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A George III Oak Longcase Clock, the arched hood with turned pilasters above a rectangular door and conforming plinth base, the brass dial inscribed William Tickle, Newcastle, and with brass chapter ring, seconds dial and date aperture and with two train eight day movement striking on a bell
A fine George II Irish silver twin handled loving cup, plain, pedestal form, of heavy guage, with leaf scroll ear handles, William Townsend, Dublin circa 1740, 18cm high, 26cm wide, 32.96ozt Provenance: bears the crest and arms of O'Gorman, on a presentation plinth with silver plaque 'Presented to Francis Richard Wade OBE', trustee and chairman of the Austin Motor Company Stockholders Committee 1922 -1926
Two Antique Continental Wooden Dolls (possibly early 19th Century), with hand painted faces, the feminine figure wearing a long red silk dress with a taffeta apron and blue bodice with a cotton shawl. The male doll is wearing red trousers with a silk shirt and a jacket both supported on a wooden plinth.
A 19th CENTURY FRENCH GILT METAL MOUNTED SLATE AND MARBLE CASED CLOCK GARNITURE, the white enamel dial with Arabic numerals and eight day movement, the architectural form case surmounted by a partial gilt urn and raised on gilt paw feet, with twin five light candelabra raised on plinth bases and paw feet. Height of clock 33.5cm
AN 18th CENTURY OAK CASED LONGCASE CLOCK, R. SHERRATT, TITLEY (C.1720-1730), the 12" brass dial with chapter ring and Roman numerals, with scroll cast brass spandrels and date aperture, the eight day movement striking on a bell in a later case circa 1780, the hood with a moulded cornice and Greek Key beading over a blind carved frieze above a glazed window flanked by tapering fluted columns with gilt brass Corinthian caps, the trunk with a shaped panel door flanked by fluted quarter columns with similar terminals raised on a moulded plinth base and bracket feet. 2.05m by 0.59m by 0.31m
AN 18th CENTURY OAK CASED LONG CASE CLOCK, the white enamel dial with Roman numerals, date aperture and subsidiary dial, floral painted spandrels and painted in the arch with a bird, sign Rider, Pool, (probably William Rider a.1798), with an eight day movement striking on a bell, the hood with a moulded broken swan neck pediment surmounted by three ball, spike and bird finials above blind carved fret work over an arched glazed door flanked by tapering fluted cylindrical columns with gilt metal caps, the trunk with a shaped moulded panel door flanked by fluted quarter columns raised on a moulded and panelled plinth base and bracket feet. 2.35m by 0.57m by 0.25m
A GEORGE IV ROSEWOOD CHIFFONIER, the rectangular top with a shelf superstructure supported by scroll carved uprights over a frieze drawer above a recessed shelf flanked by tapering cylindrical columns with leaf carved terminals and lyre form sides with brass inserts on a shaped plinth base raised on flattened boldly reeded feet. 1.09m by 0.79m by 0.54m
AN EARLY 20th CENTURY 6ft OAK SIDEBOARD IN THE ART NOUVEAU TASTE, by Smith & Payne, 11 Market St, Leicester, the crest rail with boldly carved stylised leaves and centred by a shelf, over a bowed top above two freize drawers over a pair of cupboard doors, heavily and boldly carved with stylised trees, flowers and leaves, with copper strap work and handles, raised on moulded plinth feet, with makers label to inside of cupboard door. 1.35cm by 1.83cm by 0.65cm
A VICTORIAN MAHOGANY LIBRARY BOOKCASE, the upper half fitted nine height adjustable shelves enclosed by three glazed panelled doors with scroll pilasters and shaped cornice, the base with adjustable shelves enclosed by three moulded panelled doors on a plain plinth, 238cm high x 190cm wide x 47cm deep
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