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Lot 270
A 19th Century Swiss inlaid rosewood cylinder music box, the 28cm cylinder playing eight tunes with arrow and adjustable lyre damper, with handwritten "Tremolo a Zither" play sheet and makers plate for Qualite Excelsior Sondrite Extra Puissant Harmonie, the case ebony banded on plinth base with carrying handles, approx 66cm long x 28cm x 22cm Further details: appears to be in working order - when tried it sounded good, teeth intact, case has some signs of wear.
Lot 234
Taxidermy: A Cased Red-breasted Goose (Branta ruficollis), an immature full mount with wings slightly raised, stood upon a square oak plinth base, enclosed within a period style museum single-glass display case, 60.5cm by 18cm by 31.5cmConfirmation has been given to allow the sale of this specimen without requirement of an article 10 licence. Letter included. This specimen would require a re-export licence to export from the UK, an import permit would be required into your chosen country, this is the responsibility of the buyer alone, Tennants Auctioneers do not offer any onward re-export or import licences.
Lot 656
An early 20th Century walnut cased bracket clock in architectural form with carved corinthian pillars supporting a triangular pediment, resting on rectangular plinth supported by carved walnut disk feet. Bevel glazed door opening to a silvered dial with Roman numerals, brass textured centre and ormolu spandrels with "Chime/Silent"selector above the 12 o'clock. German three train movement striking Westminster Chimes. H 45.5cm, W 34.5cm.
Lot 661
An oak long case clock, circa 1800, with eight day movement, striking the hour to a bell. White dial with Roman numerals, painted gilt spandrels and oval hand painted plaque above the dial depicting a maiden awaiting the return of her lover's ship. Painted makers name "Broon" of Burton. Glazed arch door with broken arch pediment over with brass finial and scroll caps. Tapering brass columns with brass ends flapping the door. Oak case with panelled plinth. Brass pendulum on rod, weights suspended on wire. Footplate fixed to case. Winder and key with us. Overall height 223cm. Width of Hood 50.5cm. Dial 13inches/33cm.
Lot 662
French Four Glass mid 19th Century crystal regulator in a rectangular brass case with sculptured architectural plinth and cornice mouldings. Bevelled glass panels to sides. White enamelled dial with black roman numerals and blued steel moon hands. An 8-day two train movement, stamped Hy Marc Paris, striking the hours and single strike to the half hour on a bell. Adjustable twin-flask mercury compensated pendulum. Backplate stamped with registration number 60183. With key.
Lot 663
Three 19th Century slate mantle clocks comprising: 1) A two-train French 8 day movement striking on the hour and half hour, stamped "Medaille d'Argent 1855 Vincenti & Cie" (with pendulum and key) in a slate case with broken arch supported by corinthian columns, white enamelled dial with Roman numerals, bevelled glass with brass frame door. H 27cm, W 25cm, D 14cm; 2) A two train 8 day movement striking the hour and half hour, with no makers mark, in a French Empire Revival style slate case. The brass dial with Arabic numerals in circular reveals, a bevelled glass and brass framed door. The monumental case with deep plinth, decorated with carved gilt scroll work supporting a body with decorative columns, semi-circular corinthian columned palladium to each side and a pediment with a gilded brass mask - all surmounted by a slated dome with acorn shaped finial. H 40cm, W 40cm, D 11cm; 3) A similar clock with scrolled, gilt brass columns and acanthus leaf scroll work, the dial having a gilt brass centre depicting a Greco-Roman scene, with an ivorine chapter ring bearing Arabic numerals. H 30cm, W 39cm, D 14cm. (3)
Lot 33
Probably Tang Dynasty, both standing, one with hands raised and standing on a plinth, 42cm high, the second holding a dish also standing on a plinth, 40cm high, (2) UK collection but no thermo-luminescence certificate is present. *CR The head broken of of one with chips, the second with losses to the base and glaze chips/damage.
