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A collection of music boxes, to include Border Fine Arts World of Beatrix Potter and Wizard of OzWizard of Oz clock – two tiny chips to lion’s arm.Hunca Munca is off plinth.Repair to umbrella Christmas bunnies.Jeremy Fisher’s rod is broken.Peter Rabbit’s base is re-glued.Miss Tiggywinkle’s stand is bent.All shows signs of wear and minor scratches.
A novelty late Victorian 'Mouse' Ring, in the manner of Thornhill & Co., the narrow high carat gold band, with an applied gold mouse sitting on a plinth running freely around, marks on band indecipherable, Size O. London retailer Thornhill specialised in novelty Jewellery; their 1880 advert in 'Queen's' magazine described their mouse range as 'serving the caprice of the day'. See Gere & Rudoe, 'Jewellery in the Age of Queen Victoria', British Museum, 2010, pp 222-223.
A Victorian Mahoany Marble Top Pedestal Pot Cupboard, 35cm by 72cm; together with a George III mahogany corner wash stand and an oak bow front hanging corner cupboard, crossbanded in mahogany and fluted pilasters (3)Pot Cupboard - some splits to the plinth and general superficial marks, overall good conditionWashstand - with splits to the top and scratching to the under tier Corner cupboard - in good condition, 73cm by 46cm by 97cm
An Early Rosewood Centre Pedestal Table, with circular top, slender baluster supports and triform plinth, 46cm by 73cm; together with a similar (2)Dimensions of similar table - 41cm by 40cm by 77cm Circular table is in overall good condition, some minor veneer chips and slight fading.Second table with multiple veneer losses to one edge, heavy veneer losses and replacement to the plinth
A Victorian Walnut Centre Pedestal Work Table, with caddy top, having fitted interior with open fret carved compartment covers with further blind fret carving to the exterior, raised over carved scroll supports with brass castors, 49cm by 39cm by 74cm, together with another figured walnut work table (2)Caddie top example - the top warped and so the lot not engaging. Otherwise in good order.Second table - polish dry, slight veneer bubbling. Veneer chips around the plinth. Internal compartments lacking knops and need some attention.
An Italian Faience Model of a Cockerel, circa 1900, manner of G B Nove, issuing from a cluster of stylized leaves on a Rococo style scrolling plinth, painted with bouquets and scattered sprigs71cm highBroken through the middle with a metal rod repair. Plinth broken into several pieces with re gluing and staples (some losses). Section of the tail lost.
Royal Worcester Brahman Bull "J.D.H. De Ellary Manso", model No. RW3821 by Doris Lindner, on wooden plinth, with certificate 413/500There is an original box with the model but only with part of the packing material. The model is in good condition with no obvious faults, damage or restoration. It is not tight within the base.
Royal Worcester Jersey Bull ''Leebarn Carlisle II'', model No. RW3776 by Doris Lindner, on wooden plinth, with certificate 325/500The model is in overall good condition, but does not fit tightly in the wooden plinth. There is an original box available but this has no internal packaging and is in poor condition.
A GILT-LACQUERED FIGURE OF JIZO BOSATSUJapan, 18th-19th century, Edo period (1615-1868)Carved in yosegi-zukuri and seated in kekka fuza (dhyanasana) atop a lotus pedestal supported by a tall, ornate plinth decorated with craggy rockwork and a bead-rimmed double-lotus base. Jizo Bosatsu dressed in long monastic robes falling in elegant folds, holding in each hand an oju (treasure jewel) and his shakujo (staff), flanked by a nimbus decorated with three gilt lotus blossoms. His face bearing a serene expression with heavy-lidded eyes, a broad nose, and sinuous brows flanking a central byakugo (urna).HEIGHT 14.5 cm (figure) and 38.5 cm (total)Condition: Some repairs, wear, age cracks, chips, losses, flaking, minor touch-ups, nicks, scratches. Generally presenting very well.Jizo Bosatsu (Ksitigarbha) has been worshipped since the Heian period, particularly as the protector of children. This bodhisattva is a merciful figure who alone among Buddhist deities moves through the six worlds of illusion in his role of saving all sentient beings. As in this example he is usually depicted as a monk with the hoju (treasure jewel) and shakujo, a staff with a finial of rings which jingle to warn small creatures of his approaching footfalls.Yosegi-zukuri, or the joined wood-block construction, is a sculpting method in which several rectangular blocks of wood are individually selected and carved into shapes. Yosegi-zukuri, together with ichiboku-zukuri (single block construction), are the two main techniques associated with wood sculpture in Japan. There were a several advantages of a sculpture made from multiple blocks of wood. It was much lighter than one carved out of a single block of wood. The technique also helped to minimize the cracking of the wood caused by the outside layer drying faster than the core of the sculpture. In addition, it was faster, as it allowed the individual blocks to be carved simultaneously by several artisans specializing in particular kinds of carving, which in turn led to development of an assembly-line production and a true studio.Museum comparison:A closely related seated Jizo holding a jewel in his left hand, dated to the 18th century, is in the collection of the British Museum, museum number 1948,1014.2.
