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Click here to subscribeA modern pine kitchen dresser, with moulded cornice above a serpentine canopy and two shelves with three drawers below each with ceramic knob handles. the lower stage with moulded rectangular top, three short drawers and three fielded panel doors each with ceramic knob handles, all raised on plain plinth base, 198 cm x 122 cm x 42.5 cm. CONDITION REPORT: Generally good throughout, some minor staining to top and minor marks and scratches.
A Victorian mahogany kneehole desk / dressing table, having a central drawer above the kneehole section flanked by shorted drawers and triple panelled doors all raised on an inverted breakfront plinth base, 79 cm x 122 cm x 49 cm. CONDITION REPORT: Some moulding losses to left hand side and minor splits and scratches showing to top, also some staining, the facia with wear, watermarks and scratches and some wear to frame due to door closure. The plinth base has some joint separation, water marks and scratches.
A Victorian mahogany pedestal kneehole desk, the moulded rectangular and banded top with inset writing surface above three frieze drawers and raised on two supporting pedestals each with three drawers and plinth bases on turned feet, 77 cm x 122 cm x 62 cm. CONDITION REPORT: Large shrinkage splits to top as well as wear marks and scratches, one frieze drawer is missing its knob handle and various wear marks and scratches throughout.
A Victorian satinwood and birds eye maple pot cupboard, having a moulded top above a birds eye maple panelled door enclosing a single shelf raised on a plain plinth base. 73 cm high x 35 x 33.5 cm. CONDITION REPORT: some slight warping to top with marks and scratches, some splitting to sides and a 5" split to birds eye maple panel, edge knocks, marks and scratches throughout.
A Late 19th/Early 20th Century French Gilt Spelter and Pink Veined Marble Mantel Clock "La Source", the 3.75ins diameter domed white enamel dial with Arabic numerals and swag decoration, to the eight day two train movement No. 543 27, contained in gilt spelter drum pattern case flanked by a reclining figure of a young woman holding an urn, pink veined marble plinth base on turned gilt metal feet, 12ins high
A Late 19th Century French Gilt Bronze Clock, in the form of a cockerel with outstretched wings, his foot on a spherical globe formed as a timepiece with raised Roman numerals (lacking hands), on shaped white marble base, gilt brass plinth, 11ins high x 11.75ins overall Provenance: Lady Diana Cooper, formerly of Gower Street, London, and thence by family descent
A Late 19th Century French Gilt Brass and Pink Porcelain Mounted Mantel Clock, by Ch. Vigne, No. 8064, the 3.25ins diameter pink and gilt porcelain dial with Roman numerals, the centre decorated with doves on nest and floral ornament, to the eight day two train movement striking on a bell, contained in ornate gilt brass case surmounted by seated putto flanked by dolphins and with leaf scroll sides and scroll feet, the front with crossed trophies, 12.75ins high, and gilt wood plinth of shaped outline for same, 14.5ins high
A Late 19th Century French Gilt Metal and Porcelain Mounted Mantel Clock and a Pair of Similar Urn Pattern Ornaments, the clock No. 1526 by Miroy-Requier & Co. of Paris and London, the 3ins diameter turquoise and gilt decorated porcelain dial with oval Roman numeral cartouches and floral ornament to centre, to the eight day two train movement striking on a bell, contained in gilt metal case surmounted by figure of a putto playing pipes and with mask and acanthus leaf swag to sides inset with three oval and two rectangular porcelain plaques, on turned feet, 14ins high, and associated gilt plinth of shaped outline, the pair of two-handled urns with green and gilt porcelain urn shaped bodies decorated with young couples, 12.75ins high
A 19th Century French Red Tortoiseshell, Boulle and Gilt Brass Mounted Mantel Clock, by Raingo Freres of Paris, No. 792 52, the 5ins diameter cast gilt brass dial with raised Roman numeral cartouches, to the eight day two train movement (lacking bell, pendulum and key), contained in red tortoiseshell, boulle and gilt brass mounted case surmounted by a two-handled urn, and with mask and leaf scroll ornament, 19ins high, and with associated rectangular plinth, 10.5ins x 6.5ins
