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Lot 479
A FINE RARE FRENCH SOUFLETO DECORATED AND PARCEL GILT UPRIGHT PIANO, number 6873, decorated in the Neocassical style, the moulded hinged top, above a panel depicting musical cherubs, flanked to either side with a gilt panel decorated with scrolling foliage and flanked with two fluted Doric type pilasters, the 46" (117cm) wide keyboard with two candle panels, and a further decorated rectangular panel below, with scrolling foliage and floral swags, flanked to either side with two parcel gilt spiral fluted vase shaped columns, and conforming rear pilasters on a inverted breakfront plinth, each side with two parcel gilt panels, and ornate wreath cast brass carrying handles, probably an exhibition piece, 49" (125cm) high, 58" (147cm) wide. (1)
Lot 480
A VICTORIAN EBONISED AND BRASS MOUNTED CREDENZA, of breakfront outline, applied with porcelain panels, each within a gilt brass frame, the centre door with an oval portrait plaque and crested with a ribbon bow in brass, inside a moulded brass frame and cross banding, and two bowed glazed doors to either side, raised on a breakfront plinth, 39.5" (100cm) high, 5ft (152cm) wide. (1)
Lot 52
A VICTORIAN DICKENS-TYPE WALNUT PEDESTAL WRITING DESK, the superstructure with shelf and gallery flanked to either side with four drawers, the slope front opening to reveal pigeonhole compartments and a drawer, inset with tooled leather surface and two conforming leather inset panels to either side, above three frieze drawers, raised on two pedestals each with three drawers, on a plinth base with castors, 49" (124cm) wide. (1)
Lot 84
A FINE UNUSUAL ROSEWOOD, WALNUT AND SATINWOOD-BANDED CABINET-ON-STAND, the moulded top with a cartouche crest issuing scrolling foliage, above a glazed door with tapestry panel, depicting a parrot, two terriers and a cockatoo among flowering shrubs, on a conforming marquetry inlaid base, with floral panels, the canted corners with conforming floral marquetry, raised on a plinth base, 5ft (190cm) high, 41" (104cm) wide. (1)
Lot 114
A LARGE CHIPPENDALE STYLE CARVED MAHOGANY BREAKFRONT SIDE CHEST OR SERVING TABLE, the guilloche-moulded frieze and centre section with two long and two short drawers, flanked to either side with a cupboard, the cupboard panels with ornate carvings in the form of hanging swags, ribbon bows, and roundels, raised on an elaborate triple breakfront plinth, the doors and drawers flanked to either side with fluted pilasters headed with oval partriae, 34" (86cm) high, 83" (211cm) wide. (1)
Lot 182
A LATE VICTORIAN STAINED PINE BEDROOM SUITE, comprising wardrobe with moulded cornice and a central mirror door, flanked to either side with two panels, each cross banded with specimen timbers, the base with one long drawer and raised on a plinth, 49” (125cm)w; together with a matching chest, with three long and two short drawers, 48” (122cm); a swing frame dressing table mirror, 48” (122cm); and a marble topped wash stand with tile back, 46” (117cm). (4)
Lot 299
A GOOD GEORGIAN STYLE MAHOGANY PARTNERS PEDESTAL DESK, the rectangular moulded top with cross-banded edge and inset with tooled leather inset, above six frieze drawers, three to either side, raised on two pedestals each with three drawers and a cupboard, applied with heavy brass carrying handles, on tow plinth bases, 63" (160cm) high, 41" (104cm) deep. (1)
Lot 306
A LARGE GOOD QUALITY VICTORIAN MAHOGANY PEDESTAL SIDEBOARD, the shaped back with central shell crest, issuing scrolling foliage, above a serpentine front, with central frieze drawer, raised on two pedestals, each with a cupboard door, each enclosing bottle racks and shelf, raised on double moulded plinth, 94" (239cm) wide. (1)
Lot 356
A VERY LARGE PAIR OF VERY HEAVY CAST IRON GARDEN URNS, in the Neoclassical style, each with an egg-and-dart folded rim, over relief panels, depicting classical figures and two handles terminating in grotesque masks, on a leaf-cast stem with stepped base, raised on a tall conforming plinth, with further masks and cherubs, and leaf cast square base with canted corners, 7ft5 (191cm) high. (1)
Lot 360
A PAIR OF ATTRACTIVE LOW SIZE CAST IRON CAMPANA-SHAPED GARDEN URNS, each with a folded egg-and-dart moulded rim, the body with floral scrolls in relief and a half-reeded centre, with two mask handles, on a stem base, raised on a conforming upward tapering square plinth, with relief moulded panels and moulded foot, 41" (104cm) high. (1)
Lot 367
A FINE REGENCY PERIOD MAHOGANY CHAISE LONGUE, in the manner of Thomas Hope, a single scroll end, with button back, seat, with bolster cushion, covered in attractive gold draylon, the reeded frame front with two small rectangular panels, and raised on front shaped lion paw feet, each on short rectangular plinth, 73" (185cm)w. (1)
Lot 10
Martin Brothers, a stoneware model in the form of a dog, circa 1900, modelled seated wearing a ruff collar, allover incised detailing, glazed with dark spots against a sand coloured ground, the collar in white, mounted on a turned ebonised plinth base, the underside of the plinth base incised 'R.W. Martin & Bros, London, Southall', 11.5cm high, 13cm inc. plinth base.This example of Martin ware is similar in design and size to that seen in Malcolm Haslam's 'The Martin Brothers Potters', Dennis Publications, 1978, fig 109, p 84 where it is referred to as a Toby. Unlike other examples of modelled dogs that have appeared to market in recent years, this particular dog has the head and body fused together, rather than being a true jar and cover. The substance used to hold both parts together is a white composite material similar to that seen used to stabilise significant firing cracks or flaws on larger Martin models. As to whether it is contemporary is indeterminable. Furthermore, the means of marking this example is also highly unusual. The underside of the ebonised plinth is inset with a plaster-like material which carries the incised markings. The dog is seemingly glued to the plinth and has not been inspected for any incised markings directly into the stoneware, and due to the fused head-to-body, a marking to the internal collar is also not possible to confirm.
Lot 11
Martin Brothers, a stoneware jar and cover in the form of a bird, dated 31st March 1914, the detailed feathers glazed in tones of green, blue and buff, mounted on an ebonised wooden plinth, incised to internal head collar and base 'R.W Martin & Bros, London, Southall, 31.3.1914', 12.5cm high, 14.5cm high inc. base.The head of this Wally bird is detachable, although it has a cork wedged internally which in turn is attached to a piece of string preventing the head from coming free entirely. Presumably acting as a primitive safety mechanism when being handled.
Lot 177
Samuel Lipszyc, an Art Deco silvered and patinated bronze and carved ivory sculpture, circa 1925, the female dancer modelled wearing high-collared stylised dress and skirt, posed holding a squirrel sat on her left arm, the ivory heightened with staining, raised on a shaped marble plinth, signed 'S. Lipszyc', 43cm high.
Lot 203
Neal Jones, an Art Deco style 'Signature' console table, 21st century, amboyna and macassar ebony with nickel detailing, the stepped rectangular top supported by down swept support, on shaped graduating plinth base, width 126cm, depth 50cm, height 91cm.For further reading see http://www.nealjonesfurniture.com/deco-style-console-table.htmlNeal Jones Furniture is a contemporary cabinet maker based in Waddington, Lancashire, providing bespoke furniture design for the home, corporate spaces, or private yachts. Founded in 2009, he has worked for leading interior designers, and an established list of private clients including royalty and the British nobility.
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173487 item(s)/page