William Tickle of Newcastle - late 18th century 8-day mahogany longcase, with a swans neck pediment and silk backed frets beneath, brass paterie and a ball and eagle finial, break arch hood door flanked by reeded pilasters with brass capitals, long wavy toped trunk door and conforming recessed quarter columns to the trunk, square plinth with applied moulding and skirting, painted moon roller dial with gesso spandrels, Roman numerals and five-minute Arabic's, seconds dial and calendar aperture, steel hands and seconds pointer, gong striking movement with recoil anchor escapement and rack striking on the hour. With weights, pendulum and key.The Tickle family were a prolific and respected family clockmakers in the North East of England, recorded as working primarily from Newcastle during the mid 18th to 19th century, various records relate to both male and female members of the family all working as clockmakers.Dimensions: Height: 210cm Length/Width: 44cm Depth/Diameter: 20cm
Henry Kenion of Chapel-le Frith - early 18th century 8-day movement & brass dial housed in a later carved oak case, with a flat topped pediment and wide cornice, square dial door flanked by turned pilasters, trunk with a long shaped door with carving, square plinth with applied skirting, brass dial with engraving and crown and cherub spandrels, silvered chapter ring with Roman numerals, minute and inner quarter hour tracks, steel hands, seconds dial and circular date aperture, dial pinned to a two train weight driven movement with an inside countwheel and anchor escapement, striking the hours on a bell. With weights key and pendulum. Henry Kenion is recorded as working c1710-40 in both Ashbourne (Derbys) and Chapel-le-Frith.Dimensions: Height: 200cm Length/Width: 46cm Depth/Diameter: 24cm
John Smith of Chester - late 18th century mahogany 8-day longcase, brass moon roller dial and three-train movement, with a swans necked pediment, brass paterie and an inlaid oval to the centre, hood door with contrasting banding and scalloped edge, shaped back splats and reeded pilasters with Corinthian capitals, trunk with canted corners, wavy topped door with conforming banding and inlay, square plinth with an applied decorative base, brass dial with scroll spandrels, diagonally engraved dial centre, wide chapter ring with Roman numerals, five minute Arabic's and minute dots, seconds dial, date aperture and steel hands, makers name boldly engraved round the arch of the dial, rack striking movement with a recoil anchor escapement, striking the hours on one bell and the quarters on four. With three brass cased weights, pendulum and key. John Smith (father and son) are recorded as working in Chester in 1753 and 1784, this clock is probably the work of John Smith II.Dimensions: Height: 215cm Length/Width: 50cm Depth/Diameter: 24cm
Harry Bush of Mear - early 18th century walnut 8-day longcase with a brass dial and penny moon to the arch, Arched hood with a deep cornice and blind fret beneath, break arch hood door with attached pillars and capitals, long trunk with a conforming break arch topped door, beaded edge and inlay, plinth with star inlay and applied decorative base, brass dial with cast spandrels, engraved dial centre, silvered chapter ring with Roman numerals, five minute Arabic's, minute and quarter hour tracks, seconds dial and square date aperture, substantial six pillar movement with rack striking and anchor escapement, striking the hours on a bell. With weights, pendulum and key.Dimensions: Height: 220cm Length/Width: 30cm Depth/Diameter: 23cm
Alexander Frazer of Comber - late 18th century Irish mahogany 8-day longcase with a painted dial and moon roller to the arch c1790, swans neck pediment with carved paterie and turned finial, break arch hood door with reeded pilasters and wooden capitals, trunk with conforming recessed quarter columns and a wavy topped door, plinth with canted corners raised on bracket feet, painted dial with floral spandrels within a gesso border and birds of paradise to the centre, Roman numerals and five minute Arabic's, minute band and steel hands, with a seconds dial and date aperture, dial pinned via a false plate to a rack striking movement with a reoil anchor escapement. With weights, pendulum and key.Dimensions: Height: 210cm Length/Width: 49cm Depth/Diameter: 24cm
Parkinson of Lancaster - 18th century 30-hour longcase in later oak carved case with a brass dial and penny moon, swans necked pediment with a carved eagle to the centre, profusely carved frieze beneath and round turned pilasters flanking the square hood door, long flat topped trunk door with carving and conforming plinth on a stepped base, brass dial with urn spandrels, plain dial centre with moon disc and circular date aperture, silvered chapter ring with Roman numerals, minute and quarter hour tracks, half-hour markers and steel hands, chain driven countwheel movement with a recoil anchor escapement. With pendulum and weight. The Parkinson family of Lancaster clockmakers (Robert and William) are recoded as working in Lancaster from 1732 to 1804.Dimensions: Height: 201cm Length/Width: 47cm Depth/Diameter: 26cm
Late 18th century - 8-day longcase in a later carved oak case, with a painted dial and an earlier three train ting-tang quarter striking movement on three bells, Pagoda pediment with brass ball and spire finials, break arch hood door flanked by reeded pilasters, trunk with canted corners and a break arch door on a rectangular plinth raised on a decorative base, painted dial with floral spandrels and a depiction of two birds to the arch, dial inscribed Thomas Husband of Hull, with Roman numerals, five minute Arabic's and seconds dial, dial pinned via a false plate to a rack striking movement with three bells. With three weights, pendulum and key.Dimensions: Height: 230cm Length/Width: 44cm Depth/Diameter: 23cm
