphasizing the figure's divine aura and enlightened nature. The facial features of the Buddha exhibit a naturalistic approach. The half-closed almond-shaped eyes impart a serene and introspective expression, while the broad nose and slightly smiling lips add a sense of gentle tranquility. The elongated earlobes signify the Buddha's renunciation of worldly attachments and his attainment of spiritual enlightenment. The representations of Buddha in Gandhara art encapsulate the synthesis of various artistic influences, combining elements from Hellenistic, Persian, and Indian traditions. This amalgamation of cultures gave rise to a unique visual language that resonated with the spiritual beliefs of the Gandharan people. For a similar, please see The British Museum, Museum number 1880.73. This item comes mounted on a custom-made stand Size: L:570mm / W:180mm ; 11.36kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.
Lot 288
Ca. late 6th century AD (or later).A stone figure of standing bodhisattva. This sculpture commands attention with its mesmerizing presence and intricate detailing. Perched atop a decorative plinth, the figure emanates an aura of tranquility and enlightenment. With downcast eyes, rounded cheeks, and a gentle smile, the bodhisattva exudes a serene countenance, while an elaborate headdress adorns the crown of the head, symbolizing divine wisdom. Both hands are delicately raised, expressing a gesture of reverence and compassion. The figure's body is resplendent with opulence, adorned with cascading chains of beads in various shapes and sizes, gracefully draping around the neck and elegantly crossing behind a circular ornament encircling the navel. The beads then loop back around the figure's back, creating a harmonious flow. The long robe adorning the bodhisattva showcases meticulously sculpted folds, adding a sense of movement and realism to the sculpture. In the Buddhist tradition, the bodhisattva represents an enlightened being who compassionately postpones their own nirvana to assist others in their spiritual journey. The Sui Dynasty, which reigned from 581 to 618 AD, marked a significant period of cultural and artistic development in ancient China, characterized by a synthesis of diverse influences and the flourishing of Buddhism as a prominent religion. This item comes mounted on a custom-made stand. Size: L:250mm / W:120mm ; 5.2kg Provenance: Private London collection, formerly with Sir Roger Moss, acquired in the 1980s in Hong Kong.
Lot 1041
Tobias Fletcher of Barnsley - late 18th century oak cased 30hr longcase clock with a swans neck pediment, brass paterie and finial, break arch dial flanked by reeded pilasters, trunk with a wavy topped door with inlay and crossbanding, conforming square plinth on decorative base, painted dial with flowers to the break arch and spandrels, Roman numerals, minute track, five minute Arabic's and matching steel hands, chain driven count wheel movement, with weight and pendulum.Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 20cm
Lot 1040
Emanuel Burton (II) of Kendal - oak and mahogany 30hr longcase clock c1830, with a flat topped pediment and blind frieze beneath, square hood door flanked by freestanding turned pilasters with wooden capitals, trunk with recessed quarter columns and a long trunk door with a wavy top, square plinth with an applied moulding to the base, painted dial with roman numerals, minute track, matching painted spandrels and makers name, with stamped brass hands and date aperture, count wheel striking chain driven movement, striking the hours on a cast bell. With weight and pendulum. The Burton family of Westmoreland clockmakers were prolific provincial clockmakers, father, son and grandson all christened Emanuel. Dimensions: Height: 199cm Length/Width: 50cm Depth/Diameter: 24cm
Lot 258
20th century - month going mantle clock, in a pine case with carrying handle on a decorative plinth, square silvered dial with Roman numerals and pierced hands, Korean spring driven two train movement striking the hours and half hours on a coiled gong. Dimensions: Height: 36cm Length/Width: 27cm Depth/Diameter: 18cm
Lot 248
