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A boxed Lladro figure, modelled as children in dog drawn sleigh on modern plinth, 25 cm high x 25 cm long (without plinth)Signs of restoration including to dogs tail. In original box with stand. Overall in very good condition. No apparent cracks or chips. Some very small spots of pitting on dog, no crazing, would benefit from a clean. Generally sound structure to the plate.
A Royal Worcester figurine, Grundy and Pat Eddery modelled after Doris Lindner on plinth with certificate limited edition 60/500, boxedGenerally in good condition. Spots of residue to ceramic base-should clean off. Possible spot of re-painting under one of the horse's legs. No obvious cracks, chips or crazing. Some rubbing to base.
A Royal Worcester figurine, Royal Canadian Mounted Policeman modelled by Doris Lindner, with plinth and certificate limited edition 466/500 and catalogueWould benefit from a clean, otherwise in very good condition. Some very small chips around the base. No apparent cracks, crazing or restoration. Colours bright.
Royal Doulton Snow White figurines comprising Snow White SW 9 (boxed), Grumpy's Bathtime SW 20 (boxed), Doc SW 10 (boxed), Grumpy SW 11 (boxed), Sneezy SW 14 (boxed), Happy SW 12 (boxed), Bashful SW 16 (boxed), Sleepy SW 15 (boxed), Dopey SW 13 (unboxed), Bashful's Melody SW 18 (unboxed) and a limited edition Disney Princess Collection Snow White with certificate 460/200 HN 3678, Dopey by Candlelight SW 17 (boxed), Dopey's First Kiss SW 21 on plinth base with certificate 47/2000 (boxed) (13)
Tête d'Epervier/Hawks Head. A glass mascot by René Lalique, introduced on 21/11/1928, No.1139 in the rare amethyst tint, signed moulded in relief 'LALIQUE FRANCE' on lower edge of neck, with distinctive double tailed 'q' in the signature, with contemporary Breves Galleries metal lighting display radiator mount and later silvered plinth, Marcilhac no.1139, p.499, Weiner p.39, height including mount 10cm. Overall 14.5cm.
Hirondelle/Swallow. A glass mascot by René Lalique, introduced on 10/2/1928, No.1143 in clear and frosted glass, signed moulded in relief with large block capitals 'R.LALIQUE' and smaller block capitals 'FRANCE' on the rear of the circular base, on an original Breves Galleries lighting display base and later plinth, Marcilhac no.1143, p.501, Weiner p.42, height 18.3cm with mount, 23.3 overall.
Hirondelle/Swallow. A glass mascot by René Lalique, introduced on 10/2/1928, No.1143 in clear and frosted glass with a slight amethyst tint, signed moulded in relief with large block capitals 'R.LALIQUE' and smaller block capitals 'FRANCE' on the rear of the circular base, with an original Breves Galleries split screw mount and later plinth, Marcilhac no.1143, p.501, Weiner p.42, height 14.2cm.
A mid 19th century gilt and patinated bronze mounted antico verdi marble mantel clock, Naudin & Bazelaire, surmounted by a seated figure of Justinian over the double plinth base with applied ormolu mounts, the 3.75 inch engine turned silvered dial with Roman chapter ring and blued steel moon hands, signed Naudin Bronzier and Bazelaire horlogère, the two train drum movement with silk suspension and outside countwheel strike on a bell, height 22.25in.
A Victorian burr walnut and marquetry cabinet on bookshelf, by Wilkinson & Son, with moulded cornice, fitted with an arched glazed panelled door flanked by two similar panels and with panels to the sides flanked by foliate capped columns, with open shelves below flanked by panelled carved stiles, on plinth base, stamped 'Wilkinson & Son, 8 Old Bond Street, 5135', W.3ft 6in.
A suite of five Regency rosewood and brass mounted library bookcase cabinets, comprising a breakfront library bookcase, fitted with six brass lattice grille doors above shelves, with pleated silk panel doors below enclosing drawers and shelves, on a moulded plinth base, with two further bookcases and a pair of bookcases ensuite, overall W.25ft 4in. approx.