Richard Swaine of Stratford on Avon - 19th century 30-hour oak and mahogany longcase with a painted dial and earlier countwheel striking movement, with an inlaid swans necked pediment, brass paterie and an eagle and ball finial, square hood door with two reeded pilasters and brass capitals, trunk with recessed quarter columns, short trunk door and crossbanding, square plinth raised on a decorative base, ten inch painted dial with depictions of fruit within a gesso border to the spandrels, Roman numerals, five minute Arabic's and steel hands, dial pinned to an earlier birdcage movement with a countwheel strike and recoil anchor escapement, striking the hours on a bell. With weight and pendulum.Dimensions: Height: 210cm Length/Width: 42cm Depth/Diameter: 22cm
W. Phillips of Bromyard - 8-day mahogany longcase with a painted moon roller dial, c 1790,swans neck pediment with dog tooth moulding, raised carving and brass paterie, break arch hood door beneath flanked by reeded pilasters with brass Corinthian capitals, trunk with a blind fret, reeded quarter columns and long wavy topped door,Plinth with a deep moulding and canted corners raised on a shaped base, painted dial with gesso spandrels, Roman numerals, five minute Arabic's and minute dots, with steel hands, seconds dial and square date aperture, dial pinned to a rack striking movement with an anchor escapement, striking the hours on a cast bell. A clockmaker by the name of John Phillips is recorded as working in Bromyard (Worcs) in the early to mid 18th century, certainly by 1770-90. W. Phillips was possibly an unrecorded son or brother also working in the same family clockmaking business during the later part of the 18th century.Dimensions: Height: 250cm Length/Width: 54cm Depth/Diameter: 27cm
French early 19th century 8-day mantle clock, with a gilded figure of a Turkish lady resting on a drum enclosed Parisian movement, on a broad decorated plinth resting on scroll feet, silvered dial with Roman numerals and steel moon hands, with a silk suspension and count wheel striking movement, striking the hours on a bell.Dimensions: Height: 33cm Length/Width: 25cm Depth/Diameter: 10cm
French - Early 20th century white marble and gilt-metal striking portico mantel clock and garniture, circa 1910, with four free-standing columns above a shaped plinth raised on four feet, gilt metal drum case surmounted by two small nesting birds, convex enamel dial with floral garlands and Arabic numerals, gilt Louis XV hands and minute markers, 8-day outside countwheel striking movement striking the hours and half hours on a bell, with a sunburst pendulum and matching pair of garniture urns with conforming decoration.Dimensions: Height: 40cm Length/Width: 25cm Depth/Diameter: 13cm
Webber of Liverpool - late 19th century English 8-day walnut bracket clock in a break arch case with brass finials and brass inlay to the tympanum, silk backed side frets with brass spandrels and reeded brass columns to the front, on a double rectangular plinth raised on brass feet, with an arched brass dial, silvered chapter ring, Roman numerals and pierced steel hands with conforming subsidiary dials for pendulum regulation, chime/silent and chime selection, substantial three train chain driven fusee movement sounding the quarters on 8-bells and the hours on a coiled gong. With pendulum and key.Dimensions: Height: 75cm Length/Width: 43cm Depth/Diameter: 30cm
Edwardian - English ebonised 8-day bracket clock in a break arch case with flambe finials and reeded columns with Corinthian capitals to the front, silk backed brass side frets on an ogee plinth raised on bracket feet, brass dial with matted centre, slivered chapter ring and conforming dials for chime selection and chime/silent, three train chain driven fusee movement with an engraved backplate sounding the quarters on 8-bells and the hours on a coiled gong. With pendulum and key.Dimensions: Height: 46cm Length/Width: 40cm Depth/Diameter: 24cm
French - late 19th century 8-day brass cased mantle clock, with a tiered pediment surmounted by a central finial with mounted flambé finials to the corners, silvered two-part dial with Roman numerals, steel hands and a cast bezel flanked by two circular columns with Corinthian capitals, with contrasting applied filigree decoration to the pediment, pillars and front of the case, rectangular stepped plinth with a decorative base on block feet, Japy Freres twin train Parisian movement with square movement plates and rack striking, sounding the hours and half-hours on a coiled gong. With pendulum.Dimensions: Height: 50cm Length/Width: 30cm Depth/Diameter: 17cm
Classical Grecian design grey and orange veined marble centre table, the rectangular single slab top with rounded corners and carved edge, raised on twin pedestals comprised of three pieces with a waisted column on a stepped plinthDimensions: Height: 80cm Length/Width: 200cm Depth/Diameter: 100cm
20th century Georgian design mahogany twin pedestal desk, moulded rectangular top with leather inset, fitted with seven drawers, on moulded plinth baseDimensions: Height: 76cm Length/Width: 151cm Depth/Diameter: 84cmCondition Report:Some handles are a little loose. General signs of age and use.