French - late 19th century "Swinging Cherub" 8-day timepiece mantle clock, in a white alabaster case with a drum movement supported on scroll pillars and chamfered plinth, open dial with a skeletonised movement, enamel chapter, Roman numerals, moon hands and minute track.Dimensions: Height: 23cm Length/Width: 20cm Depth/Diameter: 9cm
Lot 249
French - 8-day grey slate marble mantle clock c1890, flat topped break front case on a rectangular plinth raised on paw feet, with an enamel dial, Roman numerals, minute markers and steel moon hands, rack striking Parisian movement striking the hours and half hours on a bell. With key and pendulum.Dimensions: Height: 23cm Length/Width: 33cm Depth/Diameter: 16cm
Lot 243
German - Early 20th century eight-day mantle clock, in an oak case with an elliptical top and carving to the front of the case, on a stepped plinth with padded feet, Silvered dial with Roman numerals, minute track and steel spade hands, retailed by Brownlee & Sons, Edinburgh, rack striking movement, striking the hours and half hours on a coiled gong. With pendulum. Dimensions: Height: 30cm Length/Width: 20cm Depth/Diameter: 13cm
Lot 257
Juhngans - 8-day oak cased mantle clock c1910, with a carved ogee pediment and turned finials, turned half-columns to the dial, on a broad plinth with bun feet, square etched dial with Roman numerals and pierced hands, striking movement, striking the hours and half hours on a coiled gong. With key and pendulum. Dimensions: Height: 50cm Length/Width: 26cm Depth/Diameter: 18cm
Lot 242
American - 8-day mahogany cased mantle clock by the Gilbert Clock Company c1910, break arch top, canted corners with inlay to the front on a raised plinth, cream card dial with Arabic numerals, minute track and steel spade hands, twin open-spring driven movement striking the half-hours on a bell and the hours on a coiled gong. With pendulum.Dimensions: Height: 29cm Length/Width: 23cm Depth/Diameter: 12cm
Lot 250
French - late 19th century 8-day walnut table clock, with a round top and shallow plinth raised on block feet, enamel dial with Roman numerals and minute track and decorative pierced steel hands within a gilt slip and cast brass bezel, single train movement with a spring driven going barrel. With pendulum. Dimensions: Height: 18cm Length/Width: 14cm Depth/Diameter: 10cm
Lot 251
John Cundill Arundel of York - French 8-day striking mantle clock in a Belgium slate and marble case c1890, with a shaped pediment with inlaid contrasting marble and incised decoration, break front case with recessed marble pillars, on a deep plinth with conforming decoration, black slate dial with gilt roman numerals, circular gilt repouss� centre and brass hands, egg & dart slip within a cast brass bezel, rack striking movement striking the hours and half hours on a coiled gong. With pendulum. Dimensions: Height: 42cm Length/Width: 33cm Depth/Diameter: 18cm
Lot 55
A very well engineered gauge 1 spirit fired live steam locomotive and tender comprising of 4-6-0 wheel configuration with 6-wheel tender, hand painted in dark green with LMS livery and black main boiler section, easy access to backhead controls comprising of sight gauge, regulator, draincocks, all powered by a six wick spirit burner, model is built to a good standard, raised on an oak display plinthGauge 1 example.Model is in good clean condition.Length 59cm.Hasn’t been steamed in a number of years.Free running and model is not seized.
Lot 17
A very well engineered early 20th century live steam plant comprising of spirit fired vertical boiler with safety whistle filler cap and take-off, powering an A-framed vertical single cylinder steam engine, fitted with slip eccentric boiler cuffs, and 2.5" flywheel with further take-off, fully raised on brickwork effect wooden plinth, height to the top of chimney 27cm, length of base 23cm
Lot 47
A well-engineered model of a Stationary Horizontal Live Steam Mill Engine, comprising of large single cylinder with slip eccentric, displacement lubricator, drain cocks and oilers, free running example fitted with reverse level, powering a large spoked 6 1/4" fly wheel, hand painted in green and red, with brick effect wooden base, raised on wooden display plinth with glass case, height of case 27cm, length 40cm
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173444 item(s)/page