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AN EXCEPTIONALLY LARGE 'FIGHTING COCKEREL' ART DECO MANTEL CLOCK , eight day French barrel movement with platform escapement and count wheel strike on bell, the bronzed cockerel figures raised on varigated marble plinth, with rear matched and conforming marble panels in arched formation, the clock face of trapezoid form with silvered face and Art Deco numerals, W 77 cm, H 51 cm
A LATE VICTORIAN SKELETON CLOCK, the Gothic inspired frame with triple steeple upper section, twin fusee movement, anchor escapement axe head hammer, passing strike on a bell, the shaped and pierced dial with Roman numerals and raised on four fluted columns, the oval plinth made of wood and alabaster, glass dome, H 37.5 cm - Clock, H 45 cm - Overall S/DCondition Report:The glass dome has been cracked and stuck.
American Classical Carved Mahogany Sideboard, attr. to the workshop of Charles White, cornucopia backsplash flanking columned pedimented mirror, drop center with small drawer over bolection drawer and cupboard doors, drawer and cupboard to each side flanked by columnar supports, plinth base, gadrooned turned feet, h. 57 1/4 in., w. 67 1/2 in., d. 23 in
A LATE 19TH CENTURY AESTHETIC MOVEMENT CABINET, ebonised and gilt painted with songbirds amongst lilac, convolvulus, ivy fuchsia, birds nest and magnolia; having a moulded cornice above two indented panel doors, the interior fitted with a shelf and three drawers, above two coloured glass mosaic lined shelves, two drawers below flanked by rounded pilasters with gilt palmette collars, the sides fitted with a further open compartment above four small graduated drawers, on a moulded plinth base and later castors, 113cm wide x 54cm deep x 192cm high. See illustration
PAUL PHILIPPE, (French 1870-1930), 'La Grand Ecart Respecteux' (the respectful splits), an Art Deco patinated and lacquered bronze and carved ivory figure c.1925, depicting a female pierrot figure with tall spiral hat, on canted rectangular base and grey veined marble plinth, signed with foundary initials RM, 21cm high x 29cm long. See illustration
A George III mahogany cabinet, with swans neck pediment and dentil cornice above a pair of glazed doors with wooden astragals enclosing adjustable shelves, the base fitted with one shallow drawer with interior compartments and three further drawers with brass drop handles with circular backplates and cockbeading to each drawer front and all raised on ogee bracket feet. Width 114 cm. CONDITION REPORT: This piece of furniture has in our opinion been reduced in depth. The depth from the front edge of the chest of drawers to the rear is 42.5 cm. The piece requires some restoration. One of the roundels from the swans neck pediment is missing. We have most of the broken fretwork from the centre however. There are some sections of tooth missing from the right hand return moulding on the cornice and at both the left and right hand front corners. The sides of the top are in good order. The doors are in generally good condition, the right has a slight warp at the bottom edge. The base has old ink and water stains to the top front edge. The top shallow drawer has been cut at the rear. There is no back. The remaining three drawers all have their backs. All cockbeading is present and the brass drop handles are original. The brass knob handles on the top drawer are not. The plinth moulding and bracket feet are all original and in good condition. The right hand sides of the top section of the cabinet have a small timber loss to the bottom right hand corner. The remaining three sides (including the base) are in good order.
Two presentation cups, "The Lonsdale Challenge Cup" Presented to Penrith Homing Society, impressed with the Lonsdale Crown, London 1927, 266 grams, height 18 cm excluding plinth, and a Penrith Homing Society presentation cup presented by The Right Honourable Earl of Lonsdale for The Best Average Velocity in All Races, 297 grams, height 12.5 cm excluding base.
A composition Art Nouveau style bust, raised on a simulated marble plinth and with carved mahogany pedestal. Pedestal height 142 cm, bust 60 cm (see illustration). CONDITION REPORT: By composition we mean some form of resin. It is definitely not metal but does look like bronze. The bust is in generally very good condition with no damage, repairs or restoration. The supporting socle base is in generally good order with only one very small chip to the top surface of one of the octagonal sections at the base of the plinth. The carved wooden base is in generally good condition. There are some minor surface scuffs and scratches as one would expect. There are one or two stress fractures to the timber but no breaks and no losses.
A pair of 19th century Grand Tour bronze urns, each with marble plinth. Height 22 cm (see illustration). CONDITION REPORT: These are both in generally good condition. As you will see from the images they have lost much of their original gilding. There is however no damage to the external body of either urn and only very minor nibbles to the marble bases. The inner lining of one urn has a 2 cm stress fracture to the liner bottom.
An early Victorian mahogany collectors' cabinet, table top form, with pair of panelled doors above a single drawer with wooden knob handles. Width 46 cm. CONDITION REPORT: Height 52 cm, depth at plinth 27 cm, width 46.5 cm. The doors simply open to three shelves. The base has only a drawer. The piece is in generally good condition. There are minor scuffs to the crossbanding on the edge of the cornice. The doors are flat and not warped. There are no significant losses. The veneers to the front of the shelves are in good order. The drawer is missing the cockbeading from the bottom edge and right and left upright. There are various stress fractures to the veneer around the corners. The sides of the piece are in generally good condition with minor scuffs and scratches. The plinth base has some small areas of veneer loss and various scuffs and scratches.
A late Victorian oak brass bound tantalus, fitted with three decanters and two compartments, one housing glasses, and with further drawer beneath. Width 36 cm (see illustration). CONDITION REPORT: Generally good condition. There is a small veneer loss to the front edge of the top roll just to the right of the left hand decanter stopper. There is also a small loss to the rear right hand corner of the plinth and a scuff to the rear left hand corner. Other than this the woodwork is all in good order. All brasswork is original. It is a little dirty and a polish would be beneficial. The decanters are all in generally good order. They are a little dirty. There are very minor chips to the bottoms of each stopper and the odd tiny nibble elsewhere but no significant issues. The three glasses are in good condition. There is nothing in the bottom tray. All mechanisms operate as they should.
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173444 item(s)/page