Victorian mahogany twin pedestal desk, moulded rectangular top with rounded corners, tan leather inset writing surface with gilt borders, fitted with nine drawers, each with circular pierced and press brass handle plates and loop handles, raised moulded plinth baseDimensions: Height: 78cm Length/Width: 137cm Depth/Diameter: 76cm
Late 19th century Neoclassical design ebonised and gilt jardinière, the square marble top with foliate gilt metal edge over a fluted column with inset floral gilt metal applied decoration, the circular socle on a stepped plinth base with embossed metal edge with C-scroll and cartouche repeating patternsDimensions: Height: 104cm Length/Width: 34cm
A JAPANESE BRONZE BUST OF LADY K ON A WHITE MARBLE PLINTH BASE AFTER YASUTAKE FUNAKOSHI (1912-2002). She cast with bobbed hair and parted fringe, signed to reverse, on a square white marble plinth base. 21 cm high inc. marble base, 2.06kg gross weight Overall in good order. Some minor surface scratching to bronze, some minute chipping to the edges and corners of base. There is a later applied label to the front with the sculptor's name which is slightly loose.
A PAIR OF 20TH CENTURY EBONISED GLAZED BOOKCASES with gadrooned moulded cornices over pairs of glazed doors over single drawers on plinth bases all carved with foliate motifs, 211cm high x 99cm wide x 38cm deep (2) Condition Report:"Both bookcases are in a fair condition relative to age and use with surface wear throughout with minor losses to beading on sides.Bookcases date roughly to the 2nd quarter of the 20th century"
A 20TH CENTURY PITCH PINE PLAN CHEST with five drawers on plinth base, 87cm high x 150cm wide x 77cm deep Condition Report:Plan chest is in fair condition relative to age and use with surface wear/scratches, top has some slight deformation due to delamination of veneer, drawers all have sound liners and pull without great difficulty.
AN IMPRESSIVE ARTS & CRAFTS OAK CASED CHIMING MOONPHASE LONGCASE CLOCK RETAILED BY "THE ASSOCIATION OF DIAMOND MERCHANTS LTD 6 GRAND HOTEL BUILDINGS TRAFALGAR SQUARE, LONDON" with shaped brass dial with foliate etching, 50cm high x 40cm wide with arched silvered and painted moon phase aperture bearing Arabic numeral, flanked by silvered chime controls Westminster and Whittington over silvered dial bearing brass Arabic numerals, 32cm diameter with single subsidiary dial bearing Arabic numerals all with blued filigree hands, the case with shaped pierced surmount over embossed copper relief, over glazed door flanked by pierced uprights and side panels, over leaded glazed pendulum door and side panels containing brass pendulum and weights over embossed copper relief on plinth base, 281cm (110inches) high x 76cm (30inches) wide x 44cm (17.5inches) deep Bears similarities to Walter H. Durfee (1857-1939) Condition Report:Available upon request
A LATE VICTORIAN STAINED OAK ARTS & CRAFTS MIRROR BACKED SIDEBOARD with scrolled surmount over moulded dentil cornice over three shaped bevelled glass mirror separated by turned columns on base with long drawer flanked by short drawers over pair of cabinet doors flanked by cabinet door either side all with carved reliefs on plinth base, 235cm high x 187cm wide x 59cm deep Condition Report:Available upon request
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173487 item(s)/page