Salvador Dali, Spanish 1904-1989- "Nu Montant l`Escalier, Hommage à Marcel Duchamp " (Nude climbing the stairs, Hommage to Marcel Duchamp), publ. 2049 Obra Contemporanea; bronze with gold patina on a marble plinth, numbered 269/350, height 15.5cm excluding plinth, 22cm with plinth, (may be subject to Droit de Suite) Note: A certificate of authenticity from 2049 Obra Contemporanea accompanies this lot. Reference: Descharnes, Robert and Nicolas `The Hard and the Soft`, Eccart 2004 page 162 and 163
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Salvador Dali, Spanish 1904-1989- "Le Minotaure" (The Minotaur), foundry Valsuani; bronze with black and gold patina with integral plinth, signed, with foundry stamp Cire Perdue C Valsuani, and numbered 53/99, 78cm high, (may be subject to Droit de Suite) Note: A certificate of authenticity from ARTCO France accompanies this lot. Reference: Descharnes, Robert and Nicolas `The Hard and the Soft`, Eccart 2004 page 252 and 253
Salvador Dali, Spanish 1904-1989- "Perseus, Hommage à Venvenuto Cellini" (Perseus, Hommage to Benvenuto Cellini), publ. 2049 Obra Contemporanea; bronze with gold patina on a marble plinth, signed, numbered 245/350 and inscribed `FRA`, height 19cm excluding plinth, 24cm with plinth, (may be subject to Droit de Suite) Note: A certificate of authenticity from Artco, France accompanies this lot. This sculpture is reference in `The Hard and the Soft` by R and N Descharnes, page 172 and 173
Salvador Dali, Spanish 1904-1989- "Rhinoceros Habille en Dentelles" (Rhinoceros dressed in Lace), foundry Valsuani; bronze with florentine green and gold patina on integral plinth, signed, foundry stamp `C Valsuani Cire Perdue` on underside of Rhinoceros and on edge of plinth, numbered 36/99, 36cm high, 58.5cm wide, 34.5cm deep, (may be subject to Droit de Suite) Note: A certificate of authenticity from ARTCO France accompanies this lot. Reference: Descharnes, Robert and Nicolas `The Hard and the Soft`, Eccart 2004 page 68 and 69
Salvador Dali, Spanish 1904-1989- "Elephant Spatial" (Space Elephant) (Descharnes 631), foundry Perso Foneria Mendrisio, Switzerland; bronze with blue patina, perspex pyramid and marble plinth, signed, with foundry stamp and numbered 90/350, 94cm high, (may be subject to Droit de Suite) Note: A certificate of authenticity from IAR Art Rescources Ltd accompanies this lot. A foundry certificate also accompanies this lot. Reference: Descharnes, Robert and Nicolas `The Hard and the Soft`, Eccart 2004 page 244
Salvador Dali, Spanish 1904-1989- "Madone de Port Lligat" (Madonna of Port Lligat), publ. 2049 Obra Contemporanea; bronze with etruscan green patina on a marble plinth, numbered 241/350 and inscribed `FRA`, height 13cm excluding plinth, 23.5cm with plinth, (may be subject to Droit de Suite) Note: A certificate of authenticity from 2049 Obra Contemporanea accompanies this lot. Reference: Descharnes, Robert and Nicolas `The Hard and the Soft`, Eccart 2004 page 171
Salvador Dali, Spanish 1904-1989- "Triton Ailé" (Winged Triton), publ. 2049 Obra Contemporanea; bronze with gold patina on a marble plinth, numbered 257/350 and inscribed `FRA`, height 15.5cm excluding plinth, 22.5cm with plinth, (may be subject to Droit de Suite) Note: A certificate of authenticity from 2049 Obra Contemporanea accompanies this lot. This sculpture is reference in `The Hard and the Soft` by R and N Descharnes, page 164 and 165
An Edwardian oak compactum wardrobe, the moulded cornice with dentil frieze over a full length hanging section enclosed by a bevelled edge mirror panelled door flanked by a cupboard enclosed by a pair of coloured leaded light panels over a shallow recess and three long drawers all set on a plinth base, the carcase adorning traces of original stained finish
A substantial medium oak sideboard, the upper section enclosing a central rectangular mirror plate with moulded outline flanked by open shelves and architectural pediment with carved scrolling foliate detail, the lower section with inverted breakfront with carved acanthus outline over shallow frieze drawer, recess and central plain cupboard flanked by a pair of cupboards with turned column supports, all set on a plinth base
A late George III mahogany longcase clock. The case with shaped pediment above a pair of fluted column supports and a moulded trunk door, flanked by fluted quarter pilasters raised on a box plinth base, the eight day two train movement with anchor escapement striking bell, set painted broken-arch topped Roman dial with moon phase and second subsidiary dial and date aperture.
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