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Lot 36
A pair of Samson of Paris porcelain wall brackets, second half 19th century, each bracket with gilt lined plinth above a cherub holding a floral garland within floral borders and against a duck egg blue shell alcove within scroll and foliate borders, the tops finely painted with rose sprays and sprigs, under glaze blue spurious crossed swords mark (one badly chipped), 26cm high, 21 cm wide. (2)
Lot 154
A George III oak and mahogany crossbanded cottage longcase clock, 18th century and later, the square hood with broken scroll swan neck pediment and ball and spire finial above a glazed door enclosing a 12 inch square white enamel dial marked E. King, Warwick, Arabic numerals, date aperture painted with roses in the corners, striking on a bell between reeded brass capped pilasters above a crossbanded three quarter length trunk door flanked by brass capped fluted quarter pilasters over a further tablet and crossbanded base board and later plinth, 206cm high.
Lot 157
A late Victorian skeleton clock, 19th century, the Gothic inspired frame with triple steeple upper section, fusee movement, anchor escapement axe head hammer, passing strike on a bell, the open work cream painted dial with Roman numerals and raised on bell shaped feet and stepped white alabaster plinth and compressed bun feet under a glass dome, the plinth and clock 39cm high, 43cm overall height including dome
Lot 103
A Victorian white marble figure of a classical maiden 19th century, she stands contra posto wearing classical robes, her left arm and hand holding a papyrus roll and pen in her right hand, she wears a laurel leaf crown on a square plinth, 71cm high on an associated and later earthenware square foliate pedestal inscribed number 1, the pedestal 43cm high. (2)
Lot 162
A French gilt metal and porcelain mounted mantel clock, by Le Roy et Fils, the rounded rectangular case surmounted by a child feeding a bird above a 3.5 inch white enamel dial with Roman numerals and Arabic outer seconds ring and marked Media l'Espion de Londres 1851 and Le Roy et Fils Palais Royal a Paris Gle Mont Pensier 13-15, eight day movement striking on a bell within rounded Sevres style porcelain panels of putti and flowers raised on a cast fluted plinth inset with further Sevres style panels of flowers and on toupie feet, 47cm high, 19cm deep, 36cm wide
Lot 156
A French Empire mahogany and ormolu portico clock, 19th century, the 4.5'' dial with engine turned centre and Roman numerals and two train movement suspended on a compensating grid iron pendulum with knife edge suspension, flanked by ormolu capped doric columns and raised on a stepped plinth with floral and ribbon mounts and raised on engine turned compressed bun feet, 53cm high.
Lot 114
A carved coconut flask, late 18th/early 19th century, with two diminutive ring handles carved with a mask and flower sash near the spout, the body carved with four ovals of lovebirds and an arrow, a basket of flowers, musical trophies and faithful dog beneath a tree near a plinth with two hearts, leaf carved lower section, 15cm long.
Lot 160
A French spelter and onyx clock garniture, early 20th century, the clock with 3 inch white enamel dial and Arabic numerals, eight day movement striking on a bell, the case surmounted by a maiden with plaque marked 'La Rosée par V. Morey' raised on a drum shaped plinth housing the clock movement and rounded rectangular platform base and four foliate paw feet and two matching garniture figures of male attendants in medieval dress on conforming bases, the clock 48cm high, 14cm deep, 23cm wide, the figures 39cm high
Lot 159
A George III oak longcase clock, the ogive moulding above a blind fret carved cornice and glazed square door flanked by turned gilt capped three quarter pilasters enclosing and 11.5'' square brass dial with silver chapter ring and Roman numerals, cherub spandrels and date aperture, the dial inscribed Richd Evans, Oswestry, eight day movement striking on a bell above an ogive moulding and rectangular bevelled trunk door further moulding and plain base board and plinth base, 200cm high.
Lot 153
An oak and mahogany crossbanded cottage longcase clock, part George III, the square hood with broken scrolls, swan neck pediment and brass ball and spire finial above a glazed door enclosing an associated 11 inch square dial inscribed Hill, Stafford with single hand silvered chapter ring with Roman numerals and pierced foliate spandrels, 30 hour movement striking on a bell between later reeded pilasters above a crossbanded trunk door flanked by fluted quarter pilasters over an ogive moulding and opine base board and plinth, 210cm high.