An 18th Century Mahogany Longcase Clock, by Jeo. Jarves of Dalton (Lancashire) the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, engraved dial centre with date aperture and arch showing calendar and phase of the moon, to the eight day two train movement striking on a bell, contained in mahogany case with swept top above moulded cornice and turned and fluted pillars to hood, figured arched trunk door crossbanded in mahogany, on crossbanded plinth and bracket feet, 86ins high
An Early Victorian Mahogany Two-Pedestal Sideboard, by James Winter 101 Wardour Street, London, the low panelled back with bold leaf and scroll cresting, fitted three frieze drawers with cushion moulded fronts, the pedestals enclosed by raised and figured veneered centre panel of architectural design, on plinth bases, 78ins wide x 26ins deep x 51ins high
A pine two part Estate kitchen dresser c.1900, the moulded top above three glazed sliding doors, enclosing four shelves, with tongue and groove panel back, on rectangular base fitted two frieze drawers, with bronze cup handles, above three sliding panel doors, on plinth base (223cm x 189cm x 64cm)
Rudolf Kaesbach (Mönchengladbach 1873 - Berlin 1955) Tänzerin mit Reif Anf. 20. Jh. Bronze, braungrün patiniert. Auf der runden Plinthe sign. 'R. KAESBACH' sowie Gießerstempel 'ERNST KRAAS BILDGIESSEREI BERLIN. Figur: H. 39,5 cm, achteckiger Marmorsockel (min. Chip): H. 9 cm. - Provenienz: seit 1920 in norddeutschem Privatbesitz. - Deutscher Bildhauer, Studium an den Akademien in Hanau, Paris und Brüssel. Seit 1904 arbeitete er als Bildhauer in Berlin und schuf eine Reihe lebensgroßer Marmorfiguren sowie allegorische Kleinplastiken und weibliche Aktfiguren, in seinem späteren Oeuvre findet man vermehrt Tierdarstellungen. Lit.: Thieme-Becker. Kaesbach, Rudolf (Mönchengladbach 1873 - Berlin 1955) A Female Dancer with Bangle Early 20th cent. Bronze with browngreen patina. Sign. onto the plinth 'R. KAESBACH' and foundry mark 'ERNST KRAAS BILDGIESSEREI BERLIN'. Figure: H. 39,5 cm, octogonal marble base (min. chipped): H. 9 cm. - Provenance: since 1920 Private Estate, Northern Germany - German sculptor, studied at the academies of Hanau, Paris and Brussels. Since 1904 he worked as a sculptor in Berlin and went public with a series of life-sized marble figures during exhibitions in Berlin, Dusseldorf and Malmö. In later years he devoted himself increasingly to the representation of female nudes. With his sculptures Kaesbach was represented on the big German art exhibitions of 1939, 1940, 1941 and 1943 in the House of German Art in Munich. Lit.: Thieme-Becker a.o.
Martin Götze (Lichtenstein-Callnberg 1865 - Berlin 1928) Weiblicher Akt mit Trauben Um 1900. Bronze, dunkelbraun patiniert. Auf der Plinthe sign. 'Götze'. Figur: H. 43,5 cm, Marmorsockel: H. 43,5 cm. - Deutscher Bildhauer und Medailleur. Studium der Holzbildhauerei an der Kunstgewerbeschule Leipzig, 1893 Atelier in Uetersen, ab 1900 in Berlin ansässig, wo er regelmäßig auf der Großen Berliner Kunstausst. vertreten war, Aufträge erhielt er besonders für Büsten und Kleinbronzen. Lit.: Thieme-Becker; AKL Saur. Götze, Martin (Lichtenstein-Callnberg 1865 - Berlin 1928) A Female Nude with Grapes Around 1900. Bronze with dark brown patina. On the top side of the plinth sign. 'Götze'. Figure: H. 43,5 cm, marble base: H. 43,5 cm. - German sculptor and medal maker, studied at the School of Arts and Crafts in Leipzig, 1893 own workshop in Uetersen, as of 1900 resident in Berlin where he exhibited regularly at the Great Berlin Art Exhibition, his oeuvre contains especially busts and small bronzes.
Rudolf Hölbe (Lemgo 1848 - Dresden 1926) Seltene mythologische Figur 'Sirene' Um 1900. Bronze, dunkel patiniert. Auf der Oberseite der Plinthe sign. 'Rud. Hölbe Dresden', am Plinthenrand Gießerstempel 'Guss Pirner & Franz Dresden'. Figur: H. 58 cm, Marmorsockel: H. 11 cm. - Deutscher Bildhauer, studierte an der Akademie in Leipzig und Dresden, seit 1886 zeigte er Figuren mythologischen oder historischen Charakters und Genrestatuetten auf deutschen Ausstellungen und erhielt zahlreiche Preise, die Manufaktur Meissen erwarb von ihm 1897-1899 einige Figuren und Gruppen. Zu seinen Hauptwerken zählt u.a. die Kolossalgruppe 'Kunst' über dem Haupteingang des Albertinums Lit.: Thieme/Becker 17/18, S. 202. Hölbe, Rudolf (Lemgo 1848 - Dresden 1926) A Mythological Figure of Siren Around 1900. Bronze with dark patina. Sign. on the top side of the plinth 'Rud. Hölbe Dresden', at the plinth edge foundry mark 'Guss Pirner & Franz Dresden'. Figure: H. 58 cm, marble base: H. 11 cm. - German sculptor, studied in Leipzig and Dresden, since 1886 he produces mythological and historical sculptures, which have won several prices. Lit.: Thieme/Becker 17/18, p 202.
