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Lot 435
A George III style mahogany kneehole desk, pierced gallery over gilt finished tooled leather, over central drawers with scrolling apron, flanked by eight short drawers, raised on plinth with hidden castors, 122cmW x 66cmD x 81cmH (with a glass panel for the top) Provenance: Made for and presented to the Headmaster of Wellingborough School in 1907 and thence by descent through the family.
Lot 468
A VICTORIAN MAHOGANY CYLINDER FRONTED BUREAU BOOKCASE, the upper section with a moulded cornice above twin glazed doors, the base with a cylinder fronted desk with leather-lined writing surface and an arrangement of short drawers with pigeonholes, all above twin panelled doors, on a plinth base, 48" high
Lot 377
A modern Moorcroft lamp base in "Indian Paintbrush" pattern by Philip Gibson, on a graduated blue ground, raised on small circular plinth, height excluding fitting 20.5cm. CONDITION REPORT: Small scratch to ground, some surface dirt, otherwise appears good with no further obvious signs of faults, damage or restoration.
Lot 488
Three Aynsley figures; "Bill Sykes", "Fagin" and "Mr Micawber", and a Roy Kirkham Cries of London "sweep" (af), and a figure of an Oriental girl (5). CONDITION REPORT: Aynsley figures in good condition. The sweep has been broken off above his plinth and reglued. Some crazing to the Oriental girl.
Lot 1834
A late 18th/early 19th century oak and mahogany crossbanded longcase clock, the moulded cornice above painted dial set with Roman numerals, rolling central moon phase, date aperture and eight day movement, indistinctly inscribed "GAM Barlow", above mahogany crossbanded door flanked by fluted quarter cut pilasters to a plinth base, height 210cm.
Lot 1836
A late 18th century oak longcase clock of small proportions, the 11" brass dial set with Roman numerals to the chapter ring and date aperture inscribed "Wainwright Bunny" flanked by turned pilasters above a long arch door to plinth base, height 181cm. Humphrey Wainwright of Bunny is noted in Baillie Watchmakers and Clockmakers of The World in reference to a late 18th century musical longcase clock.
Lot 1837
An early 19th century mahogany and satinwood longcase clock, the hood with broken swan neck pediment above arched painted dial set with rolling moon phase, Roman numerals, subsidiary seconds hand and date aperture, inscribed "Brown, Manchester", above long arched door to plinth base, height 228cm (in need of restoration).
Lot 1839
A 19th century mahogany and inlaid eight day longcase clock with broken swan neck pediment above arched dial with painted rolling moon phase, set with Arabic numerals with painted floral spandrels, indistinctly inscribed, above single shaped door to a plinth base with shaped apron (for restoration).
Lot 1840
A 19th century French provincial pine eight day longcase clock with circular white enamel dial set with Roman numerals and inscribed "Bosserdet a St Leger S/-Dheune" with embossed floral surround above shaped glazed door enclosing embossed painted floral pendulum to a tapering plinth base, height 233cm.
Lot 1841
An Edwardian mahogany musical tube chiming longcase clock, the hood with broken swan neck pediment above arched dial set with Arabic numerals to the chapter ring, chime/silent dial, subsidiary seconds hand and inscribed "Webster, Queen Victoria St, London", with eight day movement and detailed gilded fretwork throughout, the door with oval bevelled glass to a plinth base with bracket feet, height 217cm.
Lot 1981
A pair of 19th century French Boullework pier cabinets, each with black slate rectangular top above acanthus gilt metal mounted frieze, tortoiseshell inlaid panel door flanked by caryatid mounts to a stepped plinth with gilded masks to the side panels, height 112.5cm, width 73cm, depth 38cm. CONDITION REPORT: Both have large areas of lifting brass and old repair, also small sections missing to tortoiseshell. Good quality mounts. Wood is poor colour. They are from a private house in the North West of England.
Lot 1982
An unusual 19th century ebonised tortoiseshell detailed and brass mounted side cabinet, the brass three quarter baluster turned gallery above single glazed door with tortoiseshell and brass rosette border enclosing two shaped shelves to a plinth base and squat bun feet, width 78cm. CONDITION REPORT: External dimensions: height - 109cm; width - 77cm; depth - 35cm. Internal dimensions: variable to open. Splits to timber of gallery but basically OK.
Lot 1994
A Victorian walnut and inlaid serpentine fronted credenza with central cupboard door flanked by pair of glazed doors to a plinth base, width 152cm (one door af). CONDITION REPORT: The left glass is missing, it has been sun bleached throughout, particularly on the front panel, scuffs and scrapes throughout, a couple of surface cracks on the top surface as you would expect. Internal depth: 28cm. Overall: height - 103cm; width - 152cm, depth - 41cm.
Lot 874
Late 18th century oak and mahogany cross banded 8 day long case clock with brass dial and 2 subsidiary dial and arched moon phase above signed Ely Stott Wakefield. 93" tall. 2 weights and a pendulum. 13" dial Condition - case needs restoration, bottom plinth missing, veneer lifting, fretwork detailing missing from swan neck pediment, some of the cornice has gone. Works and movement look quite good.
Lot 1230
Leon Bertaux After ( French, 1825-1909 ) '' Jeune Fille au bain- Sara la baigneuse '' Bronze Sculpture. c.1876. Signed '' Mme Leon Bertaux '' on the sculpture, near the feet. Fine, quality casting. Very good condition. The polished marble plinth In good condition with the expected wear and small losses to the edges. Literature / catalogue raisonne, Anne Pingeot - Antionette Le Normand-Romain - Laure de Margerie, Mus?e d'Orsay. Summary Illustrated catalogue of sculptures, Paris. 1986. Dimensions, Height 10.3/8 Inches, Width 11.1/8 Inches & Depth 7.1/4 Inches. Helene Bertaux, born Josephine Charlotte Helen Pilate ( better known as Madame Leon Bertaux, or simply Leon Bertaux ) was a sculpture and woman's rights activist in the second half of 19th Century. Married but separated from her first husband, she began to sign her works, In 1854, under the name '' Madame Leon Bertaux '' the name of her companion whom she married In 1866, after the death of her first husband In 1865. Later casting c. Early 1950's with Bronze Medal. To figures fright hand which reads Bronze Garranti Paris J.B. Deposee.
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173444 item(s)/page