Lot 48
John Elliott, Plymouth, a mid-18th century pull quarter repeat table clock. The mahogany case having a domed top surmounted by a brass handle, the break arch door with foliate quadrants, the sides having glass panels (possibly Victorian) raised on a plinth base. The arched silvered and brass dial inscribed John Elliott with Roman numerals, Arabic five minute markers and pierced hands. The gilt matted center having a date aperture and Strike and Silent subsidiary dial enclosed by brass foliate spandrels. The clock having a twin fusee movement with verge escapement, striking to a series of graduated bells, the back plate finely engraved with scrolling flowers and foliage, brass pendulum with pear shaped bob, approx 52 h x 32.5w cms, complete with winding key. The pull cord pulley has been removed and bell mechanism deactivated.
Lot 100
Aimé-Jules Dalou (French, 1838-1902),bust of Mademoiselle Vuillier, 'La Candeur', bronze with dark green patination, signed 'DALOU' with 'A A HEBRARD' foundry stamp, on a verde antico marble plinth,17.5cm wide17cm deep36cm high, 55cm high overallProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportPlease contact the department.
Lot 116
▴ Sir Jacob Epstein (1880-1959),‘Zeda (Pasha)’, 1927, bronze, with rich golden-brown patination, on a black stone base,27cm wide27cm deep36.8cm high, 43cm high overallProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Literature: Robert Black, 'The Art of Jacob Epstein', The World Publishing Company, Cleveland, Ohio, 1942, p.237; E Silber, 'J. Epstein, The Sculpture of Epstein: With a Complete Catalogue', Phaidon, Oxford, 1986, p.162.Zeda was a Turkish model of whom Epstein made one bust and several drawings. This head is cast from the bust, as is a work held in the Art Gallery of Ontario.Condition ReportDust and dirt in crevices. Would benefit from a light clean. The front left corner of the plinth is chipped. Please refer to additional condition images.
Lot 120
A George III pine breakfront library bookcase,late 18th century, with a dentil-moulded cornice, above astragal-glazed doors enclosing a painted interior, above cupboard doors and a plinth base,248cm wide37cm deep254cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportThe glass has been replaced. There are splits to the panels of three doors, There is a small split to the end of the top panel. Damage to the return moulding. Minor scuffs.
Lot 133
A pair of gilt and patinated bronze candelabra,early 19th century, each in the form of an elephant supporting a pair of foliate-cast branches, raised on a ribbed white marble plinth,9cm wide20cm deep28cm high (2)Provenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportWear, rubbing and slight losses to the gilding. Minor scuffs, knocks and wear. Please see the additional images.
Lot 139
Eugenio Pellini (Italian, 1864-1934),the head of a young woman, bronze with mid- to gold-brown patination, signed 'PELLINI', on a verde antico plinth,38cm high54cm high overall Provenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportSome wear to the patina in raised areas. Light surface scratches and rubbing with dust and dirt to the crevices. Some small knocks and chips. The plinth has a repaired crack running along the length of the top left edge and it appears it may have been refinished. Please see additional condition images.
Lot 140
Eugenio Pellini (Italian, 1864-1934),a sleeping child, bronze with dark green and mid-brown patination, signed 'E. PELLINI' and stamped with initials, on a rectangular plinth,53cm wide 33.5cm deep31cm high50cm high overall Provenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportPlease contact the department.
Lot 164
A patinated bronze figure after the antique,17th century, Italian, of the Apollino, 15cm high,on a stepped brèche violette plinth,9cm wide9cm deep22.5cm high overallProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.The marble statue, a Roman copy after the Hellenistic original, is housed in the Uffizi, Florence (inventory no. 229).Condition ReportWe confirm that we believe this piece to date to the 17th century. General wear commensurate with age and use. Some old chips and wear to base, particularly at corners and edges. Overall appears in fair and stable order.
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173487 item(s)/page