Thomas Jastram (Rostock 1959) Statuette 'Jule' 1990. Bronze, hellgrün patiniert. Num. Ex. '10/10', seitl. auf der Plinthe monogr. 'TH.J.'. H. 44,5 cm. - Deutscher Bildhauer, 1980-85 Studium an der Hochschule für Bildende Künste Dresden, lebt und arbeitet seit 1985 als freischaffender Künstler in Hamburg. Das zentrale Thema seiner Arbeit ist die menschliche Figur, sein umfangreiches Oeuvre umfasst Großplastiken für den freien und öffentlichen Raum, Porträts, Kleinplastiken und bildhauerische Zeichnungen. Jastram, Thomas (Rostock 1959) A Statuette 'Jule' 1990. Bronze with light-green patina. Numbered copy '10/10', laterally monogr. on the plinth 'TH.J.'. H. 44,5 cm. - German sculptor, 1980-1985 education at the Hochschule für Bildende Künste Dresden, works and lives since 1985 in Hamburg. The central theme of his work is the human figure, his extensive oeuvre contains monumental sculptures für the public space, portraits, statuettes and sculptural drawings.
Große WMF-Skulptur 'Weiblicher Akt' Um 1920. Galvanobronze, dunkel patiniert. Auf der Plinthe Giesserstempel Kunstanstalt WMF Geislingen-St. Figur: H. 73 cm, achteckiger Marmorsockel: H. 5 cm. - A large WMF Figure of a Female Nude Ca. 1920. Galvanobronze with dark patina. On the plinth foundry mark Kunstanstalt WMF Geislingen-St. Figure: H. 73 cm, octagonal marble stand: H. 5 cm. -
Georg Grasegger (Partenkirchen 1873 - Köln 1927), Deutscher Bildhauer und Kunstgewerbler Figurenpaar 'Hillige Magd und Knecht' Berlin, KPM, das Modell von 1914, zeitnahe Ausführung. Porzellan mit farbiger Unterglasurbemalung. Modelliert nach der Bronzegruppe Graseggers vom Fastnachtsbrunnen auf dem Gülichplatz in Köln. Auf der Plinthe sign. 'GRASEGGER' und '1914' (geprägt). Blaue Szeptermarke, Reichsapfel und K.P.M., Eisernes Kreuz (schwarz), Jahresbuchstabe 'P' (=1915) und Modellnr. '10477' (geprägt). Min. Chips. H. 34,5 cm. - Ausbildung an der Akademie in München als Schüler von Wilhelm von Ruemann, seit 1901 lehrtätig an der Kunstgewerbeschule in Köln, hauptsächlich als Bauplastiker tätig, aber auch auf den meisten großen Kunstausst. der Jahrhundertwende vertreten (München, Glaspalast; Berlin, Gr. Kunstausst.; Mannheim, Köln). Lit.: Thieme/Becker, Vollmer etc. Grasegger, Georg (Partenkirchen 1873 - Köln 1927) A Figure Pair 'Hillige Magd und Knecht' Berlin, KPM, designed 1914, made soon after. Porcelain with underglazed polychrome painting. Designed after the bronze group by Grasegger at the carnival's fountain in Cologne, Gülichplatz. Sign. to the plinth 'GRASEGGER' and '1914' (impressed). Blue sceptre mark, orb and 'K.P.M., iron cross (black), year mark 'P' (=1915) and model's no. '10477' (impressed). Min. chipped. H. 34,5 cm. - German sculptor and craftsman, was educated at the Munich Academy under Wilhelm von Ruemann, since 1901 teaching at the Cologne School of Arts and Crafts, exhibited his works at the most important exhibitions from the turn of the century (Munich, Glaspalast; Berlin, Gr. Kunstausstellung; Mannheim; Köln). Lit.: Thieme/Becker, Vollmer etc.
