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A gilt metal mantle clock, with a domed top above pilasters on a plinth base, the circular dial with Arabic numerals, inscribed ``The London Jewellers & Silversmiths co. Jersey, Made in Paris``, striking on a gong, the back plate marked Japy Freres, 37 cm high on a gilt plinth, under a glass dome.
A walnut longcase clock, the hood with a moulded cornice and blind fretwork frieze and three quarter section columns, long trunk door and bulls eyes above a box base and plinth, the 30.5cm dial with brass chapter ring with Roman numerals, seconds subsidiary dial and calendar aperture inscribed ``Jo`s Buckingham, London`` the eight day movement striking on a bell, 219cm high
An early 19th century silver urn and cover, the body with figures of acanthus and fitted a pair of scroll handles, raised on square sub plinth, the body marked for London 1801, possibly by Solomon Hougham, the cover unmarked, 21cm (8 1/4in), 25 troy oz gross weight, together with an early 19th century French silver sugar box
Vic Grainger - portrait watercolour of Jet Circle, winner of the Greyhound St Ledger Wembley 1985, signed and dated 85, framed and glazed, also an engraved winners trophy from the same race inscribed 'The Tony Morris St Ledger Wembley Stadium 30th August 1985', height excluding wooden plinth base 26cm (illustrated)
*A pair 19th century Meissen Napoleonic figurines, each decorated with blue, red and white striped hats and one drinking from a barrel decorated with a French flag, the other blowing a trumpet a with Napoleon flag, each raised on naturalistic plinth base, blue cross sword mark and 1445 to base, height 26cm (restorations) (illustrated)
A pair of impressive good quality Victorian hallmarked silver Corinthian candlesticks, with later silver-plated detachable three branch candelabra, having fluted columns, raised on stepped square plinth bases, made by James Beebe London 1886/87, height excluding candelabra 31.5cm, height including candelabra 46cm, complete with hallmarked silver detachable sconces. (weighted bases) (illustrated)
A William IV/early Victorian feathered mahogany tall library bookcase, the swept moulded cornice above two glazed panelled doors enclosing adjustable shelves, above two moulded front frieze drawers and two recessed panel cupboard doors, applied with decorative carved mouldings throughout and raised on plinth base, width approx 123cm (illustrated)
A Victorian mahogany tall library bookcase, having a moulded cornice above domed glazed panel doors enclosing adjustable shelves, the base fitted with two secret frieze drawers above two recessed arched feather mahogany veneered cupboard doors, flanked by carved scrolled brackets, raised on plinth base, width approx 120cm
A French gilt bronze mantel clock, the white enamel dial painted with swags and inscribed 'Causard, a Parie', surmounted with a putto holding a wreath, over trophies and flowers, the inverted rouge marble plinth on turned feet, 27cm high CONDITION REPORT: No major issues. Marble chips to plinth. Face clear.
The Aynsley China Millennium Trophy (No.1 from the limited edition of 10), a fine bone china vase (35.5cm., 14in. high) with gilding, designed by Bill Waugh and hand painted by Jack Shaw with images of Old Tom Morris by the Swilken Bridge at St Andrews circa 1900, and the R&A Clubhouse in 2000, numbered 1/10, wooden plinth, with COA and original box
Two Volvo Masters glass presentations to Jaime Ortiz-Patiño, both the v-shaped sculptural designs, both inscribed VOLVO MASTERS, the first inscribed TO JIMMY, IN APPRECIATION OF YOUR COMMITMENT TO THE VOLVO MASTERS, the other TO DON JAIME ORTIZ-PATIÑO, THE REAL CHAIRMAN OF THE VOLVO MASTERS 1988-1996 AT VALDERRAMA GOLF CLUB, on a marble plinth, the larger 43cm., 17in. high; sold together with a quantity of other memorabilia relating to the Volvo Masters tournament at Valderrama including photographs, a presentation porcelain plate boxed with original letter, badges, an Asprey ashtray inscribed PADRAIH HARRINGTON and other assorted items (a qty.)
The Old Tom Morris Award presented to Jaime Ortiz-Patiño by the GCSAA in 1999, metalware sculptural group by Michael Roche titled ‘Old Tom, Keeper of the Greens’, depicting the ‘father of golf’ on the Swilken Bridge at St Andrews, set on a marble plinth, with wooden base and inscribed presentation plaque, 31 by 31cm., 12 1/4 by 12 1/4in.; sold together with a resin bronze wall plaque depicting Old Tom similarly titled to the above sculpture (2)
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