Lot 117
A pair of whale tooth scrimshaw late 19th/early 20th century, depicting a two masted English whaler before which are two rowing boats with men with harpoons and whales in the foreground, the other with two steam boats showing smoke with two sperm whales in the foreground surfacing each on stepped square plinth, 11.5 and 12cm respectively. (2)
Lot 564
*A 19th Century pocket watch holder, cream glaze; a Staffordshire watch stand depicting a woman resting on a globe; a copper lustre jug; a 19th Century inkwell in the form of a Viking long ship; two sauce tureens, one possibly by Neil Turner; two novelty teapots; together with an alabaster dog, raised on a plinth base. (9)
Lot 211
JASON & THE ARGONAUTS (1963) - Ray Harryhausen Hand-Drawn Concept of Talos Awakening A hand-drawn concept sketch c. 1961 showing the bronze statue Talos from the Don Chaffey fantasy-adventure Jason and the Argonauts. This image was created by legendary visual effects artist Ray Harryhausen and depicts one of the most famous sequences from the film – the giant bronze statue Talos, rising up from its plinth after Hercules (Nigel Green) steals from the treasure chamber below. The sketch is executed in pencil on paper, with a black ink border. The artwork displays some minor wear, including two small tears to the edges. Dimensions: 43 cm x56 cm (17" x 22")Please note this lot is sold without copyright, reproduction rights, licensing agreements or any other type of legal releases. VAT Status - Margin TRIANGLE
Lot 518
A late Victorian inlaid mahogany dwarf press cupboard, satinwood banding and stringing to with a reeded edge, infilled marquetry and rosette frieze, two panelled doors to the centre section enclosing slide, flanked by banks of four drawers, plinth base, length 197cm, depth 49cm, height 107cm.
Lot 514
A Victorian mahogany mantel clock, of large size, arched gilt dial, signed J.W. Simons, Croydon, silvered chapter ring with three supplementary dials, slow, fast, chime silent, and eight bells - Westminster chimes, engraved gilt ground, fusee movement striking on eight bells and a gong, the case with sarcophagus hood, and fluted Corinthian columns, inverted break-front plinth, 76cm.
Lot 182
Impressive contemporary filled silver model of 'The Gryphon', emblem of 24 Air Mobile Brigade, in the form of a crouching heraldic griffin, on a circular wooden plinth with applied hallmarked silver presentation plaque, 'The Gryphon' hallmarked Sheffield 1997, maker - C. S., with a stamped armorial shield, 51cm overall height (some damage)
Lot 1073
Rare early 19th century pine and grained apothecary chest, having an arrangement of twenty-three graduated drawers, each with gilt and penwork titles - including Mustard, Pond Lilley, Scullcap, Unicorn, etc, some with trade labels inside for W. Allenbrook, Medical Botanist, 17 New Street, Burton-on-Trent, on plinth base, 91cm wide x 27cm deep x 125cm high CONDITION REPORT No back boards present- although no indication that there was one. The base has been cut to accomodate a skirting board- possibly constructed to accommodate. General deterioration, distressing to all surfaces, handles appear to be original. Unclear if this was once more substantial. Sides and top are largely unfinished but stained consistently- dovetailed together
Lot 1072
Victorian rosewood Wellington chest of small size, having a bank of seven graduated drawers between locking stiles, on plinth base, 51cm wide x 35cm deep x 105cm high CONDITION REPORT Some slight losses to veneer, top is slightly bowing and lifts up slightly. General wear, bruises, knocks to woodwork but no severe condition issues. Lacks key, lacks escutcheon plate
Lot 551
Fine quality 19th century carved white marble statue of Venus bathing, her hair tied up in plaits, standing beside a tree trunk in the action of entering the water, raised on circular socle plinth, total height 70cm CONDITION REPORT She has lost the tip of her second toe on her left leg and has slight grazing to her large toe, otherwise minor surface scuffs, grazes, but basically good original condition
Lot 506
A FINE VICTORIAN INLAID BURR WALNUT CREDENZA, THIRD QUARTER OF 19TH CENTURY, the breakfront top with demilune ends over a conforming case with scroll inlaid frieze over a door with bevelled glass panel, flanked by a pair of fielded panel doors inlaid with formal ornament, raised on a plinth base. 105cm by 151cm by 44cm
Lot 526
A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, WILLIAM SMITH, LONDON, the 11½ inch brass and silvered break arch dial with strike/silent in the arch, subsidiary seconds and date calendar, passing strike, the hood with pagoda top and three brass orb finials, the case with flame mahogany moulded trunk door with break arch top, the fielded panel base raised on a plinth with shallow block feet, complete with weights and pendulum. Overall 251cm
Lot 503
A FINE FRENCH 19TH CENTURY ORMOLU AND PORCELAIN MOUNTED MANTEL CLOCK, the rectangular case surmounted by a putto riding a fish and with stop-fluted columns to each corner, the front and sides inset with blue ground porcelain panels, painted with Classical maidens, enamelled and gilded, the two train movement, stamped CMF, striking the hours and half hours on a bell, with key and pendulum, raised on a plinth. Overall height 35cm, plinth 21cm by 18.5cm
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173487 item(s)/page