Renée SINTENIS (1888-1965) "Pferdejunge" Skulptur - Bronze, 17 cm x 13,5 cm x 4,5 cm, auf der Plinthe monogrammiert RS und Gießerstempel Noack Berlin, seltene meisterliche Bronze in typischer Manier der Künstlerin. Provenienz: Sammlung Berlin Renée SINTENIS (1888-1965) "Horse boy" sculpture - bronze, 17 cm x 13.5 cm x 4.5 cm, monogrammed RS and foundry mark Noack Berlin on the plinth, rare masterful bronze in the typical manner of the artist. provenance: collection Berlin
GROßE BRONZE-GRUPPE "DIE RINGKÄMPFER" NACH ANTONIO CANOVA Wohl Italien, um 1900, Bronze mit schwarzgrüner Patina, auf der Plinthe bez."CANOVA", H: ca. 44 cm. Normale Altersspuren. large bronze group "the ring fighters" after antonio canova Probably Italy, about 1900, bronze with black-green patina, inscribed "CANOVA" on the plinth, h: ca. 44 cm. Normal signs of age.
Geflügeltes Engelspaar Kärnten od. Steiermark, 1. H. 18. Jh. Auf Natursockel stehender Engel mit faltenreich drapiertem Hüfttuch, die gespreizten Flügel mit reich verziertem Gefieder. Lindenholz, geschnitzt, farbig gefasst und teilweise vergoldet. H. 71 und 73 cm. - Altersschäden, Fassungsverluste. Holzskulptur Pair of winged angels Carinthia or Styria, 1st half of the 18th century Angel standing on a natural plinth with draped hip scarf, the spread wings with richly decorated plumage. Lime wood, carved, colourfully painted and partly gilded. H. 71 and 73 cm. - Damage due to age, loss of colour. wooden sculpture
Paar Putten als Kerzenträger Frankreich, E. 18. Jh. Auf quadratischem Postament und kanneliertem Säulenstumpf je ein vollplastischer, mit einem Fuß auf Sockelplatte mit Reliefbüste stehender Putto, in den erhobenen Armen je ein gewundenes Füllhorn als Leuchterarm mit unregelmäßig gekräuselten Wellen an den Tüllen; fein ausgearbeitete Flügel und Haare mit Efeukranz. Weißer Marmor, Bronze feuervergoldet. H. 43 cm. - Dabei Tischlampen mit rechteckigen Schirmen, H. ges. 75 cm. Elektrifiziert, keine Gewähr für Funktion und Betriebssicherheit. Engel, Figurenleuchter, Kerzenhalter, Kerzenständer, Tischlampe, Tischleuchte Pair of putti as candle holders France, end 18th c. On a square pedestal and fluted stump of a column a fully plastic cherub with one foot standing on a plinth with a relief bust, in each of the raised arms a winding cornucopia as a candlestick arm with irregularly crimped waves at the spouts; finely carved wings and hair with an ivy wreath. White marble, fire-gilt bronze. H. 43 cm. - With table lamps with rectangular shades, h. total 75 cm. Electrified, no guarantee for function and operational safety. angel, figure chandelier, candlestick, candlestand, table lamp, table light
Marmorbüste Römisch, 1./2. Jh. n. Chr. Auf rechteckigem, rotem Marmorsockel befestigter, vollrund gestalteter Kopf einer Frau mit zurück gekämmtem Haar und Diadem. Marmor. H. 35 cm. - Altersspuren, bestoßen. - Provenienz: in einem Auktionshaus ersteigert. Skulptur Marble bust Roman, 1./2. century AD On a rectangular, red marble plinth mounted, full round head of a woman with back combed hair and tiara. Marble. H. 35 cm. - Signs of age, bumped. - Provenance: Auctioned in an auction house. sculpture
Standfigur des Kriegsgottes Guandi China Auf Sockel stehend, gekleidet in reich ornamentierter Rüstung mit wehenden Schalbändern. Bronze. H. 27 cm. - Attribut der rechten Hand abgebrochen. Chinesisches Kunsthandwerk Statue of the god of war Guandi China Standing on a plinth, dressed in richly ornamented armour with waving scarf bands. Bronze. H. 27 cm. - Attribute of the right hand broken off. chinese crafts
Zwei Glaspokale als Tafelaufsatz Wohl Frankreich, 2. H. 19. Jh. Auf Ballenfüßen quadratischer Sockel mit Blattspitzenfries, glockenförmig ausschwingende Kuppa mit umlaufend mattgeschnittenem floralem Dekor. Farbloses Glas, Bronze, fein ziseliert und vergoldet. H. 23,5 cm. Centerpiece, Französisches Glas Two glass goblets as centrepieces Probably France, 2nd half 19th c. Square plinth with leaf-tip frieze on ball-shaped feet, bell-shaped dome with matte floral decoration all around. Colourless glass, gilded bronze. H. 23,5 cm. French glass
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