A Victorian rosewood and holly wall mounted display cabinet, mid 19th century, the crest finely carved in rosewood with mistletoe, oak leaves and acorns, above a rectangular single glazed door with finely carved and applied holly, acorn and oak leaf ornament headed by interlaced 'C' s cartouche, enclosing fitted shelves, on a plinth base, W.4ft 6in.
A George V silver model of an Elizabethan galleon, William Comyns & Sons, London 1913, in full sail, the top sail on the main mast dot-pricked with the cypher of Queen Elizabeth I, the decks and rigging manned and with all the cannon ports open, on simulated 'wave' base and later wooden plinth, H 49cm (overall) L 53cmNote: Weetman Dickinson Pearson, 1st Viscount Cowdray GCVO PC (1856-1927) commissioned Comyns to make a galleon to mark the launch of each of 20 tankers built for his Mexican Eagle Oil Company Ltd. The first was launched in 1912.
§ Jonathan Kenworthy (1943-). A bronze group of 'Cheetah chasing Grant's Gazelles', on heavy veined marble plinth, signed and numbered 5/5, height 10.5in. length 39in. depth 14in.Provenance; Purchased from the Tryon Gallery Jonathan Kenworthy Exhibition, July 1969 and sold with a copy of the catalogue, gallery photographs and a copy of The Lady featuring this work.
George III oak longcase clock, the square hood with flanking pilasters above a rectangular panel door and moulded plinth base, the brass dial with Arabic and Roman numerals and subsidiary date aperture, signed Whitehurst, Derby, with a two train movement striking on a bell CONDITION REPORT One weight only present.This and the pendulum appear modified.Case and movement are most likely marriedBack plate is blank - no serial number.11in door, dial
19th Century French black slate and ormolu drum form pillar clock, the enamel dial with Roman numerals inscribed Hry. Marc, Paris, with a two train movement striking on a bell CONDITION REPORT Has no pendulum, bell has been screwed into position too tight and needs some work to remove it. Some small chips to edge of slate plinth and two hairline cracks to the dial (see photos)
George III mahogany longcase clock, the broken arch hood with flanking pilasters above an arched moulded panelled door and conforming plinth base, the brass dial with silvered centre and silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed John Austin, Shoreditch, the two train four pillar movement with anchor escapement striking on a bell CONDITION REPORT The brasswork is original. No signs of woodworm but the clock has been restored at some point in the past. Plinth has possibly lost some of its height, old veneer repairs and bowed side panels to the base (see photos)
19th Century mahogany and line inlaid longcase clock, the circular hood above a panel door with flanking reeded quarter pilasters above a conforming plinth base, the painted circular dial with Roman numerals, subsidiary seconds and date dials, signed G.C. Lawrence, Melrose, the two train movement with anchor escapement striking on a bell
19th Century mahogany bookcase, the moulded cornice above two astragal glazed doors flanked by fluted columns, the base with two satinwood crossbanded panelled doors on a plinth base CONDITION REPORT Back of top section is broken and not restored. Doors are smooth and working. Join in frieze below the moulded top. Loss of veneer to plinth base. Some marks and scuffs to colouring etc. Needs some restoration before use. No signs of major restoration previously.
Late 19th or early 20th Century carved light oak snooker score board / side cabinet, the moulded cornice above four small panelled doors carved with profile portraits above the snooker score board and ball storage compartments, the base with two drawers above two recessed panelled doors and plinth base, 43.5ins wide CONDITION REPORT No keys present to lock pigeon holes. No balls or cues. No major damages or repairs and the wear is commensurate with age and use.
George III figured mahogany breakfront bookcase having broken arch pediment and moulded cornice over four diamond bar glazed doors enclosing shelves, with central pull-out slide and two panel doors flanked by two banks of four short drawers with brass swan neck handles and a plinth base, 104ins high x 102ins wide x 27ins deep CONDITION REPORT Height to the top of the arch is 104 inches. Colour is actually ok, although it does appear to look washed out and not so good a colour in the photographs. It is not dark stained mahogany more like late 19th Century / Edwardian pieces but more of a medium colour with good grain variation. The photo out of the sunlight seems to be the closest match on colour that we can get with no flash on.
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173444 item(s)/page